Мода, гламур

A stunning visual tribute to Italian photographer Paolo Roversi’s celebrated images for the house of Dior.

A fashion house beloved for designs evoking modern Parisian elegance. A photographer renowned for hauntingly delicate portraits. This definitive volume, Dior Images: Paolo Roversi, is an ode to their legendary rapport.

Presenting photographs from British Vogue, Vogue Paris, and W, this tome spotlights creations by Dior’s artistic directors Gianfranco Ferré, John Galliano, Raf Simons, and Maria Grazia Chiuri. It also contains exclusive pictures from a photoshoot supervised by Grace Coddington featuring designs by Christian Dior himself. Equal parts fashion monograph and photographic portfolio, this exquisite volume will enthral photography, style, and art lovers.

About the Authors:

Paolo Roversi is a fashion photography luminary who has collaborated with top brands and publications on advertisements and editorials. He lives in Paris. Emanuele Coccia is an Italian philosopher who specializes in analyzing the status and power of images, especially in fashion.

For this volume, Dolce + Gabbana have decided to highlight the sensual photographic work of Mariano Vivanco, one of the world's leading photographers. Vivanco collects a series of photographs that celebrate the beauty and vigor of the male body at its most perfect.

The allure of postwar Italy continues to seduce and captivate us, and now our love affair is rekindled through these remarkable and candid photos of stars whose timeless glamour endures: Audrey Hepburn with her hairstylist; Anna Magnani hailing a cab in Rome; Ingrid Bergman and Roberto Rossellini on Capri.

The Italy of the 1950s and '60s was a time of high style that bedazzled Americans and ignited a love of all things Italian, particularly film and fashion. Through these unabashed portraits of the cult of celebrity, we can revisit an Italy that was sensuous yet innocent, simple yet courageous, cosmopolitan yet insulated.

This book is both a visually stunning tribute to larger-than-life personas and a unique reminiscence of a time when being bold and outrageous was to be at the height of fashion. With more than 130 lovingly executed duotone separations, Dolce Italia celebrates la dolce vita and allows us to relive this stylish era anew.

Drag (a man ""dressed as a girl"") has become a diverse form of expression that challenges, entertains and educates by pushing boundaries, while embracing beauty, comedy and glamour. The performers in this illustrated book are evidence of that diversity, captured by some of the top photographers working in the world today. All of them have graciously donated their work to make this book possible. What started as a small independent film fundraiser has grown into this beautiful coffee-table book. Features drag royalty such as Frank Marino, Eddie Edwards, Randy Roberts, Mr. Kenneth Blake, Chad Michaels, Elaine Lancaster, Jackie Beat, Charles Busch, Lady Bunny, Joey Arias, our amazing 'Marilyn Monroe centrespread' Jimmy James, Miss Coco Peru and the legendary Jim Bailey.

Edward Steichen was already a famous painter and photographer when, in 1923, he was offered one of the most prestigious and most lucrative positions in photography – that of chief photographer for Condé Nast’s Vogue and Vanity Fair.

Over the next fifteen years, Steichen produced an oeuvre of unequalled brilliance, dramatizing and glamorizing contemporary culture and its achievers – in politics, literature, journalism, dance, theatre, opera and, above all, the world of high fashion.

The 1920s and 1930s represent the high point in Edward Steichen’s photographic career, and the work he did for Condé Nast will stand forever among the most striking creations of 20th-century photography. The list of Steichen’s portraits is astounding in its range.

Steichen created a new style of fashion photography: his crisp, detailed, high-key style is a strong wind felt in the field to this day – George Hoyningen-Huene, Horst P. Horst, Richard Avedon, Robert Mapplethorpe and Bruce Weber are only his most illustrious descendants.

The Steichen archive at Condé Nast contains more than two thousand original vintage prints. A few of the images are well-known and indeed feature as iconic images in various histories of photography. Until now, however, no more than a handful of these prints has been exhibited or published.

They’re not your girls next door. Fashion and fetish in a female fantasyland

Ellen von Unwerth was a supermodel before the term was invented, so she knows a thing or two about photographing beautiful women. Now one of the world’s most original and successful fashion photographers, she pays homage to the world’s most delectable females in Fräulein. This celebration of our era’s sexiest female icons includes Claudia Schiffer, Kate Moss, Vanessa Paradis, Britney Spears, Eva Mendes, Lindsay Lohan, Dita von Teese, Adriana Lima, Carla Bruni, Eva Green, Christina Aguilera, Monica Bellucci and dozens more.

Switching effortlessly between color and immaculate black and white, von Unwerth’s photography revels in sexual intrigue, femininity, romance, fetishism, kitsch humor, decadence and sheer joie de vivre. Whether nude or in lingerie and a dazzling smile, her subjects are never objectified. Some flaunt personal fantasies; others are guarded, suggesting that we have stumbled into a secret world. Fashion and fantasy were never so enchantingly combined. These images were shot over the last 15 years and many are previously unpublished.

The photographer:

Ellen von Unwerth worked as a top fashion model for 10 years, before taking up the camera and becoming one of the world’s most in-demand fashion photographers. Her work has featured in countless magazines, including Vogue, Interview, Vanity Fair, and i-D, while her advertising campaigns include Victoria’s Secret, Banana Republic, and Chanel. Von Unwerth’s TASCHEN books include Heimat, Fräulein, and The Story of Olga.

This book, published in conjunction with the exhibition of the same title (Milan, Spring 2009), is produced in collaboration with Dolce & Gabbana. Always audacious, sometimes outrageous, Vogue’s images distinguish themselves by their willingness to explore the limits of contemporary ideas of beauty and they are created by the greatest photographers of the twentieth and twenty-first centuries. The one hundred or so featured prints reveal profoundly sensual and highly provocative narratives that bear witness to complex cultural attitudes toward female appearance and self-expression. From the neoclassical figures of Edward Steichen to the unconventional nudes of Annie Leibovitz, the aggressive portraiture of Helmut Newton, and the modernism of Steven Klein, the photographs in this volume consider the evolving female subject, in all her strength and contradiction. An entire section is devoted to Irving Penn, who transforms the face and body into images of extraordinary imaginative and aesthetic power.

Fashion and music have long shared a powerful mutual attraction: from the Sex Pistols to Madonna, Kylie Minogue to Lady Gaga, fashion has consistently amplified our understanding of the band (and in many cases the brand) – fuelling the fantasy, giving context to the sound and adding depth to artists’ wider agendas.

From pop videos to editorial shoots, via the evolution of some of the industry’s most significant and era-defining pairings/collaborations, this book focuses on the power of fashion as a make-or-break tool within the music industry’s creative process – making it an essential reference point for anyone interested in fashion’s role as a medium with which to innovate, communicate and build enduring brands.
About the Author

Katie Baron is a London-based writer, editor, creative consultant and global Head of Retail (insights and innovations) for trend-forecasting, research and advisory agency Stylus. She has contributed to The Times, Volt, Hole & Corner, 125, Dazed & Confused, Vogue, Luxure, experimental fashion broadcaster SHOWstudio, and regularly speaks at fashion-tech forum, Decoded Fashion. She is also a founder member of the London College of Fashion's future-scoping think-tank, Digital Anthroplogy Laboratory, and author of Stylists: New Fashion Visionaries (Laurence King Publishing).

Contents:

1. B. Akerlund

Artists: Madonna, Beyoncé, Britney Spears, Lady Gaga, Laleh.

2. William Baker

Artists: Kylie Minogue.

3. Judy Blame

Artists: Boy George, Neneh Cherry, Massive Attack, Björk, Iggy Pop, Baaba Maal. 

4. Jeffrey Bryant

Artists: Pet Shop Boys, Goldfrapp, Lady Gaga, Duran Duran, Marina & The Diamonds,

5. Es Devlin

Artists: Pet Shop Boys, Kanye West, Lily Allen, Miley Cyrus (note most are for set only). Now working on staging the next three Louis Vuitton fashion shows.

6. Franc Fernandez

Artists: Lady Gaga, Scissor Sisters, Sam Sparro, Fischerspooner.

7. Nicola Formichetti

Artists: Lady Gaga, Brooke Candy, Color Code (J-Pop).

8. Jean-Paul Goude

Artists: Grace Jones.

9. Andrea Lieberman

Artists: P-Diddy, Gwen Stefani, Jennifer Lopez, Shirley Manson,

10. Anastasia Marano

Artists: MIA, Azalea Banks, Usher, Taylor Momsen, Santigold.

11. Jordan Mooney

Artists: Sex Pistols, Adam and the Ants

12. Arianne Phillips

Artists: Madonna, Lenny Kravitz, Courtney Love.

13. Antony Price

Artists: Roxy Music, Rolling Stones, Duran Duran.

14. Michael Schmidt

Artists: Cher, Debbie Harry, Tina Turner, Britney Spears, Rihanna, Lady Gaga, Madonna, Aerosmith. 

15. Jo & Pat Skinny

Artists: Blur, Pulp, Suede, Republica, The Longpigs

16. Stevie Stewart

Artists: Bodymap era to Kylie Minogue, Britney Spears, Girls Aloud. 

17. Jenke-Ahmed Tailly

Artists: Beyoncé.

18. Johnny Wujek

Artists: Katy Perry

19. Kansai Yamamoto

Artists: David Bowie, Lady Gaga.

This book traces the history of fashion photography from its origins. Approximately 500 illustrations chart its birth and development in the 1930s and 1940s, its rebirth in the period following the Second World War, British Style in the Sixties, then the Seventies and Eighties, right up to the present day. The volume concludes with an index of photographers.

72 tritone photographs, 19 color photographs

An introduction to the groundbreaking work of Guy Bourdin (1928–91), a great innovator in the field of fashion photography

About the author(s)
Alison Gingeras is an international curator and writer based in Paris. She held the post of Curator of Contemporary Art Exhibitions and Collections at the Centre Pompidou, Paris (1999 to 2004) and was a member of the curatorial team at the Solomon R. Guggenheim Museum, New York from 1995 to 1999. She is on the editorial committee of Tate.Etc. magazine and has written dozens of exhibition catalogue texts and essays on contemporary artists.

Whether the incredible pieces of haute couture were designed by Chanel, Dior, Gaultier, Lacroix, Elie Saab, Philip Treacy, or Valentino, their beauty is preserved in the gorgeous images captured with a large-format camera using Polaroid material by Cathleen Naundorf and collected in this book. Her well-honed technique, inspired by her mentor Horst P. Horst, which combines instant film’s distinctive colors and shadow with the artist’s remarkable instinct, results in photographs that resemble paintings - haunting, muted, and raw. Not only are they a feast for fashion-hungry eyes, but they are also a testament to the talents of this young artist who has forged a formidable reputation in the fashion world. Featuring stunning couture images, this book presents renowned fashion photographer Cathleen Naundorf’s work with Polaroid photography from the past six years..

Instant Newton. A collection of Helmut Newton's test Polaroids

Polaroids occupy a special place in the hearts of many photo enthusiasts who remember a time when "instant photography" meant one-of-a-kind prints that developed within minutes of clicking the shutter. What was once a crucial tool for photographers to test their shots before shooting on film has now become obsolete in the face of digital photography. Luckily for us, legendary photographer Helmut Newton saved his test Polaroids, allowing a privileged and rare chance to see the tests from a selection of his greatest shoots over a period of decades, including many from the TASCHEN titles SUMO, A Gun for Hire, and Work. Selected by his widow, June Newton, from over 300 photos featured at the 2011 exhibition "Helmut Newton Polaroids" at the Museum für Fotografie in Berlin, this collection captures the magic of Helmut Newton photo shoots as only Polaroids can.

The photographer:

Helmut Newton (1920-2004) was one of the most influential photographers of all time. Born in Berlin, he arrived in Australia in 1940 and married June Brunell (a.k.a. Alice Springs) eight years later. He first achieved international fame in the 1970's while working principally for French Vogue, and his celebrity and influence grew over the decades. Newton preferred to shoot in streets or interiors, rather than studios. Controversial scenarios, bold lighting, and striking compositions came to form his signature look. In 1990 he was awarded the Grand Prix national de la photographie; in 1992 the German government awarded him Das Grosse Verdienstkreuz for services to German culture, and he was appointed Officier des Arts, Lettres et Sciences by S.A.S. Princess Caroline of Monaco. In 1996, he was appointed Commandeur de l'Ordre des Arts et des Lettres by Philippe Douste-Blazy, the French Minister of Culture at the time. Working and living in close companionship with his wife until his death at 83, his images remain as distinctive, seductive and original as ever.

Shooting Beauties: the fashion photography of Helmut Newton

"Carte Blanche" for the commissioned works between art and commerce

Helmut Newton did not distinguish compositionally or stylistically between his magazine work and assignments for commercial clients. He ironically referred to himself as “a gun for hire.” That was also the title of June Newton's legendary book about his commercial photography, which is now available in a new edition revised by the Helmut Newton Foundation.

"Some people's photography is an art. Mine is not. If they happen to be exhibited in a gallery or a museum, that's fine. But that's not why I do them. I'm a gun for hire," Helmut Newton told Newsweek in 2004. This prosaic proclamation from one of the 20th century's most celebrated photographers may be perceived as shocking. Still it firmly positions Newton as the no-frills image-maker that he was. His work is so powerful and striking, that it defies categorization. In refusing to call his work "art," Newton leaves us free to do so. Judging from the amount of museum and gallery shows that have featured his work, it is clear that the option has been widely exercised.

A Gun for Hire brings together a selection of Newton's fashion catalog work from the early 1960s to 2003 including work for BiBA (the first fashion catalog in 1962), Chanel, Yves Saint Laurent, Versace, Thierry Mugler, Blumarine, Villeroy & Boch and Absolut Vodka, as well as his last editorial photographs for US and Italian Vogue — encompassing the body of work he made as a "gun for hire."

With an introduction by Matthias Harder and statements by Pierre Bergé, Tom Ford, Josephine Hart, June Newton, and Anna Wintour.

Client list: BiBA, Chanel, Yves Saint Laurent, Versace, Thierry Mugler, Blumarine, Italian Vogue, US Vogue, German Vogue, Villeroy & Boch, Bikini Calendar for Sportsmagazin, Absolut Vodka

About the photographer:

Helmut Newton (1920-2004) was one of the most influential fashion photographers of all time. Born in Berlin, he arrived in Australia in 1940 and married June Brunell (a.k.a. Alice Springs) eight years later. He achieved international fame in the 1970`s while working principally for French Vogue, and over the next three decades, his celebrity and influence continued to grow. Eschewing studios, for the most part, Newton preferred to shoot in the streets or in interiors. His mixture of controversial scenarios, bold lighting, and striking compositions came to form his signature look. In 1990 he was awarded the "Grand Prix National" for photography; in 1992 was awarded by the German government "Das Grosse Verdienstkreuz" for his services to German culture and was appointed "Officer des Arts, Lettres et Sciences" by S.A.S. Princess Caroline of Monaco. In 1996, he was appointed "Commandeur de l`Ordre des Arts et des Lettres" by Philippe Douste-Blazy, the French Minister of Culture. Working and living in close companionship with his wife until his death at 83, through his last click of the shutter he continued to be as distinctive and influential as ever.

Spanning more than five decades, the work of Helmut Newton (1920–2004) defies categorization. His photographic oeuvre is not only unique, but virtually unparalleled in scope, reaching millions through magazines like Vogue and Elle. Helmut Newton. Legacy showcases highlights and rediscovered images from one of the most published bodies of work in photography. A genuine visionary, this book celebrates Newton’s lasting influence on visual art to this day.

A Lasting Legacy. Helmut Newton’s prolific body of work

Virtually unparalleled in scope and spanning more than five decades, the photography of visionary Helmut Newton (1920–2004) reached millions through publication in magazines like Vogue and Elle. His oeuvre transcended genres, bringing elegance, style, and voyeurism to fashion, portrait, and glamour photography through a body of work that remains as inimitable as it is unrivaled. Having mastered the art of fashion photography early in his career, Newton’s shoots invariably went beyond standard practice, blurring the lines between reality and illusion. Newton’s clear aesthetic pervades all areas of his work, particularly fashion, portraiture, and nude photography. Women take center stage – with subjects such as Catherine Deneuve, Liz Taylor, and Charlotte Rampling. Moving beyond traditional narrative approaches, Newton’s fashion photography is imbued not only with luxurious elegance and subtle seduction, but also cultural references and a surprising sense of humor.

During the 1990s, Newton shot for the German, American, Italian, French, and Russian editions of Vogue, primarily in and around Monte Carlo where he was living from 1981 onwards. Transforming locations like his own garage into starkly contrasting or particularly minimalist theatrical stages, Newton would often portray the eccentric lives of the beautiful and rich, full of eroticism and elegance, in unconventional scenarios. He made use of and simultaneously questioned visual clichés, at times tinged with self-irony or mockery, but always full of empathy.

Helmut Newton. Legacy, which accompanies an international exhibition tour of Newton’s work, showcases highlights from one of the most published bodies of work in photography, including numerous rediscovered images. A prolific image maker and genuine visionary, this book celebrates Newton’s lasting influence on modern photography and visual art to this day.

The exhibition HELMUT NEWTON. LEGACY will be on view at the Helmut Newton Foundation, Jebensstraße 2, 10623 Berlin from October 31, 2021 to May 22, 2022.

The photographer:

Helmut Newton (1920–2004) was one of the most influential photographers of all time. He first achieved international fame in the 1970s while working principally for French Vogue, where he became celebrated for his controversial scenarios. Most striking was his ability to make a throughly planned photograph seem fresh and dynamic. His many titles and awards included Commandeur de l’Ordre des Arts et des Lettres.

The editor and author:

Matthias Harder studied Art History, Classical Archaeology and Philosophy in Kiel and Berlin. He is a member of the German Society of Photography and an advisory council member of the European Month of Photography. Head curator of the Helmut Newton Foundation in Berlin from 2004, and also its director from 2019, he has written numerous articles for books and exhibition catalogues.

The contributing author:

Philippe Garner is an expert in 20th-century photography, design, and decorative art. He has written numerous essays and books, from studies of the lives of designer Émile Gallé and photographers Cecil Beaton and John Cowan, to his Sixties Design for TASCHEN. A former director of Christie’s, he has also curated shows for museums in London, Paris, and Tokyo.