Мода, гламур

Мода, гламур

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Christopher Logan
ID: 8226
Издательство: Tectum

Drag (a man ""dressed as a girl"") has become a diverse form of expression that challenges, entertains and educates by pushing boundaries, while embracing beauty, comedy and glamour. The performers in this illustrated book are evidence of that diversity, captured by some of the top photographers working in the world today. All of them have graciously donated their work to make this book possible. What started as a small independent film fundraiser has grown into this beautiful coffee-table book. Features drag royalty such as Frank Marino, Eddie Edwards, Randy Roberts, Mr. Kenneth Blake, Chad Michaels, Elaine Lancaster, Jackie Beat, Charles Busch, Lady Bunny, Joey Arias, our amazing 'Marilyn Monroe centrespread' Jimmy James, Miss Coco Peru and the legendary Jim Bailey.

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William A. Ewing, Todd Brandow
ID: 5013
Издательство: Thames & Hudson

Edward Steichen was already a famous painter and photographer when, in 1923, he was offered one of the most prestigious and most lucrative positions in photography – that of chief photographer for Condé Nast’s Vogue and Vanity Fair.

Over the next fifteen years, Steichen produced an oeuvre of unequalled brilliance, dramatizing and glamorizing contemporary culture and its achievers – in politics, literature, journalism, dance, theatre, opera and, above all, the world of high fashion.

The 1920s and 1930s represent the high point in Edward Steichen’s photographic career, and the work he did for Condé Nast will stand forever among the most striking creations of 20th-century photography. The list of Steichen’s portraits is astounding in its range.

Steichen created a new style of fashion photography: his crisp, detailed, high-key style is a strong wind felt in the field to this day – George Hoyningen-Huene, Horst P. Horst, Richard Avedon, Robert Mapplethorpe and Bruce Weber are only his most illustrious descendants.

The Steichen archive at Condé Nast contains more than two thousand original vintage prints. A few of the images are well-known and indeed feature as iconic images in various histories of photography. Until now, however, no more than a handful of these prints has been exhibited or published.

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Ellen von Unwerth, Ingrid Sischy
ID: 11250
Издательство: Taschen

They’re not your girls next door. Fashion and fetish in a female fantasyland

Ellen von Unwerth was a supermodel before the term was invented, so she knows a thing or two about photographing beautiful women. Now one of the world’s most original and successful fashion photographers, she pays homage to the world’s most delectable females in Fräulein. This celebration of our era’s sexiest female icons includes Claudia Schiffer, Kate Moss, Vanessa Paradis, Britney Spears, Eva Mendes, Lindsay Lohan, Dita von Teese, Adriana Lima, Carla Bruni, Eva Green, Christina Aguilera, Monica Bellucci and dozens more.

Switching effortlessly between color and immaculate black and white, von Unwerth’s photography revels in sexual intrigue, femininity, romance, fetishism, kitsch humor, decadence and sheer joie de vivre. Whether nude or in lingerie and a dazzling smile, her subjects are never objectified. Some flaunt personal fantasies; others are guarded, suggesting that we have stumbled into a secret world. Fashion and fantasy were never so enchantingly combined. These images were shot over the last 15 years and many are previously unpublished.

The photographer:

Ellen von Unwerth worked as a top fashion model for 10 years, before taking up the camera and becoming one of the world’s most in-demand fashion photographers. Her work has featured in countless magazines, including VogueInterviewVanity Fair, and i-D, while her advertising campaigns include Victoria’s Secret, Banana Republic, and Chanel. Von Unwerth’s TASCHEN books include HeimatFräulein, and The Story of Olga.

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Phyllis Posnick, Eva Respini
ID: 4962
Издательство: Skira

This book, published in conjunction with the exhibition of the same title (Milan, Spring 2009), is produced in collaboration with Dolce & Gabbana.

Always audacious, sometimes outrageous, Vogue’s images distinguish themselves by their willingness to explore the limits of contemporary ideas of beauty and they are created by the greatest photographers of the twentieth and twenty-first centuries. The one hundred or so featured prints reveal profoundly sensual and highly provocative narratives that bear witness to complex cultural attitudes toward female appearance and self-expression.

From the neoclassical figures of Edward Steichen to the unconventional nudes of Annie Leibovitz, the aggressive portraiture of Helmut Newton, and the modernism of Steven Klein, the photographs in this volume consider the evolving female subject, in all her strength and contradiction. An entire section is devoted to Irving Penn, who transforms the face and body into images of extraordinary imaginative and aesthetic power.

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Katie Baron
ID: 11463
Издательство: Laurence King Publishing

Fashion and music have long shared a powerful mutual attraction: from the Sex Pistols to Madonna, Kylie Minogue to Lady Gaga, fashion has consistently amplified our understanding of the band (and in many cases the brand) – fuelling the fantasy, giving context to the sound and adding depth to artists’ wider agendas.

From pop videos to editorial shoots, via the evolution of some of the industry’s most significant and era-defining pairings/collaborations, this book focuses on the power of fashion as a make-or-break tool within the music industry’s creative process – making it an essential reference point for anyone interested in fashion’s role as a medium with which to innovate, communicate and build enduring brands.
About the Author

Katie Baron is a London-based writer, editor, creative consultant and global Head of Retail (insights and innovations) for trend-forecasting, research and advisory agency Stylus. She has contributed to The Times, Volt, Hole & Corner, 125, Dazed & Confused, Vogue, Luxure, experimental fashion broadcaster SHOWstudio, and regularly speaks at fashion-tech forum, Decoded Fashion. She is also a founder member of the London College of Fashion's future-scoping think-tank, Digital Anthroplogy Laboratory, and author of Stylists: New Fashion Visionaries (Laurence King Publishing).

Contents:

1. B. Akerlund

Artists: Madonna, Beyoncé, Britney Spears, Lady Gaga, Laleh.

2. William Baker

Artists: Kylie Minogue.

3. Judy Blame

Artists: Boy George, Neneh Cherry, Massive Attack, Björk, Iggy Pop, Baaba Maal. 

4. Jeffrey Bryant

Artists: Pet Shop Boys, Goldfrapp, Lady Gaga, Duran Duran, Marina & The Diamonds,

5. Es Devlin

Artists: Pet Shop Boys, Kanye West, Lily Allen, Miley Cyrus (note most are for set only). Now working on staging the next three Louis Vuitton fashion shows.

6. Franc Fernandez

Artists: Lady Gaga, Scissor Sisters, Sam Sparro, Fischerspooner.

7. Nicola Formichetti

Artists: Lady Gaga, Brooke Candy, Color Code (J-Pop).

8. Jean-Paul Goude

Artists: Grace Jones.

9. Andrea Lieberman

Artists: P-Diddy, Gwen Stefani, Jennifer Lopez, Shirley Manson,

10. Anastasia Marano

Artists: MIA, Azalea Banks, Usher, Taylor Momsen, Santigold.

11. Jordan Mooney

Artists: Sex Pistols, Adam and the Ants

12. Arianne Phillips

Artists: Madonna, Lenny Kravitz, Courtney Love.

13. Antony Price

Artists: Roxy Music, Rolling Stones, Duran Duran.

14. Michael Schmidt

Artists: Cher, Debbie Harry, Tina Turner, Britney Spears, Rihanna, Lady Gaga, Madonna, Aerosmith. 

15. Jo & Pat Skinny

Artists: Blur, Pulp, Suede, Republica, The Longpigs

16. Stevie Stewart

Artists: Bodymap era to Kylie Minogue, Britney Spears, Girls Aloud. 

17. Jenke-Ahmed Tailly

Artists: Beyoncé.

18. Johnny Wujek

Artists: Katy Perry

19. Kansai Yamamoto

Artists: David Bowie, Lady Gaga.

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ID: 7822
Издательство: Frechmann Kolon

This book traces the history of fashion photography from its origins. Approximately 500 illustrations chart its birth and development in the 1930s and 1940s, its rebirth in the period following the Second World War, British Style in the Sixties, then the Seventies and Eighties, right up to the present day. The volume concludes with an index of photographers.

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Sante D'Orazio
ID: 2391
Издательство: teNeues

72 tritone photographs, 19 color photographs

In July 1997 Gianni Versace had begun his Fall Collection when his life was tragically cut short. It was up to his sister Donatella to bravely pick up the pieces and finish what her beloved brother had started. That October was Gianni's last collection and Donatella's first. It was an end and new beginning … a metamorphosis and change for the Versaces, a metaphor for life itself.

At the special invitation of the Versace family, Sante D'Orazio painted a photographic masterpiece of that milestone, both front- and backstage. For a decade the Versace family has kept these cherished images private. However, they are being published now to mark the 10th anniversary of that landmark collection—a fitting tribute to Gianni Versace and his talented and devoted sister Donatella.
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ID: 14433
Издательство: Taschen

Heavenly Body. The rise and rise of Gisele Bündchen

Born in the Brazilian countryside, and nearly six feet tall by the age of 14, Gisele Bündchen grew from humble roots into the most successful supermodel in the world. This book celebrates her 20-year milestone in the industry with a unique and spectacular collection of jaw-dropping glamour and intimate, personal insights.

Gisele was just 18 when she made her breakthrough in the S/S 1998 ready-to-wear “Rain” show of Alexander McQueen, who chose “The Body” thanks to her ability to walk in towering heels on a slippery runway. The same year, Gisele secured her first British Vogue cover, and swiftly became the most in-demand cover girl of her generation. The following year, she was chosen for the cover of American Vogue, shot by Steven Meisel, and lauded as “the return of the sexy model” with her bronzed, athletic beauty defying late-’90s grunge. Since then, Gisele has appeared on more than 1,000 covers around the globe, in approximately 450 fashion shows, and in multinational campaigns for the biggest fashion and beauty brands.

With more than 300 photographs, this book is curated and art directed by Giovanni Bianco. From Gisele’s legendary nude portrait by Irving Penn, chosen as the book’s cover, to iconic shots from such industry luminaries as Steven Meisel, Mario TestinoPeter LindberghDavid LaChapelle, Juergen Teller, Inez & Vinoodh, Mert Alas & Marcus Piggott, and Corinne Day, it is a unique artistic presentation of the most famous Brazilian export together with Pelé and Senna and the highest-earning model in the world. The breathtaking image collection is accompanied by an introduction by Steven Meisel and tributes from Gisele’s closest friends, family, and fashion leaders, who shed light on how and why she has become one of the greatest models of all time.

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Alison Gingeras
ID: 8639
Издательство: Phaidon

An introduction to the groundbreaking work of Guy Bourdin (1928–91), a great innovator in the field of fashion photography

  • An introduction to the groundbreaking work of Guy Bourdin (1928–91), a great innovator in the field of fashion photography
  • Bourdin’s high glamour and seductive, often surreal, work revolutionized the genre of fashion photography
  • Introductory essay by Alison Gingeras provides a fresh perspective on Bourdin’s life and work, including his considerable influence on the world of commercial and fine art photography
  • Documents the development of Bourdin’s photography through a chronological sequence of 55 images
  • Introduces lesser-known and previously unpublished images alongside famous classics such as his campaigns for Charles Jourdan and Dior, and his work for French Vogue
Guy Bourdin was born in Paris in 1928 and received his first photographic training whilst performing military service in Senegal in 1948. His photographs were first shown in Paris in 1952, the catalogue for which exhibition included an introduction by Man Ray, and he began working for French Vogue in 1954.

Inspired by Man Ray’s brand of Surrealism, Bourdin rejected the descriptive roles of photography in favour of an exploration of the medium's capacity for the divergent. Along with certain American photographers, notably Edward Weston, Bourdin recognized a concern with formal perfection and extremely high finish that became his own objective, one perfectly adapted to the deceptive sophistication of fashion imagery, the landscape in which he developed his ideas for over thirty years.

At French Vogue, Bourdin demanded and was allowed unique editorial control and amazingly he extended this to his principal client in advertising, the shoe company Charles Jourdan, who first commissioned him in the 1960s. Bourdin's approach to campaigns reflected a distinct change for advertising in this period. Bourdin rejected the 'product shot' in favour of atmospheric, often surreal tableaux and suggestions of narrative. Bourdin was not alone in demystifying the object, but he was the most radical in his approach.

The impact of the imagery of Guy Bourdin on both commercial and fine art photography continues to resonate today, Bourdin made radical changes both in the style and the meaning of commercial imagery. His fashion shoots are mysterious, hypnotic, surreal, exposing the true and unnerving nature of desire. He shows that, within the context of fashion, it is rarely the product that compels us. It is the image – carefully staged narrative of sexual fantasy, the quest for the unattainable, the suggestion of danger – that stimulates consumer desire.

About the author(s)
Alison Gingeras is an international curator and writer based in Paris. She held the post of Curator of Contemporary Art Exhibitions and Collections at the Centre Pompidou, Paris (1999 to 2004) and was a member of the curatorial team at the Solomon R. Guggenheim Museum, New York from 1995 to 1999. She is on the editorial committee of Tate.Etc. magazine and has written dozens of exhibition catalogue texts and essays on contemporary artists.

 

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Ira Stehmann
ID: 8076
Издательство: Prestel

Whether the incredible pieces of haute couture were designed by Chanel, Dior, Gaultier, Lacroix, Elie Saab, Philip Treacy, or Valentino, their beauty is preserved in the gorgeous images captured with a large-format camera using Polaroid material by Cathleen Naundorf and collected in this book. Her well-honed technique, inspired by her mentor Horst P. Horst, which combines instant film’s distinctive colors and shadow with the artist’s remarkable instinct, results in photographs that resemble paintings - haunting, muted, and raw. Not only are they a feast for fashion-hungry eyes, but they are also a testament to the talents of this young artist who has forged a formidable reputation in the fashion world. Featuring stunning couture images, this book presents renowned fashion photographer Cathleen Naundorf’s work with Polaroid photography from the past six years..

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Helmut Newton
ID: 7262
Издательство: Taschen

Instant Newton. A collection of Helmut Newton's test Polaroids

Polaroids occupy a special place in the hearts of many photo enthusiasts who remember a time when "instant photography" meant one-of-a-kind prints that developed within minutes of clicking the shutter. What was once a crucial tool for photographers to test their shots before shooting on film has now become obsolete in the face of digital photography. Luckily for us, legendary photographer Helmut Newton saved his test Polaroids, allowing a privileged and rare chance to see the tests from a selection of his greatest shoots over a period of decades, including many from the TASCHEN titles SUMO, A Gun for Hire, and Work. Selected by his widow, June Newton, from over 300 photos featured at the 2011 exhibition "Helmut Newton Polaroids" at the Museum für Fotografie in Berlin, this collection captures the magic of Helmut Newton photo shoots as only Polaroids can.

The photographer:

Helmut Newton (1920-2004) was one of the most influential photographers of all time. Born in Berlin, he arrived in Australia in 1940 and married June Brunell (a.k.a. Alice Springs) eight years later. He first achieved international fame in the 1970's while working principally for French Vogue, and his celebrity and influence grew over the decades. Newton preferred to shoot in streets or interiors, rather than studios. Controversial scenarios, bold lighting, and striking compositions came to form his signature look. In 1990 he was awarded the Grand Prix national de la photographie; in 1992 the German government awarded him Das Grosse Verdienstkreuz for services to German culture, and he was appointed Officier des Arts, Lettres et Sciences by S.A.S. Princess Caroline of Monaco. In 1996, he was appointed Commandeur de l'Ordre des Arts et des Lettres by Philippe Douste-Blazy, the French Minister of Culture at the time. Working and living in close companionship with his wife until his death at 83, his images remain as distinctive, seductive and original as ever.

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Helmut Newton
ID: 279
Издательство: Taschen

Shooting Beauties: the fashion photography of Helmut Newton

"Carte Blanche" for the commissioned works between art and commerce

Helmut Newton did not distinguish compositionally or stylistically between his magazine work and assignments for commercial clients. He ironically referred to himself as “a gun for hire.” That was also the title of June Newton's legendary book about his commercial photography, which is now available in a new edition revised by the Helmut Newton Foundation.

"Some people's photography is an art. Mine is not. If they happen to be exhibited in a gallery or a museum, that's fine. But that's not why I do them. I'm a gun for hire," Helmut Newton told Newsweek in 2004. This prosaic proclamation from one of the 20th century's most celebrated photographers may be perceived as shocking. Still it firmly positions Newton as the no-frills image-maker that he was. His work is so powerful and striking, that it defies categorization. In refusing to call his work "art," Newton leaves us free to do so. Judging from the amount of museum and gallery shows that have featured his work, it is clear that the option has been widely exercised.

A Gun for Hire brings together a selection of Newton's fashion catalog work from the early 1960s to 2003 including work for BiBA (the first fashion catalog in 1962), Chanel, Yves Saint Laurent, Versace, Thierry Mugler, Blumarine, Villeroy & Boch and Absolut Vodka, as well as his last editorial photographs for US and Italian Vogue — encompassing the body of work he made as a "gun for hire."

With an introduction by Matthias Harder and statements by Pierre Bergé, Tom Ford, Josephine Hart, June Newton, and Anna Wintour.

Client list: BiBA, Chanel, Yves Saint Laurent, Versace, Thierry Mugler, Blumarine, Italian Vogue, US Vogue, German Vogue, Villeroy & Boch, Bikini Calendar for Sportsmagazin, Absolut Vodka

About the photographer:

Helmut Newton (1920-2004) was one of the most influential fashion photographers of all time. Born in Berlin, he arrived in Australia in 1940 and married June Brunell (a.k.a. Alice Springs) eight years later. He achieved international fame in the 1970`s while working principally for French Vogue, and over the next three decades, his celebrity and influence continued to grow. Eschewing studios, for the most part, Newton preferred to shoot in the streets or in interiors. His mixture of controversial scenarios, bold lighting, and striking compositions came to form his signature look. In 1990 he was awarded the "Grand Prix National" for photography; in 1992 was awarded by the German government "Das Grosse Verdienstkreuz" for his services to German culture and was appointed "Officer des Arts, Lettres et Sciences" by S.A.S. Princess Caroline of Monaco. In 1996, he was appointed "Commandeur de l`Ordre des Arts et des Lettres" by Philippe Douste-Blazy, the French Minister of Culture. Working and living in close companionship with his wife until his death at 83, through his last click of the shutter he continued to be as distinctive and influential as ever.

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Helmut Newton, Matthias Harder, Philippe Garner
ID: 14158
Издательство: Taschen

Spanning more than five decades, the work of Helmut Newton (1920–2004) defies categorization. His photographic oeuvre is not only unique, but virtually unparalleled in scope, reaching millions through magazines like Vogue and ElleHelmut Newton. Legacy showcases highlights and rediscovered images from one of the most published bodies of work in photography. A genuine visionary, this book celebrates Newton’s lasting influence on visual art to this day.

A Lasting Legacy. Helmut Newton’s prolific body of work

Virtually unparalleled in scope and spanning more than five decades, the photography of visionary Helmut Newton (1920–2004) reached millions through publication in magazines like Vogue and Elle. His oeuvre transcended genres, bringing elegance, style, and voyeurism to fashion, portrait, and glamour photography through a body of work that remains as inimitable as it is unrivaled. Having mastered the art of fashion photography early in his career, Newton’s shoots invariably went beyond standard practice, blurring the lines between reality and illusion. Newton’s clear aesthetic pervades all areas of his work, particularly fashion, portraiture, and nude photography. Women take center stage – with subjects such as Catherine Deneuve, Liz Taylor, and Charlotte Rampling. Moving beyond traditional narrative approaches, Newton’s fashion photography is imbued not only with luxurious elegance and subtle seduction, but also cultural references and a surprising sense of humor.

During the 1990s, Newton shot for the German, American, Italian, French, and Russian editions of Vogue, primarily in and around Monte Carlo where he was living from 1981 onwards. Transforming locations like his own garage into starkly contrasting or particularly minimalist theatrical stages, Newton would often portray the eccentric lives of the beautiful and rich, full of eroticism and elegance, in unconventional scenarios. He made use of and simultaneously questioned visual clichés, at times tinged with self-irony or mockery, but always full of empathy.

Helmut Newton. Legacy, which accompanies an international exhibition tour of Newton’s work, showcases highlights from one of the most published bodies of work in photography, including numerous rediscovered images. A prolific image maker and genuine visionary, this book celebrates Newton’s lasting influence on modern photography and visual art to this day.

The exhibition HELMUT NEWTON. LEGACY will be on view at the Helmut Newton Foundation, Jebensstraße 2, 10623 Berlin from October 31, 2021 to May 22, 2022.

The photographer:

Helmut Newton (1920–2004) was one of the most influential photographers of all time. He first achieved international fame in the 1970s while working principally for French Vogue, where he became celebrated for his controversial scenarios. Most striking was his ability to make a throughly planned photograph seem fresh and dynamic. His many titles and awards included Commandeur de l’Ordre des Arts et des Lettres.

The editor and author:

Matthias Harder studied Art History, Classical Archaeology and Philosophy in Kiel and Berlin. He is a member of the German Society of Photography and an advisory council member of the European Month of Photography. Head curator of the Helmut Newton Foundation in Berlin from 2004, and also its director from 2019, he has written numerous articles for books and exhibition catalogues.

The contributing author:

Philippe Garner is an expert in 20th-century photography, design, and decorative art. He has written numerous essays and books, from studies of the lives of designer Émile Gallé and photographers Cecil Beaton and John Cowan, to his Sixties Design for TASCHEN. A former director of Christie’s, he has also curated shows for museums in London, Paris, and Tokyo.

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Helmut Newton, June Newton
ID: 4262
Издательство: Taschen

20 Years of SUMO. The Helmut Newton SUMO in XL, revised by June Newton, with a making-of booklet

The Helmut Newton SUMO was a titanic book that towered above anything previously attempted. Twenty years later, we celebrate the legacy of this publishing venture in an XL edition, the result of a project conceived by Helmut Newton and revised by his wife June. Gathering 464 images and a new booklet that takes us through the making of the SUMO, it’s a spectacular tribute to the larger-than-life photographer.

Helmut Newton (1920–2004) always showed a healthy disdain for the easy or predictable, so it’s no surprise that the SUMO was an irresistible project. The idea of a book the size of a private exhibition, with spectacular images, reproduced to state-of-the-art origination and printing standards, emerged from an open, experimental dialogue between photographer and publisher. With the SUMO weighing in — boxed and shrink-wrapped — at 35.4 kg (just under 80 pounds), Newton created a landmark book that stood head and shoulders above anything previously attempted, both in terms of conceptual extravagance and technical specifications.

Published in an edition of 10,000 signed and numbered copies, the SUMO sold out soon after publication and quickly multiplied its value. It now features in numerous collections around the world, including New York’s Museum of Modern Art. The legendary copy number one, signed by more than 100 of the book’s featured celebrities, broke the record for the most expensive book published in the 20th century, sold at an auction in Berlin on April 6, 2000, for 620,000 German marks — about 317,000 euros.

Now, this XL edition celebrates 20 years of SUMO, the result of a project conceived by Helmut Newton some years ago. Revised by his wife June, the volume gathers 464 images and a new booklet that takes us through the making-of this publishing venture — a spectacular tribute to the larger-than-life Helmut Newton, now in a friendly format.

Images © The Helmut Newton Estate / Maconochie Photography

The photographer

Helmut Newton (1920–2004) was one of the most influential photographers of all time. He first achieved international fame in the 1970s while working principally for French Vogue, and became celebrated for his controversial scenarios, bold lighting, and striking compositions in street or interior settings, rather than studios. His many titles and awards included Commandeur de l’Ordre des Arts et des Lettres.

The editor

June Newton, née Browne, was born in Melbourne, Australia, in 1923. As a young woman she was passionately interested in the theater, and worked as an actress under the name June Brunell, receiving the Erik Kuttner Award in 1956. She married the photographer Helmut Newton in Melbourne in 1948 and became a photographer herself in 1970, changing her name once again to Alice Springs. Her work has been featured in numerous exhibitions and publications, including Vanity Fair, Interview, Elle, and Vogue. Her many famous subjects include William S. Burroughs, Catherine Deneuve, Graham Greene, Roy Lichtenstein, Robert Mapplethorpe, Yves Saint Laurent, and Nicole Kidman.

______________

Первое издание книги "Сумо", напечатанное десятитысячным тиражом, было распродано вскоре после выхода из печати. Каждый экземпляр был пронумерован и нес автограф автора. Формат соответствовал названию - 50 х 70 см, что при 464 страничном объеме (389 фотографий) вылилось более чем 35 кг веса. Каждый фолиант комплектовался специальным дизайнерским столиком, от Филиппа Старка.

Неудивительно, что сейчас эти книги, ставшие экспонатами коллекций по всему миру, включая Нью-Йоркский Музей Современного Искусства, многократно возросли в цене, а первая копия, подписанная более чем сотней знаменитостей, получила статус самой дорогой книги ХХ века - 6 апреля 2000 года она была продана на аукционе в Берлине за 620 000 немецких марок - примерно 430 000 американских долларов.

Данное переиздание всего в два раза скромнее размерами, но многократно ценой!

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Helmut Newton
ID: 9390
Издательство: Taschen

Let the ladies shine. From Newton's formative years to his rise to the top

Taken between the mid-1960s and early 1980s, this selection of Newton fashion editorials - one of the first books he ever published - is accompanied by journal entry-style texts by Newton providing anecdotes and describing the circumstances of each shoot. On every page is evidence of Newton‘s groundbreaking vision that transformed fashion photography - an influence that can still be seen today in the pages of the greatest fashion magazines.

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