Репортажная фотография

Since 1955, the annual World Press Photo Contest has set the standard in visual journalism. The 2023 Yearbook showcases the most striking press photographs and compelling reports from 2022, carefully selected from thousands of entries by six regional and one global jury of acclaimed independent professionals. Providing a diversity of perspectives from all over the world, the awarded works bear witness to the events that shaped this past year, and document in long-term projects the ongoing issues we face. Recognizing the importance of photojournalism and documentary photography at a time, when the truth is contested, the awarded images share courageous stories and present invaluable insights― from warzones, the struggle for civil rights and political empowerment, to the visible impact of the climate crisis, which could be felt in 2022 more acutely than ever.

For six decades, the World Press Photo Foundation has been working from its home in Amsterdam as an independent, non-profit organization. To provide truly global perspectives, the foundation launched a new regional strategy in 2022. From January to March 2023 six regional and one global jury will decide on 24 regional and 4 global winners.

In commemoration of the fiftieth anniversary of the death of Yukio Mishima, one of the leading figures in modern literature, The Death of a Man presents a sublime -- and often shocking -- visual record of the last few months prior to his sensational ritual suicide in November 1970.

The author of masterworks such as The Temple of the Golden Pavilion and Forbidden Colors, Mishima, a celebrated figure in postwar world literature, remains a controversial figure in Japan. His reactionary politics and the spectacular nature of his death had so profoundly impacted Japanese society that images associated with the event were never publicly shown.

In the months prior to the November incident, he enlisted Kishin Shinoyama to create a photographic, radical work of fiction, a photo essay on the death of the Japanese "everyman." In images often suffused with militarism and eroticism, a parade of men, including a sailor, a construction worker, a fisherman, and a soldier, are shown meeting grisly, dramatic ends.

Published for the very first time, these stylized images of men dying alone serve as prologues to the real-world culmination of Mishima's pursuit of total art. Locked in a performance with one inescapable end, Mishima offered his own body as its final act.

With texts by Mishima and his closest intimates and first-person reminiscences of his final moments, this book promises to be an unprecedented interrogation on the nature of performance and the role of artist as actor, provocateur, and revolutionary.

About the Author:

Kishin Shinoyama is one of the titans of Japanese postwar photography. In 2018 Louis Vuitton reprinted his landmark 1981 work on the Silk Road.

This celebration of contemporary street photography — in all its edgy, strange, beautiful, haunting, colorful, and humorous glory — brings together the work of a new generation of talented artists

Over the past few decades, the long tradition of street photography has been wholly transformed by the proliferation of digital cameras, the Internet, and smartphones.

A new generation of photographers have embraced this modern technology to capture the world around us in a way that is un-staged, of-the-moment, and real. Exploring this rich seam of emergent and exciting street photography, the 100 photographs featured in this book are presented on doublepage spreads along with commentary about the work and its creator. Curated by David Gibson, a street photographer and expert in the genre, this stunning book offers a truly global collection of images. Gibson’s insightful introduction gives an insider’s overview of street photography, illuminating its historic importance and its renaissance in the digital age.

About the Author:

David Gibson is a street photographer, the author of The Street Photographer's Manual, and a founder of the street photography collective In-Public. He regularly leads street photography workshops in London and other cities across the globe.

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Пролистать книгу  100 Great Street Photographs

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100 GreatStreet Photographs открывает читателю всю красоту, остроту, странность и необыкновенную свежеть уличной фотографии. Это современное, молодое племя художников, которые работают в ярком и немного шутливом стиле.

Запоследнее время старые традиции уличной фотографии были полностью трансформированы, в основном, из-за появления современной техники, такой как цифровые фотокамеры, смартфоны и интернет. В книге 100 Great Street Photographs подробно рассказывается о том, как молодое поколение фотографов внедрило эти современные технологии, чтобы показать мир вокруг нас в реальном времени, без постановок и фильтров. Исследуя эти новые и увлекательные уличные снимки, автор собрал 100 лучших из них, и поместил в своей книге на полноценных разворотах, на 2 страницы. Также, в издании можно найти подробное описание жизни и творчества самих создателей этих шедевров.

Купив 100 Great Street Photographs, созданную David Gibson, который и сам является уличным фотографом и профессионалом жанра, Вашему вниманию откроется поистине, потрясающая своим масштабом, коллекция фотографий. Остроумное введение от автора дает полнуб рецензию уличной фотографии, как искусства, освещая ее историческую значимость и перерождение, во времена цифрового прогресса.

Об авторе

Дэвид Гибсон – уличный фотограф, автор знаменитого «Руководства уличного фотографа» и основатель коллектива street фотографии - In-Public. Он регулярно проводит мастер-классы в Лондоне и других городах, по всему миру.

In 1919 publishing company Van Cortenberg published photographs from World War One with the title "Never Let Us Forget". Those pictures were sold as postcards for the benefit of widows and orphans.

This book collects these photographs together; 365 images at the western front of World War One give the reader a unique view of the battlefield and the daily life in and around the trenches: wounded people, soldiers relaxing, arms, ammunition factories with civilians, guards, cold winters, airplanes, artillery and soldiers marching towards the front.

All the featured pictures have a legend in 4 languages; some of them have larger comments and are placed in an historical context.

Фотограф из Варшавы Рафал Милах посвятил годы описанию постсоветской России и бывших стран Варшавского договора.

Его книга “Семь комнат” рассказывает о семерых молодых людях из Москвы, Екатеринбурга и Красноярска. “Они родились в СССР, выросли во времена перестройки и начали свою взрослую жизнь в путинской России”, – говорит Рафал о своих героях.

Теперь, когда Владимир Путин с большой вероятностью будет президентом на протяжении еще 12 лет, становится очевидно, что страна движется назад к стилю правления более характерному для Советского Союза. Но как показывают фотографии Рафала, эти времена еще не закончились.

Издание на русском языке. В книге использованы отрывки из книги Светланы Алексиевич “Зачарованные смертью”

This generously illustrated book for lovers of photography includes 365 images from the greatest photojournalists of today and yesterday.

Founded by Henri Cartier-Bresson, Magnum Photos is an iconic international photographic cooperative whose members have captured the major historical events of their times, as well as private and intimate moments. A year’s worth of these images is offered in this beautiful book that features full-page reproductions organized to reflect what Cartier-Bresson himself declared a “community of thought, a shared human quality, a curiosity about what is going on in the world, a respect for what is going on and a desire to transcribe it visually.” Nearly 70 photographers are represented with five to six images and the current Magnum members have selected the photographs that they consider to best represent their own output. Opposite each photograph is a page reserved for special dates, reflections, and notes. Published in an appealing and impressively-sized format, running more than 700 pages, this book includes images that make history both individual and universal.

This book contains over 300 rap rhythms, witticisms, insults, wisecracks, politically incorrect quips, courageous stands and words of inspiration from the mind, heart and soul of the brash young Cassius Clay, as he steadily grew into the magnificent man who is Muhammad Ali. From a narcissistic self-promoter who eventually became a man of enduring spirituality through a journey of formidable tests, Ali has emerged as a true superhero in the annals of American history, and the Worldwide Ambassador of Courage and Conviction. This fresh, first-person book serves as a hilarious and moving hands-on autobiography by Muhammad Ali, the intrepid man of action who spoke in soundbites, all wittily and powerfully visualized by the provocateur graphic designer, George Lois.

Weddings have always been very special events in all countries and cultural environments- they honour love. Therefore this ceremony between two people loving each other is being used to celebrate the most impressive and remarkable events-glamorous and posh-or just to do something really extraordinary. Even in history books you can read about great and unique weddings like the nuptials of Prince Charles and Diana or one of the latest ones, Liz Hurley getting married to Arun Nayar, her Indian billionaire. Exactly these special weddings will be presented in the book Amazing Weddings, it will even contain events that outbid all the extraordinary you have seen until today. You will find spectacular venues for tying the knot, unknown traditions and ceremonies as well as people who turned getting married into their profession and are now organizing and arranging these events and are making sure this day will really be the one to remember. This book will be for those willing to get married, romantics and those who are still as happily in love as on the day they met.

More tham 450 stunning photographes taken on expeditions to the South and North Poles with descriptions of the explorations and biographies of the men taking part.

Arms Against Fury examines the dramatic struggle of the Afghan people through the lens of Magnum photographers, dating back to co-founder George Rodger’s documentation of the country’s role in World War II. Ever since, Magnum’s intrepid photographers have crisscrossed the country’s striking landscape from the Central Asian steppes to the parched southern desert by way of the Hindu Kush mountains surrounding Kabul and the adjacent Panjshir Valley.

As early as the 1950s, Eve Arnold and Marc Riboud filed unprecedented stories from a legendary Shangri-La, showing a small kingdom struggling for statehood against the forces of underdevelopment and unfortunate geographic position during the Cold War. The ultimate overthrow of the monarchy and brutal liquidation of Afghanistan’s constitutional government in 1978 heralded the arrival of Soviet-style communism. Peasants in Nuristan rebelled immediately and initiated a jihad that was covered first by Raymond Depardon and then by Steve McCurry, and later by renowned photojournalist Abbas, who also focused on the progress of the mujahedin, who eventually faced a massive Red Army invasion and savage aerial bombardments.

The victory against the Soviets also signaled the beginning of a civil war that began in 1992. Documented by Luc Delahaye, Christopher Steele-Perkins, Abbas, and Steve McCurry, Afghan militias destroyed large swathes of Kabul. The Taliban militia subdued warring factions in 1996 and proclaimed an Islamic emirate. Steele-Perkins was one of the few journalists to report from Afghanistan during this period of theocratic tyranny. In the wake of the September 11 attacks on the United States, the hated Taliban were shaken from power by a loose alliance of mujahedin backed by American forces. Yet nothing seemed to remedy the miserable spectacle of a ruined country littered with ten million land mines and thousands of innocent victims of the hi-tech war on terror.

The future of Afghanistan, as depicted by Abbas, Eve Arnold, Luc Delahaye, Thomas Dworzak, Alex Majoli, Steve McCurry, and Francesco Zizola, remains uncertain at best.

Containing additional photographic work by Ian Berry, Elliott Erwitt, Stuart Franklin, Philip Jones Griffiths, Susan Meiselas, and Wayne Miller; commentary by the photographers; and several illustrated essays, Arms Against Fury will become an indispensable reference for documentary studies, social history, and critical photography.

This tribute to vibrant tribal cultures around the world is a must-have for any lover of documentary photography. It will resonate with readers on aesthetic, intellectual, and emotional levels — and be a keepsake for future generations
 
In his landmark project Before They Pass Away Jimmy Nelson captures the lives and traditions of the last surviving tribes who have managed to preserve their traditional ways and customs within our increasingly globalized world. The British photographer’s epic portraits present these dignified inheritors of noble and age-old traditions in a proud spirit and in all their glory — a unique visual experience. This exquisitely photographed showcase for world tribal culture is not only a joy to look at, but also an important historical record. This book reveals the wide variety of human experiences and cultural expressions across the ages — and we’re delighted to have it among our fall offerings.
 
This historic volume showcases tribal cultures around the world. With globalization, these societies are to be prized for their distinctive lifestyles, art and traditions. They live in close harmony with nature, now a rarity in our modern era. Jimmy Nelson not only presents us with stunning images of customs and artifacts, but also offers insightful portraits of people who are the guardians of a culture that they — and we — hope will be passed on to future generations in all its glory. Nelson’s large-plate field camera captures every intricate detail and fine nuance for posterity. What’s more, this splendid pageantry is set against a vivid backdrop of some of the world’s most pristine landscapes.

Blabac Photo: The Art of Skateboarding Photography is a stunning chronicle of a youth movement as seen through the lens of Mike Blabac, a man who is as dedicated to his craft as he is to the skateboarding lifestyle that inspired it. For millions of people around the world, skateboarding is more than a mere hobby or a sport - it’s a way of life that has shaped everything from fashion and music, to video games and art.

Blabac Photo proves that point with 300 awe-inspiring images that communicate the stories and exploits of some of the most creative athletes to ever step on a skateboard including Eric Koston, Stevie Williams, Colin McKay, Rob Dyrdek, and Danny Way.

As skateboarding evolved over time, from a hobby for kids on the Venice boardwalk into a global culture, skate legends were born, records were broken, titans of industry materialized - and Mike Blabac was there to document the history of the movement as it developed before his eyes.

Blue Note Records ― co-founded in 1939 by Alfred Lion and Francis Wolff ― celebrates seventy-five years dedicated to recording the greatest musicians in jazz history.

One hundred of the musicians who defined the premier jazz label are celebrated in photographs by Wolff. These photographs, taken from 1948–1969, catch the stars in action: performing onstage, in recording sessions, or cutting stylish silhouettes around town. The powerful images were used to illustrate the label’s iconic album covers, and this curated selection features jazz greats Louis Armstrong, Art Blakey, Ornette Coleman, Chick Corea, John Coltrane, Wayne Shorter, Miles Davis, Thelonious Monk, Dexter Gordon, Herbie Hancock, Joe Henderson, and many more.

Lion and Wolff shared a lifelong passion for music and an unwavering commitment to record quality albums by innovative musicians, even in the face of economic crises and changing musical trends. They witnessed the greatest jazz acts of all time and Wolff’s photographs bring to life their most intimate and exciting performances. Each photograph is identified by subject, session or album being cut, and date; and the featured artists are indexed for easy reference.

This volume ― enriched with one hundred intimate and candid photographs ― recounts the label’s dazzling saga.

For the acclaimed photographer Boris Mikhailov (born 1938), a society's most significant paradigm shifts are often most clearly perceived in the smallest of everyday transactions. For example, in a café or restaurant in Soviet-era Ukraine, a waiter would have offered you "tea or coffee?" Today, two decades after the fall of the Soviet bloc and the ascent of western capitalism, it's "tea, coffee, cappuccino?" In his latest body of work, Mikhailov addresses this shift by focusing on his hometown of Charkow, in northeast Ukraine. Here, the consumerist invasion of western capitalism is everywhere apparent in huge, colourful advertising banners and billboards, but the promises of the so-called Orange Revolution seem to have been fulfilled for only a few.

Mikhailov writes that "only when one sees misery in a picture, does one begin to notice it in the street," and throughout the 200-plus photographs in this volume, he takes pains to neither dramatize nor ameliorate the conditions of life in Charkow; and so his tough-minded pictures present a bleak but rigorously honest portrait of Ukraine and its inhabitants.

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For Boris Mikhailov, societal changes are most clearly visible in small, everyday events. While the waiter in Ukraine would still be asking "tea or coffee?" during the Soviet era, the question today is "tea, coffee, cappuccino?"

In his newest works (2000 - 2010), Mikhailov tackles precisely these changes and captures-as he has already in "By the Ground / At Dusk" (Oktagon, 1996)-daily life in his hometown Charkow. In this collection of more than 200 colour photographs, the West is perceptible everywhere in the form of huge, colourful advertising banners, but the promises of the Orange Revolution, that everything would get better, have only been fulfilled for few.

Through palliating nothing, transfiguring nothing, Mikhailov attempts to sensitise the view of the observer. The individual pictures and scenes create a large tableau of society that tells us more about Ukraine and its inhabitants than any specialised book.