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An extraordinary archive of the most iconic sites on the American musical landscape.

Prompted by the closing of New York’s famed CBGB, Rhona Bitner embarked on a thirteen-year journey to photograph 403 venues across twenty-six states and eighty-nine cities — the studios, concert halls, arenas, high schools, bars, ballrooms, prisons, and fields where the most memorable songs were inspired, recorded, performed, and listened to.  Close to 300 of those photographs are included in this book.

Featuring Jimi Hendrix’s recording studio, Elvis’s Graceland music room, Aretha Franklin’s family church, the Georgia auditorium where fourteen-year-old Little Richard was discovered and Ray Charles, Otis Redding, James Brown, and Sam Cooke took the stage, and the high school where a young Bob Dylan first performed, this book showcases each locale that played a seminal role in the soundtracks of generations. While Bitner recorded these sites empty and silent, the reverberations of fabled tunes still echo from within their walls. With informative texts on each location and archival images of performers recording or playing in the venues, this encyclopedic collection is a must-have addition to the libraries of music aficionados everywhere.

About the Author:

Rhona Bitner is an artist whose photographs are in the collections of the Whitney Museum of American Art, the Art Institute of Chicago, and the Pinault Collection, among others. She lives and works between New York and Paris. Iggy Pop is a legendary musician known as the “godfather of punk.” Éric Reinhardt is a French writer and editor. Natalie Bell is the exhibitions curator at MIT’s List Visual Arts Center. Jon Hammer is a writer, artist, and rhythm guitarist. Greil Marcus is a music critic, journalist, and author. Jason Moran is a jazz pianist, composer, and performance artist.

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Пролистать книгу Listen: The Stages and Studios That Shaped American Music

What does migration mean for those, who stay behind?

Louise Amelie's documentary photo series is an artistic exploration of the global phenomenon of migration and its many facets, which are often ignored in European migration politics. Migration has always been an integral part of human experience and will continue to be. Yet in public discourse it is presented as an aberration, while the existence of nation-state borders is hardly ever questioned. On the globe, Kyrgyzstan nestles inconspicuously next to Kazakhstan and China, but on the ground the vastness and heights of the mountains seem endless. In contrast to the natural beauty, prefabricated housing estates spring up in the capital, Bishkek. Here lives a young population that, despite all the adversities of post-Soviet reality, faces the world with great confidence. In a collection of portraying texts and photographs that foreground the individual stories, the book is an expression of solidarity and empathy, and shows that migration can mean both an opportunity as well as the painful loss of a beloved Missing Member.

About the Author:

The artistic focus of director and photographer Louise Amelie (*1991, Berlin) is on documentary and street photography. Her series, shot in the USA between 2016 and 2020, have been exhibited internationally and have been awarded the German Photo Book Prize and the Belfast Photo Festival. Since 2021, she has been exploring the theme of post-Soviet identity and migration in Central Asia, spending two and a half months in Kyrgyzstan for this project.

The official publication celebrating Magnum Photos’ 70th anniversary: a totally fresh and perceptive view of the legendary agency’s history and archive

This landmark book celebrates the 70th anniversary of the world’s greatest photographic agency, Magnum Photos. Offering a fresh and insightful view of the agency’s history and archive, it takes an analytical look at the work of Magnum’s photographers, and provides an understanding of what it is that makes Magnum Photos so different, so special and so great.

Author and curator Clément Chéroux, together with Clara Bouveresse, demonstrates how Magnum Photos owes its pre-eminence to the ability of its photographers to encompass and navigate the points between photography as art object and photography as documentary evidence. A Magnum photograph can be expressive and bear witness at the same time.

The book is organized into three main parts: Part I (1947–1968) views the Magnum archive through a humanist lens, focusing on post-war ideals of commonality and utopianism. Part II (1969–1989) shows a world fragmenting, with a focus on subcultures, minorities and outsiders. Part III (1990–2017) charts the ways in which Magnum photographers have captured – and continue to capture – a world in flux and under threat.

Featuring both group and individual projects, the book includes magazine spreads, newspaper articles, excerpts from books, and other valuable material, putting some of the world’s most recognizable images in creative context. Complete with extensive texts, an anthology of correspondence and an agency timeline, Magnum Manifesto is an expertly curated, essential collection of images and commentary for anyone seeking the very best in photography.

Contents List:

Preface: May 22, 1947 • Part I, 1947–1968: Human Rights and Wrongs • Part II, 1969–1989: An Inventory of Differences • Part III, 1990–2017: Stories About Endings • Epilogue: 'Magnum Is…'

About the Authors:

Clément Chéroux is senior curator of photography at the San Francisco Museum of Modern Art. He was formerly head curator of photography at the Centre Pompidou, Paris.

Clara Bouveresse is a photography historian, with a PhD in art history from Paris 1 Panthéon-Sorbonne University.

For over thirty years, the New York Times Magazine has presented the myriad possibilities and applications of photography.

Aperture is pleased to present the upcoming publication and exhibition The New York Times Magazine Photographs, which reflects upon and interrogates the very nature of both photography and print magazines at this pivotal moment in their history and evolution. Edited by Kathy Ryan, long-time photo editor of the magazine, and with a preface by former editorial director Gerald Marzorati, this volume presents some of the finest commissioned photographs worldwide in four sections: reportage, portraiture, style, and conceptual photography, including photo illustration. Diverse in content and sensibility, and consistent in virtuosity, the photographs are accompanied by reproduced tear sheets to allow for the examination of sequencing and the interplay between text and image, simultaneously presenting the work while illuminating its distillation to magazine form.

This process is explored further through texts offering behind-the-scenes perspective and anecdotes by the many photographers, writers, editors, and other collaborators whose voices have been a part of the magazine over the years. David Campany contributes a critical essay that provides an in-depth history of the magazines relationship to photography, contextualizing its contributions within the larger world of magazine work. Also addressed are issues of documentary photography in relation to more conceptual photography; the efficacy of story-telling; and what makes an image evidentiary, objective, subjective, truthful, or a tool for advocacy; as well as thoughts on whether these matters are currently moot, or more critical than ever.

As such, The New York Times Magazine Photographs aims to serve as a springboard for a rigorous, necessary, and revitalized examination of photography as presented within a modern journalistic context.

For the majority of his decades-long career, Norman Rockwell relied on a camera to help him render the iconic scenarios born in his imagination. Photograph by photograph, he painstakingly assembled the specific features he sought for his envisioned illustration, projecting whole or partial pictures of amateur models, objects and settings onto drafting paper, and from there, onto canvas.

Many of Rockwell's most famous works - including those reproduced for LIFE and the Saturday Evening Post - began behind the lens. Uncanny in their approximation to his final paintings and unknown outside a small circle of Rockwell specialists, his study photographs are among the most evocative ever taken by a painter and undoubtedly cast his brushwork in a new light.

In lavish two-page spreads, this book presents nearly one hundred of history’s most memorable photographs — from the Wright Brothers’ first flight to the bombing of Pearl Harbor, from Martin Luther King’s “I Have a Dream” speech to Nelson Mandela’s release from prison, and from the inauguration of President Barack Obama to the Syrian refugee crisis.

The volume features pictures from photography masters such as Lewis Hine, Dorothea Lange, Yousuf Karsh, Diane Arbus, and James Nachtwey, as well as iconic images from lesser-known and unknown photojournalists.

Photos that Changed the World has been updated to include indelible images of the most significant recent events. Engaging essays accompany each photograph and tell the story behind each image.

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Пролистать книгу Photos That Changed the World

A new collection of unseen photographs of New York City's 1970s punk heyday, by one of the icons of the city's golden age of new wave, Blondie's Chris Stein.

For the duration of the 1970s - from his days as a student at the School of Visual Arts through the foundation of the era-defining band Blondie and his subsequent reign as epicenter of punk's golden age - Chris Stein kept an unrivaled photographic record of the downtown New York City scene.

Following in the footsteps of the successful book Negative, this spectacular new book presents a more personal and more visceral collection of Stein's photographs of the era. The images presented here take readers from self-portraits in his run-down East-Village apartment to candid photographs of pop-cultural icons of the time and evocative shots of New York City streetscapes in all their most longed-for romance and dereliction. An eclectic cast of cultural characters - from William Burroughs to Debbie Harry, Andy Warhol to Iggy Pop - appear here exactly as they were in the day, juxtaposed with children playing hopscotch on torn-down blocks, riding the graffiti-ridden subway, or cruising the burgeoning clubs of the Bowery.

At once a chronicle of one music icon's life among his punk and New-Wave heroes and peers, and a love letter to the city that was the backdrop and inspiration for those scenes, Point of View transports us to another place and time.

About the Author:

Chris Stein is the co-founder, songwriter, and guitarist of the iconic punk band Blondie. His photographic work has been featured in galleries and press around the world, and published in the successful book Negative: Me, Blondie, and the Advent of Punk, published by Rizzoli. Beyond his era-defining music with Blondie, he has collaborated with a host of artists over the years, from Shepard Fairey to Glenn O'Brien and Andy Warhol.

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Пролистать книгу Point of View: Me, New York City, and the Punk Scene

Slow: Life in a Tuscan Town is an unprecedented photographic personal journey into the heart of hidden Tuscany that celebrates the principles that define the Slow Food movement and pays tribute to the region’s kaleidoscope of vibrant characters, whose shared culture revolves around the everyday pleasure of growing, preparing, and eating food.

With an anecdotal charm reminiscent of Peter Mayle’s A Year in Provence, Douglas Gayeton’s interplay of pictures and words conveys a thrilling narrative that transports you halfway around the globe to the charming town of Pistoia, nestled in the outskirts of Florence. There we meet the mushroom hunters and sheep farmers, the winemakers and fishermen, the bakers, butchers and chocolate makers whose lives are profoundly bound to the rhythms of nature. It is a riveting story told in a riveting way: each image comprised of multiple photographs taken over a period of time that can range anywhere from ten minutes to several hours, and layered with Gayeton’s handwritten notes, recipes, facts, and sayings. With this process, Gayeton has managed to introduce the concept of story and time; both compressed and exploded, into his portraits. The result is a photographic approach critics have dubbed flat film; the effect is exhilarating.

As Gayeton observes, “What my eyes saw was always grander than any lens could capture…How could I introduce the presence of time, of an emerging and evolving story comprised of not one, but many moments, into a single photograph?” In the accompanying text, Gayeton offers an absorbing first person account of his immersion into rural Italian culture, offering an intimacy that draws us deeper into this romantic and rustic world. A photographer, a pioneering new media creator, a wonderful writer and an award winning documentarian, Gayeton is passionately interested in food, culture, art, and people.

About the Author:

Douglas Gayeton is a filmmaker, photographer, and writer. His images are held in a number of influential museums and private collections around the world, and have been featured in numerous print and online media, such as Time Magazine. Since the early 90s he has created award-winning work at the boundaries of traditional and converging media for AOL, MSN, MTV, Yahoo, Fox, Napster, Vivendi, Sony, Viacom, Sega, Intel, National Geographic, PBS, Warner Bros, Columbia, and Virgin Records.

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Пролистать книгу Slow: Life in a Tuscan Town на сайте издательства.

Steve McCurry’s iconic images have made him one of the world’s most popular photographers

Steve McCurry Untold: The Stories Behind the Photographs takes an unprecedented look at the work of Steve McCurry, one of today’s finest and most daring imagemakers. This is the first book to fully explore how the world-renowned photographer finds, takes and develops his uniquely iconic photographs. Presenting a personal archive of material, Steve McCurry Untold features the very best of McCurry’s most beautiful and powerful photo stories, taken from around the world over the last thirty years. Each story is illustrated with never-before-seen notes, images and ephemera – saved by McCurry from his extensive travels – and over 100 lavish, full-colour photo plates of McCurry’s most significant work. Brought to life by newly commissioned essays, the stories offer a critical narrative and give new insight and ideas into the background, experience and ideas behind McCurry’s unparalleled photography. Together, these fascinating documents reveal a new and exciting view of the story behind the story.

Tracing the narrative behind 14 of McCurry’s most important assignments, each story provides a behind-the-scenes look at McCurry’s adventures, from first publication to their afterlife in the world, creating a documentary record of his remarkable career. The featured work covers his entire oeuvre and focuses on a broad range of themes, such as rail travel in India (1983), the plight of the Tibetan people (2000–6), the effects of the Monsoon (1984) and the events of September 11th (2001), alongside his lesser-known bodies of work on the Hazara Tribe in Afghanistan (2007), Yemen (1999), and the environmental fallout from the Gulf War in Kuwait (1991). Richly illustrated and explained, this book provides an inside perspective on Steve McCurry, creating a living biography and archive of one of photography’s greatest legends.

About the Photographer:

Steve McCurry (b.1950) launched his career as a photojournalist when, disguised in native garb, he crossed the Pakistan border into Afghanistan thirty years ago. His remarkable coverage won him the Robert Capa Gold Medal, which is awarded to photographers who exhibit exceptional courage and enterprise. A recipient of an unprecedented four World Press Photo first prizes in a single year, many of McCurry's images have since become modern icons. Famous for his work across Southeast Asia, McCurry’s photographs are beautiful, uplifting and affecting. McCurry is a regular contributor to many international journals including National Geographic magazine. He is a member of Magnum Photos.

Generously illustrated with photographs from early twentieth-century reformers to contemporary artists, this collection of essays re-examines the genre of social documentary photography through the shifting lens of photographic objectivity, modes of dissemination, and the passions animating documentary projects.

While the public’s acceptance of photographs as visual evidence made documentary photography possible, canny interventions employed by image makers and their editors alternately exploit and dismantle assumptions of the medium’s transparency, testing our wish to see pictures inspire social change.

Among the photographers included in the exhibition and book are Berenice Abbott, Max Alpert, William Castellana, Walker Evans, Larry Fink, LaToya Ruby Frazier, Lewis Hine, Boris Ignatovich, Dorothea Lange, Igor Moukhin, Gordon Parks, Alexander Rodchenko, Arthur Rothstein, Sebastião Salgado, Arkady Shaikhet, Aaron Siskind, W. Eugene Smith, Weegee et al.

 - Beautifully illustrated survey of photography in the social sphere
 - First time the Zimmerli's photography collection is the subject of a book
 - Combines American, European, and Soviet and Russian photographers in one volume

The best photo assignments from the Monocle archive, published to mark the magazine's fifteenth anniversary.

Back in 2007 the first issues of Monocle magazine hit newsstands and kiosks around the globe. At its core was a pledge to commission all original photography – capturing the world on film, on the ground and in the moment. The cover of that first issue featured a Japanese helicopter pilot from the country's defence force – taken as part of a 10-day reportage assignment for both photographer and writer. In the years since, Monocle has continued in its pursuit of documenting the world through its unique lens – from embassies and residences to world leaders and cultural stars. Each issue has featured a dedicated photographic Expo section celebrating lesser-known locales, obscure events and curious characters through truly outstanding photography. Alpine wrestlers, Syrian outposts, French legionnaires, noodle-makers, game show hosts and private member’s clubs have all graced the pages.

The Monocle Book of Photography draws on the best of these photographic stories from an archive a decade and a half in the making. A handsome linen-bound edition with the highest quality gloss paper and printing, the book also features supporting text about the photo assignments and the stories behind them, including first-hand accounts from the photographers involved

About the Author:

Monocle is a global affairs and lifestyle magazine, 24-hour radio station, website, retailer and media brand. Tyler Brûlé was its founder, and is now its editor-in-chief. Andrew Tuck is Editor of Monocle magazine. Joe Pickard is the Books Editor of Monocle.

Gathering some of Alex Webb’s most iconic images, many of which were taken in the far corners of the earth, The Suffering of Light brings a fresh perspective to his extensive catalogue.

Recognized as a pioneer of American colour photography, Webb has since the 1970s consistently created photographs characterized by intense colour and light. His work, with its richly layered and complex composition, touches on multiple genres, including street photography, photojournalism and fine art, but as Webb claims, ‘to me it all is photography. You have to go out and explore the world with a camera.’ Webb’s ability to distil gesture, colour and contrasting cultural tensions into single, beguiling frames results in evocative images that convey a sense of enigma, irony and humour.

Featuring key works alongside previously unpublished photographs, The Suffering of Light is Webb’s first comprehensive monograph and provides the most thorough examination to date of this modern master’s prolific, thirty-year career.

About the Author:

Alex Webb’s photographs have appeared in a wide range of publications, including the NewYork Times Magazine, Life, Stern and National Geographic, and have been exhibited internationally. He is a recipient of the Leica Medal of Excellence (2000) and the Premio Internacional de Fotografia Alcobendas (2009), and has been a member of Magnum Photos since 1976.

Twilight of the Romanovs opens a door onto the world of pre-revolutionary Russia in original photographs taken during the last decades of Romanov rule.

These photographs are snapshots of a vanished world and include many remarkable colour images created using an early three-colour-plate technique which bring the remote past to life with an especially vivid jolt.

The Russian Empire was soon to be destroyed and rendered unrecognizable. Yet these images reveal a surprising continuity: despite the subsequent cataclysm, faces, postures, buildings and landscapes still resonate with those who see them a century and more later.

The Russian Empire was torn between a rural population living almost medieval lives and the industrial and social change in the cities. The Tsar’s gigantic realm struggled with modernity and with its own internal contradictions between Asia and Europe; faith and science; ethnic divisions; and the divergent interests of the aristocracy, the middle classes, the urban workers and the rural poor. This continent of contradictions was captured by authors from Tolstoy to Chekhov, from Gogol to Gorky and Bely.

The urban environment offers a whole host of subjects to photograph, even in the smallest of towns. In the time it takes to walk a street or two, you can photograph panoramic skylines, people up close, at work or play, abstract architectural details, frenetic street activity and peaceful park scenes. You can capture elements of the past and present through the city’s architecture in one carefully composed street scene, then, within minutes, frame up the most recognisable landmark in the city.

In 2010 Vivienne Westwood and Lee Jeans launched an online manifesto-installation titled 100 Days of Active Resistance.

The website invited people to submit an artwork, slogan or photograph responding to Westwood's conception of "Active Resistance to Propaganda," in which she argues for culture's capacity to elevate humanity above self-destruction. "It is not enough to follow world politics, see films and read the prizewinning bestsellers," she insists; "this is superficial, you need to go deep in order to understand who you are, what the world is and how things could be better. This involves culture which can only be acquired by self-education: human beings should mirror the world."

Starting on September 8, 2010, for 100 days, one artwork was showcased online daily, ending with an exhibition displaying a selection of the best contributions. This volume gathers these works and commemorates the project.