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What does migration mean for those, who stay behind?

Louise Amelie's documentary photo series is an artistic exploration of the global phenomenon of migration and its many facets, which are often ignored in European migration politics. Migration has always been an integral part of human experience and will continue to be. Yet in public discourse it is presented as an aberration, while the existence of nation-state borders is hardly ever questioned. On the globe, Kyrgyzstan nestles inconspicuously next to Kazakhstan and China, but on the ground the vastness and heights of the mountains seem endless. In contrast to the natural beauty, prefabricated housing estates spring up in the capital, Bishkek. Here lives a young population that, despite all the adversities of post-Soviet reality, faces the world with great confidence. In a collection of portraying texts and photographs that foreground the individual stories, the book is an expression of solidarity and empathy, and shows that migration can mean both an opportunity as well as the painful loss of a beloved Missing Member.

About the Author:

The artistic focus of director and photographer Louise Amelie (*1991, Berlin) is on documentary and street photography. Her series, shot in the USA between 2016 and 2020, have been exhibited internationally and have been awarded the German Photo Book Prize and the Belfast Photo Festival. Since 2021, she has been exploring the theme of post-Soviet identity and migration in Central Asia, spending two and a half months in Kyrgyzstan for this project.

Magnum Magnum showcases the best of Magnum Photos, celebrating the vision, imagination and brilliance of its photographers – from the acknowledged 20th-century greats to the modern masters and rising stars of our time

Since its founding in 1947 by Robert Capa, Henri Cartier-Bresson, George Rodger and David ‘Chim’ Seymour, Magnum Photos - the legendary co-operative - has powerfully chronicled the peoples, cultures, events and issues of the time. Now, following its 75th anniversary, Magnum Photos and Thames & Hudson join forces to publish an updated and expanded edition of the original hit publication Magnum Magnum (2007), which was previously presented in three formats and sold over 200,000 copies worldwide.

Organized by photographer, Magnum Magnum is built upon a founding concept that made Magnum such a unique creative environment; a collaborative process where each of the four founders picture edited the other’s photographs. This book evokes the same creative spirit, with each photographer selecting and critiquing six key works by another of the agency’s 87 photographers along with a commentary explaining the rationale behind their choices.

This new edition adds the 25 photographers who have joined Magnum in the last 15 years. With more than 150 new photographs and over 700 pages, this book is the definition of an updated classic.

About the Authors:

Brigitte Lardinois is a Reader in Understanding of Public Photography at the London College of Communication, University of the Arts London. Lardinois’ association with Magnum began in 1995 when she set up the Cultural Department of their agency in London. She has been involved in group exhibitions as well as solo shows – working closely with Henri Cartier-Bresson, Martin Parr, Josef Koudelka, Eve Arnold, Elliott Erwitt and many others.

The official publication celebrating Magnum Photos’ 70th anniversary: a totally fresh and perceptive view of the legendary agency’s history and archive

This landmark book celebrates the 70th anniversary of the world’s greatest photographic agency, Magnum Photos. Offering a fresh and insightful view of the agency’s history and archive, it takes an analytical look at the work of Magnum’s photographers, and provides an understanding of what it is that makes Magnum Photos so different, so special and so great.

Author and curator Clément Chéroux, together with Clara Bouveresse, demonstrates how Magnum Photos owes its pre-eminence to the ability of its photographers to encompass and navigate the points between photography as art object and photography as documentary evidence. A Magnum photograph can be expressive and bear witness at the same time.

The book is organized into three main parts: Part I (1947–1968) views the Magnum archive through a humanist lens, focusing on post-war ideals of commonality and utopianism. Part II (1969–1989) shows a world fragmenting, with a focus on subcultures, minorities and outsiders. Part III (1990–2017) charts the ways in which Magnum photographers have captured – and continue to capture – a world in flux and under threat.

Featuring both group and individual projects, the book includes magazine spreads, newspaper articles, excerpts from books, and other valuable material, putting some of the world’s most recognizable images in creative context. Complete with extensive texts, an anthology of correspondence and an agency timeline, Magnum Manifesto is an expertly curated, essential collection of images and commentary for anyone seeking the very best in photography.

Contents List:

Preface: May 22, 1947 • Part I, 1947–1968: Human Rights and Wrongs • Part II, 1969–1989: An Inventory of Differences • Part III, 1990–2017: Stories About Endings • Epilogue: 'Magnum Is…'

About the Authors:

Clément Chéroux is senior curator of photography at the San Francisco Museum of Modern Art. He was formerly head curator of photography at the Centre Pompidou, Paris.

Clara Bouveresse is a photography historian, with a PhD in art history from Paris 1 Panthéon-Sorbonne University.

Magnum Photos was the first photographic agency to be founded by photographers themselves, or as Henri Cartier-Bresson described them, by “adventurers with ethics.” Magnum owes its reputation to the talent of its members, who have never swerved from the principles of its founders: solidarity and respect for individuality. What unites all of these photographers, however, is their understanding of journalism and the warmly human gaze that they cast upon the world.

PHOTOFILE brings together the best work of the world's great photographers in an attractive pocket-size format and at an easily affordable price. Handsome and collectable, each volume in the series contains some sixty full-page reproductions printed in superb duotone, together with a critical introduction, a chronology and a bibliography. 

For the majority of his decades-long career, Norman Rockwell relied on a camera to help him render the iconic scenarios born in his imagination. Photograph by photograph, he painstakingly assembled the specific features he sought for his envisioned illustration, projecting whole or partial pictures of amateur models, objects and settings onto drafting paper, and from there, onto canvas.

Many of Rockwell's most famous works - including those reproduced for LIFE and the Saturday Evening Post - began behind the lens. Uncanny in their approximation to his final paintings and unknown outside a small circle of Rockwell specialists, his study photographs are among the most evocative ever taken by a painter and undoubtedly cast his brushwork in a new light.

In lavish two-page spreads, this book presents nearly one hundred of history’s most memorable photographs — from the Wright Brothers’ first flight to the bombing of Pearl Harbor, from Martin Luther King’s “I Have a Dream” speech to Nelson Mandela’s release from prison, and from the inauguration of President Barack Obama to the Syrian refugee crisis.

The volume features pictures from photography masters such as Lewis Hine, Dorothea Lange, Yousuf Karsh, Diane Arbus, and James Nachtwey, as well as iconic images from lesser-known and unknown photojournalists.

Photos that Changed the World has been updated to include indelible images of the most significant recent events. Engaging essays accompany each photograph and tell the story behind each image.

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Пролистать книгу Photos That Changed the World

A new collection of unseen photographs of New York City's 1970s punk heyday, by one of the icons of the city's golden age of new wave, Blondie's Chris Stein.

For the duration of the 1970s - from his days as a student at the School of Visual Arts through the foundation of the era-defining band Blondie and his subsequent reign as epicenter of punk's golden age - Chris Stein kept an unrivaled photographic record of the downtown New York City scene.

Following in the footsteps of the successful book Negative, this spectacular new book presents a more personal and more visceral collection of Stein's photographs of the era. The images presented here take readers from self-portraits in his run-down East-Village apartment to candid photographs of pop-cultural icons of the time and evocative shots of New York City streetscapes in all their most longed-for romance and dereliction. An eclectic cast of cultural characters - from William Burroughs to Debbie Harry, Andy Warhol to Iggy Pop - appear here exactly as they were in the day, juxtaposed with children playing hopscotch on torn-down blocks, riding the graffiti-ridden subway, or cruising the burgeoning clubs of the Bowery.

At once a chronicle of one music icon's life among his punk and New-Wave heroes and peers, and a love letter to the city that was the backdrop and inspiration for those scenes, Point of View transports us to another place and time.

About the Author:

Chris Stein is the co-founder, songwriter, and guitarist of the iconic punk band Blondie. His photographic work has been featured in galleries and press around the world, and published in the successful book Negative: Me, Blondie, and the Advent of Punk, published by Rizzoli. Beyond his era-defining music with Blondie, he has collaborated with a host of artists over the years, from Shepard Fairey to Glenn O'Brien and Andy Warhol.

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Пролистать книгу Point of View: Me, New York City, and the Punk Scene

A photographic narrative that crosses the world’s main cities to witness the shared intentions and feelings that bind the single Pride events in one big wave that envelops and crosses all countries, exalting the uniqueness and variegated compositions of identities and modes. A snapshot of global LGBTQIA+ pride, with a focus on Pride parades marking momentous anniversaries, including New York Pride in 2019, 50 years after the events of Stonewall, and London Pride in 2020, 50 years after the birth of the Gay Liberation Front.

The book also bears witness to the spread of the Wave in the countries of Asia, Africa, the Middle East and Australia, which since the end of the 1990s, with particular regard to the last decade, has been gaining spaces for listening and rights.

The Pride project recounts, celebrates and enhances LGBTQIA+ pride around the world, through the faces and claims of the protagonists of a struggle that involves us all: that for a fair and inclusive world, in which no person should feel excluded or discriminated against for their way of being, living and loving.

Text in English and Italian.

About the Author:

Emiliano Reali has always been involved in civil rights and inclusion, author of Italy's first transgender trilogy Bambi. Storia di una metamorfosi (Avagliano), collaborated on the series Refuge LGBT (Lucky Red) and writes for Il Mattino, HuffPost, Il Riformista. Silvia Ranfagni Assistant director for Bernardo Bertolucci and Giuseppe Tornatore, screenwriter for Carlo Verdone, Ferzan Ozpetek and Lamberto Bava, David di Donatello nominee with Il mio miglior nemico (2006) and La Dea Fortuna (2020). Lecturer in Creative Writing and Screenplay at the Rome University of Fine Arts (2017-2019). With Giovanni Piperno, she is the author of the podcast Corpi liberi (free bodies), which tells the story of Mark, Alex and Silvia: a trans person, a non-binary person and a bewildered mother in search of answers. Shrouk El-Attar Meng activist for LGBTQIA+ refugee rights in the UK, where she lives as a refugee since 2007 and queer community rights in her native country, Egypt. She performs a “Dancing Queer” to raise funds for legal defense fees for LGBTQIA+ people in Egypt. In 2018 she was listed among the 100 Most Influential Women in the World by the BBC. Sue Sanders Emeritus Professor Harvey Milk Institute. LGBTQIA+ rights activist, co-chair of Schools Out for the equality of LGBTQIA+ people in the education system. Her concrete commitment has been recognised with the awarding of numerous important prizes, including the Crown Prosecution award for Equality and Diversity (2012). In the same year, she was awarded a Commendation from the Metropolitan Police Service for her long-standing involvement and commitment to the MPS LGBT Advisory Group and her contribution to improving policing services for LGBT Londoners. In 2014 she was short-listed for the lifetime achievement award in the National Diversity Awards. In 2019 she was awarded the Lifetime Achievement award from the Rainbow Honours Board and in 2024 she was presented with a Lifetime Achievement Award from the National Education Union.

The volume collects a rich selection of photographs from the archives of the Magnum Photos agency, taken by Robert Capa, in a combination of emblematic shots of his work and images that have appeared more rarely.

The intent is to hint at some facets of a passionate and ultimately elusive character as Capa was: a courageous witness of his time, a strong, insatiable and at the same time dissatisfied personality, with the traits of a gambler. Therefore, not only the war images that made him one of the most famous photojournalists of the 20th century, but also lesser-known shots that allow you to appreciate the very high formal quality of his photography and, together with it, his personality.

- Robert Capa, the great photographer founder of the Magnum Agency; his story in 366 images
- Accompanies an exhibition at Rovigo, Palazzo Roverella 8 October 2022 - 29 January 2023

Slow: Life in a Tuscan Town is an unprecedented photographic personal journey into the heart of hidden Tuscany that celebrates the principles that define the Slow Food movement and pays tribute to the region’s kaleidoscope of vibrant characters, whose shared culture revolves around the everyday pleasure of growing, preparing, and eating food.

With an anecdotal charm reminiscent of Peter Mayle’s A Year in Provence, Douglas Gayeton’s interplay of pictures and words conveys a thrilling narrative that transports you halfway around the globe to the charming town of Pistoia, nestled in the outskirts of Florence. There we meet the mushroom hunters and sheep farmers, the winemakers and fishermen, the bakers, butchers and chocolate makers whose lives are profoundly bound to the rhythms of nature. It is a riveting story told in a riveting way: each image comprised of multiple photographs taken over a period of time that can range anywhere from ten minutes to several hours, and layered with Gayeton’s handwritten notes, recipes, facts, and sayings. With this process, Gayeton has managed to introduce the concept of story and time; both compressed and exploded, into his portraits. The result is a photographic approach critics have dubbed flat film; the effect is exhilarating.

As Gayeton observes, “What my eyes saw was always grander than any lens could capture…How could I introduce the presence of time, of an emerging and evolving story comprised of not one, but many moments, into a single photograph?” In the accompanying text, Gayeton offers an absorbing first person account of his immersion into rural Italian culture, offering an intimacy that draws us deeper into this romantic and rustic world. A photographer, a pioneering new media creator, a wonderful writer and an award winning documentarian, Gayeton is passionately interested in food, culture, art, and people.

About the Author:

Douglas Gayeton is a filmmaker, photographer, and writer. His images are held in a number of influential museums and private collections around the world, and have been featured in numerous print and online media, such as Time Magazine. Since the early 90s he has created award-winning work at the boundaries of traditional and converging media for AOL, MSN, MTV, Yahoo, Fox, Napster, Vivendi, Sony, Viacom, Sega, Intel, National Geographic, PBS, Warner Bros, Columbia, and Virgin Records.

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Пролистать книгу Slow: Life in a Tuscan Town на сайте издательства.

The definitive anthology of contemporary street photography across the globe

Get up close and personal with the world's best street photographers as they capture the drama of everyday life at 1/125 of a second.

Rub shoulders with high-rollers, street vendors and dog walkers. Prowl sidewalks and back alleys, encountering comic absurdities, small acts of kindness and scenes of unexpected beauty. Let your eye be caught by a witty billboard, a woman dressed as an angel, a businessman sprinting through the crowd. The human carnival is in town and the streets are alive.

Street Photography Now presents 46 contemporary image-makers noted for their candid depictions of everyday life in our streets, subways, shopping malls, beaches and parks. Included are Magnum masters such as Bruce Gilden, Martin Parr and Alex Webb, along with an international cast of emerging photographers whose individual biographies illuminate the stories behind their pictures of New York, Tokyo, Delhi or Dakar. Four thought-provoking essays and a global conversation between leading street photographers explore the compelling and often controversial issues in the genre. A select bibliography and a resource section for aspiring street photographers complete the book.

Whether you're a follower of contemporary photography or simply a lover of the theatre of everyday life, this is your passport to the world of the street photographer, a world where ordinary public spaces offer up endless surprise.

Table of Contents:

Essay 1 ‘Stare, Pry, Listen, Eavesdrop’ • 12 photographer portfolios/biographies (Agou-Gilden) • Essay 2 ‘No Ideas But in Things’ • 12 photographer portfolios/biographies (Girard-Marlow) • Essay 3 ‘Half of the World’s Population Now Lives in Cities’ • 12 photographer portfolios biographies (Mermelstein–Savelev) • Essay 4 ‘Some Truths Cannot Be Told Except as Fiction • 10 photographer portfolios/biographies (Snoek-Zuborn) • Street Photography Now: A Global Conversation

This generously illustrated book takes a stroll through history and across the globe to present the most candid, immediate, and provocative images captured by the masters of street photography.

Capturing daily life in every corner of the globe, this sumptuous collection of great street photography shows the very best of the genre. From prewar gelatin silver prints to 21st-century digital images, from documentary to abstract, from New York's Central Park to mountain villages of Mongolia, these photographs reveal the many ways street photography moves, informs and excites us. 

The book includes photography by well-known photographers like Diane Arbus, Margaret Bourke White, Harry Callahan, Henri Cartier-Bresson, Alfred Eisenstaedt, Joel Meyerowitz, Gordon Parks, and Edward Steichen along with up-and-coming artists who continue to push the genre's boundaries. 

Presented in exquisitely reproduced double-page spreads, each photograph is accompanied by informative texts and technical details. 

About the Author:

David Gibson is one of the founding members of IN-PUBLiC, a well-known street photography collective. His previous books include 100 Great Street Photographs (Prestel) and The Street Photographer's Manual.

Generously illustrated with photographs from early twentieth-century reformers to contemporary artists, this collection of essays re-examines the genre of social documentary photography through the shifting lens of photographic objectivity, modes of dissemination, and the passions animating documentary projects.

While the public’s acceptance of photographs as visual evidence made documentary photography possible, canny interventions employed by image makers and their editors alternately exploit and dismantle assumptions of the medium’s transparency, testing our wish to see pictures inspire social change.

Among the photographers included in the exhibition and book are Berenice Abbott, Max Alpert, William Castellana, Walker Evans, Larry Fink, LaToya Ruby Frazier, Lewis Hine, Boris Ignatovich, Dorothea Lange, Igor Moukhin, Gordon Parks, Alexander Rodchenko, Arthur Rothstein, Sebastião Salgado, Arkady Shaikhet, Aaron Siskind, W. Eugene Smith, Weegee et al.

 - Beautifully illustrated survey of photography in the social sphere
 - First time the Zimmerli's photography collection is the subject of a book
 - Combines American, European, and Soviet and Russian photographers in one volume

Celebrated Magnum photographer Susan Meiselas offers a remarkable commentary on her work and the role of the documentary photographer in this landmark book

This landmark book offers a synthesis of celebrated Magnum photographer Susan Meiselas’s views on her work and the role of the documentary photographer. Through text drawn largely from exclusive interviews with editor Mark Holborn, she offers a remarkable commentary on her career, from early work with carnival strippers, through groundbreaking reportage on Nicaragua and El Salvador, to projects encompassing subjects as varied as the Dani tribe of Indonesia, the Kurds of Northern Iraq and victims of domestic violence in California. Central to Meiselas’s work are themes of collaboration, return and exchange.

With over 110 photographs – some classics, others rarely published – this book demonstrates how the frontline on which Meiselas has worked involves a bearing of witness and a gathering of evidence. As Meiselas has stated: ‘To continue on is to be curious – to be compelled to confront, to examine, to expose, to engage, and not know where you will end up or how the journey will change you. The frontline is always a choice.’

About the Authors:

Susan Meiselas received her BA from Sarah Lawrence College and her MA in visual education from Harvard University. For her groundbreaking work, she has received the Robert Capa Gold Medal for her project in Nicaragua (1979); Leica Award for Excellence (1982); Engelhard Award from the Institute of Contemporary Art (1985); the Hasselblad Foundation Photography Prize (1994); Cornell Capa Infinity Award (2005); and most recently the Harvard Arts Medal (2011). In 1992, she was named a MacArthur Fellow. Meiselas joined Magnum Photos in 1976 and is president of the Magnum Foundation.

Mark Holborn works worldwide as an editor and designer and was formerly an editorial director of Jonathan Cape and editor of Aperture magazine. He edited, with Michael Light, the influential Full Moon series of books illustrating the nine Apollo moon missions (1999) and Antony Gormley on Sculpture (2015). Holborn's other books include The Great War: A Photographic Narrative (with Hilary Roberts, 2013), Shape of Things to Come: New Sculpture (with Meghan Dailey, 2009), Annie Leibovitz: A Photographer's Life 1990-2005 (2006), and Issey Miyake (1995).

A rich collection of work spanning the thirty-year career of Alex Webb, featuring previously unpublished photographs

Gathering some of Alex Webb’s most iconic images, many of which were taken in the far corners of the earth, The Suffering of Light brings a fresh perspective to his extensive catalogue.

Recognized as a pioneer of American colour photography, Webb has since the 1970s consistently created photographs characterized by intense colour and light. His work, with its richly layered and complex composition, touches on multiple genres, including street photography, photojournalism and fine art, but as Webb claims, ‘to me it all is photography. You have to go out and explore the world with a camera.’ Webb’s ability to distil gesture, colour and contrasting cultural tensions into single, beguiling frames results in evocative images that convey a sense of enigma, irony and humour.

Featuring key works alongside previously unpublished photographs, The Suffering of Light is Webb’s first comprehensive monograph and provides the most thorough examination to date of this modern master’s prolific, thirty-year career.

About the Author:

Alex Webb’s photographs have appeared in a wide range of publications, including the NewYork Times Magazine, Life, Stern and National Geographic, and have been exhibited internationally. He is a recipient of the Leica Medal of Excellence (2000) and the Premio Internacional de Fotografia Alcobendas (2009), and has been a member of Magnum Photos since 1976.