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From well-known portraits of Monaco’s “beautiful people” to rarely-seen landscapes, this collection of images documents two decades of Helmut Newton’s love affair with the sun-kissed world of the French Riviera.

Helmut Newton was in his sixties and already a well-established photographer when he and his wife moved to the French Riviera. At an age when many people would consider retirement, Newton instead plunged headfirst into one of the most prolific and liberating stages of his career. The city of Monaco was the perfect backdrop for his fashion photography, and it also provided him with a wealth of subjects for his famous portraits, including the stars of the Ballet de Monte-Carlo and the Princely Family. And it was in Monaco that Newton finally tried his hand at landscapes. While this volume focuses primarily on the years 1981 to 2004, it also looks at Newton’s historic links with the Côte d’Azur and the area around Bordighera, Italy. There are essays by a range of experts in photography, film, and art and three interviews, including one with Paloma Picasso. In these remarkable photographs readers will discover the French Riviera through Newton’s fascinated, slightly ironic lens: a way of life characterized by ease and elegance; a world dominated by appearance and superficiality; and a veritable living theater, in which he was both actor and privileged member of the audience.

The photographer:

Helmut Newton (1920–2004) was one of the most influential photographers of all time. He first achieved international fame in the 1970s while working principally for French Vogue, and became celebrated for his controversial scenarios, bold lighting, and striking compositions in street or interior settings, rather than studios. His many titles and awards included Commandeur de l’Ordre des Arts et des Lettres.

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The Day May Break, photographed in Zimbabwe and Kenya in late 2020, is the first part of a global series portraying people and animals that have been impacted by environmental degradation and destruction. The people in the photos were all affected by climate change, displaced by cyclones and years-long droughts. Photographed at five sanctuaries, the animals were rescues that can never be re-wilded. As a result, it was safe for human strangers to be close to them, photographed so close to them, within the same frame. The fog on location is the unifying visual, as we increasingly find ourselves in a kind of limbo, a once-recognizable world now fading from view. However, in spite of their loss, these people and animals are the survivors. And therein lies possibility and hope.

About the Author:

Nick Brandt (b.1964) is an English-born, US-based photographer whose themes always relate to the disappearing natural world. He is the co-founder of the Big Life Foundation, in Kenya, where all of these photographs were shot.

Portraits of Survival and Hope

Some of Nick Brandt’s subjects are humans, some are animals, but they all are creatures of equal and obvious personhood. The overwhelming sense in the photographer’s ongoing global series The Day May Break is that they are all figuring out how to live in a new world. Each has arrived at the shoot at Senda Verde wildlife sanctuary in Bolivia through their own cascade of tragedy. Both extreme droughts and floods have destroyed people’s homes and livelihoods. Victims of habitat destruction and wildlife trafficking, the animals are rescues that can never be released to the wild. People and animals were photographed in the same frame and indeed convey a sense of connectedness through a shared fate. Fog is the unifying visual, symbolic of the natural world rapidly fading from view; and an echo of the smoke from wildfires, intensified by climate change, devastating so much of the planet. But in spite of their loss, these people and animals are survivors, pioneers entering the new phase our world has reached. In The Day May Break they share their powerful stories.

About the Author:

Nick Brandt (*1964, London) studied painting and film at St. Martin’s School of Art, London. In 1992 he moved to California, where he still lives today. Since 2001, he has documented the destructive impact that humankind is having on the natural world and, as a result, on humans themselves. Chapter One of his seminal series The Day May Break featured photographs taken in Zimbabwe and Kenya in late 2020. Chapter Two, shot in Bolivia in 2022, is the first time in his 20-year career that Brandt has made work outside of Africa.

Some of Nick Brandt’s subjects are humans, some are animals, but they all are creatures of equal and obvious personhood. The overwhelming sense in the photographer’s ongoing global series The Day May Break is that they are all figuring out how to live in a new world. Each has arrived at the shoot at Senda Verde wildlife sanctuary in Bolivia through their own cascade of tragedy. Both extreme droughts and floods have destroyed people’s homes and livelihoods. Victims of habitat destruction and wildlife trafficking, the animals are rescues that can never be released to the wild. People and animals were photographed in the same frame and indeed convey a sense of connectedness through a shared fate. Fog is the unifying visual, symbolic of the natural world rapidly fading from view; and an echo of the smoke from wildfires, intensified by climate change, devastating so much of the planet. But in spite of their loss, these people and animals are survivors, pioneers entering the new phase our world has reached. In The Day May Break they share their powerful stories.

This set includes the volumes The Day May Break and The Day May Break – Chapter Two.

About the Author:

Nick Brandt (b.1964) is an English-born, US-based photographer whose themes always relate to the disappearing natural world. He is the co-founder of the Big Life Foundation, in Kenya, where all of these photographs were shot.

An expansive and timely survey on contemporary British photographer and artist Nick Waplington, with work spanning his entire 40-year career – his first comprehensive retrospective volume

London- and New York-based artist Nick Waplington uses photography to capture the complex and far-reaching aspects of our lived experience. He rose to prominence in the early 1990s with Living Room and has since become known for his unfiltered depictions of people and places, and the sociopolitical backgrounds that define them.

From the chaos, violence, and euphoria of riots, protests, and free parties to the surreal, hypnotic quiet of his large-format landscapes, Waplington’s work (in all its messy humanness) transcends stereotypes and confounds expectations, and this book is no exception. Including never-before-published images, offering new insight into both well- and lesser-known projects, as well as Waplington’s painting and artistic practice, the book opens with a newly commissioned introduction from Simon Baker, one of the leading curators of contemporary photography in Europe and director of the Maison Européenne de la photographie (MEP), Paris.

This is the most extensive survey of Waplington's work to date, and includes previously unpublished photographs, as well as paintings, sketchbooks, and other artworks that complement his practice.

About the Authors:

Nick Waplington is a British artist living between London and New York. He has published extensively throughout his career, including Safety in Numbers (1995), Truth or Consequences (Phaidon, 2001), Working Process (2013), a collaboration with Alexander McQueen, Hackney Riviera (2019), and Anaglypta (2020). Waplington has exhibited in galleries and museums worldwide, and in 2015, was the first living British artist to have a solo photographic exhibition in the main galleries of Tate Britain, London.

Simon Baker is a curator, writer, and educator, and is currently director of the Maison Européenne de la Photographie, Paris. Formerly, he was senior curator of international art at the Tate Modern, London

For the majority of his decades-long career, Norman Rockwell relied on a camera to help him render the iconic scenarios born in his imagination. Photograph by photograph, he painstakingly assembled the specific features he sought for his envisioned illustration, projecting whole or partial pictures of amateur models, objects and settings onto drafting paper, and from there, onto canvas.

Many of Rockwell's most famous works - including those reproduced for LIFE and the Saturday Evening Post - began behind the lens. Uncanny in their approximation to his final paintings and unknown outside a small circle of Rockwell specialists, his study photographs are among the most evocative ever taken by a painter and undoubtedly cast his brushwork in a new light.

Toscani's photography often depicts what no one has ever dared to explore before in advertising, such as homosexuality, racism and anorexia. This magnificent volume explores the creative force behind brands and advertising campaigns, focusing on the finest examples of his work. Interspersed throughout are collected stories of the life of the man behind the lens from some of the major personalities in the creative industries. Contributors include the photographers, David Bailey and Rankin, fashion designer Issey Miyake, designers Philippe Starck and Kenzo Takada, the musician Peter Gabriel and film director and actor, Mathieu Kassovitz, and the entrepreneur Luciano Benetton.

The book features Toscani's advertising campaigns, particularly his work with Benetton from 1982 to 2000, which was some of the most shocking advertising ever seen: in some cases provoking lawsuits and the removal of Benetton clothing from stores. However, Toscani worked wonders for the company, making it into one of the world's most recognised clothing brands – despite no items of clothing appearing in the campaigns between 1990 and 2000.

Throughout the years he has also created corporate images and campaigns for companies such as Esprit, Chanel, Fiorucci, Prenatal and many more. He has collaborated as fashion photographer for international magazines such as Elle, Vogue, GQ, Harper's Bazaar, Esquire, and Liberation.

About the Authors:

Oliviero Toscani is one of world's most high profile image-makers. He was born in Milan, Italy in 1942, and studied photography and design at the University of the Arts in Zurich from 1961 to 1965. He is best known for his shocking advertising campaigns.
Tommaso Basilio studied at the Politecnico di Milano before becoming one of Italy's most respected fashion magazine editors working for L'Uomo Vogue. He was later Head of Communication at Romeo Gigli and then at Malo. He currently teaches History of Fashion Photography at the IED (Istituto Europeo di Design) in Milan and Rome and works as a freelance journalist and stylist.

A collection of the best portraits and smoking shots from the wildly popular French firefighter calendars, personally selected by creator Fred Goudon.

A sensual, sexy homage to firefighters, this new volume spotlights the proud members of fire squads from all over France, who have discarded their helmets and gear to flash their best smiles and flex their muscles. Personally selected and beautifully shot by photographer Fred Goudon, the candid images from the popular 2016, 2017, 2018, 2019, 2020, and 2021 calendars offer readers the chance to fulfill their fantasies by discovering what these Gallic hunks look like underneath it all. Smoldering black-and-white and equally stunning color pictures uncover these everyday heroes in various states of undress, whether training and preparing for the call of duty or captured in gripping, intimate portraits. With their sculpted bodies on full display, this visual celebration of the masculine form, bravery, and spirited camaraderie is bound to raise the temperatures of photography aficionados everywhere.

About the Author:

Fred Goudon is a French photographer. His work has focused on the male form for over twenty years, and he is notably the photographer of the Firefighters and Dieux du Stade calendars, the latter featuring tantalizing portraits of international rugby stars.

Historians, art-lovers, and the fashion-conscious will be united in their love of this sumptuous and well-researched history of Mariano Vivanco’s motherland.

Peru by Mariano Vivanco is a once-in-a-lifetime project in which the photographer uses his love of imagery, history, and fashion alike to create a truly remarkable body of work. Vivanco takes readers through a personal journey depicting the history and folklore of his beloved country, Peru, through various photo essays. Vivanco has chosen to tell the story chronologically starting from the first pre-Columbian Inca civilization, Caral. This then passes through Moche, Nazca, where he photographed geo-glyphs from an airplane, to the Chimu civilization leading up to the Inca Empire. The Peruvian jungle served as the inspiration through its mythologies: El Bufeo Colorado, El Chullachaqui, and the Devil of the Red Flora to name a few. Vivanco also explored religious saints, Santa Rosa and San Martin De Porres, as well as rebellion leader Tupac Amaru II and his wife Micaela Bastidas.

About the Author:

Mariano Vivanco travelled the world with his family from a very early age, before eventually settling down in New Zealand at the age of ten. This is where his passion for art and photography began. Inspired by the scenes depicted in the works of Edward Steichen and Horst P. Horst, Vivanco moved to London in the year 2000 to pursue a career in fashion photography, with his first shoot ending up on the cover of Harper’s Bazaar. Jorge Villacorta is a Peruvian art critic and independent curator with a strong interest in contemporary visual arts. He was awarded the medal for Merit as cultural agent, by the Ministry of Culture of Peru, in 2013. His Excellency Ambassador Juan Carlos Gamarra is the Ambassador of Peru in London UK.

The first monograph to present the diverse photographic work of one of the true icons of American style, Kelly Klein. Kelly Klein’s photography represents a clear and seductive distillation of the talents and interests that have fueled her career in fashion and design. Equal parts artist and stylist, photographer and fashionista, Klein is at once a revered documentarian of the people and tastes that intrigue her and an icon of classic American style herself.   

After twenty-five years in the fashion industry, Klein turned her attention to photography and began a career that has blurred the lines between the worlds of art and fashion, passion and commerce. Collected here are photographs spanning her career to date, ranging from personal shots to intimate portraiture and editorial work commissioned for magazines such as Vogue and Vanity Fair.  

Edited by the artist, this is a stunning catalog of a rich and varied canon of work that juxtaposes the photographer’s contrasting styles to reveal a consistent sensibility — an effortlessness that reflects a natural translation of beauty in the images. From haunting still lifes and profound landscapes to glamorous candid snapshots and sophisticated fashion features, Klein’s unique eye is present throughout — an icon of style lending a touch of her own vision to everything she photographs.

About the Author:

Kelly Klein is among America’s foremost fashion and style photographers. Her iconic images have appeared in numerous magazines, and she is also the author of Pools, Horse, and Pools: Reflections. Aerin Lauder is style and image director for Estée Lauder and owner of the fashion brand AERIN. Bob Colacello is a renowned author and journalist whose writing has appeared regularly in Interview and Vanity Fair magazines.

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A monograph surveying the past twenty years works of the “celebrities snapper” Uli Weber, one of the most accomplished photographers of his generation.

Some photographers build a global reputation specialising in fashion. Others excel in portraiture in travel or in the tough commercial world of advertising. Most photographers seek to master just one genre. But, over the past 20 years, a rare few have excelled in all those disciplines. One of them is Uli Weber.

From teenagers’ bedroom walls to the halls of The Victoria and Albert Museum, Uli Weber is one of the most accomplished and accessible photographers of his generation. When he started twenty years ago, it was his aim to “create beautiful pictures that are always relevant.” The beauty of them is obvious to even the most untutored eye. This book feature a very fine collection of works that has an unusually wide span.

Key Sales Information
• This is the first and only book on this popular photographer.
• Impeccable reproductions – done under careful photographer’s supervision – sparkle on the page.
• An easy-to-enjoy book, the ideal gift for lovers of photography.

About the Authors:

Uli Weber studied at the Instituto Europeo di Design in Rome for two years and then worked as an assistant in London for four years. In 1990 he became a professional photographer. His first cover shot was for iconic style magazine, Arena, and featured Sting wrapped in a vivid red fake fur coat. Other prestigious commissions quickly followed from Marie Claire, Elle or Vogue. Uli was elected a Hasselblad Master in 2006.
Ivan Shaw is Photography Director of Vogue America.

This book is dedicated to Frank’s film and video oeuvre. Containing film-stills, essays and summaries of each film, as well as comprehensive bibliographic and technical data, it is the definitive companion to Frank’s films. With essays by Michael Barchet, Philip Brookman, Stefan Grissemann, Kent Jones, Thomas Mießgang, Pia Neumann, Bert Rebhandl, Amy Taubin Interview with Allen Ginsberg.

The Black Book - Robert Mapplethorpes homage to the black male body, a collection of his most fascinating and shocking nude photographs of black malest. With a poem by Ntozake Shange.

The series Mi Sangre by Roj Rodriguez started as a photo documentation of a personal journey to retrace his Mexican heritage and has evolved into a fine art project aimed at highlighting Mexican culture on both sides of the US–Mexico border. Everyday aspects of Mexican life as well as its culture and popular iconography are documented here. Both in terms of how they exist in Mexico and how Mexican Americans in the US reinterpret them. With each of the subjects portrayed, Roj Rodriguez engaged in sometimes casual, sometimes insightful conversations.

Mi Sangre includes proud and elegant charros, beautiful and skilled "escaramuzas", joyful and coy children, wise and innocent elders, vibrant and talented mariachi musicians, loving and welcoming families, and fine art reinterpretations of Loteria iconography.

About the Author:

Roj Rodriguez (*1971 in Texas) was immersed in the visual arts at an early age. In 2000, he moved from Texas to NYC and spent almost two decades perfecting his craft. Today, he lives and works in Austin.

The first comprehensive book in more than twenty years of the artist’s haunting and textural photographic work, published to accompany a major retrospective at the Addison Gallery of American Art.

A definitive monograph to accompany the first museum survey of the renowned photographer and conceptual artist Rosamond Purcell (b. 1942), known for her strangely beautiful, often unsettling photographs of objects from the natural and man-made world.

With more than 150 illustrations, the book reflects the breadth of the artist’s career from the late 1960s to the present day, and includes photographs, assemblages, collages, and installations that serve to illuminate and explore the shifting boundaries between art and science. From large-format Polaroid prints to objects rescued from obscurity, Purcell’s empathetic, evocative, multifaceted work explores the interstices between the unsettling and the sublime, the beautiful and the bizarre, the natural and the manufactured.

With thoughtful and insightful texts from an eclectic list of critical voices — including the acclaimed documentary filmmaker Errol Morris and the writer Christoph Irmscher — and featuring an interview between Purcell and fellow contemporary artist Mark Dion, this book rejuvenates the critical approach Purcell’s work and brings to light the evolution of a remarkable career.

About the Author:

Gordon Wilkins is the Robert M. Walker Associate Curator of American Art at the Addison Gallery of American Art at Phillips Academy, Andover. Mark Dion is an American conceptual artist living and working in New York. Christoph Irmscher is a writer and biographer, and the author of The Poetics of Natural History, with photographs by Rosamond Purcell. Errol Morris is an Academy Award–winning American documentary filmmaker. Belinda Rathbone is a writer, historian, and critic of photography.

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Пролистать книгу Rosamond Purcell: Nature Stands Aside