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The first monograph to present the diverse photographic work of one of the true icons of American style, Kelly Klein. Kelly Klein’s photography represents a clear and seductive distillation of the talents and interests that have fueled her career in fashion and design. Equal parts artist and stylist, photographer and fashionista, Klein is at once a revered documentarian of the people and tastes that intrigue her and an icon of classic American style herself.   

After twenty-five years in the fashion industry, Klein turned her attention to photography and began a career that has blurred the lines between the worlds of art and fashion, passion and commerce. Collected here are photographs spanning her career to date, ranging from personal shots to intimate portraiture and editorial work commissioned for magazines such as Vogue and Vanity Fair.  

Edited by the artist, this is a stunning catalog of a rich and varied canon of work that juxtaposes the photographer’s contrasting styles to reveal a consistent sensibility — an effortlessness that reflects a natural translation of beauty in the images. From haunting still lifes and profound landscapes to glamorous candid snapshots and sophisticated fashion features, Klein’s unique eye is present throughout — an icon of style lending a touch of her own vision to everything she photographs.

About the Author:

Kelly Klein is among America’s foremost fashion and style photographers. Her iconic images have appeared in numerous magazines, and she is also the author of Pools, Horse, and Pools: Reflections. Aerin Lauder is style and image director for Estée Lauder and owner of the fashion brand AERIN. Bob Colacello is a renowned author and journalist whose writing has appeared regularly in Interview and Vanity Fair magazines.

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Пролистать книгу Photographs by Kelly Klein

A monograph surveying the past twenty years works of the “celebrities snapper” Uli Weber, one of the most accomplished photographers of his generation.

Some photographers build a global reputation specialising in fashion. Others excel in portraiture in travel or in the tough commercial world of advertising. Most photographers seek to master just one genre. But, over the past 20 years, a rare few have excelled in all those disciplines. One of them is Uli Weber.

From teenagers’ bedroom walls to the halls of The Victoria and Albert Museum, Uli Weber is one of the most accomplished and accessible photographers of his generation. When he started twenty years ago, it was his aim to “create beautiful pictures that are always relevant.” The beauty of them is obvious to even the most untutored eye. This book feature a very fine collection of works that has an unusually wide span.

Key Sales Information
• This is the first and only book on this popular photographer.
• Impeccable reproductions – done under careful photographer’s supervision – sparkle on the page.
• An easy-to-enjoy book, the ideal gift for lovers of photography.

About the Authors:

Uli Weber studied at the Instituto Europeo di Design in Rome for two years and then worked as an assistant in London for four years. In 1990 he became a professional photographer. His first cover shot was for iconic style magazine, Arena, and featured Sting wrapped in a vivid red fake fur coat. Other prestigious commissions quickly followed from Marie Claire, Elle or Vogue. Uli was elected a Hasselblad Master in 2006.
Ivan Shaw is Photography Director of Vogue America.

Edited by Rebecca A. Senf Over sixty years of work by one of the great masters of twentieth-century photography

Photographer Richard Avedon, with a more than six-decade-long career, produced innovative and delightful work in fashion, as well as incisive and captivating portraits. Over the course of his lifetime he worked with a number of models and a wide range of portrait subjects, creating a powerful body of pictures that allow his viewers to study the likenesses of actors, ballet dancers, celebrities, civil rights activists, heads of state, inventors, musicians, visual artists and writers.

Avedon offers viewers the opportunity to study faces without crossing any socially imposed boundaries about staring too long; he encourages viewers to think about the people before them, the lives they have lived, their private personalities and public personas, their struggles, accomplishments, disappointments, and joys. Richard Avedon. Relationships presents a selection of 100 iconic fashion photographs and portraits, from the extensive collection at the Center for Creative Photography, to delve into his approach to photographing people.

Avedon’s combination of talent and skill, technical proficiency and attuning to his individual subjects, allowed him to make portraits that are riveting presentations of the people he photographed. Indeed, he achieved mastery of the portraiture form. Avedon had the opportunity to photograph a number of his portrait subjects on more than one occasion. Within the catalogue it is possible to see painter Jasper Johns in 1965 and 1976; novelist Carson McCullers in 1956 and 1958; the Beatles Andy Warhol, Marilyn Monroe, and poet Allen Ginsberg in 1963 and 1970. Perhaps the most dramatic and powerful example of Avedon’s ongoing photographic relationship is that with his friend and collaborator, Truman Capote.

About the Author:

Rebecca Senf is an American writer, and curator working in the field of photography. She is the Chief Curator at the Center for Creative Photography, University of Arizona, since January of 2016.

Robert Capa is one of four new titles published this September in Thames & Hudson’s acclaimed ‘Photofile’ series. Each book brings together the best work of the world’s greatest photographers in an attractive format and at an easily affordable price. Hailed by The Times as ‘finely produced’, the books are printed to the highest standards. Each one contains some sixty full-page reproductions, together with a critical introduction and a full bibliography.

About the Author:

Jean Lacouture is a journalist, historian and author. He is the author of numerous books, most notably biographies of Ho Chi Minh, Nasser, Stendhal and J. F. Kennedy

Iconic and rarely seen images retrace the story of Robert Capa's extraordinary life and work.

Photographer and war reporter Robert Capa (1913–54) is a legend of photojournalism, and his work, widely recognized and sometimes controversial, shaped the history of the medium. Born Endre Friedmann to Jewish parents in Budapest, he left Hungary in the early 1930s and took the pseudonym Robert Capa, believing that it was easier to sell his work with an American-sounding name. He went on to cover the major events of the mid-20th century: from the rise of Front Populaire in France to the Spanish Civil War, the Second World War and Indochina, where he was killed by a landmine.

This retrospective uses both iconic and rarely-seen images to retrace the story of Capa’s life, delving into archives and presenting not only the original photographs but also the magazine features in which they first appeared, to offer valuable context and connection. Charismatic and committed, Capa redefined what it was to be a photojournalist, and his unforgettable images have lost none of their power to fascinate.

About the Author:

Michel Lefebvre has written numerous articles and books on Robert Capa, and is an expert on the Spanish Civil War

The volume collects a rich selection of photographs from the archives of the Magnum Photos agency, taken by Robert Capa, in a combination of emblematic shots of his work and images that have appeared more rarely.

The intent is to hint at some facets of a passionate and ultimately elusive character as Capa was: a courageous witness of his time, a strong, insatiable and at the same time dissatisfied personality, with the traits of a gambler. Therefore, not only the war images that made him one of the most famous photojournalists of the 20th century, but also lesser-known shots that allow you to appreciate the very high formal quality of his photography and, together with it, his personality.

- Robert Capa, the great photographer founder of the Magnum Agency; his story in 366 images
- Accompanies an exhibition at Rovigo, Palazzo Roverella 8 October 2022 - 29 January 2023

This book is dedicated to Frank’s film and video oeuvre. Containing film-stills, essays and summaries of each film, as well as comprehensive bibliographic and technical data, it is the definitive companion to Frank’s films. With essays by Michael Barchet, Philip Brookman, Stefan Grissemann, Kent Jones, Thomas Mießgang, Pia Neumann, Bert Rebhandl, Amy Taubin Interview with Allen Ginsberg.

The Black Book - Robert Mapplethorpes homage to the black male body, a collection of his most fascinating and shocking nude photographs of black malest. With a poem by Ntozake Shange.

The series Mi Sangre by Roj Rodriguez started as a photo documentation of a personal journey to retrace his Mexican heritage and has evolved into a fine art project aimed at highlighting Mexican culture on both sides of the US–Mexico border. Everyday aspects of Mexican life as well as its culture and popular iconography are documented here. Both in terms of how they exist in Mexico and how Mexican Americans in the US reinterpret them. With each of the subjects portrayed, Roj Rodriguez engaged in sometimes casual, sometimes insightful conversations.

Mi Sangre includes proud and elegant charros, beautiful and skilled "escaramuzas", joyful and coy children, wise and innocent elders, vibrant and talented mariachi musicians, loving and welcoming families, and fine art reinterpretations of Loteria iconography.

About the Author:

Roj Rodriguez (*1971 in Texas) was immersed in the visual arts at an early age. In 2000, he moved from Texas to NYC and spent almost two decades perfecting his craft. Today, he lives and works in Austin.

The first comprehensive book in more than twenty years of the artist’s haunting and textural photographic work, published to accompany a major retrospective at the Addison Gallery of American Art.

A definitive monograph to accompany the first museum survey of the renowned photographer and conceptual artist Rosamond Purcell (b. 1942), known for her strangely beautiful, often unsettling photographs of objects from the natural and man-made world.

With more than 150 illustrations, the book reflects the breadth of the artist’s career from the late 1960s to the present day, and includes photographs, assemblages, collages, and installations that serve to illuminate and explore the shifting boundaries between art and science. From large-format Polaroid prints to objects rescued from obscurity, Purcell’s empathetic, evocative, multifaceted work explores the interstices between the unsettling and the sublime, the beautiful and the bizarre, the natural and the manufactured.

With thoughtful and insightful texts from an eclectic list of critical voices — including the acclaimed documentary filmmaker Errol Morris and the writer Christoph Irmscher — and featuring an interview between Purcell and fellow contemporary artist Mark Dion, this book rejuvenates the critical approach Purcell’s work and brings to light the evolution of a remarkable career.

About the Author:

Gordon Wilkins is the Robert M. Walker Associate Curator of American Art at the Addison Gallery of American Art at Phillips Academy, Andover. Mark Dion is an American conceptual artist living and working in New York. Christoph Irmscher is a writer and biographer, and the author of The Poetics of Natural History, with photographs by Rosamond Purcell. Errol Morris is an Academy Award–winning American documentary filmmaker. Belinda Rathbone is a writer, historian, and critic of photography.

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Пролистать книгу Rosamond Purcell: Nature Stands Aside

The perfect primer on American photographer, photojournalist and filmmaker Ruth Orkin

Ruth Orkin (1921–85) always dreamed of becoming a filmmaker, and although that ambition was thwarted until later in her career, she quickly found other ways of engaging with the world of images. She was given her first camera at the age of ten and by the age of seventeen, she was cycling across America from Los Angeles to New York, documenting her trip in albums of annotated photographs. In the early 1940s she settled in New York, joining the Photo League and making her name with photo stories for major magazines such as Life, Look and This Week.

In images that range from celebrity portraits to bird’s-eye views from her apartment window, from children at play to the experiences of a lone American tourist in Italy, Orkin’s photography always retains a cinematic sense of the passage of time and allows the humanity and charisma of her subjects to shine through.

About the Author:

Anne Morin is the director of diChroma photography (www.dichroma-photography.com), a company specializing in international travelling photography exhibitions and the development and production of cultural projects. She is the co-author of Vivian Maier, also published by Thames & Hudson.

Ryan McGinley, one of the most important photographers of his generation, asks his friends and colleagues to take the camera into their own hands. Following instructions given to them by the artist, a group of individuals explore their
own image.

Ryan McGinley, since the earliest days of his unparalleled career, has chronicled his friends and cohorts. Whether on the now legendary annual road trips he has organized with a large coterie of twentysomethings documenting summertime exploits or documenting the early gritty years in downtown New York, McGinley is known as the consummate storyteller about freedom and abandon of youth. A few years ago, however, he wanted to challenge his creative habits and asked more than one hundred of his friends and colleagues -- guided by detailed instructions and a camera given to them by the artist--to take nude self-portraits using mirrors and other props. Though related to the ubiquitous selfie, the participants didn't have the benefit of seeing the image before they clicked the shutter. Furthermore, McGinley would make the selection of the final image to represent the photo session. The experiment yielded scores of intimate and psychologically revealing photos that--even though not done by his own hand--bear some signature McGinley flourishes in their emotional depth and resonance.

About the Author:

Ryan McGinley is a New York-based artist who was raised in New Jersey. After moving to the city, he began extensively photographing in the East Village. At the age of twenty-five, he became the youngest artist to have a solo show at the Whitney Museum of American Art. Over the last ten years, McGinley has traveled continuously throughout the United States to create work that incorporates nude figures active within the American landscape. McGinley frequently has solo gallery and museum exhibitions around the world. His work is included in the prestigious collections of The Solomon R. Guggenheim Museum, New York; the San Francisco Museum of Modern Art; and the Smithsonian National Portrait Gallery, Washington D.C., among many others. Ariana Reines is a poet, playwright, performing artist, and translator.

A mini-monograph on Samuel Fosso, the renowned Cameroon-born Nigerian photographer.

Samuel Fosso (b. 1962) is one of Central Africa’s leading contemporary artists, whose playful and perceptive work investigates Pan-African identity and history through the use of portraiture. Fosso’s path to artistry was found through his initial work as a commercial portrait photographer, utilising his leftover film by capturing self-portraits against well-considered backdrops and incorporating pose, costume and props. Renowned for his ‘autoportraits’ - styling himself and others as characters from popular culture or politics – Samuel Fosso reflects the world around him through a distinct aesthetic that has at times defied Nigerian dictatorial decree.

Fosso’s work is now held in the public collections of the Museum of Modern Art and the Tate, and he was the recipient of the Prince Claus Award of The Netherlands, in 2001.

About the Authors:

Christine Barthe is head of the photographic collection at the Quai Branly Museum in Paris.
Samuel Fosso is one of Central Africa's leading contemporary photographers.

Diane Keaton’s cabinet of saved and found photographic curiosities is a visual autobiography of sorts and scrapbook of her fascinations and reflections.

A visual autobiography of a kind as only Diane Keaton could tell it, via the celebrated star’s idiosyncratic and personal collections and ruminative texts, Saved offers an unprecedented glimpse into the mind of the legendary film star. The book begins with an homage to movies — curiously, to old “b” grade horror flicks, such as Attack of the Puppet People—a passion that manifests in a collection of rare film stills showing large-brain aliens with crablike hands and terrified men with eyes growing from their shoulders. In a second chapter or collection, the reader encoun-ters “Cracked,” a startling selection of crinkled and neglected negatives: found portraits that speak of the past through the broken lens of time. Even more intimately revealing are photographs taken by the star herself, be they of pigeons while on downtime from the set of Reds in London or of the “greeters” of Hollywood Boulevard, caught at the other end of her Rolleiflex camera lens, now revealed as the seen, the experienced, the remembered, the cherished. But this is only the beginning, the surface of a very deep dive into the wellsprings of one of the great creative talents at work today. The book is an invitation to dive in.

About the Author:

Diane Keaton is an Oscar-winning actress, director, and author whose books with Rizzoli include California Romantica, House, and The House That Pinterest Built.

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Пролистать книгу Saved: My Picture World

Salgado's images of the Sahel famine and his colossal project, Workers, would be enough to make his reputation and justify all the awards he has received. But there is more. A native of Brazil, trained as an economist, Sebastião Salgado has shown a constant faith in mankind, a solidarity that never waivers or flinches in the face of pain, an ability to analyse extreme situations, a fierce drive to affirm what he truly is, a humanist photographer.

About the Author:

Christian Caujolle is the Director of Agence Vu. He has curated numerous international exhibitions and has written widely on 20th-century art.