Сборники работ

A compact survey of the photographer Frank Horvat, best known for his fashion photography published between the mid 1950s and the late 1980s.

Frank Horvat (1928-2020) changed the course of fashion photography forever. The Italian-born photographer made his debut as a photojournalist in France, where he continued to live and work for the rest of his life. It was here he met Henri Cartier-Bresson, who encouraged him to continue his marvellous photojournalism. By the mid-1950s Horvat was collaborating with the biggest fashion magazines in the world, such as Elle, Vogue and Jardin des Modes – revolutionizing fashion photography through a more realistic lens, photographing models on the streets, in the squares and alongside the locals of post-war Europe. Horvat’s fresh and often imitated style, which brought reportage techniques and the 35mm film camera to the forefront of fashion photography, impressed designers and inspired fashion photographers for generations to come.

Frank Horvat’s work can now be found in permanent collections in prestigious institutions around the world, including The Museum of Modern Art in New York and the Centre Pompidou in Paris.

With a foreword by Virginie Chardin, this title in the renowned Photofile series exhibits Horvat’s photographic opus through sixty full-page reproductions in a handsome and collectible pocket format.

About the Author:

Virginie Chardin writes widely on photography. She is the author of Ernst Haas in the Photofile series among other books.

The first complete monograph and retrospective on the sixty-year career of Frank Stewart, photographer of an astonishing range of intimate and empathetic images of Black life, music, and culture.

Frank Stewart’s Nexus presents an overview of the career of this noted photographer, who since the 1960s has captured spontaneous and sensitive portrayals of African American culture in many forms, including art, food, dance, and music—especially jazz. Best known for his work as senior photographer for Jazz at Lincoln Center, Stewart produced energetic street scenes and profound landscapes on his worldwide travels with the orchestra. The intimate and subtle relations between and among people are at the heart of Stewart’s art, whether shot at a Manhattan jazz concert, in the studio of artist Romare Bearden, or during a sacred rite in an African village. This sweeping survey of 103 images, with an artist interview and texts by multiple critical voices, illuminates the evolution of a remarkable career.

About the Author:

Ruth Fine is former curator of special projects in modern art at the National Gallery of Art.  Fred Moten is a poet and professor of performance studies at NYU’s Tisch School of Fine Arts. Wynton Marsalis is artistic director of Jazz at Lincoln Center. Mary Schmidt Campbell is president emerita of Spelman College. Cheryl Finley is director of the Atlanta University Center Collective for the Study of Art History and Curatorial Studies. Frank Stewart has had numerous solo and group shows, including at the International Center of Photography, MOCA in Los Angeles, and the Corcoran Gallery in Washington. He has twice been granted a photographic fellowship from the National Endowment for the Arts, and he has published four books.

Exhibition Itinerary:
The Phillips Collection, Washington, D.C.: June 10–September 2, 2023
Artis–Naples, The Baker Museum, Naples, FL: October 14, 2023–January 7, 2024
Telfair Museums, Savannah, GA: February 9 – May 12, 2024

A sequence of 99+1 images by Giovanni Chiaramonte, that, while individually significant, together acquire an extraordinary narrative force.

Infinite Realism brings together 99+1 photographs, many of them never published before, taken over a period of two decades from 1980 to the early 2000s. This volume forms an organic overview of Giovanni Chiaramonte’s complex work on the representation of the landscape and the urban view, developed after a long period of theoretical reflection.

In this exploration, Italy offers a privileged vantage point: its territory, which appears as a stratification of cultures and civilizations, tells the story of the whole of the West at a glance. Italy is therefore a “contemporary space,” as it encompasses different eras that are visible simultaneously. The Italian landscape serves as the matrix for reading and understanding the West as a whole — its culture and destiny. It is the lens through which Chiaramonte explores.

About the Author:

Corrado Benigni is a poet and author of the poetry collections Tribunale della mente (Interlinea, 2012) and Alfabeto di cenere (LietoColle, 2005).
Teju Cole is a photographer, critic, curator, and the author of several books. He was the photography critic of the New York Times Magazine from 2015 until 2019. He is currently the Gore Vidal Professor of the Practice of Creative Writing at Harvard University. 

The definitive monograph of Glen E. Friedman, a pioneer of skate, punk, and hip-hop photography, including much never-before-published work.

Glen E. Friedman is best known for his work capturing and promoting rebellion in his portraits of artists such as Fugazi, Black Flag, Ice-T, Dead Kennedys, Minor Threat, The Misfits, Bad Brains, Beastie Boys, Run-D.M.C., and Public Enemy, as well as classic skateboarding originators such as Tony Alva, Jay Adams, Alan "Ollie" Gelfand, Duane Peters, and Stacy Peralta, and a very young Tony Hawk. Designed in association with celebrated street and graphic artist Shepard Fairey, this monograph captures the most important and influential underground heroes of skateboarding, punk, and hip-hop cultures. My Rules is an unprecedented window into the three most significant countercultures of the last quarter of the twentieth century, and Friedman’s photographs define those important movements that he helped shape. A remarkable chronicle and a primer about the origins of radical street cultures, My Rules is also a statement of artistic inspiration for those influenced by these countercultures.

About the Author:

Glen E. Friedman’s work has appeared in countless publications and exhibitions and is part of permanent collections, including those at the Metropolitan Museum of Art in New York and the Smithsonian Institution, Washington, D.C., among others. Shepard Fairey is a graphic designer. C. R. Stecyk III is the founder of Juxtapoz magazine. Henry Rollins is a musician and writer. Chuck D is a rap artist and activist. Tony Alva is a world-renowned skateboarder. Ian Mackaye is a musician and record label owner. Rick Rubin is an award-winning record producer. Adam Horovitz is a musician.

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Пролистать книгу Glen E. Friedman: My Rules

Alone Street brings together two major bodies of work by Gregory Crewdson, Cathedral of the Pines (Aperture, 2016) and An Eclipse of Moths (Aperture, 2020), in a single, elegant, and affordable monograph.

Both series expand on the artist’s obsessive exploration of the psychogeography of small-town, post-industrial New England and underscore the precision and depth of Crewdson’s unique mode of photographic storytelling. In each image, light, color, and carefully crafted scenography evoke the feeling that, as art historian Alexander Nemerov has astutely described, “all that ever happened in these places seems crystallized in his tableaux, as if the quiet melancholy of Crewdson’s scenes gathered the unruly sorrows and other little-guessed feelings of people long-gone who once stood on those spots.”

In addition to the full set of images from each series, Alone Street, presents a selection of behind-the-scenes images and storyboards, revealing the extensive preparation and planning that went into the making of each work.

Guy Bourdin is one of four new titles being published this Spring in Thames & Hudson’s acclaimed ‘Photofile’ series.

Guy Bourdin (1928–1991) was a fashion photographer whose talent and strength of vision were apparent even in his earliest works. He shared Helmut Newton’s taste for controversy and stylization, but Bourdin’s formal daring and the narrative power of his images exceeded the bounds of conventional advertising photography. Shattering expectations and questioning boundaries, he set the stage for a new kind of fashion photography.

About the Author:

Gilles de Bure (1940-2013) was a journalist for publications including Glamour, Beaux Arts, and Technikart, among others, on subjects ranging from dance to architecture. He was responsible for the Current Affairs Gallery at the Center for Industrial Creation--Centre Pompidou and was the first director of the Grande Halle de la Villette.

A new collection from the award-winning Magnum photographer.

A master of colour-saturated images, Harry Gruyaert has roamed the world searching for the perfect light for more than forty years. His very intuitive and physical sense of place immerses the spectator in a world that borrows simultaneously from the cinematic universe and from that of the painter. Dissolving the boundaries between the exterior and interior, Between Worlds offers just such a sensory immersion.

No matter the setting, the country or the era, Gruyaert deploys a luminous alchemy suspended in time. Where are we? It doesn’t matter: in Gruyaert’s world, the pleasure of getting lost reigns.

About the Author:

Harry Gruyaert is renowned for his photographs of India, Morocco and Egypt as well as of the west of Ireland, and for his use of colour. He is a member of Magnum Photos, and his work has been exhibited widely. David Campany is a curator, writer and educator, based in London. He is the author of numerous books, including On Photographs and Harry Gruyaert: East/West, both published by Thames & Hudson.

A compact survey of the work of 20th-century photographer Helen Levitt, best known for her New York street photography.

A compact survey of the work of 20th-century photographer Helen Levitt, best known for her New York street photography.
Brooklyn-born photographer Helen Levitt (1913–2009) was an assistant to Walker Evans and a friend of Henri Cartier-Bresson, but forged her own path with fierce independence and endless curiosity about the world around her. She is best known for her street photography, capturing children at play on the streets of Depression-era New York and chalk drawings on walls, but she also cast her eye upon the adult world, seeking out moments of movement, transience and theatricality.

Following her first solo exhibition at MoMA in 1943, she devoted more than a decade to filmmaking, but returned to photography in the late 1950s and began to work in colour as well as black and white. Lyrical and witty, her images reveal the streets of New York as flowing with life and unexpected poetry.

About the Author:

Jean-François Chevrier is an art historian, art critic and exhibition curator. He is Professor in the History of Contemporary Art at the École nationale supérieure des Beaux-Arts in Paris.

Henri Cartier-Bresson's photography came to define the 20th century.

This book tells Henri Cartier-Bresson's life story through his images: all the major events from his youth to his death in 2004 are described, contextualized and analysed in the light of his photographic work.

From his early encounters with the Surrealists, his film work and his experiences in the Second World War, to the development of his own personal aesthetic, the concept of the decisive moment, and the foundation of Magnum Photos, his influence on the world has been profound and unforgettable.

This book offers an outstanding retrospective collection of the master of 20th-century photography, Henri Cartier-Bresson.

Reproduced in exquisite black and white, the images in this book range from Henri Cartier-Bresson’s earliest work in France, Spain, and Mexico through his postwar travels in Asia, the US, and Russia, and even include landscapes from the 1970s, when he retired his camera to pursue drawing. While his instinct for capturing what he called the decisive moments was unparalleled, as a photojournalist Cartier-Bresson was uniquely concerned with the human impact of historic events. In his photographs of the liberation of France from the Nazis, the death of Gandhi, and the creation of the People’s Republic of China in 1949, Cartier-Bresson focused on the reactions of the crowds rather than the subjects of the events. And while his portraits of Sartre, Giacometti, Faulkner, Capote, and other artists are iconic, he gave equal attention to those forgotten by history: a dead resistance fighter lying on the bank of the Rhine, children playing alongside the Berlin Wall, and a eunuch in Peking’s Imperial Court. Divided into six thematic sections, the book presents the photographs in spare double-page spreads. In a handwritten note included at the end of the book, Cartier-Bresson writes, »In order to give meaning to the world, one must feel involved in what one singles out through the viewfinder.« His work shows how he has been able to capture the decisive moment with such extreme humility and profound humanity.

About the Author:

Henri Cartier-Bresson, born in 1908, began his career by studying painting before discovering photography in the early 1930s. In 1947 he founded the legendary cooperative agency Magnum Photos together with Robert Capa, David Seymour, William Vandivert and George Rodger. Cartier-Bresson left Magnum Photos in 1974 to devote himself to drawing and painting until his death in 2004. He is still considered one of the most important photographers of the twentieth century.

The coronation of George VI on 12 May 1937 was one of the biggest media events of the interwar period. While other photographers focused on the new King, his family and the ceremonial splendour of the day, Henri Cartier-Bresson turned his lens on the crowds that gathered in the streets of London to watch the pageantry.

In a witty reversal of the expected order of proceedings, he shows us ordinary people of all ages and walks of life, some climbing on monuments or each other's shoulders, others straining to get a better view with cardboard periscopes and mirrors on sticks. A few even slump on the ground, the festivities having proved too much. Presented alongside contemporary news clippings from around the world, these remarkable images reflect Cartier-Bresson's unmistakeable photographic eye and capture the British public at a unique historical moment.

About the Authors:

Henri Cartier-Bresson, born in 1908, began his career by studying painting before discovering photography in the early 1930s. In 1947 he founded the legendary cooperative agency Magnum Photos together with Robert Capa, David Seymour, William Vandivert and George Rodger. Cartier-Bresson left Magnum Photos in 1974 to devote himself to drawing and painting until his death in 2004. He is still considered one of the most important photographers of the twentieth century.

Clément Chéroux is director of the Henri Cartier-Bresson Foundation in Paris. He has also held senior curatorial positions at the Centre Pompidou in Paris, the San Francisco Museum of Modern Art and the Museum of Modern Art in New York.

In this extraordinary memoir, the acclaimed American photographer Sally Mann blends narrative and image to explore the forces that shaped her work. Delving back into her family’s past and the storied landscapes of the South, Hold Still is about how we are made by people and place, and how we make our experiences into art. This is a totally original form of personal history that has the page-turning drama of a great novel but is firmly rooted in the fertile soil of Mann’s remarkable life.

About the Author:

Sally Mann (born in Lexington, Virginia, 1951) is one of America's most renowned photographers. She has received numerous awards, including NEA, NEH, and Guggenheim Foundation grants, and her work is held by major institutions internationally.

Her many books include What Remains (2003), Deep South (2005), and the Aperture titles At Twelve (1988), Immediate Family (1992), Still Time (1994), Proud Flesh (2009), and The Flesh and the Spirit (2010). A feature film about her work, What Remains, debuted to critical acclaim in 2006. Mann is represented by Gagosian Gallery, New York. She lives in Virginia.

A career-to-date retrospective of a unique creative talent

Hyperborea presents unforgettable visual tales of life in the Siberian Arctic that photographer Evgenia Arbugaeva knew when she was growing up in Tiksi, a town on the shore of the Laptev Sea in the Republic of Yakutia. Her work discloses both the fragility and beautiful desolation of the land and those who inhabit it, and her rigorously composed photographs glow with rich otherworldly colour, bristle with the raw vibrancy of the climate and exhibit the quiet intensity of lives borne out in seclusion and extremes.

This beautifully produced photobook contains a decade of work, with photographs selected from across the full range of Arbugaeva’s series and extensive travels across the Russian Arctic coast and to connect with people living in these remote and inhospitable places. The photographs that she brings back from her long-term visits convey a world where everything seems connected: humans and nature, the sky and the land. An elemental space of deep solitude and slower pace of life. Her images invite us to contemplate a territory that has been a place of longing and imagination for many, which is now under existential threat from a multitude of environmental changes.

With an introduction by Piers Vitebsky, four texts by Arbugaeva to supplement the images, and a specially commissioned map to provide a sense of where Arbugaeva’s work is located, Hyperborea is a future collectible for all photobook fans and an introduction to a global audience of a very special talent in the world of photography.

About the Author:

Evgenia Arbugaeva is a Russia-born, London-based photographer, a National Geographic Society Storytelling Fellow, and a recipient of the ICP Infinity Award and the Leica Oskar Barnack Award. Her work has been exhibited internationally and appeared in such publications as National Geographic, Time and The New Yorker magazines among others.

Anton Corbijn’s new feature film, a suspense thriller starring George Clooney, is set in Sweden and the Abruzzo region of Italy. Filled with candid on- and off-set photographs by director and set photographer Corbijn and accompanied by his diary-style writing, this book provides a unique insight into the making of The American.

An illuminating introduction to photographer Issei Suda, who captured the soul of Japan old and new

The work of Issei Suda (1940-2019) is distinct in contemporary avant-garde Japanese photography for its celebration of the beauty of the everyday. His black and white pictures reflect on apparent banality of urban life, capturing the little surprises usually ignored in our world: the shadow of a figure, the shapes of the street, the expressions on stranger's faces. Sudas practice revealed the tensions between old and new Japan, juxtaposing the ingrained visual traditions of Japanese culture with the prevailing western vocabulary of fashion, advertising and leisure, as seen through his observant and tender lens.

About the Author:

Simon Baker is Director of the Maison Européenne de la photographie (MEP).