David Bowie: Rock ‘n’ Roll with Me is Geoff MacCormack’s remarkable photographic memoir, charting his lifelong friendship with David Bowie. Images bring MacCormack’s stories to life, showing the places he and Bowie inhabited, the people they met and the adventures they shared. Beginning at Burnt Ash Primary school in the mid-1950s, the years go by in a whirlwind of discovering and making music. The book contains nearly 150 photos taken by MacCormack throughout the years, some never seen before: from touring the Ziggy Stardust and Aladdin Sane shows and sailing to New York on a world tour, to Bowie’s first major film The Man Who Fell to Earth and the recording of Station to Station and his Thin White Duke persona.

David Bowie: Rock ‘n’ Roll with Me is an incredible story, told with wit and candour. A must for all Bowie fans, it sheds a rare insight into a friendship where two men shared their love for music from the moment they met to their final goodbyes. 

- Charting a lifelong friendship
- Photographic memoir of untold stories and nearly 150 candid photos, many shown for the first time
- Afterword by David Bowie

About the Author

Geoff MacCormack, David Bowie’s lifelong friend, joined Bowie’s 1973 world tour as an additional back-up vocalist and percussionist, and later as a ‘Diamond Dog’ in '74 and what would be known as ‘The Young Americans Soul Tour’. He also worked on the six albums from Aladdin Sane to Station to Station. After three years of touring, recording and travelling with Bowie, MacCormack started an award winning (Gold Clio, Ivor Novello) music production partnership with Simon Goldenberg who he met, coincidentally, in The Three Tuns pub, home of Bowie’s earlier ‘Arts Lab’. For over 20 years, they wrote music for high-end advertising, films and TV. Geoff now manages the use and sale of his photographs of David Bowie around the world and has exhibited in St Petersburg, the USA and the UK, including the hugely successful ‘Rock ‘n’ Roll with Me’ exhibition at Brighton Museum & Art Gallery from September 2020 through to May 2022.

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When Ziggy played The Marquee Club in Soho, London, in October 1973, most of those invited to the small venue did not realise that this would be the last performance David Bowie would ever give as Ziggy Stardust. Terry O’Neill, celebrated photographer, was given unprecedented access to document the event.

O’Neill captured Bowie and his crew backstage as they went through costume changes, and Bowie transformed into the character he’d soon put to rest. On stage, dodging television cameras and lights, O’Neill snapped the incredible stage presence for which Bowie and his crew had become renowned. O’Neill remembers of Bowie: “He became a character on stage. As much as a person takes a role in a play for the West End or on Broadway, learning the lines, putting on the costumes – this was, I think, the way Bowie treated his stage. This night at the Marquee, I witnessed a modern-day Hamlet – and it was Ziggy Stardust”.

Award-winning music writer Daniel Rachel interviews key contributors of the day, including O Neill, Ava Cherry, Amanda Lear and Geoff MacCormack along with new insights and memories from fans who were in the audience who played witness to this incredible moment.

- Rare and unseen images from Terry O'Neill's unprecedented access to David Bowie's last performance as Ziggy Stardust, including candid backstage shots
- New and original interviews from a host of people who witnessed the last performance, including Geoff MacCormack - one of Bowie's long-time friends and "Spider"; Suzy Ronson - Mick's wife and stylist; Ken Scott - sound engineer and producer; Ava Cherry - backing vocals, and many more

About the Author:

Terry O'Neill has had a star-studded career. He has been in the business of capturing the most iconic, candid, and unguarded moments of the famous and infamous for six decades. His reportage photography chronicled the evolution of fashion in the post-war era, and later the emergence of bands such as The Beatles, The Rolling Stones, and The Animals, and icons like David Bowie and Elton John. He has been photographer-of-choice for a multitude of celebrities,ftom Sinatra and Audrey Hepburn to Raquel Welch and Paul Newman, and remains the only photographer to have captured shots not only of every James Bond to date, but also more than 25 Bond girls and a staggering 150 Oscar-nominated actors and actresses. O'Neill was awarded withthe Royal Society of Arts' highest honour, the Centenary Medal, in 2012.

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Remembering Starman. Mick Rock’s legendary photos of the late artist

A unique tribute from David Bowie’s official photographer and creative partner, Mick Rock, compiled in 2015, with Bowie’s blessing.

In 1972, David Bowie released his groundbreaking album The Rise and Fall of Ziggy Stardust and the Spiders from Mars. With it landed Bowie’s Stardust alter ego: a glitter-clad, mascara-eyed, sexually ambiguous persona who kicked down the boundaries between male and female, straight and gay, fact and fiction into one shifting and sparkling phenomenon of ’70s self-expression. Together, Ziggy the album and Ziggy the stage spectacular propelled the softly spoken Londoner into one of the world’s biggest stars.

A key passenger on this glam trip into the stratosphere was fellow Londoner and photographer Mick Rock. Rock bonded with Bowie artistically and personally immersed himself in the singer’s inner circle, and, between 1972 and 1973, worked as the singer’s photographer and videographer.

This collection brings together spectacular stage shots, iconic photoshoots, as well as intimate backstage portraits. It celebrates Bowie’s fearless experimentation and reinvention while offering privileged access to the many facets of his personality and fame. Through the aloof and approachable, the playful and serious, the candid and the contrived, the result is a passionate tribute to a brilliant and inspirational artist whose creative vision will never be forgotten.

The photographer:

Mick Rock was born in London in 1948 and is known as “The Man who shot the seventies.” As well as David Bowie, he has photographed Lou Reed, Queen, Iggy Pop, Roxy Music and Blondie. He also produced and directed music videos for the classic Bowie songs: “John, I’m Only Dancing”, “The Jean Genie”, “Space Oddity” and “Life On Mars?”. Rock has had major exhibitions in London, New York, Los Angeles, Tokyo, San Francisco, and Las Vegas.

The authors:

Barney Hoskyns was born in London in 1959. He is the editorial director of Rock’s Backpages, the online library of pop writing and journalism, and a former staff writer at the New Musical Express, contributing editor to Vogue, and U.S. correspondent for MOJO. He is the author of the Tom Waits biography Lowside of the Road (2009) and Trampled Under Foot, the oral history of Led Zeppelin (2012).

Michael Bracewell was born in London in 1958 and has written widely on modern and contemporary art and culture. His more recent publications include Richard Hamilton: Late Works, and Damien Hirst: The Complete Psalm Paintings. He has contributed to The Faber Book of Pop and The Penguin Book of Twentieth-Century Fashion Writing.

A beautifully produced book tracing Bowie's career

David Bowie's career as a pioneering artist spanned nearly 50 years and brought him international acclaim. He continues to be cited as a major influence on contemporary artists and designers working across the creative arts. Published to accompany the blockbuster international exhibition launched at London's Victoria and Albert Museum, this is the only book to be granted access to Bowie's personal archive of performance costume, ephemera and original design artwork by the artist, and brings it together to present a completely new perspective on his creative work and collaborations.

The book traces his career from its beginnings in London, through the breakthroughs of Space Oddity and Ziggy Stardust and the Spiders from Mars, and on to his impact on the larger international tradition of twentieth-century avant-garde art. Essays by V&A curators on Bowie's London, image, and influence on the fashion world, are complemented by Howard Goodall on musicology; Camille Paglia on gender and decadence and Jon Savage on Bowie's relationship with William Burroughs and his fans. Also included is a discussion between Christopher Frayling, Philip Hoare and Mark Kermode, held at the V&A, of Bowie's cultural impact.

Over 300 images include personal and performance photographs, costumes, lyric sheets giving a unique insight into Bowie's world.

About the Authors:

Victoria Broackes is a curator of theatre & performance at the V&A. 

Geoffrey Marsh is director of the V&A theatre collections. 

Sir Christopher Frayling is a critic and writer and former rector of the Royal College of Art, London. 

Howard Goodall is an Emmy, BRIT, and BAFTA award-winning composer and broadcaster. 

Camille Paglia is University Professor of humanities and media studies at the University of the Arts in Philadelphia. Her books include Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson. 

Jon Savage is a writer and broadcaster. His books include Teenage: The Creation of Youth Culture and England’s Dreaming: Anarchy, Sex Pistols, Punk Rock, and Beyond.

Loving the Alien. Behind the scenes of Nic Roeg’s 1976 sci-fi masterpiece starring David Bowie

Haunting, hallucinatory, and with a mesmerizing lead role performance from David Bowie, Nic Roeg’s The Man Who Fell to Earth is a cult piece of science fiction. This book gathers a bumper collection of stills and behind-the-scenes images by unit photographer David James, including stunning shots of Bowie as humanoid alien Thomas Jerome Newton.

First advertised as a “mind-stretching experience,” Nicolas Roeg’s 1976 The Man Who Fell to Earth stunned the cinema world. A tour-de-force of science fiction as art form, the movie brought not only hallucinatory visuals and haunting exploration of contemporary alienation, but also glam-rock legend David Bowie in his lead role debut as paranoid alien Newton.

Based on Walter Tevis’s 1963 sci-fi fable of the same title, The Man Who Fell to Earth follows alien Newton from his arrival on earth in search of water; his transition to wealthy entrepreneur, leveraging the advanced technologies of his native planet; his sexual awakening with the young Mary-Lou; and then the discovery of his alien identity, his imprisonment, abandonment, and descent into alcoholism. Throughout, Roeg coaxed a beguiling performance from his cast, presenting not only Bowie in ethereal space-traveller glory, but also pitch-perfect supporting performances from Candy Clark, Rip Torn, and Buck Henry.

TASCHEN’s The Man Who Fell to Earth presents a plenitude of stills and behind-the-scenes images by unit photographer David James, including numerous shots of Bowie at his playful and ambiguous best. A fresh introductory essay explores the shooting of the film and its lasting impact, drawing upon an exclusive interview with David James, who brings first-hand insights into the making of this sci-fi masterwork.

The editor:

Paul Duncan is a film historian whose TASCHEN books include The James Bond Archives, The Charlie Chaplin Archives, The Godfather Family Album, Taxi Driver, Film Noir, and Horror Cinema, as well as publications on film directors, film genres, movie stars, and film posters.

About the series:

Bibliotheca Universalis — Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!

Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together more than 100 of our all-time favourite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.

Bookworm’s delight — never bore, always excite!

Remembering Starman. Mick Rock’s legendary photos of the late artist

A tribute to David Bowie from the artist’s official photographer and creative partner, Mick Rock. Compiled in 2015 with Bowie’s blessing, this electrifying collection includes stage shots, backstage photographs, album images, and more, to chart the musical, theatrical, and sexual revolution of the groundbreaking 1972–73 Ziggy Stardust world tour, and to celebrate the eternal inspiration of a fearless, outstanding artist.

“Such a privilege to have known and worked with him. A remarkable man and artist. I loved him.”
— Mick Rock, 2016

A unique tribute from David Bowie’s official photographer and creative partner, Mick Rock, compiled in 2015, with Bowie’s blessing.

In 1972, David Bowie released his groundbreaking album The Rise and Fall of Ziggy Stardust and the Spiders from Mars. With it landed Bowie’s Stardust alter ego: a glitter-clad, mascara-eyed, sexually ambiguous persona who kicked down the boundaries between male and female, straight and gay, fact and fiction into one shifting and sparkling phenomenon of ’70s self-expression. Together, Ziggy the album and Ziggy the stage spectacular propelled the softly spoken Londoner into one of the world’s biggest stars.

A key passenger on this glam trip into the stratosphere was fellow Londoner and photographer Mick Rock. Rock bonded with Bowie artistically and personally, immersed himself in the singer’s inner circle, and, between 1972 and 1973, worked as the singer’s photographer and videographer.

This collection, featuring around 50 percent previously unpublished images, brings together spectacular stage shots, iconic photo shoots, as well as intimate backstage portraits. With a lenticular cover of different headshots, it celebrates Bowie’s fearless experimentation and reinvention, while offering privileged access to the many facets of his personality and fame. Through the aloof and approachable, the playful and serious, the candid and the contrived, the result is a passionate tribute to a brilliant and inspirational artist whose creative vision will never be forgotten.