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A contemporary look at Cecil Beaton's portraits of the Royal Family and how they helped create the public face of the House of Windsor.

Cecil Beaton: The Royal Portraits looks back in time to tell a very modern tale: the creation of a public image. Offering a fresh appraisal of Beaton's portraits of the British royal family, the book explores not only the finished images but also the sittings in which they were created, revealing Beaton's central role in shaping the public face of the House of Windsor and the ways in which he collaborated with his subjects.

Organised chronologically, from the 1930s to the 1970s, each of the book's four chapters comprises an introductory essay, plates with extended captions, and one or two in-depth analyses of a particular sitting. Throughout, a variety of contextual material - contact sheets, test shots, out-takes, sketches, letters, journals, tear-sheets - helps build a detailed picture of Beaton's working methods, the relationships he developed with his sitters, and how the eventual portraits were received.

Drawing on the Victoria and Albert Museum's unparalleled collection of Beaton's photographs, Cecil Beaton: The Royal Portraits will appeal not only to those interested in the photographer and his work, but also to anyone for whom the distinction between the private world and the public face of the royal family remains a source of fascination.

About the Author

Claudia Acott Williams is a collections curator at Historic Royal Palaces, specializing in royal, court and dress history from the 18th century to the present day. Currently the Curator of Kensington Palace, she is responsible for the presentation of the palace interiors and the displayed and stored collections. Exhibitions she has curated or co-curated include Victoria: A Royal Childhood, Victoria Revealed, Diana: Her Fashion Story and Fashion Rules: Restyled. She is also the author of The Crown in Focus: Two Centuries of Royal Photography, published by Merrell in 2020.

Charles Fréger explores the masks, costumes and characters created by the descendants of Africans and indigenous peoples in the Americas

All across the Americas, from the 16th century onwards, enslaved Africans escaped their captors and struck out on their own. These runaways, having found their freedom, established their own communities or joined with indigenous peoples to forge new identities.

Cimarron, borrowing a Spanish-American term for these fugitive former slaves, is a new series of photographic portraits of their descendants. From Brazil, Colombia, the Caribbean islands and Central America, as far as the southern USA, elaborate masquerades are staged that celebrate and keep alive the memory of African slaves and their descendants. Stock characters are portrayed in costume, or in grotesque or satirical representations. A huge variety of African tribal dress, wild ritual regalia and shimmering Mardi Gras outfits feature in breathtaking succession. Vividly coloured silks and cottons combine with woven fibres, leaves, feathers, and bodypaint; props include emblems of slavery and slavemasters – ropes, sticks, guns and machetes. These photographs record real people whose collective sense of memory, folk history and imagination dramatically challenges our expectations.

Charles Fréger’s work has established a large and growing following among connoisseurs of contemporary photography, defining a new genre of documentary portraiture that extends and deepens our sense of the human past and the present.

Table of Contents:

Introduction • The Photographs • Cimarron: Slavery, Freedom and Ritual Masquerade, Krystel Gualde • Description of characters and groups, Ana Maria Ruiz

About the Authors:

Charles Freger is a photographer based in Rouen, France. Internationally acclaimed for his subtle and poetic portraiture, he has devoted himself to the representation of social groups. Previous books include Wilder Mann, Portraits in Lace and Yokainoshima.

Ishmael Reed is the author of numerous bestselling novels, including the critically acclaimed Mumbo Jumbo and Conjugating Hindi. Two of his novels have been nominated for National Book Awards, and his poetry has been nominated for the Pulitzer Prize.

"Circesque" is a celebration of an idea Christian Tagliavini had in 2008 and resulted in his photographic series of the same title produced in 2019. Exploring the world of the circus, this specially crafted book is a unique invitation for the reader to form their own stories through exquisitely detailed costumes, unexpected props, and a glimpse of the people behind the greasepaint and powder.

"Circesque", explores the untold lives of circus folk. Stripped of the tired clichés of circus life, these mise-en-scène portraits reveal the human behind the archetype. The images betray the protagonists’ innermost feelings as they mount the platform, put themselves on the line, and take the risk: all under the watchful eye of their audience. Acrobats. Trapezists. High-wire performers. Escape artists. Tattooed ladies. Jugglers. Nature-defying contortionists. All present and accounted for as in any traditional Big Top. But a closer look reveals some unusual details.

After the eponymous first book by artist Christian Tagliavini, which was also published by teNeues in 2018, the second to his latest photo series Circesque is now published. The exceptional artist, whose art uniquely combines craft, photography and stage design, dedicates himself here to the actors of the circus world. Sometimes enigmatic, sometimes touching, always rich in detail and stylistically driven to the extreme, these latest works of the Swiss fascinate his viewers anew.

 About the Author:

Christian Tagliavini was born in 1971 and grew up in Italy and Switzerland. Christian Tagliavini studied graphic design and worked as an architect and graphic artist before he focused on photographic art in 2000. His artistic development shaped his complex relationship with the art form. His works are not only pictures but designed narratives for which Christian Tagliavini produces all visible components himself: ranging from the interior of the set to the clothing of the protagonists. He regards himself as photographic craftsman with these unique compositions. His highly praised series 1503 (2010), Carte (2012), Voyages Extraordinaires (2015), 1406 (2017), and Circesque (2019/20) have been part of numerous international exhibitions and art fairs. He ranks among the most influential contemporary photographic artists in the field of staged photography. Christian Tagliavini’s works are part of leading international private, public, and corporate collections. Christian Tagliavini works and lives in Switzerland.

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Daido Moriyama first came to prominence in the mid-1960s. If there is one theme that jumps out from his work – one that can be regarded as his essential territory, the wellspring of his photography – it is Tokyo. He also draws inspiration from William Klein’s confrontational photographs of New York, Shomei Tomatsu’s trenchant social critiques, Andy Warhol’s silkscreened multiples of newspaper images, and the writings of Jack Kerouac and Yukio Mishima. As Gabriel Bauret points out in his introduction to this collection of Moriyama’s work, Light and Shadow is the title of a book published by Moriyama in 1982, but it could just as easily be applied to his whole photographic oeuvre, given the dialogue he so powerfully sets up between light and shadow, black and white.

The Photofile series brings together the best work of the world’s greatest photographers, in an affordable pocket format. Handsome and collectable, the books are produced to the highest standards. Each volume contains some sixty full-page reproductions printed in superb duotone, together with a critical introduction and a full bibliography. The series has been awarded the first annual prize for distinguished photographic books by the International Center of Photography, New York.

Contents List:

Introduction by Gabriel Bauret • c.60 photographs • Concise biography

About the Author:

Gabriel Bauret is a noted curator, critic and photography historian.

An exceptional selection of photographs from Record, Daido Moriyama’s self-curated journal, published in the early 1970s and from 2006 to the present day

Record is drawn from the first thirty issues of Daido Moriyama’s personal publication, dating back to its origins in the seventies. The magazine provided a diaristic platform for this extraordinary photographer. Beside the pictures taken on his familiar ground in Tokyo and Osaka, Moriyama photographed the streets of New York, Los Angeles, Florence, Paris and London as he would have recorded the lanes and alleys of his hometowns. Once regarded as the leading Japanese photographer of his generation, Moriyama has come to transcend such a description. He is an artist in constant motion and his subject matter is both stark and universal.

Daido Moriyama Wins Hasselblad Foundation Photography 2018

About the Author:

Mark Holborn is an internationally recognized editor and designer of illustrated books working with a diverse range of artists, from William Eggleston to Lucian Freud. He is also a curator, author and specialist on Japanese culture. His books as an editor with Thames & Hudson include Antony Gormley on Sculpture, Susan Meiselas: On the Frontline and Daido Moriyama.

The direct sequel to a classic photobook: an exceptional selection of photographs from Daido Moriyama's seminal magazine publication from 2017 to today

The direct sequel to the classic Daido Moriyama – Record, this volume presents an exceptional selection of photographs from Daido Moriyama’s seminal magazine publication Record, from issues 31 to 50 and spanning 2017 to the present. Now in his 80s, and not the relentless traveller he once was, Moriyama is in a more contemplative and philosophical location in this compilation – one where he reviews his life and the work that, rightly, made him a leading Japanese artist of his generation. But, despite his advancing years, his work remains unmistakably of the Moriyama aesthetic – fiercely contrasted images with fragmentary, intensely composed frames that express the vision of one of the greatest photographers.

About the Author:

Mark Holborn is an internationally recognized editor and designer of illustrated books working with a diverse range of artists, from William Eggleston to Lucian Freud. He is also a curator, author and specialist on Japanese culture. His books for Thames & Hudson include Antony Gormley on Sculpture, Susan Meiselas: On the Frontline and Daido Moriyama – Record.

Exclusive art project by photographer Erwin Olaf and choreographer Hans van Manen offering a unique view on dance and photography

The grand master of Dutch dance, Hans van Manen, celebrates his 90th birthday this year. That has given rise to international celebrations by leading ballet companies with the Hans van Manen festival from 8 to 29 June 2022, the exclusive publication Dance in Close-Up and the exhibition of the same name in Galerie Ron Mandos in Amsterdam from 19 June to 17 July 2022.

From the 1970s to the 1990s, Hans van Manen was not only one of the world’s leading choreographers, but also an internationally acclaimed photographer. It was during this period that the then very young photographer Erwin Olaf met the famed artist, who immediately took him under his wing and introduced him to the world of the visual arts and studio photography.

This book celebrates their 40 years of friendship, with a photo series in which Van Manen directs moments from his choreographic career, recorded with the utmost precision by Erwin Olaf.

With text contributions from the authors Nina Siegal and Michael James Gardner.

About the Author:

Born in 1959 in Hilversum, The Netherlands. Lives and works in Amsterdam, The Netherlands. Erwin Olaf is an internationally exhibiting artist whose diverse practice centres around society’s marginalised individuals, including women, people of colour, and the LGBTQ+ community. A bold and sometimes controversial approach has earned the artist a number of prestigious collaborations, from Vogue and Louis Vuitton, to the Stedelijk Museum Amsterdam. He served as the official portrait artist for the Dutch royal family in 2017, and designed the national side of the euro coins for King Willem-Alexander in 2013. He has been awarded the Netherlands’ prestigious Johannes Vermeer Award, as well as Photographer of the Year at the International Color Awards, and Kunstbeeld magazine’s Dutch Artist of the Year. Erwin Olaf has exhibited worldwide, including Centro de Arte Contemporáneo de Málaga, Málaga, Spain; Museu da Imagem e do Som, São Paulo, Brazil; Martin-Gropius-Bau, Berlin, Germany; Southeastern Center for Contemporary Art, Winston-Salem, North Carolina, USA; and Museo de Arte Contemporáneo, Santiago, Chile.

Dancers After Dark is an amazing celebration of the human body and the human spirit, as dancers, photographed nude and at night, strike poses of fearless beauty.

Without a permit or a plan, Jordan Matter led hundreds of the most exciting dancers in the world out of their comfort zones—not to mention their clothes—to explore the most compelling reaches of beauty and the human form. After all the risk and daring, the result is extraordinary: 300 dancers, 400 locations, more than 150 stunning photographs. And no clothes, no arrests, no regrets.

Each image highlights the amazing abilities of these artists—and presents a core message to the reader: Say yes rather than no, and embrace the risks and opportunities that life presents.

About the Author:

Jordan Matter is the author of the New York Times bestseller Dancers Among Us. He and his work have been featured on television, in print, online, and in exhibitions throughout the world, including Buzzfeed, ABC World News Tonight, Today, the BBC, The New York Times, The Huffington Post, #1 on Reddit, Daily Mail U.K., O, The Oprah Magazine, NPR, and the Savina Museum of Contemporary Art in Seoul, Korea. Matter lives with his wife and two children in New York.

The mystery of the body in motion. The surprise of seeing what seems impossible. And the pure, joyful optimism of it all. Dancers Among Us presents one thrilling photograph after another of dancers leaping, spinning, lifting, kicking—but in the midst of daily life: on the beach, at a construction site, in a library, a restaurant, a park. With each image the reader feels buoyed up, eager to see the next bit of magic.

Photographer Jordan Matter started his Dancers Among Us Project by asking a member of the Paul Taylor Dance Company to dance for him in a place where dance is unexpected. So, dressed in a commuter’s suit and tie, the dancer flew across a Times Square subway platform. And in that image Matter found what he’d been searching for: a way to express the feeling of being fully alive in the moment, unself-conscious, present.

Organized around themes of work, play, love, exploration, dreaming, and more, Dancers Among Us celebrates life in a way that’s fresh, surprising, original, universal. There’s no photoshopping here, no trampolines, no gimmicks, no tricks. Just a photographer, his vision, and the serendipity of what happens when the shutter clicks.

About the Author:

Jordan Matter, a portrait and dance photographer, is the author of the New York Times bestselling books Dancers Among Us and Born To Dance. His work has created a viral phenomenon, making him one of the most recognizable photographers on the planet. He has over 18M followers across social media, and his dance photography videos have been viewed over 2B times. In addition, he has been featured on YouTube’s Instant Influencer, ABC World News, Nightline, Late Night with Seth Meyers, Today and the BBC, and in The New York Times, the Huffington Post, O. The Oprah Magazine, Daily Mail UK, New York Magazine, and newspapers, magazines and exhibitions all over the world. "In Jordan Matter's photos, dancers make all the world their stage," wrote The New York Times. Jordan lives in Los Angeles with his wife and two children.

David Bailey was part of a new generation who revolutionized fashion photography in the 1960s and made stars of models such as Jean Shrimpton. He was also among the first photographers to become a celebrity in his own right, socializing with and photographing many of the cultural icons of the 1960s and 1970s, such as Catherine Deneuve, The Beatles, Rolling Stones, Michael Caine and Andy Warhol. He has held contracts with British, American and Italian Vogue and contributed to many other major magazines and newspapers over more than 40 years. His simple and direct style is accompanied by an intimacy that reveals the personality and sensuality of his subjects.

Over the course of his successful career, Bailey has produced books, paintings, commercials, documentaries and feature films and remains a high-profile figure in photography and filmmaking. This book delves into the photographer's archive and provides an engaging overview of his career, including early and previously unpublished work alongside his iconic portraits from London and New York in the 1960s.

'In Dreams. Scenes from the Archive' adds to our understanding of Dennis Hopper’s personal vision as an artist by tracing the threads of Hopper’s life through photography, and connecting his roles as an actor, husband, father, and photographer.

'In Dreams' eschews Hopper’s iconic stand-alone images and instead looks to distill the archive into a connected set of photographs that offer new impressions and stories. Themes emerge, visual rhymes are made, and characters come and go while the reader is invited along for the journey. Hopper’s photographic output was especially concentrated in the ‘60s, a period in which his film career had cooled off. During these years Hopper’s primary creative outlet was his photography. The Nikon camera his wife Brooke Hayward gifted him hung so prominently around his neck that friends jokingly called him ‘the tourist.’

While 'In Dreams', which references Roy Orbison’s song by the same name made famous in Blue Velvet, includes appearances by famous faces, they are intimately intertwined with Hopper’s peripatetic life and his everyday use of the camera. Hopper was very much an insider — at ease with celebrities and artists of his day — but this new conversation with his archive shows that, like many photographers, Hopper was also distinctly an outsider. Famous himself, but also an observer: it’s this unique duality that allowed Hopper to view the world in his unique way.

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To ensure the ongoing availability of Diane Arbus Revelations, Aperture is proud to release this vitally important volume on the fiftieth anniversary of the posthumous 1972 Arbus retrospective at the Museum of Modern Art and the simultaneous publication of Diane Arbus: An Aperture Monograph.

Diane Arbus redefined the concerns and the range of the art she practiced. Her bold subject matter and photographic approach have established her preeminence in the world of the visual arts. Her gift for rendering strange those things we consider most familiar, and uncovering the familiar within the exotic, enlarges our understanding of ourselves.

Diane Arbus: Revelations affords the first opportunity to explore the origins, scope, and aspirations of what is a wholly original force in photography. Arbus’s frank treatment of her subjects and her faith in the intrinsic power of the medium have produced a body of work that is often shocking in its purity, in its steadfast celebration of things as they are. Presenting many of her lesser-known or previously unpublished photographs in the context of the iconic images reveals a subtle yet persistent view of the world.

The book reproduces two hundred full-page duotones of Diane Arbus photographs spanning her entire career, many of them never before seen. It also includes an essay, “The Question of Belief,” by Sandra S. Phillips, senior curator of photography at the San Francisco Museum of Modern Art, and “In the Darkroom,” a discussion of Arbus’s printing techniques by Neil Selkirk, the only person authorized to print her photographs since her death. A 104-page Chronology by Elisabeth Sussman, guest curator of the San Francisco Museum of Modern Art show, and Doon Arbus, the artist’s eldest daughter, illustrated by more than three hundred additional images and composed mainly of previously unpublished excerpts from the artist’s letters, notebooks, and other writings, amounts to a kind of autobiography. An Afterword by Doon Arbus precedes biographical entries on the photographer’s friends and colleagues by Jeff L. Rosenheim, associate curator of photographs at The Metropolitan Museum of Art. These texts help illuminate the meaning of Diane Arbus’s controversial and astonishing vision.

About the Author:

I want to photograph the considerable ceremonies of our present because we tend while living here and now to perceive only what is random and barren and formless about it. While we regret that the present is not like the past and despair of its ever becoming the future, its innumerable inscrutable habits lie in wait for their meaning...These are our symptoms and our monuments. I want simply to save them, for what is ceremonious and curious and commonplace will be legendary. Diane Arbus–born Diane Nemerov in New York City in 1923–first began taking pictures in the early 1940s following her marriage to Allan Arbus. She studied photography with Berenice Abbott, Alexey Brodovitch, and Lisette Model. Her first published photographs appeared in Esquire in 1960. Over the next ten years, her work continued to appear in Esquire, Harper’s Bazaar, and other magazines.

In 1963 and 1966 she was awarded John Simon Guggenheim Fellowships. She was one of three photographers whose work was the focus of New Documents, a 1967 exhibition at The Museum of Modern Art. In 1970 Arbus made a portfolio of prints entitled A box of ten photographs, which was to be the first of a series of similar limited editions of her work. She taught photography in the late sixties at Parsons School of Design, Rhode Island School of Design, and Cooper Union, and, in 1971, gave a private master class at the artists’ cooperative where she lived.

A year after her death in 1971, her work was selected for inclusion at the Venice Biennale–the first work of an American photographer to be so honoured. The Museum of Modern Art hosted a major retrospective that travelled throughout the United States and Canada from 1972 to 1975. The three books of her work, Diane Arbus: An Aperture Monograph (1972), Diane Arbus: Magazine Work (1984), and Untitled: Diane Arbus (1995), were published posthumously and have remained continuously in print. Diane Arbus: Revelations, in conjunction with the first major international retrospective of her work in thirty years, is the only comprehensive and intimate study of this singularly daring photographic artist.

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Другие альбомы Diane Arbus

Diane Arbus: An Aperture Monograph (Hardcover)

Diane Arbus: An Aperture Monograph (Paperback)

Diane Arbus: Magazine Work

Influential director and photographer Floria Sigismondi showcases new images of the biggest names in music and in Hollywood. Eat the Sun is a star-studded overview of Sigismondi’s photographic and film work.

Floria Sigismondi’s compelling visual narratives have defined a profound aesthetic elements over the course of her career as a director and photographer. "A home away from home — a Floria set is one that always feels like a supernatural dream state. A place you wish to permanently exist in.” — Lawrence Rothman in his preface to Eat the Sun. Her coveted eye incorporates the ethereal and the mysterious, the whimsical and the grotesque, always illuminating a story. She has worked with numerous celebrities and is also behind surreal, career-defining music videos for Marilyn Manson among others. She has directed episodes of American Gods, The Handmaid’s Tale, and Daredevil for TV, and her Hollywood film credits include The Runaways, and The Turning (due to release in 2020).

Eat the Sun is a star-studded kaleidoscope of Floria Sigismondi’s top achievements, a provocative portfolio that highlights the powerful imagery that has made her one of the best in the industry. There are many never before seen photographs in Eat The Sun.

About the Author

Floria Sigismondi was born in Italy and raised in Canada. She now lives between Los Angeles, Toronto, and New York City. Sigismondi has distinguished herself as one of the preeminent directors working today, with a surrealist, gothic aesthetic that defines her feature films, TV shows, and music videos.

The photographer and visual artist Erik Johansson creates surreal worlds through his own unique method. It often takes him months just to create one image, in a process where his photographs are combined so that an original place emerges. The result is often humorous, sometimes even scary, but always mind-blowing. Erik Johansson has become world-famous through his captivating and detailed images. Places Beyond is his second and biggest book so far, presenting his best images in large format. He also reveals the secrets of his method in an inspirational chapter where he explains his creative process.

About the Author:

Erik Johansson was born in Sweden and started taking pictures when his parents gave him a digital camera for his 15th birthday. He has lived in Berlin and currently lives in Prague. His pictures have been exhibited all over the world and his latest major exhibition is opening at Fotografiska in Stockholm in December 2019.

The first book on master photographer Ernst Haas’s work dedicated to both his classic and newly discovered New York City colour photographs of the 1950s and 60s.

Ernst Haas’s colour works reveal the photographer’s remarkable genius and remind us on every page why we love New York. When Ernst Haas moved from Vienna to New York City in 1951, he left behind a war-torn continent and a career producing black-and-white images. For Haas, the new medium of colour photography was the only way to capture a city pulsing with energy and humanity. These images demonstrate Haas’s tremendous virtuosity and confidence with Kodachrome film and the technical challenges of colour printing. Unparalleled in their depth and richness of colour, brimming with lyricism and dramatic tension, these images reveal a photographer at the height of his career.

About the Author:

Phillip Prodger is a curator, author and art historian. Previously Head of Photographs at the National Portrait Gallery in London, and the founding Curator of Photography at the Peabody Essex Museum in Salem, Massachusetts, he is currently Executive Director of Curatorial Exhibitions in Los Angeles. His previous books include "William Eggleston Portraits" and |Only Human: Photographs by Martin Parr".

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