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The first career retrospective of leading contemporary photographer Mona Kuhn

Mona Kuhn: Works is the first retrospective by one of the most respected and widely exhibited contemporary art photographers at work in the world today. Over a career spanning more than twenty years, Kuhn’s underlying theme has always been humanity’s longing for spiritual connection and solidarity. She is renowned for developing close relationships with her subjects, resulting in images of remarkable intimacy. Her use of playful visual strategies reveals glimpses into the psyche as it is expressed through the human form, ultimately reinterpreting the nude in the canon of contemporary art.

Featuring images from throughout Kuhn’s career, including previously unseen work, this book introduces her distinct aesthetic to a wide, popular audience. Texts by Rebecca Morse, Chris Littlewood, Darius Himes and Simon Baker, and an interview with Elizabeth Avedon, offer invaluable insights into Kuhn’s creative process and the ways in which she works with her subjects and settings, and achieves the visual signature of her imagery. Mona Kuhn: Works is an essential volume for anyone with an interest in the human form in contemporary art.

Contents List:

Introduction by Rebecca Morse • 1. Evidence 2000-2007 • 2. Native 2007-2009 • 3. Venezia 2009-2010 • In Conversation: Interview by Elizabeth Avedon • 5. Bordeaux Series 2009-2011 • Essay by Simon Baker • 6. Private 2012-2014 • 7. Bushes and Succulents 2017-2018 • 8. She Disappeared into Complete Silence 2014-2019

About the Author:

Mona Kuhn (b. 1969) is a Brazilian photographer of German descent. She has lived and worked in Los Angeles since 1989 and is currently an independent scholar at the Getty Research Institute. Her previous series-based monographs include Mona Kuhn: Photographs, Mona Kuhn: Evidence and Mona Kuhn: Private. Rebecca Morse is the Curator of the Wallis Annenberg Photography Department at LACMA. Simon Baker is the Director of the Maison Européenne de la Photographie (MEP) in Paris. He was previously Curator of Photography and International Art at Tate. Elizabeth Avedon is a photography book and exhibition designer, independent curator and writer.

Mothmeister's second book: even greater and more unearthly

In Dark & Dystopian Post-Mortem Fairy Tales, Mothmeister - the two-headed alter ego of the anonymous Belgian artistic duo - pays tribute to the many muses that incited its unsettling and eccentric dreamworld.

These range from artists around the globe, legendary figures and myths and a quirky taxidermy collection to desolate places where its most grotesque and often melancholic characters were born, such as the macabre Capuchin Catacombs of Palermo, the abandoned unearthly town of Pyramiden in Spitsbergen and the site of the Chernobyl disaster.

All of this flows into a unique fairyland that flirts with the morbid, religious and often clownish, in which taxidermy animals are brought back to life in the most unusual ways.

About the Author:

The dystopian dream world of the two-headed Belgian alter ego Mothmeister intrigues more than 250k Instagram followers worldwide. Their dark, non-stop mutating fairy tale characters pay tribute to taxidermy. The muses of Mothmeister? Their impressive private collection of stuffed animals, masks, costumes, numerous international artists they collaborate with and their untameable wanderlust.

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Пролистать книгу Mothmeister: Dark and Dystopian Post-Mortem Fairy Tales

This is an expanded and updated version of Nan Goldin’s seminal book The Other Side, originally published in 1993. There will be a revised introduction by Goldin, and for the first time the voices of those whose stories are represented. Now being released at a time when the discourse around gender and sexual orientation is evolving, The Other Side traces some of the history that informs this new visibility.

The first photographs in the book are from the 1970s, when Goldin lived in Boston with a group of drag queens and documented their glamour and vulnerability. In the early eighties, Goldin chronicled the lives of transgender friends in New York when AIDS began to decimate her community. In the nineties, she recorded the explosion of drag as a social phenomenon in New York, Berlin, Bangkok and the Philippines, photographing their public personas while showing their real lives backstage. Goldin’s newest photographs are intimate portraits, imbued with tenderness, of some of her most beloved friends. The Other Side is her homage to the queens she’s loved, many of whom she’s lost, over the last four decades.

Three years after the conclusion of his trilogy, On This Earth, A Shadow Falls, Across the Ravaged Land, Nick Brandt returns to East Africa to photograph the escalating changes to the continent’s natural world.

In a series of epic panoramas, Brandt records the impact of man in places where animals used to roam, but no longer do. In each location, Brandt erects a life size panel of one of his animal portrait photographs, setting the panels within a world of explosive urban development, factories, wasteland and quarries.

The people within the photographs are oblivious to the presence of the panels and the animals featured in them, who are now no more than ghosts in the landscape. Some of the animals in the panels appear to be looking out at these destroyed landscapes with sadness, as if lamenting the loss of the world they once inhabited. By the end, we see that it is not just the animals who are the victims in this out of control world, but also the humans.

Inherit the Dust also includes plates of the original portraits of the animals that are featured in the life-size panels, the unique emotional animal portraiture for which Brandt is recognized.

There are also two essays by the artist: a text about the crisis facing the conservation of the natural world in East Africa, and behind-the-scenes descriptions of Brandt's elaborate production process, with accompanying documentary photographs.

About the Author:

Nick Brandt (b.1964) is an English-born, US-based photographer whose themes always relate to the disappearing natural world. He is the co-founder of the Big Life Foundation, in Kenya, where all of these photographs were shot.

Working in colour for the first time, Nick Brandt’s latest project uses complex composition and dramatically cinematic staging to highlight environmental degradation in the world and its effect on both animal and human life

This Empty World, Nick Brandt’s new monograph, features a series of dramatically staged photographs that bring together and reveal the animals and people of East Africa as the victims of environmental degradation in an emotionally powerful, cinematic way.

Moving into colour photography for the first time, the work is both a technical tour-de-force and a massively ambitious project in which the sets are constructed on a scale typically seen in major film production. Each panoramic image is a combination of two moments in time, almost all of them captured weeks apart from the exact same camera position.

Brandt first builds and lights a partial set, then waits for the animals that inhabit the region to enter the frame. Once captured on camera, the full set is built with the camera remaining fixed in place. The sets include bridge and highway construction sites, a petrol station, a bus station and even a dead forest. Completing the scene with a huge cast drawn from local communities, Brandt then photographs the second sequence. The final large scale prints are a composite of the two intricately plotted elements.

Viewed as a whole, the images vividly illustrate a world in which, overwhelmed by runaway human development, there is no longer space for animals to survive, and beg the question: what kind of world will we live in when stripped of its natural wonders.

About the Author:

Nick Brandt (b.1964) is an English-born, US-based photographer whose themes always relate to the disappearing natural world. He is the co-founder of the Big Life Foundation, in Kenya, where all of these photographs were shot.

Light and Shadows. Paul Outerbridge’s provocative nudes and pioneering colour

American photographer Paul Outerbridge created shimmering “artifical paradises." From Cubist still life images to nudes, his sensitivity to light and shadow and pioneering use of colour transformed everyday scenarios into near-abstract compositions. This unique aesthetic helped him seductively champion the expressionistic, as much as commercial, potential of colour photography.

Whether in his sumptuous images for advertising or his soft-hued nudes, Paul Outerbridge (1896–1958) was an alchemist of desire. Colour was integral to his aesthetic allure, embracing the complex tri-colour-carbro process to create a seductive surface of texture and tone. His quest was for “artificial paradises” — a perfection of form, with a surreal edge.

This concise monograph introduces Outerbridge’s unique aesthetic and its commercial and artistic trajectory, from his professional peak as New York’s highest-paid commercial photographer through to his retreat to Hollywood in the 1940s after a scandal over his erotic photography. With key examples from his oeuvre, the book explores Outerbridge’s innovative style through Cubist still-life images, magazine photographs, and his controversial nudes, as well as his interaction with other avant-garde photographers, such as Alfred Stieglitz, Paul Strand, and Man Ray. Along the way, we recognize Outerbridge’s particular ability to transform everyday objects into a quasi-abstract composition and his pioneering role in championing the expressionistic, as much as commercial, potential of colour photographs.

The editor:

Manfred Heiting is an internationally acknowledged designer, curator, and expert on and collector of photographs and photobooks; he lives in Malibu and Brussels. He is a founding member of the J. Paul Getty Museum Council and since 2016 UCLA Distinguished Lecturer in the Humanities. He is editor and designer of Deutschland im Fotobuch, The Soviet Photobook, and The Japanese Photobook and co-editor and designer of Autopsie: Deutschsprachige Fotobücher 1918–1945.

The authors:

Elaine Dines-Cox is an independent art museum curator living in San Francisco. Her 1981 monograph on Paul Outerbridge was the first published catalogue raisonné on an art photographer.

Carol McCusker is Curator of Photography at the University of Florida’s Samuel P. Harn Museum of Art, Gainesville, Florida. She is former Curator of Photography the Museum of Photographic Arts, San Diego.

Game Control. An essential, early portrait of Africa’s wildlife crisis

Peter Beard’s landmark publication on Africa’s wildlife crisis remains a seminal account of a continent transformed by the human quest for adventure and “progress.” With hundreds of historical photographs and writings, as well as Beard’s own indelible images of elephant, rhino, and hippo populations, this new edition includes an interview with conservationist Dr. Esmond Bradley Martin.

“The deeper the white man went into Africa, the faster the life flowed out of it, off the plains and out of the bush...vanishing in acres of trophies and hides and carcasses.” — Peter Beard

A landmark publication on Africa, The End of the Game combines Peter Beard’s salient text and remarkable photographs to document the overpopulation and starvation of tens of thousands of elephants, rhinos, and hippos in Kenya’s Tsavo lowlands and Uganda parklands in the 1960s and ’70s.

Researched and compiled over two decades, and updated several times since with new material, this is Beard’s essential book — a powerful and poignant testimony to the damage done by human intervention in Africa. His own images and writings are supplemented by historical photographs of, and quotations from, the enterprisers, explorers, missionaries, and big-game hunters whose quest for adventure and “progress” were to change the face of a continent: Theodore Roosevelt, Frederick Courteney Selous, Karen Blixen (Isak Dinesen), Philip Percival, J. A. Hunter, Ernest Hemingway, and J. H. Patterson.

This new edition includes an interview with conservationist Dr. Esmond Bradley Martin, as well as essays from previous editions by renowned writer Paul Theroux and ecologist Dr. Richard M. Laws, and contributions to the afterword by agronomist Dr. Norman Borlaug. Touching on such themes as distance from nature, density and stress, and loss of common sense, this seminal portrait is as resonant today, amid growing environmental crises, as it was a half-century ago.

The editor and author:

Peter Beard (1938–2020) began taking photographs and keeping diaries from early childhood. By the time he graduated from Yale University, he had developed a keen interest in Africa. Throughout the 1960s and ’70s, he worked in Tsavo Park, the Aberdares, and Lake Turkana in Kenya’s northern frontier. A constant creator, Beard the chronicler photographed, wrote, drew, collaged, and assembled a history of his life experiences and our own.

The Lindbergh lens. Unique fashion storytelling that first launched the supermodels

When German photographer Peter Lindbergh shot five young models in downtown New York City in 1989, he produced not only the iconic British Vogue January 1990 cover but also the birth certificate of the supermodels. The image didn’t just bring revered faces together for the first time; it marked the beginning of a new fashion era and a new understanding of female beauty.

Coinciding with his major retrospective at the Kunsthal in Rotterdam, the Netherlands, this book gathers more than 400 images from four decades of Lindbergh’s photography to celebrate his unique and game-changing storytelling and the new romantic and narrative vision it brought to art and fashion.

Whether in striking single portraits or dramatic situations of figure and setting, we trace the photographer’s cinematic inflections and his provocative play with female archetypes as subjects adopt the guise of dancers, actresses, heroines, and femmes fatales. Raw and seductive at once, we see how Lindbergh’s trademark monochrome pictures also redefined standards of beauty by emphasizing spirit and personality as much as looks, celebrating the elegance and sensuality of older women, and privileging natural and authentic beauty in an era of pervasive retouching.

In a testimony to Lindbergh’s illustrious status in the fashion world, his images are contextualized by commentaries from collaborators such as Jean Paul Gaultier, Nicole Kidman, Grace Coddington, Cindy Crawford, and Anna Wintour, who chose Lindbergh to shoot her first US Vogue cover. Their tributes explain just what makes Lindbergh’s images so unique and powerful.

The photographer:

Peter Lindbergh (1944–2019) was a master of his craft who has made his mark in the halls of photography history, with such credits as shooting the first American Vogue cover under Editor-in-Chief Anna Wintour, bringing together for the first time a group of young women who would become the ’90s supermodels, and numerous exhibitions at renowned institutions including Victoria & Albert Museum in London and Centre Pompidou in Paris, as well as in solo exhibitions at Hamburger Bahnhof, Museum for Contemporary Art, Berlin, Bunkamura Museum of Art, Tokyo, and the Pushkin Museum of Fine Arts in Moscow.

The author:

Thierry-Maxime Loriot was born in Québec City, Canada, in 1976. After working more than ten years in the fashion industry between New York, Milan, and Paris, he curated the exhibition The Fashion World of Jean Paul Gaultier: From the Sidewalk to the Catwalk, a blockbuster show seen by more than two million visitors. He collaborates with different magazines and fine art museums around the world on fashion and photography projects.

Among the significant projects of the last years of his life, Richard Avedon (1923–2004) completed a book of his photographs of women.

Always transcending categorization - he was both a fashion photographer and known as a “poet of portraiture” - Avedon was interested in seeing how elemental facts of modern life and human existence were reflected in his work. And what could be more elemental than women, who have mesmerized artists across the centuries? Looking at his work in this way, Avedon was able to create an unparalleled view of women in his time, a tumultuous half-century of rapidly changing social mores, cultural ideals, popular styles, and high fashion. As an artist, he was deeply responsive to nuances of expression, gesture, and comportment, and his photographs unfailingly opened a window to the interior lives of his subjects.

These ranged from celebrities (Marilyn Monroe), artists (Maria Callas, Isak Dinesen), and high-fashion models (Suzy Parker, Kate Moss) to women who simply drew his attention. Like the best of art and literature, Avedon's portraits evoke rich lives and complex experiences. An incisive essay by art historian Anne Hollander offers an overview of a half-century of Avedon's images of women.

About the Authors:

Richard Avedon was one of the most celebrated photographers of the 20th century. His portrait work comprises an authoritative record of our era and he redefined the fashion photograph. In 1992, he became the first staff photographer of The New Yorker.

Anne Hollander is the author of several books, including Feeding the Eye, Moving Pictures, and Seeing Through Clothes.

The volume collects a rich selection of photographs from the archives of the Magnum Photos agency, taken by Robert Capa, in a combination of emblematic shots of his work and images that have appeared more rarely.

The intent is to hint at some facets of a passionate and ultimately elusive character as Capa was: a courageous witness of his time, a strong, insatiable and at the same time dissatisfied personality, with the traits of a gambler. Therefore, not only the war images that made him one of the most famous photojournalists of the 20th century, but also lesser-known shots that allow you to appreciate the very high formal quality of his photography and, together with it, his personality.

- Robert Capa, the great photographer founder of the Magnum Agency; his story in 366 images
- Accompanies an exhibition at Rovigo, Palazzo Roverella 8 October 2022 - 29 January 2023

As a photographer, Robert Doisneau is known for his ability to infuse images of daily life with poetic nuance that imbued his photojournalism with an enduring popular appeal. The unprecedented scope of this collection provides the opportunity to study his more composed, aesthetically structured images alongside his snapshots, which offer a more anecdotal account of Doisneau's Paris. Organized thematically, the book leads us on an entrancing tour through the gardens of Paris, along the Seine, and through the crowds of Parisians who define their beloved city. More than 600 photographs-many rare, forgotten, and previously unpublished-are assembled in this beautiful volume to create a unique portrait of Paris. From toddlers scrambling to cross rue de Rivoli to fresh-faced accordionists, from elegant dog walkers to exuberant roller skaters, and from the indelible kiss in front of the Hétel de Ville to cyclists beneath the Eiffel Tower, the magic of Paris in black and white is a timeless treasure. The photographs, edited by Doisneau's daughter, are complemented by citations from the photographer himself, which reveal his profound fascination with the city where he lived and worked

During the golden age when Montparnasse was teeming with artists, Robert Doisneau gained remarkable access to the artists working in Paris from 1937 onwards, and he visited their studios and caught them in various private moments: working, reflecting, and even playing with their children. This book, which includes some previously unpublished photographs, shares Doisneau’s intimate view on the work and lives of these artists. Many remain famous - Picasso, David Hockney, Jasper Johns, Giacometti, Saul Steinberg, Marcel Duchamp, Le Corbusier, Foujita - while others have fallen into obscurity, perhaps one day to be rediscovered. Regardless of the artist’s social status - whether major figure of the day or struggling newcomer - Doisneau approached each subject with the same humble eye. His signature black-and-white photographs capture the nostalgia of the period and bear witness to these artists in the act of creating some of the world’s finest art. This book, published in cooperation with Doisneau’s daughters, is a fascinating document of the daily lives of artists by one of the world’s most famous and popular photographers.

From high-society balls and fashion shoots to portraits of artists and scenes from urban life in France, this handsome volume — which features an open spine binding so that it lays flat to show off the photographs to their best advantage — showcases Doisneau’s best photographs for Vogue Paris.

Celebrated photographer Robert Doisneau worked for Vogue from 1949 until 1965, illustrating a postwar France filled with a renewed zest for life. His little-known images of haute couture featured models like Brigitte Bardot and Bettina, who he photographed in the studio and out on the streets. He chronicled the members of the café society in their stately homes and at glamorous costume galas, dancing the night away. Best known for his humanist approach, he masterfully captured scenes from everyday life — from the grace of a wedding procession over a footbridge to the petulance of a child impatient for cake. Doisneau’s photographs captured the spirit of the era and featured celebrities like Karen Blixen, Picasso, Colette, and Jean Cocteau, as well as jazz musicians, movie stars, and humble craftsmen at work. Legendary Vogue editor in chief Edmonde Charles-Roux’s personal homage to the photographer — who was her friend and colleague — offers intimate insight into the man behind the camera, as complex and beautiful as the people and places he immortalized.

From high-society balls and fashion shoots to portraits of artists and scenes from urban life in France, this handsome volume — which features an open spine binding so that it lays flat to show off the photographs to their best advantage — showcases Doisneau’s best photographs for Vogue Paris.

Celebrated photographer Robert Doisneau worked for Vogue from 1949 until 1965, illustrating a postwar France filled with a renewed zest for life. His little-known images of haute couture featured models like Brigitte Bardot and Bettina, who he photographed in the studio and out on the streets. He chronicled the members of the café society in their stately homes and at glamorous costume galas, dancing the night away. Best known for his humanist approach, he masterfully captured scenes from everyday life — from the grace of a wedding procession over a footbridge to the petulance of a child impatient for cake. Doisneau’s photographs captured the spirit of the era and featured celebrities like Karen Blixen, Picasso, Colette, and Jean Cocteau, as well as jazz musicians, movie stars, and humble craftsmen at work. Legendary Vogue editor in chief Edmonde Charles-Roux’s personal homage to the photographer — who was her friend and colleague — offers intimate insight into the man behind the camera, as complex and beautiful as the people and places he immortalized.

A revised edition of this collection of Saul Leiter’s distinctive work, featuring twelve new photographs.
A new edition of this collection of Saul Leiter's distinctive work, featuring twelve new photographs.

Saul Leiter was one of those photographers who sought neither fame nor commercial success, despite his talent for imagemaking.

Born in Pittsburgh, he spent his entire adult life in New York City's East Village, in an intensely creative environment where ideas from Europe and America came together and intermingled. There he encountered Rothko and the Abstract Expressionists, and discovered street photography and the work of Henri Cartier-Bresson. His mastery of colour is displayed in unconventional cityscapes in which reflections, transparency, complex framing and mirroring effects are married to a very personal printing style, creating a unique kind of urban view.

About the Author:

Max Kozloff is an American art historian, art critic of modern art and photographer. He has been art editor at The Nation and Executive Editor of Artforum.

An in-depth look at the entire body of work of one of the outstanding figures in postwar photography

Saul Leiter (1923–2013) pioneered a painterly approach to colour photography in the 1940s and produced covers for fashion magazines such as Esquire and Harper’s Bazaar before largely withdrawing from public attention in the 1980s. The publication in 2006 of his first collection, Early Color, inspired an avid ‘rediscovery’ that has since led to worldwide exhibitions and the release of a documentary, In No Great Hurry: 13 Lessons in Life with Saul Leiter (2013). This collection reveals the secrets of his appeal, from his masterful colours and compositions to his lyricism and life philosophy.

Over 200 works – including early street photographs, images for advertising, nudes and paintings – cover Leiter’s career from the 1940s onwards, accompanied by quotations from the artist that express his singular world view.

Contents List:

Gallery • The Painter in Saul Leiter, Margit Erb • The New York Nabi, Pauline Vermare Photographs that creep up behind you and tickle your left ear, Motoyuki Shibata • Sources of Saul Leiter quotations • Saul Leiter chronology

About the Authors:

Saul Leiter was born in 1923 in Pittsburgh. He pioneered a painterly approach to colour photography in the 1940s and produced covers for fashion magazines such as Esquire and Harper’s Bazaar before largely withdrawing from public attention in the 1980s. The publication in 2006 of his first collection, Early Color, inspired an avid ‘rediscovery’ that has since led to worldwide exhibitions and the release of a documentary, In No Great Hurry: 13 Lessons in Life with Saul Leiter (2013). He died in New York in 2013.
Margit Erb is the founder and director of the Saul Leiter Foundation, which is dedicated to preserving Leiter’s art and legacy.
Pauline Vermare is Cultural Director at Magnum Photos.
Motoyuki Shibata is a scholar and translator of American literature.