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The Many Worlds of Dennis Hopper. A reluctant icon captures a decade of cultural transformation

During the 1960s, Dennis Hopper carried a camera everywhere—on film sets and locations, at parties, in diners, bars and galleries, driving on freeways and walking on political marches. He photographed movie idols, pop stars, writers, artists, girlfriends, and complete strangers. Along the way, he captured some of the most intriguing moments of his generation with a keen and intuitive eye. A reluctant icon at the epicenter of that decade’s cultural upheaval, Hopper documented the likes of Tina Turner in the studio, Andy Warhol at his first West Coast show, Paul Newman on set, and Martin Luther King during the Civil Rights March from Selma to Montgomery, Alabama.

From a selection of photographs compiled by Hopper and gallerist Tony Shafrazi, this extensive volume, finally back in print in a new edition, distils the essence of Hopper’s prodigious photographic career. Also included are introductory essays by Shafrazi and legendary West Coast art pioneer Walter Hopps, as well as an extensive biography and new afterword by journalist Jessica Hundley. With excerpts from Victor Bockris’s interviews of Hopper’s famous subjects, friends, and family, this volume revives an unprecedented exploration of the life and mind of one of America’s most fascinating personalities.

The photographer

Dennis Hopper (1936–2010) was an acclaimed artist, actor, screenwriter, and director who first impressed audiences with his performances in Rebel Without A Cause (1955) and Giant (1956). He changed the face of American cinema with Easy Rider (1969), which he co-wrote, directed, and starred in. Hopper went on to act in hundreds of memorable films and television shows, including Apocalypse Now (1979), Blue Velvet (1986), Hoosiers (1986), True Romance (1993), Basquiat (1997), Elegy (2008), and the TV series Crash (2008). Hopper began painting as a child and started taking photos in 1961 after his then-wife Brooke Hayward gave him a 35 mm Nikon camera for his birthday. His paintings and photography have been exhibited all over the world, including the recent retrospective, “Dennis Hopper and the New Hollywood” in Paris. Dennis Hopper passed away May 29, 2010, in Venice, CA.

The contributing authors

An Englishman who moved to New York in 1973 and became connected to Andy Warhol, the Factory, and Interview, Victor Bockris has written books on Lou Reed, Andy Warhol, Keith Richards, William S. Burroughs, Patti Smith, and Muhammad Ali.

Walter Hopps (1933–2005) was one of the premier curators of 20th-century art. Co-founder of Los Angeles’s Ferus Gallery and director of the Pasadena Museum of Art, he was responsible for the first retrospectives of Kurt Schwitters, Joseph Cornell, and Marcel Duchamp. A key advocate of American Pop art, his 1962 survey “New Painting of Common Objects” was the first of its kind. After directing the Washington Gallery of Modern Art, he went on to build the Menil Collection museum in Houston and became its founding director in 1987.

Jessica Hundley is an author, filmmaker and journalist. She has written for the likes of Vogue, Rolling Stone, and The New York Times, and has authored books on artists including Dennis Hopper, David Lynch, and Gram Parsons. Hundley often explores the counterculture in her work, with a focus on metaphysics, psychedelia, and magic.

The editor and author

Born in Abadan, Iran, to Armenian parents, Tony Shafrazi was educated in England from age 13, graduating from the Royal College of Art in 1967. Moving to New York in 1969, he exhibited as a conceptual artist throughout Europe and New York. From 1974 to 1978, he advised and helped build an outstanding collection for the Museum of Contemporary Art in Tehran. In 1979, he opened his New York gallery, introducing groundbreaking American artists of the 1980s including Haring, Basquiat, Scharf, Brown, and Baechler, while exhibiting masters of the ’60s: Warhol, Ruscha, and Hopper. From 1990, he exhibited the work of Brian Clarke, Patrick Demarchelier, Robert Williams, Michael Ray Charles, and David LaChapelle. Since 1997 he has represented the Estate of Francis Bacon, and continues to mount museum-quality exhibitions, most recently the critically acclaimed “Who’s Afraid of Jasper Johns?”

During the 1960s, Dennis Hopper carried a camera everywhere - on film sets and locations, at parties, in diners, bars and galleries, driving on freeways and walking on political marches. He photographed movie idols, pop stars, writers, artists, girlfriends, and complete strangers. Along the way he captured some of the most intriguing moments of his generation with a keen and intuitive eye. A reluctant icon at the epicenter of that decade’s cultural upheaval, Hopper documented the likes of Tina Turner in the studio, Andy Warhol at his first West Coast show, Paul Newman on set, and Martin Luther King during the Civil Rights March from Selma to Montgomery, Alabama.

In many ways, this work is photography as film, a poignant narrative expressed through a series of stark images - early shots of Tijuana bullfights, LA happenings and urban street scenes show an experimental freedom that would translate into the vivid cinematic imagery of Easy Rider and beyond.

From a selection of photographs compiled by Hopper and gallerist Tony Shafrazi - more than a third of them previously unpublished - this extensive volume distills the essence of Hopper's brilliantly prodigious photographic career. Also included are introductory essays by Tony Shafrazi and legendary West Coast art pioneer Walter Hopps, and an extensive biography by journalist Jessica Hundley. With excerpts from Victor Bockris's interviews of Hopper's famous subjects, friends, and family, this volume is an unprecedented exploration of the life and mind of one of America’s most fascinating personalities.

About the photographer:

Dennis Hopper (b. Dodge City, KS, 1936) is an acclaimed artist, actor, screenwriter, and director who first impressed audiences with his performances in Rebel Without A Cause (1955) and Giant (1956). He changed the face of American cinema with Easy Rider (1969), which he co-wrote, directed, and starred in. Hopper went on to act in hundreds of memorable films and television shows, including Apocalypse Now (1979), Blue Velvet (1986), Hoosiers (1986), True Romance (1993), Basquiat (1997), Elegy (2008), and the TV series Crash (2008). Hopper began painting as a child and started taking photos in 1961, after his then wife Brooke Hayward gave him a 35mm Nikon camera for his birthday. His paintings and photography have been exhibited all over the world, including the recent retrospective, "Dennis Hopper and the New Hollywood" in Paris. He works and lives in Venice, CA, with wife Victoria Duffy and his three children, Marin, Ruthanna and Henry.

This exciting collection of four hundred vintage prints from the 1960s — taken by Dennis Hopper and recently rediscovered — brilliantly documents the social, political, and creative highlights from a tumultuous era.

Lying hidden away in Dennis Hopper’s home until their discovery months after the artist’s death in 2010, this collection of spectacular photographs, exhibited only once in 1969–70 at the Fort Worth Art Center Museum, is a testament to Hopper’s prolific and enormous talent behind the camera. These photographs are spontaneous, intimate, poetic, observant, and decidedly political. While some are portraits of figures within Hopper’s circle of actor, artist, musician, and poet friends — including Jane Fonda, Paul Newman, and Robert Rauschenberg — they also include images from his extensive travels in Los Angeles, New York, London, Mexico, and Peru.

Hopper’s abiding support of the Civil Rights movement and social justice is evident in his shots from the march on Selma and Harlem street scenes. In images of beauty and stillness he transfers Abstract Expressionism into the artistic language of photography.

Throughout this stunning volume Hopper’s sensitive, keenly observant eye shines through, making it clear that he was a deeply committed chronicler of the events that were unfolding around him.

Departures and Arrivals compiles world-renowned photographer Charles Harbutt’s favorite photographs.

Harbutt (born 1935) has been a prominent member of the American postwar photojournalist tradition ever since his documentation of the Cuban revolution in 1959. He subsequently joined Magnum Photos and was twice elected its president.

Harbutt’s pictures have been exhibited and collected by The Museum of Modern Art and the Whitney Museum in New York, the Art Institute in Chicago and the Corcoran in Washington. In 1997, his negatives, master prints and archives were acquired for the collection of the Center for Creative Photography in Tucson.

Departures and Arrivals is his third book. The black-and-white photographs gathered here highlight ordinary moments in extraordinary historical circumstances, as well as less fraught images of city living.

As Harbutt writes in his introduction to the volume: “There are pictures of men and boys, women and girls, statues, pensive monkeys, moments that took my breath away, angered me, made me smile. That broke my heart”. He adds: “History belongs to all of us, not just kings and generals”.

Departures and Arrivals records Harbutt’s half-century career at the forefront of American photography.

Belgian photographer Marc Lagrange has quickly gained a reputation as one of the most original and talented erotic photographers around.

Taking a distinctive approach to setting voluptuous scenes, Lagrange meticulously composes timeless settings-with each location and prop carefully chosen to enhance the romantic and revealing mood.

Building trust and chemistry with his models, Lagrange is daring but never crosses into mere titillation. The tension is palpable and a sense of mystery pervades each elaborate vignette.

Combining the glamour of classic Hollywood with the sensibility of an Old Master painting, all his alluring heroines seem at ease and approachable-yet just tantalizingly out of reach.

About the Author: 

Belgian photographer Marc Lagrange was one of the most original and talented portrait and nude photographers in the world. In his distinct way, he meticulously composed opulent and timeless settings to create his voluptuous scenes. His otherworldly images have met with critical acclaim, and are collected and exhibited in all corners of the globe.

Diana, Princess of Wales at her most beautiful: the last portrait session by Mario Testino

Just five months before her tragic death in August 1997, Princess Diana was photographed by Mario Testino for Vanity Fair. Diana, Princess of Wales by Mario Testino at Kensington Palace brings together the most beautiful images from this last portrait sitting, displaying Diana in a state of relaxation and intimacy unlike any other. The selection of about seventy photographs includes many unseen images which, alongside previously published images, fill in the untold story of the shoot.

Features include
* Foreword by Graydon Carter, editor of Vanity Fair
* Introduction by Meredith Etherington-Smith, who played a major role in arranging the sitting in 1997
* Interview with Mario Testino conducted by Hamish Bowles

Candid, tender, poignant, provocative–the photographs by Mario Testino in Diana, Princess of Wales at Kensington Palace allow readers an entree into the private world of a beloved icon where an uncensored view - of a woman who influenced the world - is on display.

This book is being launched to coincide with an exhibition at Kensington Palace, opening in November 2005.

About the Author:

With a four decades career as a leader in the fields of fashion, culture and lifestyle, Peruvian-born Mario Testino OBE has many facets that take him beyond the surface of a photographer and artist placing him as a cultural visionary. Testino’s universe is broad, his impact is uniquely powerful and his lifestyle is completely authentic. Testino’s has seen his works published and exhibited in hundreds of cities around the world. Throughout his career he built unprecedent relationships with editorial and commercial partners such as Vogue, Burberry, and Gucci to name a few. His past and present muses include HRH Princess Diana, Madonna, Donatella Versace, Kendall Jenner and Mariacarla Boscono. His solo exhibitions have shown in museums and galleries worldwide, including the National Portrait Gallery, London; and the Museum of Fine Arts, Boston.

Her disturbing pictures of emotionally and physically deformed people, freaks, and outsiders of human society opened the eye to a reality long denied and made Diane Arbus a classic of American photography.

Her monograph with 81 selected plates and original texts, posthumously published in 1972, has become a classic in itself.

When Diane Arbus died in 1971 at the age of 48, she was already a significant influence — even a legend — among serious photographers, although only a small number of her pictures were widely known.

The publication of Diane Arbus: An Aperture Monograph in 1972, and the posthumous retrospective at the Museum of Modern Art, offered the public its first encounter with Arbus’s achievements. The response was unprecedented.

The monograph of eighty photographs was edited and designed by the painter Marvin Israel, Diane Arbus’s friend and colleague, and by her daughter Doon Arbus. Their goal was to remain faithful to the standards by which Arbus judged her own work, and to how she hoped it would be seen. Universally acknowledged as a timeless masterpiece, and translated into five languages, Diane Arbus: An Aperture Monograph remains the foundation of her international reputation.

Nearly fifty years has not diminished the impact of these pictures; they penetrate the psyche with the force of a personal encounter, and transform the way we see the world.

This is the first edition in which the image separations were created digitally; the files have been specially prepared by Robert J. Hennessey using prints by Neil Selkirk.

About the Author:

Diane Arbus (1923–1971) revolutionized the terms of the art she practiced. Five volumes of her work have been published posthumously and have remained continuously in print: Diane Arbus: An Aperture Monograph (1972), Diane Arbus: Magazine Work (1984), Untitled: Diane Arbus (1995), Diane Arbus: A Chronology (2011), and Diane Arbus Revelations (Random House, 2003).

Другие альбомы Diane Arbus

Diane Arbus Revelations

Diane Arbus: Magazine Work

Diane Arbus: An Aperture Monograph (Hardcover)

Photography's most original artist presents the celebrities of her time in a remarkable collection of portraits. This work reveals the growth of an artist who saw no artificial boundary between art and the paying job and who succeeded in putting her indelible stamp on the visual imagination.

Другие альбомы Diane Arbus

Diane Arbus: An Aperture Monograph (Hardcover)

Diane Arbus: An Aperture Monograph (Paperback)

Diane Arbus Revelations

Shoot yourself: Sexy self-portraits by everyday women

In a heartfelt and original tribute to man’s best friend, Elliott Erwitt captures all the diversity of the canine kingdom. We witness Fido’s many moods from playful, perky scamp to quiet and constant companion. Ranging from daring little imps to lumbering and gentle beasts, Erwitt’s images unveil the quirkiness that makes these creatures so beloved while combining an unerring sense of composition with the magic of the moment.

Elliott Erwitt’s masterpiece is now available in a handy format and an unbeatable price

A declaration of love to Paris in 600 photographs, arranged in strolls through the city and through time.

As a photographer, Robert Doisneau is known for his ability to infuse images of daily life with poetic nuance that imbued his photojournalism with an enduring popular appeal. The unprecedented scope of this collection provides the opportunity to study his more composed, aesthetically structured images alongside his snapshots, which offer a more anecdotal account of Doisneau's Paris. Organized thematically, the book leads us on an entrancing tour through the gardens of Paris, along the Seine, and through the crowds of Parisians who define their beloved city. More than 600 photographs-many rare, forgotten, and previously unpublished-are assembled in this beautiful volume to create a unique portrait of Paris. From toddlers scrambling to cross rue de Rivoli to fresh-faced accordionists, from elegant dog walkers to exuberant roller skaters, and from the indelible kiss in front of the Hétel de Ville to cyclists beneath the Eiffel Tower, the magic of Paris in black and white is a timeless treasure. The photographs, edited by Doisneau's daughter, are complemented by citations from the photographer himself, which reveal his profound fascination with the city where he lived and worked.

Doisneaus work immortalized the magic of Paris for posterity; this stunning compact edition, edited by the artists daughters, includes over six hundred photographs. Doisneau is celebrated for his ability to infuse images of daily life with poetic nuances that have brought enduring popular appeal to his photojournalism. This collection pairs aesthetically-composed photographs alongside snapshots that offer a more personal account of Doisneaus Paris. Organized thematically, this bookunprecedented in scopegives an entrancing tour through the gardens of Paris, along the Seine, and amid the crowds of Parisians who live in and define their magical city. An enchanting cross-section of Parisian life by one of the photographers who best captured its many charms.

As a photographer, Robert Doisneau is known for his ability to infuse images of daily life with poetic nuance that imbued his photojournalism with an enduring popular appeal. The unprecedented scope of this collection provides the opportunity to study his more composed, aesthetically structured images alongside his snapshots, which offer a more anecdotal account of Doisneau's Paris. Organized thematically, the book leads us on an entrancing tour through the gardens of Paris, along the Seine, and through the crowds of Parisians who define their beloved city. More than 600 photographs-many rare, forgotten, and previously unpublished-are assembled in this beautiful volume to create a unique portrait of Paris. From toddlers scrambling to cross rue de Rivoli to fresh-faced accordionists, from elegant dog walkers to exuberant roller skaters, and from the indelible kiss in front of the Hétel de Ville to cyclists beneath the Eiffel Tower, the magic of Paris in black and white is a timeless treasure. The photographs, edited by Doisneau's daughter, are complemented by citations from the photographer himself, which reveal his profound fascination with the city where he lived and worked.

During the golden age when Montparnasse was teeming with artists, Robert Doisneau gained remarkable access to the artists working in Paris from 1937 onwards, and he visited their studios and caught them in various private moments: working, reflecting, and even playing with their children. This book, which includes some previously unpublished photographs, shares Doisneau’s intimate view on the work and lives of these artists. Many remain famous - Picasso, David Hockney, Jasper Johns, Giacometti, Saul Steinberg, Marcel Duchamp, Le Corbusier, Foujita - while others have fallen into obscurity, perhaps one day to be rediscovered. Regardless of the artist’s social status - whether major figure of the day or struggling newcomer - Doisneau approached each subject with the same humble eye. His signature black-and-white photographs capture the nostalgia of the period and bear witness to these artists in the act of creating some of the world’s finest art. This book, published in cooperation with Doisneau’s daughters, is a fascinating document of the daily lives of artists by one of the world’s most famous and popular photographers.

During the golden age when Montparnasse was teeming with artists, Robert Doisneau gained remarkable access to the artists working in Paris from 1937 onwards, and he visited their studios and caught them in various private moments: working, reflecting, and even playing with their children. This book, which includes some previously unpublished photographs, shares Doisneau’s intimate view on the work and lives of these artists. Many remain famous - Picasso, David Hockney, Jasper Johns, Giacometti, Saul Steinberg, Marcel Duchamp, Le Corbusier, Foujita - while others have fallen into obscurity, perhaps one day to be rediscovered. Regardless of the artist’s social status - whether major figure of the day or struggling newcomer - Doisneau approached each subject with the same humble eye. His signature black-and-white photographs capture the nostalgia of the period and bear witness to these artists in the act of creating some of the world’s finest art. This book, published in cooperation with Doisneau’s daughters, is a fascinating document of the daily lives of artists by one of the world’s most famous and popular photographers.

Robert Doisneau (1912–1994) worked as an industrial photographer at Renault, a photojournalist for the Alliance Photo agency, and a staff photographer at Vogue, and he pursued creative projects that won him worldwide acclaim. He received the Kodak Award (1947) and the Nièpce Prize (1956), and held many solo exhibitions. Since his death, major retrospectives of his work have been held in Paris, at the Art Institute of Chicago, and at the Bruce Silverstein gallery in New York. Robert Doisneau: Paris was published by Flammarion in 2005.

Don McCullin is one of the greatest photographers of conflict in our time. His career has encompassed the last fifty years – a relentlessly photographed era steeped in conflict.

His photographs reveal the bleak underbelly of northern England, wars in Cyprus, Biafra, Vietnam, Cambodia and Beirut, riots in Derry, and famine and disease in Bangladesh. All are photographed with unswerving compassion. With all the beauty of classical tragedies, collectively McCullin’s photographs constitute one of the great documents of human conflict and its attendant grief, expressed with a visual lyricism that allows us to glimpse the unbearable.

PHOTOFILE brings together the best work of the world’s greatest photographers, in an attractive format and at an easily affordable price. Handsome and collectable, the books are produced to the highest standards. Each volume contains some sixty full-page reproductions printed in superb duotone, together with a critical introduction and a full bibliography. The series has been awarded the first annual prize for distinguished photographic books by the International Center of Photography, New York.