Сборники работ

Don McCullin (London, 1935) is one of the most important photographers of our time. For more than 50 years, his uncompromising black-and-white photographs have shaped our awareness and understanding of modern conflict and its consequences. His images tell the remarkable story of his life and work, including his most famous assignments in Berlin, Vietnam, Cambodia, Biafra, Bangladesh and the Middle East. Winner of the Warsaw Gold Medal and the World Press Photographer Award, he was awarded the ICP Cornell Capa Award in 2006.
Key periods in McCullin’s life including his early experiences of evacuation and the Blitz, his commissions from Berlin in 1961 and Cyprus in 1964 and his most famous work for the Sunday Times are here explored alongside more recent projects with Christian Aid, his photographs of last tribes in the Omo River Valley, South Kenya, and Irian Jaya, New Guinea, and, in the last few years, those of still life and English landscapes at his home in Somerset. A photographic journey across the ruins and landscapes of the boundaries of the Roman Empire completes the volume.

It was the Belle Époque, a time before air travel or radio, at the brink of a revolution in photography and filmmaking, when Burton Holmes (1870–1958) began a lifelong journey to bring the world home. From the grand boulevards of Paris to China's Great Wall, from the construction of the Panama canal to the 1906 eruption of Mount Vesuvius, Holmes delighted in finding "the beautiful way around the world" and made a career of sharing his stories, colorful photographs, and films with audiences across America.

As a young man, Holmes was mentored by John L. Stoddard, a pioneer of the U.S. travel lecture circuit, who passed on his well-established mantle when he retired. Holmes roamed the globe throughout the summer and traversed the United States all winter, transforming the staid lecture tradition into an entertaining show. He coined the term "travelogue" in 1904 to advertise his unique performance and thrilled audiences with two-hour sets of stories timed to projections of multihued hand-painted glass-lantern slides and some of the first "moving pictures."

Paris, Peking, Dehli, Dubrovnik, Moscow, Manila, Jakarta, Jerusalem: Burton Holmes was there. He visited every continent and nearly every country on the planet, shooting over 30,000 photographs and nearly 500,000 feet of film. This book represents the best of the Holmes archive, brimming with brilliant color photographs. A rare window on the world of 100 years ago, Burton Holmes's Early Travel Photography will transport you to a time that has all but evaporated, and inspire you to strike out on a journey of your own.

Richard Kalvar, a member of the elite club of Magnum photographers, has an exceptional eye and a talent for catching moments when societal behavior becomes humorous or shifts into the absurd. His compelling duotone photographs document the human condition. Kalvar seeks to emphasize the unusual, and his penetrating lens reveals a unique brand of humanity. He explores everyday life but with an altogether fresh perspective, at times funnier or darker. This collector's monograph was produced in conjunction with the artist from photographic "evidence" compiled on his travels from Rome to Paris, New York to Varsovie, and San Francisco to Tokyo.This is the first monograph published on Kalvar, one of the world's most important post war photographers.

The glamour goes on
With an emphasis on the delightfully curvy female foot

Our first Ed Fox title, Glamour From the Ground Up, introduced the heir to the peculiar photographic niche long ruled by the great Elmer Batters. California native Fox had not even heard of Batters when he first started photographing women with an emphasis on their feet. In fact, he thought he was the only young man who checked out a woman’s feet before her face, and most of the time couldn’t meet his models’ eyes for fear they’d discern his secret. Then he became the official foot photographer for Leg Show magazine, just months before Batters’ death, and learned of the big shoes he had to fill at the same time he realized there were thousands of men just like himself—except without the talent to capture their passion on film, or as today, in pixels.

Since then, Ed Fox has become internationally known for a sensual photographic style that captures every curve of a woman’s body, right down to the tips of her toes. In Ed Fox II he brings us voluptuous new models, arresting locations--many blending the desert landscapes of Southern California with Fox’s passion for automobiles--and fantasies mild to extra spicy, all shot in warm, caressing natural light. And, like Glamour From the Ground Up, Ed Fox II comes with a 60-minute original DVD, bringing the still photos to vibrant life.

The editor:
Dian Hanson was born in Seattle in 1951. For 25 years she produced various men’s magazines, including Puritan, Juggs and Leg Show, before becoming TASCHEN's sexy book editor in 2001. Her many books for TASCHEN include Vanessa del Rio: Fifty Years of Slightly Slutty Behavior, Tom of Finland XXL, and The Big Butt Book. She lives in Los Angeles.

Посмотреть книгу  Ed Fox: Glamour from the Ground Up (DVD Edn.)

"The most tempting part of a woman's body is her feet. Feet are a woman's second body, the one I can visually enjoy without her being offended or even aware, and never would I have imagined that my little secret would attract so many people" - Ed Fox.

Ed Fox has been called the new Elmer Batters, but he's clearly no imitator. Yes, there's that "little secret" he shares with the late Mr. Batters, but Fox celebrates the female foot in his own way, creating a style that is unique, contemporary and technically impeccable. Because he draws inspiration from both still photography and music video there's a strong sense of movement in his photos, reflecting his own energetic personality.

Fox is a native of Los Angeles, so its no surprise his specialty is finding and shooting the most compelling beauties in the adult film industry. Says Fox, "A beautiful foot is an extra, the same as shapely breasts or a nice ass, and all part of a feminine shape. It's all about voluptuousness." Accordingly, most of his models are exceptionally curvy from top to bottom. Fox was one of the first to shoot strip diva Dita von Teese, as well as Valentina Vaughn, Tera Patrick, Brittany Andrews, Jill Kelly, Kelly Madison, Temptress, Tall Goddess, Aria Giovanni, Jewel De'Nyle, Belladonna, Terri Weigel, Penny Flame, and Ginger Jolie, all of whom appear in his very first book.

Bonus: an hour-long DVD featuring many of the stars, with an original musical score.

Ed Fox has been called the new Elmer Batters, but he's clearly no imitator. Yes, there's that "little secret" he shares with the late Mr. Batters, but Fox celebrates the female foot in his own way, creating a style that is unique, contemporary and technically impeccable. Because he draws inspiration from both still photography and music video there's a strong sense of movement in his photos, reflecting his own energetic personality.

Fox is a native of Los Angeles, so its no surprise his specialty is finding and shooting the most compelling beauties in the adult film industry. Says Fox, "A beautiful foot is an extra, the same as shapely breasts or a nice ass, and all part of a feminine shape. It's all about voluptuousness." Accordingly, most of his models are exceptionally curvy from top to bottom. Fox was one of the first to shoot strip diva Dita von Teese, as well as Valentina Vaughn, Tera Patrick, Brittany Andrews, Jill Kelly, Kelly Madison, Temptress, Tall Goddess, Aria Giovanni, Jewel De'Nyle, Belladonna, Terri Weigel, Penny Flame, and Ginger Jolie, all of whom appear in his very first book.

Bonuses:

* an hour-long DVD featuring many of the stars, with an original musical score.
* this edition's special Panic Cover is reversible to a realistic-looking academic book to keep the real contents hidden from your annoying boss or even help you impress an attractive onlooker!!

Посмотреть книгу  Ed Fox, Vol. 2

214 illustrations

Although known for his paintings and drawings, California artist Ed Ruscha has also attracted critical attention for his photography. A new exhibition and accompanying catalogue, Ed Ruscha, Photographer, depart from earlier books to explore how the artist’s different disciplines - painting, drawing, printmaking, and photography - are guided and shaped by a single vision.
Ruscha’s relationship to photography is complex and ambivalent, and the work is difficult to define. He has referred to his photography as a “hobby” but from the outset it has drawn considerable critical interest. The small books of photographs that Ruscha produced in the sixties and seventies earned him a reputation as an underground artist among his peers, and have influenced subsequent generations of artists in Europe and North America. The photographs were snapshot size, with an amateurish quality that intrigued his contemporaries. Neither purely documentary nor solely artistic, their subject matter was stereotypical and banal, with motifs drawn from sites in Southern California or the western United States. This, combined with their serial presentation, created a mythical road-movie or photo-novel effect with Beat Generation innuendos and inspired interest among artists at a time when serial logic was prominent in Pop art and Minimalism, and later in Conceptual art.

This volume, Ed Ruscha, Photographer, is produced in conjunction with a traveling exhibition to be shown in Europe in 2006, organized by The Whitney Museum of American Art, New York. The exhibition photographs have been selected from the collections of the Whitney and the artist by independent curator Margit Rowell, who is also the author of the publication.

109 black & white plates

Originally published in 1959, Jazz has become one of the most collectible photography books from the mid-twentieth century. Like William Claxton’s Jazzlife and Dennis Stock’s Jazz Street, Van Der Elsken’s entry in the niche of jazz photography was published just prior to the moment when rock’n’roll cemented its place as the popular music of choice for young people. This book is perhaps the most successful of numerous attempts to capture photographically the essence of jazz because it is more than just a succession of musicians’ portraits, or even a documentary record of performance, but a book that visually echoes the music itself. Other photographers, perhaps closer to the jazz community, have made books on the subject, but Van Der Elsken’s is the work of an authentic jazz fan and a maker of authentic photobooks.

In a career that spanned more than fifty years, Édouard Boubat (1923–99) captured the magic of fleeting moments with tenderness and warmth. A contemporary of Robert Doisneau and one of the most influential French photographers of the twentieth century, Boubat made elegant, poetic images, beginning with pictures of everyday life in his native Paris and moving on to striking photographs taken on his travels to Africa, India, Spain, Portugal, Brazil and China.

This luxurious volume presents the entire range of Boubat’s work in more than 300 beautiful tritone reproductions. All of his most famous images are here – including those of his muse, Lella – along with texts on the artist by writers Michel Tournier, Jacques Prévert and Marguerite Duras, as well as Boubat’s own writings and notebook excerpts.

Developed in close collaboration with Boubat’s son, Bernard, this authoritative collection will bring the work of this popular French photographer to an international audience.

In search of a lost time

The most complete document of America's indigenous peoples

For over thirty years, photographer Edward Sheriff Curtis (1868-1952) traveled the length and breadth of North America, seeking to record in words and images the traditional life of its vanishing indigenous inhabitants. Like a man possessed, he strove to realize his life’s work, which culminated in the publication of his encyclopedia The North American Indian. In the end, this monumental work comprised twenty textual volumes and twenty portfolios with over 2000 illustrations. No other photographer has created a larger oeuvre on this theme, and it is Curtis, more than any other, who has crucially molded our conception of Native Americans.

This book shows the photographer’s most impressive pictures and vividly details his journey through life, which led him not only into the prairies but also into the film studios of Hollywood.

Edward Steichen had the rare ability to turn his talents to almost all genres of photography with resounding success. Art and industry, fashion and beauty, celebrity portraits, landscapes and cityscapes, nudes and dancers – his legacy remains omnipresent. It was Steichen’s curious and inventive mind that made this diversity possible, as he ignored established dogma to carve out his own unique path. This book presents the best of his work from a career that spanned well over half a century.

PHOTOFILE brings together the best work of the world’s greatest photographers, in an attractive format and at an easily affordable price. Handsome and collectable, the books are produced to the highest standards. Each volume contains some sixty full-page reproductions printed in superb duotone, together with a critical introduction and a full bibliography. The series has been awarded the first annual prize for distinguished photographic books by the International Center of Photography, New York.

Edward Steichen is unquestionably one of the most prolific, versatile, influential and controversial names in the history of photography. This is the most complete and wide-ranging volume on Steichen ever published.

Admired by many for his achievements as a fine-art photographer, he nevertheless impressed countless others with the force of his commercial work. Portraiture, the nude, fashion, landscape, cityscape, dance, theatre, war, advertising, still life and flower photography – no genre, it seems, went unexplored or unaffected by him.

Graphic design, typography and art direction were also fertile ground for Steichen and his curation of the exhibition The Family of Man – which attracted well over nine million visitors worldwide – was greatly admired.

This fine volume, published to accompany the first posthumous European retrospective exhibition of his work, traces Steichen’s career trajectory from his early Pictoralist beginnings to his time working with Condé Nast and Directorship at The Museum of Modern Art. See the New York Times's enthusiastic review of the show.

Hundreds of vintage photographs are accompanied by essays from a range of scholars who explore Steichen’s subjects and his legacy.

Includes a full bibliography and a chronology of his career.

Edward Steichen was already a famous painter and photographer when, in 1923, he was offered one of the most prestigious and most lucrative positions in photography – that of chief photographer for Condé Nast’s Vogue and Vanity Fair.

Over the next fifteen years, Steichen produced an oeuvre of unequalled brilliance, dramatizing and glamorizing contemporary culture and its achievers – in politics, literature, journalism, dance, theatre, opera and, above all, the world of high fashion.

The 1920s and 1930s represent the high point in Edward Steichen’s photographic career, and the work he did for Condé Nast will stand forever among the most striking creations of 20th-century photography. The list of Steichen’s portraits is astounding in its range.

Steichen created a new style of fashion photography: his crisp, detailed, high-key style is a strong wind felt in the field to this day – George Hoyningen-Huene, Horst P. Horst, Richard Avedon, Robert Mapplethorpe and Bruce Weber are only his most illustrious descendants.

The Steichen archive at Condé Nast contains more than two thousand original vintage prints. A few of the images are well-known and indeed feature as iconic images in various histories of photography. Until now, however, no more than a handful of these prints has been exhibited or published.