Искусство

A unique cocktail of personal memoir, cultural criticism and Hollywood history by the one and only Quentin Tarantino.

The long-awaited first work of nonfiction from the author of the number one New York Times bestselling Once Upon a Time in Hollywood: a deliriously entertaining, wickedly intelligent cinema book as unique and creative as anything by Quentin Tarantino.

In addition to being among the most celebrated of contemporary filmmakers, Quentin Tarantino is possibly the most joyously infectious movie lover alive. For years he has touted in interviews his eventual turn to writing books about films.

Now, with Cinema Speculation, the time has come, and the results are everything his passionate fans - and all movie lovers - could have hoped for.

Organized around key American films from the 1970s, all of which he first saw as a young moviegoer at the time, this book is as intellectually rigorous and insightful as it is rollicking and entertaining.

At once film criticism, film theory, a feat of reporting, and wonderful personal history, it is all written in the singular voice recognizable immediately as QT's and with the rare perspective about cinema possible only from one of the greatest practitioners of the artform ever.

About the Author:

Quentin Tarantino was born in 1963 in Knoxville, Tennessee. He is the writer-director of nine feature films, the winner of two Academy Awards for Best Original Screenplay, and the author of the novel Once Upon a Time in Hollywood. Cinema Speculation is his first work of nonfiction.

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Пролистать книгу Cinema Speculation на Google Books

A unique cocktail of personal memoir, cultural criticism and Hollywood history by the one and only Quentin Tarantino.

The long-awaited first work of nonfiction from the author of the number one New York Times bestselling Once Upon a Time in Hollywood, a deliriously entertaining, wickedly intelligent cinema book as unique and creative as anything by Quentin Tarantino.

In addition to being among the most celebrated of contemporary filmmakers, Quentin Tarantino is possibly the most joyously infectious movie lover alive. For years he has touted in interviews his eventual turn to writing books about films.

Now, with Cinema Speculation, the time has come, and the results are everything his passionate fans - and all movie lovers - could have hoped for.

Organized around key American films from the 1970s, all of which he first saw as a young moviegoer at the time, this book is as intellectually rigorous and insightful as it is rollicking and entertaining.

At once film criticism, film theory, a feat of reporting, and wonderful personal history, it is all written in the singular voice recognizable immediately as QT's and with the rare perspective about cinema possible only from one of the greatest practitioners of the artform ever.

About the Author:

Quentin Tarantino was born in 1963 in Knoxville, Tennessee. He is the writer-director of nine feature films, the winner of two Academy Awards for Best Original Screenplay, and the author of the novel Once Upon a Time in Hollywood. Cinema Speculation is his first work of nonfiction.

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Пролистать книгу Cinema Speculation на Google Books

Cinematics Storyboard Workshop is for any artist who wants to learn how to create professional, production-ready storyboards for film, animation, television, and video game cinematics. Modeled on the Cinematics course by artist and educator Gregg Davidson, this must-have guidebook is a concise, in-depth guide to the fundamentals: from storyboard mechanics and camera angles, to shot progression and staging, as well as current digital storyboarding and previsualization practices. Founder of The Animation Academy, Charles Zembillas, called Cinematics Storyboard Workshop “one of the best books on learning how to storyboard.”

About the Author:

Gregg Davidson is a storyboard artist, layout artist, art director, designer, and teacher. His storyboard and design experience includes animation, live action, music videos, commercials, theme park design, and video games. He has taught his Cinematics course at a number of California schools and universities, including The Animation Academy in Burbank and the Academy of Art School in San Francisco. In addition, Gregg has mentored students at San Jose State University, where he received his master's degree in Animation/Illustration.

Learn how to master light and darkness.

Through interviews with current ASC cinematographers, and a balance between technical, aesthetic, and historical content, this book guides the director into a powerful collaboration with their closest on-set ally. Topics include selecting a cinematographer, collectively discussing the script, choosing an appropriate visual style for a film, color palette, film and digital formats, lenses, camera movement, genres, and postproduction processes--including the digital intermediate (DI). Interwoven are quotes from working ASC cinematographers.

About the Author:

Jacqueline Frost has been teaching the language of motion pictures -- production, history, and cinematography -- for thirty years at various universities. Currently a full professor at California State University, Fullerton, she is also an adjunct professor at Farleigh Dickinson University in Madison, NJ. In 2016 Jacqueline was invited to Camerimage to serve on the jury of the Student Etudes competition. She has taught workshops at Hunter College, Intermedia Arts Department, and the CSU Summer Arts program, where she created a digital-cinematography workshop (2012) with Robert Primes, Amy Vincent, and ASC. She has taught Cinematography for Directors at the UCLA extension program, and for three lucky summers taught documentary production in Florence, Italy, as part of the CSUF study-abroad program. For over a decade Jacqueline programed the CSUF Collegiate Showcase at the Newport Beach Film Festival. Additionally, Jacqueline has been the cinematographer or producer on numerous short films, independent features, and documentaries that have screened at festivals around the world. She is a partner and freelance cinematographer at Corazon Pictures.

In "Classical Painting Atelier", Aristides, a leader in the atelier movement, takes students step-by-step through the finest works of Old Masters and today's most respected realist artists; revealing the principles of creating full-colour realist still-life works, portraits and figure paintings. Rich in tradition, yet practical for today's artists, "Classical Painting Atelier" is ideal for serious art students seeking a timeless visual education.

About the Author:

Juliette Aristides is the instructor of the Aristides Classical Atelier at the Gage Academy of Art in Seattle, Washington, where she lives. Her work is exhibited at the John Pence Gallery in San Francisco and can be seen at the Art Renewal Center.

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Пролистать книгу Classical Painting Atelier: A Contemporary Guide to Traditional Studio Practice на Google Books.

Clay-sculpting royalty ‘The Shiflett Brothers’ offer unique insight into their practices and the techniques used to create their stunning fantasy characters.

Learning from the biggest and best creators in any industry is a rare and sought-after opportunity. In this book, clay-sculpting royalty “The Shiflett Brothers” guide us through their creative journey as well as sharing in-depth insight into the processes they use to create their dynamic and captivating fantasy sculpts. 

Joined by fellow esteemed sculptors Simon Lee, Aris Kolokontes, and Forest Rogers, the Shifletts bring together a collection of visually led step-by-step tutorials that are sure to broaden your creative horizons and add an expansive set of practical skills to your sculpting arsenal. With studio-quality photography and a how-to section on creating the Shiflett’s very own tools, this book is a prize possession for any member of the brothers’ huge and loyal fan base and as an exhilarating follow-on from the popular Beginner’s Guide to Sculpting Characters in Clay.

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The expressive techniques and captivating designs of clay sculpting experts the Shiflett Brothers are shared in this fascinating book. In Dallas-based brothers Brandon and Jarrod Shiflett tell their story and share their work, from the moment they discovered the medium of clay to how they became industry leaders. A collection of visually-led step-by-step demonstrations reveals an extensive set of practical and creative skills that any sculptor can try for themselves. Meanwhile, a look behind the scenes at their workshop, and the work of favourite fellow artists, bring the dynamic world of clay sculpting to life.

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Посмотреть видео о книге Clay Sculpting with the Shiflett Brothers

An inspirational showcase of the work of over 50 of the world’s most creative ceramicists which offers insights into their working methods

One of the oldest human crafts, pottery is experiencing a renaissance, with a renewed desire for unique pieces and a respect for the imperfections associated with the marks of the maker. From the functional to decorative and sculptural works pushing the boundaries of the craft, Clay: Contemporary Ceramic Artisans offers a glimpse into the lives and practices of over 50 studio potters from around the world.

It is a celebration of the new pottery artisans and a behind-the-scenes look at their inspirations and working methods.

Explore the works of one of Hollywood's most renowned filmakers - the iconic Clint Eastwood.

Clint Eastwood is Hollywood’s elder statesman and its conscience. He is the standard by which other films and filmmakers are judged. He represents both classical Hollywood and an entirely modern, uncompromising and unfussy directorial presence.

There are those who adore him as a cowboy, a superstar, the rugged, unyielding yet introspective face of American machismo. There are those who read him as a great American auteur fashioning uncompromising, fascinating, intellectual films about his country, about life, about whatever the hell takes his fancy.

No single figure in all of Hollywood, operates so freely outside of the strictures of commercial pressure. And yet, or perhaps that is because, he makes hit after hit.

Separation of actor and director is almost impossible. They are intimately related, cross pollinating, but in the latter half of his career he has come to be viewed as one of the great American artists. While drawing connections from his wider work as an actor, and those who have influenced him, it is his identity as a director that this book will celebrate.

This is not a career — it is a landscape.

About the Author:

Ian Nathan, who lives and works in London, is one of the UK's best-known film writers. He is the author of nine previous books, including Alien Vault, the best-selling history of Ridley Scott's masterpiece, Terminator Vault, Tarantino, Tim Burton, The Coen Brothers and Anything You Can Imagine: Peter Jackson and the Making of Middle-earth. He is the former editor and executive editor of Empire, the world's biggest movie magazine, where he remains a contributing editor. He also regularly contributes to The Times, The Independent, The Mail on Sunday, Cahiers Du Cinema and the Discovering Film documentary series on Sky Arts.

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Пролистать книгу Clint Eastwood: The Iconic Filmmaker and his Work на Google Books.

Discover the powerful photography nominated for the prestigious Pictet prize.

This unique photo book places the work of contemporary female photographers in the spotlight.

Collage showcases the recent work on the theme of sustainability of 64 outstanding female presenting photographers who have been shortlisted or nominated for the Prix Pictet, the leading global award in photography and sustainability.

Their strong and poetic images address the most urgent environmental and social problems facing the planet today.

About the Author:

The Prix Pictet is the leading global award in photography and sustainability. Founded in 2008 to draw worldwide attention and stimulate action on issues of sustainability through the medium of photography, the award is supported by the leading asset and wealth management firm, Pictet Group.

An illustrated guide to the history and symbolism of colours, as used in artworks throughout the ages, from prehistory to the present day.

Colour, which has the power to impart meaning or express emotion, has fascinated humans for millennia. This comprehensive, illustrated guide demonstrates how colour ― through different periods, cultures, and artistic movements ― has been used in art: from the black, red, and white pigments first used in prehistoric cave paintings to the muted tones of Gabonese Punu masks replete with spiritual significance, or from Andy Warhol’s Gold Marilyn Monroe with its flashy hues borrowed from the advertising world to the signature “outrenoir” (beyond black) of the late Pierre Soulages.

From oil painting to optical art, this international history of colour unfurls over thirty major periods in the development of colour in the arts, elucidating their characteristics, key works, and exponents. The symbolism given to a particular color and how such associations have evolved over time is revealed. A gallery of sixty works that are remarkable for their extraordinary use of colour includes the explosion of light emanating from Joseph Mallord William Turner’s Light and Colour (Goethe’s Theory), the fleeting moments of dawn depicted with broken brushstrokes and colorful intensity in Monet’s Impression, Sunrise, and the acidulous tones of David Hockney’s portrait My Parents. The final chapter examines the materials and techniques used to achieve chromatic effects. Complete with extensive cross-references, this accessible guide allows readers to discover more about a particular movement, theme, or technique, and offers an enlightening and polychromatic overview to the history of colour in art.

About the Author:

Camille Viéville is an art historian and coauthor of The Trouble with Women Artists: Reframing the History of Art (Flammarion, 2019).

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Пролистать книгу Color : A Master Class: Art History, Symbolism, Masterpieces, Materials на сайте издательства.

A groundbreaking, award-winning analysis of colour in Western culture, from the ancient Greeks to the late twentieth century by one of the most foremost authors on the subject.

What does the language of colour tell us? Where does one colour begin and another end? Is it a radiant visual stimulus, an intangible function of light, or a material substance to be moulded and arrayed? Colour is fundamental to art, yet so diverse that it has hardly ever been studied in a comprehensive way. Art historian John Gage considers every conceivable aspect of the subject in this groundbreaking analysis of colour in Western culture, from the ancient Greeks to the late twentieth century.

Gage describes the first theories of colour, articulated by Greek philosophers, and subsequent attempts by the Romans and their Renaissance disciples to organize it systematically or endow it with symbolic power. He unfolds its religious significance and its use in heraldry, as well as how Renaissance artists approached colour with the help of alchemists. He explores the analysis of the spectrum undertaken by Newton and continued in the nineteenth century by artists such as Seurat, traces the influence of Goethe's colour theory, and considers the extraordinary theories and practices that attempted to unite colour and music, or make colour into an entirely abstract language of its own.

The first-ever undertaking to suggest answers to many perennial questions about the role of colour in Western art and thought, this study throws fresh light on the hidden meanings of many familiar masterpieces.

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John Gage’s groundbreaking analysis of colour has been transforming our perceptions for more than three decades. Indispensable to anyone fascinated by art, psychology and history, this remarkable book considers every conceivable aspect of colour theory in Western culture.

From Roman symbolism to Bauhaus and beyond, this new edition, now featuring full colour illustrations throughout, will continue to serve as a pillar of visual arts scholarship.

About the Author:

John Gage was an acknowledged international authority on the history of art and colour, and wrote many books on the subject, including Colour and Meaning, Colour in Art and the award-winning Colour and Culture, all published by Thames & Hudson. He was Head of the Department of History of Art at Cambridge University from 1992 to 1995.

A wide-ranging and engaging introduction to the place and power of colour in life and art by John Gage, author of the award-winning Colour and Culture.

The complex phenomenon of colour has received detailed attention from the perspectives of physics, chemistry, physiology, psychology, linguistics and philosophy. However, the people who work most closely with colour – artists – have rarely been canvassed for their opinions on this mysterious subject.

John Gage sets out to address this omission by focusing on the thoughts and practices of artists. Colour in Art is concerned with the history of colour, but is not itself a history; instead each chapter develops a theme from a different scientific discipline, as seen from the viewpoint of such diverse artists such as Wassily Kandinsky, Vincent van Gogh, Sonia Delaunay, Bridget Riley and Clifford Possum Tjapaltjarri. Drawing on examples through the ages, from ancient times to the present, the many topics covered include flags, synaesthesia, Theosophy, theatre design, film, chromotherapy and chromophobia.

Featuring a new foreword by art writer Kelly Grovier outlining contemporary developments in the study of colour, and an updated bibliography, this new edition of this classic text offers a wide-ranging and engaging introduction to the place and power of colour in life and art.

About the Author:

John Gage an acknowledged international authority on the history of art and colour, and wrote many books on the subject, including Colour and Meaning and the award-winning Colour and Culture, both published by Thames & Hudson. He was Head of the Department of History of Art at Cambridge University from 1992 to 1995. Kelly Grovier is a feature writer for BBC Culture and the author of several acclaimed studies on art, including A New Way of Seeing: The History of Art in 57 Works (2018) and The Art of Colour (2023), both published by Thames & Hudson

The first chronological global history of comics, from 1968 through to the present day

The story begins in 1968, a key year in comics’ shift from being driven by commercial potential into a means of self-expression respected not just as entertainment but also as art. The book traces comics’ evolution up to the emergence of today's global, digital scene and the medium’s likely future.

Robert Crumb and Gabrielle Bell, Jack Kirby and Alan Moore, Moebius, Yumiko Oshima and Osamu Tezuka are just a few of the hundreds of artists and writers included – making it unprecedented in its global reach.

The broad reach of Comics extends to artists, styles and movements, spanning Marvel and DC superheroes; the Underground movement and manga powerhouse Osamu Tezuka; politically charged Italian fumetti and sexually charged ladies’ manga; the Francophone technique of ligne claire; sci-fi; Métal Hurlant; the pioneering Japanese alternative journal Garo; the graphic memoir and the graphic novel; and, finally, the moment comics made the jump from page to web page.

Featuring the best-known artists and writers – from Jack Kirby, Hergé and Moebius to Katsuhiro Otomo, Neil Gaiman and Alan Moore – Comics also introduces readers to some creators they may not yet have encountered, such as Andrea Pazienza, the Fort Thunder collective and Fabrice Neaud.

A celebration of more than 100 major public art commissions throughout the New York transit system

Contemporary Art Underground presents more than 100 permanent projects completed between 2015 and 2023 by MTA Arts & Design. This ground-breaking program of site-specific projects by a broad spectrum of well-known and emerging contemporary artists has helped to create a sense of character and place at subway and commuter rail stations throughout the MTA system. Among the featured artists are Yayoi Kusama, Kiki Smith, Nick Cave, Ann Hamilton, Xenobia Bailey, Jim Hodges, Alex Katz, Sarah Sze, and Vik Muniz.

Of special interest is the discussion of fabricating and transposing the artist’s rendering or model into mosaic, glass, or metal, the materials that can survive in the transit environment. This is the definitive survey of the latest works of the internationally acclaimed MTA Arts & Design collection. On view 24 hours a day, the collection is seen by more than four million subway riders and commuters daily and has been hailed as ‘New York’s Underground Art Museum.’ The collection enlivens stations in all boroughs, with a myriad works by major contemporary artists executed in mosaic, glass, metal, and ceramic.

About the Authors:

Sandra Bloodworth is director of MTA Arts & Design and the principal author of Along the Way and New York’s Underground Art Museum. Under her leadership, MTA Arts & Design has gained renown in the field of public transportation by creating a collection of nearly 400 public artworks. Bloodworth is the recipient of numerous awards including the Sloan Public Service Award and the Gari Melchers Award from the Artist’s Fellowship.

Cheryl Hageman is deputy director of MTA Arts & Design, responsible for commissioning new projects and maintaining the permanent art collection throughout the MTA system. She has applied an in-depth knowledge of materials and fabrication to produce and care for award-winning artworks during her two decades as an arts administrator.

Hilarie M. Sheets writes frequently on public art for the New York Times and the Art Newspaper.

Celebrating twenty-five years of PHUNK, this book traces the ways in which the Singapore-based design collective has mixed urban street culture, art and design to create a unique body of work

Traditional Chinese folklore, Hong Kong wuxia pulp fiction, Japanese manga, American street culture and British new wave music — all come together in the universe of PHUNK. Since its founding in 1994, the Singapore-based contemporary art and design collective made up of Alvin Tan, Melvin Chee, Jackson Tan and William Chan has blended diverse cultures, broken down creative boundaries and surpassed the waves of globalization to create a visual signature of its own.

Control Chaos is a deep dive into this visual rock band, retracing their journey over the last twenty-five years to becoming one of 21st-century Asia’s leading creative studios.

About the Author:

Justin Zhuang is a writer and researcher with an interest in design, cities, culture, history and media. He has written several books about Singapore design, including INDEPENDENCE: The History of Graphic Design in Singapore Since the 1960s.