Искусство

Art from sub-Saharan Africa, with its wealth of unusual iconography, is illustrated in this volume through a large selection of artistic traditions spanning vast geographical areas and periods, as well as various ethnic and tribal groups.

Since its inception in the second decade of the 20th century, the Bombay-based Indian film industry - Bollywood - has developed a unique visual language, articulated by the vivid hand-painted movie posters that have since become highly-desirable collectors' items. While Bollywood poster artists produced a staggering number of these hand-painted images, their ephemeral work has traditionally been presented unevenly, with shoddy reprints and re-release posters. The Art of Bollywood digs deeper into the tradition, presenting the original art in its true glory - from seldom-seen posters to rare images of street publicity and cinema displays. The text provides a detailed discussion of the works of key artists, in this comprehensive overview of a previously neglected and underrated artistic genre.

Art ablaze. Pyrotechnics and pure self-expression in the parched Black Rock Desert

“You voluntarily assume the risk of serious injury or death by attending.” 

100 miles from the gambling town of Reno, in the wilderness of northern Nevada, lies a vast, hostile plain known as the Black Rock Desert. The region has been an empty and windswept dry lake bed for most of the past 10,000 years. Except, that is, for one brief week at the end of each summer, when a temporary city rises out of the barren clay.

This is the surreal and amazing site of Burning Man. Baked by the sun, and blinded by dust, the gathering acquires different meanings for different people: Temporary community, spiritual adventure, performance stage, desert rave, social experiment. It’s also the incubator of some of the most remarkable site-specific outdoor art ever made: a mechanized fire-breathing octopus, a towering wooden temple 15 meters tall, and the eponymous Man himself—a skeletal sculpture set ablaze at the event’s conclusion.

Here, writer and photographer NK Guy presents 16 years of Burning Man art. His dazzling images record these participatory, collective, intrinsically ephemeral installations and happenings in the desert, which exist for no clearer purpose than because someone wanted to express something. The result is testimony to a realm far beyond the ego, commerce, and power play of mainstream cultural output: It is one of the purest, uninhibited, expressive centers of our time.

With a foreword by temple designer and artist David Best and a futureword by Founding Board Member Marian Goodell.

This glorious book is filled with a wide-ranging history of textiles and 350 superb illustrations drawn from many countries and sources - vestments and costumes, samplers and pictures, great beds and furniture.

The story of embroidery and needlework is discussed within the fascinating context of the history of fabrics, of decorative costume, of interior decoration, of church and state ceremonial, of girls education, of furniture and pastimes. Silk, cotton, linen, and the significance of colours and dyes are also considered. Two interesting chapters reveal the worldwide fascination with influence of Chinese embroidery and Indian textiles.

With a broad account of the artistic achievements of every facet of decorative needlework, the book is rich with the art-historical background encompassing the most magnificent of all embroidery, the mediaeval English vestments so coveted by Popes and Bishops across Europe, to the domestic treasures created in more recent centuries. Baroque, Rococo, neo-classical and other period characteristics are each discussed with reference to works created by children, young girls, and ladies who made furniture coverings destined for posterity. The nineteenth century saw extremes of art and fashion ranging from Berlin woolwork to Art Needlework and the eclectic inspiration represented by William Morris, all leading to simpler modernist styles which evolved over the twentieth century.

The author sets in political and social context the whole panoply of textiles, distinguishing between the magnificent products of professional workshops and the uniquely individual and especially charming amateur embroideries that survive today amongst the most beautiful treasures of the decorative arts.

150 full-colour illustrations

Islamic art is not the art of a nation or of a people, but that of a religion: Islam. Spreading from the Arabian Peninsula, the proselyte believers conquered, in a few centuries, a territory spreading from the Atlantic to the Indian Ocean. Multicultural and multi-ethnical, this polymorphic and highly spiritual art, in which all representation of Man and God were prohibited, developed canons and various motives of great decorative value. Thorough and inventive, these artists expressed their beliefs by creating monumental masterpieces such as the Al-Aqsa mosque in Jerusalem, the Taj Mahal in Agra and the Alhambra in Granada, architectural works in which one recognises the stylisation of motives of the Muslim ceramics. Lively and coloured, Islamic art mirrors the richness of these people whose common denominator was the belief in one singular truth: the absolute necessity of creating works whose beauty equaled their respect for God.

This compilation of projects from some of our most popular How to Draw and Paint series books provides inspiration and instruction on every aspect of pencil drawing.

From the fundamentals to advanced techniques, The Art of Pencil Drawing is filled with information that artists of all skill levels will find useful. Author-artist Gene Franks creates impressive drawings that seem to come to life right on the page and in this comprehensive guide, he'll teach you how to do the same with simple, step-by-step demonstrations that cover a wide variety of subject matter-from still lifes and landscapes to animals and people.

With this comprehensive reference, you'll soon discover how exciting drawing can be!

About the Author:

Gene Franks is a renowned master of expressive pencil drawing. Gene spent his early years in rural Arkansas, where he had the opportunity to observe the beauty of nature. He dedicated many years of intense study to perfecting his drawing techniques and, during the process, created many fine works in pencil. A US Air Force veteran and former merchant marine, Gene took advantage of quiet moments to hone his drawing skills. He obtained formal art training from Jefferson Mackhammer School of Art in Santa Monica, California, and acquired additional skills through classes at the Art Center in Pasadena. During his career as a professional artist, Gene has taught classes and inspired hundreds of students with his unique drawing style. He believes that almost anyone, when shown how to handle the pencil, can learn to draw well. Gene is the recipient of numerous art awards, and his work is displayed in private collections nationwide.

This book deals with the peoples and traditions of Siberia. It will interest a wide range of people as it is a book on art, sociology and history.
Documents discovered recently in the hidden backrooms of St Petersburg’s Ethnological Museum have proved to be of sensational importance. In this book, the contents of these documents are reinterpreted and published for the first time. The authors brilliantly convey their enthusiastic admiration for the peoples who have so successfully and for so long contended against both a hostile environment and political dominance.

The Author
Valentina Gorbatcheva and Marina Federova are researchers in the St Petersburg Ethnological Museum and have traveled extensively in Siberia.

The century that changed art forever. The quintessential roundup of art from 1900-2000

Who could possibly have forecast on New Year’s Eve 1899 that, one hundred years later, painting and sculpture would be only options, not prerequisites? The term "art" has been defined and redefined so many times over the last 100 years that it has gained entirely new social, political, and technological meanings.

Ranging across the full spectrum of disciplines available, including photography and new media, and thematically chaptered to highlight relationships between works and movements, this readable and encyclopedic masterwork does just what it says on the cover.

Whether you want Surrealism or Land Art, Fluxus or Bauhaus, this is your be-all, end-all guide to the art of the 20th century. An undertaking as immensely ambitious as this one deserves to be owned by everyone.

Искусство ХХ века. От Климта к Джеффу Куну, и те кто между, - все они здесь! 

Кто бы мог представить в канун Нового, 1899 года, что столетие спустя, живопись и скульптура будут всего лишь возможным, а не необходимым условием для объекта, считающегося искусством. Сам термин "искусство" был определен и переопределялся столько раз за последние сто лет, что приобрел новые социальные, политические и технологические значения. Построенная на полном спектре видов искусства включая фотографию и новое медиа искусство и тематически разделенная на части, чтобы показать связь между работами и направлениями, эта легкая для прочтения, и все же энциклопедическая книга значит именно то, что на ней написано, и что бы вы ни хотели найти - сюрреализм или лэнд арт, Флуксус или Баухаз - это ваш путеводитель по искусству ХХ века.

Искусство ХХ века.

От Климта к Джеффу Куну, и те кто между, - все они здесь!
Кто бы мог представить в канун Нового, 1899 года, что столетие спустя, живопись и скульптура будут всего лишь возможным, а не необходимым условием для объекта, считающегося искусством. Сам термин "искусство" был определен и переопределялся столько раз за последние сто лет, что приобрел новые социальные, политические и технологические значения. Построенная на полном спектре видов искусства включая фотографию и новое медиа искусство и тематически разделенная на части, чтобы показать связь между работами и направлениями, эта легкая для прочтения, и все же энциклопедическая книга значит именно то, что на ней написано, и что бы вы ни хотели найти - сюрреализм или лэнд арт, Флуксус или Баухаз - это ваш путеводитель по искусству ХХ века.

Who could possibly have forecast on New Year's Eve 1899 that, one hundred years later, painting and sculpture would be only options, not prerequisites? The term "art" has been defined and redefined so many times over the last 100 years that it has gained entirely new social, political, and technological meanings.

Ranging across the full spectrum of disciplines available, including photography and new media, and thematically chaptered to highlight relationships between works and movements, this readable and encyclopaedic masterwork does just what it says on the cover. Whether you want Surrealism or Land Art, Fluxus or Bauhaus, this is your be-all, end-all guide to art of the 20th century.

An undertaking as immensely ambitious as this one deserves to be owned by everyone, which is why we decided to make a special, more compact edition of this two-volume classic in celebration of our 25th anniversary.

About the author:
Klaus Honnef is honorary professor of photography theory at the Kassel Art Academy. He was one of the organizers of documenta 5 and documenta 6 in Kassel, and has been the curator of more than 500 exhibitions in Germany and abroad. He has written numerous books, including TASCHEN’s Contemporary Art (1988), Andy Warhol (1989), and Pop Art (2004).

About the editor:
Ingo F. Walther (1940-2007) was born in Berlin and studied medieval studies, literature, and art history in Frankfurt am Main and Munich. He has published numerous books on the art of the Middle Ages and of the 19th and 20th centuries. Walther's many titles for TASCHEN include Picasso, Art of the 20th Century, and Codices Illustres.

“The Devil holds the strings which move us!” (Charles Baudelaire, The Flowers of Evil, 1857.)

Satan, Beelzebub, Lucifer… the Devil has many names and faces, all of which have always served artists as a source of inspiration. Often commissioned by religious leaders as images of fear or veneration, depending on the society, representations of the underworld served to instruct believers and lead them along the path of righteousness.

For other artists, such as Hieronymus Bosch, they provided a means of denouncing the moral decrepitude of one’s contemporaries.
In the same way, literature dealing with the Devil has long offered inspiration to artists wishing to exorcise evil through images, especially the works of Dante and Goethe.

In the 19th century, romanticism, attracted by the mysterious and expressive potential of the theme, continued to glorify the malevolent. Auguste Rodin’s The Gates of Hell, the monumental, tormented work of a lifetime, perfectly illustrates this passion for evil, but also reveals the reason for this fascination. Indeed, what could be more captivating for a man than to test his mastery by evoking the beauty of the ugly and the diabolic?

Critically authoritative, visually stunning, and physically massive, Art of the Modern Movie Poster is the first and last word on post-WWII film poster design. Showcasing fascinating examples from 15 nations, this collection of more than 1,500 exemplary designs is a must-have for film buffs, design and poster aficionados alike. The posters are organized by country of origin, offering an intriguing glimpse into each region's unique visual sensibility and sometimes unexpected takes on familiar films. Gathered from the renowned collection of the Posteritati Gallery in New Yorkone of the largest holdings of international film posters in the worldthis volume is the definitive survey of both film and popular graphic art in the modern era.

In a new exclusive slipcase, the prestigious four-volume series covering the fundamental events and pivotal works of international art in the twentieth century.

This series offers a complete, up-to-date survey of the artistic culture of the twentieth century through an original, transversal and interdisciplinary analysis. This special edition of the series gathers the four volumes into an exclusive slipcase showcasing a 3D reproduction of a masterpiece by James Rosenquist. The books provide an extraordinary repertory of images and a vast source of information, enriched through “focus on” windows and technical information by experts in the field. The essays investigate and analyse in chronological order the transformations of the world’s artistic culture, the major personalities and the different movements that have characterized the development of modern and contemporary art. Roughly 1700 pages and a considerable number of illustrations provide a broad and composite overview of movements, artists, works and cultural phenomena, in an extraordinary publication that examines in depth the tendencies of modern and contemporary art.

• Ample space is devoted to the critical definitions of contemporary art, the art market and the new way of collecting, to the relationship between art and politics, and to the new, confusing frontiers of photography.
• Major chapters are followed, in alphabetical order, by the biographies of artists accompanied by their most significant works.

Valerio Terraroli teaches History of Modern Art at the University of Verona.

Volume 1: 1900-1919  The Avant-garde Movements
Volume 2: 1920-1945  The Artistic Culture between the Wars
Volume 3: 1946-1968  The Birth of Contemporary Art
Volume 4: 1969-1999  Neo-avant-gardes, Postmodern and Global Art

This reader, a companion to The Open University’s four-volume Art of the Twentieth Century series, offers a variety of writings by art historians and art theorists. The writings were originally published as freestanding essays or chapters in books, and they reflect the diversity of art historical interpretations and theoretical approaches to twentieth-century art.

Accessible to the general reader, this book may be read independently or to supplement the materials explored in the four-course texts. The volume includes a general introduction as well as a brief introduction to each piece, outlining its origin and relevance.

About the Author:

Jason Gaiger is lecturer in art history, The Open University. Paul Wood is senior lecturer in art history, The Open University.

These small books are quite something! They are packed with information; the most important facts and background stories, all at a glance. In-depth texts on the most exciting themes in the History of Art by experts and specialists provide the necessary overview for both the expert and the layman. The most important stages in the lives of famous personalities such as Giotto, Monet or Klimt, as well as the important currents in art, are summarized in colorful text boxes to enable every reader to find the required information easily and effectively. The most important works of architecture, sculpture, and painting are brought to life through high-quality photographs and top-quality color reproducA--tions. Explanatory picture captions offer additional information and invite the reader to browse at leisure.

These small books are quite something! Packed with information, the most important facts and background stories are presented at a glance. In-depth texts on the most exciting themes in the history of art compiled by scholars and specialists provide the necessary overview for both the expert and the layman alike. The most important stages in the lives of famous personalities such as Giotto, Monet or Klimt, as well as the important movements in art, are summarised in colourful text boxes to enable every reader to find the required information easily and effectively. The most important works of architecture, sculpture, and painting are brought to life through high-quality photographs and top-quality colour reproductions. Explanatory picture cations offer additional information and invite the reader to browse at leisure.