Illustrations: 500 color and 275 b/w graphics
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Illustrations: 500 color and 275 b/w graphics
Around 1900 the Pforzheim jewellery-making industry, which had been established since 1767, underwent an upturn to flourish as never before. The participation of Pforzheim businesses in the 1900 Paris World Exhibition and the thorough assimilation of a variety of influences from abroad – including the figurative French Art Nouveau style – ensured that Pforzheim Art Nouveau jewellery developed confidently towards aesthetic autonomy.
Collaboration between the jewellery industry and professors at the Pforzheim School for the Applied Arts as well as sharp eyes for new developments outside the jewellery capital shaped Pforzheim jewellery creations around 1900. Other fecund sources of colla-boration were the Darmstadt Mathildenhöhe artists and Wiener Werkstätte. The author has discovered hitherto unpublished contemporary source material and has been able to draw on hundreds of extant original pieces of jewellery – brooches, pendants, collars, hatpins and hair combs that are now in museums, private collections and on the art market – to make a choice selection for this book. Thus a living picture emerges of the diverse formal and technical -possibilities that gave rise to the design, craftsmanship and industrial manufacture characteristic of Pforzheim Art Nouveau jewellery.
Many important designers worked for the Pforzheim jewellery industry around 1900. This is the first wide-ranging survey – informative on both artists and firms and lavishly illustrated.
Artists (a selection): Franz Böres | Max Gradl | Patriz Huber | Georg Kleemann | Ferdinand Morawe | Otto Prutscher | Emil Riester | Fritz Wolber
Firms (a selection): Theodor Fahrner | Gebr. Falk | Hermann & Speck | Kollmar & Jourdan | Lauer & Wiedmann | Levinger & Bissinger | Victor -Mayer | Meyle & Mayer | A. Odenwald | Rodi & Wienenberger | F. Zerrenner
Jewelry was one of the purest, and most successful, expressions of Art Nouveau style, using sensuous organic forms to create a vast range of objects of exceptional beauty and inventiveness. Leading expert Vivienne Becker provides an account of the movement that spread through Europe and the United States, acquiring different decorative characteristics in England, Germany, Austria, Belgium, Russia and Spain.
For the collector, comprehensive biographies on more than 300 designers are included, followed by a guide to identification, with over 200 makers’ marks and signatures. Each part of the book is richly illustrated with plate sections of dramatic illustrations, from the sinuous elegance of the French masters - Vever, Lalique and Fouquet - to the linear, geometric designs of the Viennese - Josef Hoffmann and Koloman Moser.
456 illustrations, 156 in colour, 214 makers' marks
The basic tenet of Jugendstil (German Art Nouveau) was to "suffuse all areas of life with art". This also applied to objects in everyday use.
The German Blade Museum boasts the world's biggest cutlery collection. Vol. I of the Museum catalogue presents "Jugendstil Cutlery" in all its diversity. Silver, silver-plate and other materials were used for this cutlery, most of it made in Germany. The collection comprises more than 300 patterns, which are arranged here by purely formal criteria to reveal the enormous variety of forms and decoration. No other era produced such a diversity of decorative designs and this is the first ever publication to deal with it. All known makers and designers, as well as anonymous factory designs for patterns, are represented in this collection.
This book has over 300 stunning photographs covering the late 1880's to the early 1900's. It features buildings, furniture, metalwork, jewellery, glass etc
Part of a new series of beautiful gift art books, Art Nouveau Posters is as vivacious and optimistic as the period from which it derives its power to appeal, the Fin de Siècle.
Combining advertising and art, by artists such as Henri de Toulouse-Lautrec, Alphonse Mucha and Jules Chéret, these beautiful posters offer an intriguing view of a society reveling in its new-found sophistication.
With a fresh and thoughtful introduction to the movement and its posters, the book goes on to showcase the key works in all their glory.
About the Author
Victor Arwas is an acknowledged authority on the fine and decorative arts of the late nineteenth and twentieth centuries. In over twenty published books he has explored aspects of various movements, and written exhibition catalogues and monographs on individual artists and groups. Several of his books are the standard works on their subject. He is a lifelong collector of paintings, graphics, books, sculpture and objets d'art, and has exhibited and promoted exhibitions at his Editions Graphiques gallery in London as well as in Japan and the United States. He lectures and broadcasts widely.
В конце XIX – начале XX века движение Арт Нуво привнесло в Европу и США жизненную энергию возрождения искусства и культуры. Этот стиль объединил самые разные имена и направления по всей Европе: в Австрии (стиль «сецессион»), Германии («югендстиль»), Нидерландах («Nieuwe Kunst»), Испании («модернизмо»), Англии и Шотландии («модерн стайл»), Франции и Бельгии (Арт Нуво), Италии (стиль «либерти» или «флореале»). Это повсеместно распространившаяся международная тенденция проникла во все аспекты искусства, от живописи и графики до рекламных плакатов, получив наиболее впечатляющее выражение в архитектуре, дизайне интерьеров и декоративном искусстве. Арт Нуво зародилось в качестве ответа академическому искусству, эклектизму и развитию промышленного производства. Многие приверженцы стиля Арт Нуво, включая Ван де Вельде, Тиффани, Климта, Орта, Бердсли, Гимара и Макинтоша, черпали вдохновение в плавных, элегантных и динамичных линиях и очертаниях цветов, растений и женских тел, включая эти природные формы в свои произведения. В то же самое время они исследовали возможности промышленного дизайна. С помощью таких материалов, как железо, стекло и цемент они пытались добиться естественной гармонии зданий, украшений и предметов мебели. Новаторский подход Арт Нуво пропагандировался посредством журналов, выставок и конференций.
Другие книги серии Visual Encyclopedia of Art:
Founded in the 1880s as a response to the art world’s elitist obsession with painted and sculptural arts, ‘New Art’ quickly found enthusiastic support.
Art Nouveau combined a desire for the complete reflection of art through craft and design, with the flowing lines of nature and Japonisme.
It remains hugely popular, with the ever-present work of Mucha, Klimt, Toulouse-Lautrec and Mackintosh.
Featured artists include: Matthew Barney, Maurizio Cattelan, John Currin, Tacita Dean, Thomas Demand, Rineke Dijkstra, Douglas Gordon, Andreas Gursky, Thomas Hirschhorn, Damien Hirst, Mike Kelley, Martin Kippenberger, Jeff Koons, Sharon Lockhart, Won Ju Lim, Paul McCarthy, Mariko Mori, Sarah Morris, Vik Muniz, Takashi Murakami, Shirin Neshat, Albert Oehlen, Chris Ofili, Gabriel Orozco, Jorge Pardo, Elizabeth Peyton, Thomas Ruff, Cindy Sherman, Thomas Struth, Wolfgang Tillmans, Rirkrit Tiravanija, Luc Tuymans, Jeff Wall, and Andrea Zittel.
Gallery go-round. A cutting-edge selection of the artists that matter the most
Want a head start on the things you’ll be seeing in art institutions a decade down the road? Look no further than this special edition featuring highlights from Art Now 3. A to Z magazine-style entries include captivating images of important recent work, short biographies, exhibition history and bibliographical information. Think of this tome as a global go-round of the world’s most influential galleries: a truly invaluable, invigorating, and intense experience.
Featured artists:
Franz Ackermann, Ai Weiwei, Doug Aitken, Darren Almond, David Altmejd, Banksy, Matthew Barney, Cosima von Bonin, Cecily Brown, Glenn Brown, André Butzer, Cai Guo-Qiang, Maurizio Cattelan, Tacita Dean, Rineke Dijkstra, Nathalie Djurberg, Peter Doig, Marlene Dumas, Marcel Dzama, Olafur Eliasson, Urs Fischer, Walton Ford, Tom Friedman, Ellen Gallagher, Luis Gispert, Robert Gober, Douglas Gordon, Mark Grotjahn, Subodh Gupta, Andreas Gursky, Rachel Harrison, Mona Hatoum, Eberhard Havekost, Arturo Herrera, Charline von Heyl, Damien Hirst, Thomas Houseago, Emily Jacir, Mike Kelley, Terence Koh, Jeff Koons, Won Ju Lim, Marepe, Paul McCarthy, Beatriz Milhazes, Sarah Morris, Ron Mueck, Takashi Murakami, Ernesto Neto, Tim Noble & Sue Webster, Albert Oehlen, Gabriel Orozco, Raymond Pettibon, Elizabeth Peyton, Richard Phillips, Richard Prince, Neo Rauch, Anselm Reyle, Wilhelm Sasnal, Cindy Sherman, Dash Snow, Rudolf Stingel, Thomas Struth, Wolfgang Tillmans, Luc Tuymans, Piotr Uklanski, Kara Walker, Rebecca Warren, Franz West, Pae White, Kehinde Wiley, Christopher Wool, Thomas Zipp
Art stars. This is the ongoing catalog of contemporary art, now in its fourth volume
Think of this tome as a global go-round of the world’s most influential galleries: if it’s hot in the art world today, it’s in this book. Emerging artists are featured alongside established greats like Chuck Close, David Hockney, or Brice Marden. A to Z entries on more than 100 artists include images of important recent work, an introductory text, and a short exhibition history with bibliographical information. The illustrated appendix collects contact details for the galleries representing the artists as well as auction results of the last few years.
Bonus: a special feature focusing on the art boom in Eastern Asia, with essays by Karen Smith on the contemporary art scenes in Beijing and Shanghai, and by Colin Chinnery on the postwar art-historical developments between China, Japan, and Korea. Conversations with leading curators from Seoul and Tokyo throw a light on the current developments in these cities, while a small art guide of the region’s metropolises in the appendix can serve as a guide to the must-see venues for travellers or browsers through the World Wide Web.
Featured artists:
Adel Abdessemed, Ai Weiwei, Doug Aitken, Allora & Calzadilla, Darren Almond, David Altmejd, Francis Alÿs, Cory Arcangel, Tauba Auerbach, John Baldessari, Matthew Barney, Georg Baselitz, Karla Black, Cosima von Bonin, Monica Bonvicini, Cecily Brown, Glenn Brown, André Butzer, Cai Guo-Qiang, Maurizio Cattelan, Chuck Close, George Condo, Tacita Dean, Nathalie Djurberg, Peter Doig, Marlene Dumas, Olafur Eliasson, Elmgreen & Dragset, Urs Fischer, Fischli & Weiss, Walton Ford, Günther Förg, Tom Friedman, Katherina Fritsch, Cyprien Gaillard, Theaster Gates, Luis Gispert, Douglas Gordon, Mark Grotjahn, Subodh Gupta, Andreas Gursky, Rachel Harrison, Mona Hatoum, Richard Hawkins, Arturo Herrera, Charline von Heyl, Damien Hirst, Thomas Hirschhorn, David Hockney, Carsten Höller, Thomas Houseago, Gary Hume, Anish Kapoor, Mike Kelley, Ellsworth Kelly, Jeff Koons, Barbara Kruger, Klara Lidén, Brice Marden, Marepe, Beatriz Milhazes, Takashi Murakami, Bruce Nauman, Ernesto Neto, Tim Noble & Sue Webster, David Noonan, Albert Oehlen, Chris Ofili, Gabriel Orozco, The Otolith Group, Jorge Pardo, Philippe Parreno, Raymond Pettibon, Elizabeth Peyton, Richard Phillips, Richard Prince, Michael Raedecker, Neo Rauch, Anselm Reyle, Gerhard Richter, Sterling Ruby, Ed Ruscha, Mark Ryden, Anri Sala, Wilhelm Sasnal, Cindy Sherman, Simon Starling, Rudolf Stingel, Thomas Struth, Mickalene Thomas, Wolfgang Tillmans, Gert & Uwe Tobias, Janaina Tschäpe, Luc Tuymans, Keith Tyson, Piotr Uklański, Adrián Villar Rojas, Danh Vo, Kara Walker, Jeff Wall, Rebecca Warren, Pae White, Christopher Wool, Yang Fudong, Haegue Yang, Zeng Fanzhi