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Anne Gantefuhrer-Trier
ID: 5148
Издательство: Taschen

TASCHEN 25 - Special edition!

The history, theory and practice of Cubism, the 20th century's first avant-garde art movement

Pioneered by Picasso and Braque, Cubism was the first avant-garde art movement of the 20th century. Heavily influenced by the stark power of African and Native American art and sculpture, it deconstructed conventions of viewpoint and perspective, revolutionizing painting and western art in general. With its flattened, geometric shapes, overlapping, simplified forms and fragmented spatial planes, Cubism became one of the most influential and far-reaching movements in modern art. This book explains the history and theory behind Cubism, examining the work of its prime movers, and those whose work built upon it.

Featured artists: Pablo Picasso, Edmond Fortier, Paul Cézanne, George Braque, Henri Le Fauconnier, Jean Metzinger, Fernand Léger, Juan Gris, Albert Gleizes, Henri Laurens, Salvador Dalí, Brassaï, Robert Delaunay, Raymond Duchamp-Villon

About the Series:
Every book in TASCHEN's Basic Art Series features:

* a detailed chronological summary of the artist's life and work, covering the cultural and historical importance of the artist
* approximately 100 color illustrations with explanatory captions
* a concise biography

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Anne Ganteführer-Trier
ID: 12990
Издательство: Taschen

Pioneered by Picasso and Braque, Cubism has been described as the first avant-garde art movement of the 20th century. With inspiration from African and Native American art and sculpture, its practitioners deconstructed European conventions of viewpoint, form, perspective to create flattened, fragmented, and revolutionary images.

Picasso’s celebrated painting Les Demoiselles d’Avignon is typically regarded as the original cubist work, with its radical fracturing of objects and figures into distinct areas, corresponding to multiple different viewpoints. Cubism thereafter developed two distinct trends: Analytical Cubism, which continued to interweave perspectival planes in muted blacks, greys and ochre, and later Synthetic Cubism, characterised by simpler shapes, brighter colours, and collage elements such as newspaper.

This book presents the prime protagonists of Cubism, with work from artists including Pablo Picasso, Georges Braque, Fernand Léger, Juan Gris, Albert Gleizes, and Robert Delaunay.

About the series

Each book in TASCHEN's Basic Genre series features:

- approximately 100 colour illustrations with explanatory captions
- a detailed illustrated introduction plus a timeline of the most important political, cultural and social events that took place during that period
- a selection of the most important works of the epoch, each of which is presented on a 2-page spread with a full-page image and with an interpretation of
the respective work, plus a portrait and brief biography of the artist

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Guillaume Apollinaire, Dr. Dorothea Eimert
ID: 6212
Издательство: Parkstone

Les Demoiselles d’Avignon: five young women that changed modern art forever. Faces seen simultaneously from the front and in profile, angular bodies whose once voluptuous feminine forms disappear behind asymmetric lines—with this painting, Picasso revolutionised the entire history of art. Cubism was thus born in 1907. Transforming natural forms into cylinders and cubes, painters like Juan Gris and Robert Delaunay, driven by Braque and Picasso, imposed a new vision upon the world, in total opposition to the principles of the Impressionists. Spreading quickly in Europe, Cubism developed rapidly in successive phases that brought art history into the 20th century, which would be filled with dramatic movements, from the futurism of Boccioni to the abstraction of Kandinsky, from the suprematism of Malevich to the constructivism of Tatlin. Linking the core text of Guillaume Apollinaire with the studies of Dr. Dorothea Eimert, this work offers a new interpretation of modernity’s crucial moment, and permits the reader to rediscover, through their biographies, the principal representatives of the movement.

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Michael Balfour
ID: 4797
Издательство: Merrell Publishers
All wristwatches are true ‘micromarvels’ of engineering, yet some models have such enduring appeal that they attract the attention of collectors, investors and regular wearers alike. Now available in paperback for the first time, Cult Watches is a lavishly illustrated account of the world’s most popular classic timepieces – the top 30 that have achieved cult status, from the Rolex Submariner and the Tissot Banana Watch to the Ingersoll Mickey Mouse watches and the ‘quartz revolution’ Swatches. Watch-industry expert Michael Balfour introduces the great watchmaking innovators, sets their horological masterpieces in context and discusses their legacies. With future contenders for the status of cult watch also considered, this is a lively and informative history of some of the most sought-after and desirable watches ever produced.

  • The first book devoted to the wristwatches with the most dedicated following
  • Each model and its brand is profusely illustrated with both historical and contemporary images, for ready reference
  • An elegantly produced book that will appeal to watch enthusiasts, collectors and investors worldwide

 

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R. Klanten, H. Hellige, J. Gallagher
ID: 8448
Издательство: Gestalten

Cutting Edges documents the new heyday of collage in current art and visual culture. Today’s artists, illustrators, and designers are increasingly drawn to this artistic technique by the challenges of seamlessly melding traditional craftsmanship with skilled computer montage. They are not only composing a wide variety of visual elements, but are also deliberately omitting, deleting, and destroying them. This book is an inspiring collection of these unique examples of contemporary collage.

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Ryoji Ikeda & Carsten Nicolai
ID: 12074
Издательство: Gestalten

The visualization of sound presented in book form and accompanied by a CD-ROM by Ryoji Ikeda and Carsten Nicolai

Ryoji Ikeda and Carsten Nicolai both work at the cutting-edge of contemporary electronic music and sound art. In 1999, the two artists initiated the joint project cyclo., which is devoted to the visualization of sound. In their shared work, they generate new hybrid forms of audiovisual art and expand the possibilities of digital technology.

The project's first publication is cyclo. id, a book and included CD-ROM that offer a multimedia and interactive documentation of the audiovisual material that Nicolai and Ikeda have collected, researched, and created since they began working together. The featured images are formed by the metering of sound bits that have been selected by the artists with meticulous care according to their acoustic and illustrative potential.

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D&AD
ID: 9443
Издательство: Taschen

Latest and greatest. The prestigious annual for creative professionals

Here comes the 2012 edition of the highly-coveted annual from D&AD featuring the year’s best creative work. The D&AD awards panel judges over 20,000 works from design studios, advertising agencies, branding consultancies, film production and photographic agencies, digital media pioneers, and other creative firms from all over the globe. Winners receive the legendary D&AD Yellow Pencil Award - or in the case of exceptional and outstanding work, the rare Black Pencil Award. This review of the winners serves as a one-stop-shop for everything that’s hot in the field. Anyone interested in creativity, communication, design, or advertising cannot possibly be without the D&AD Annual!

Featuring the latest D&AD award-winning work in the fields of:
Art Direction, Book Design, Branding, Digital Advertising, Digital Design, Direct, Film Advertising Crafts, Graphic Design, Illustration, Integrated & Earned Media, Magazine & Newspaper Design, Mobile Marketing, Music Videos, Outdoor Advertising, Packaging Design, Photography, Press Advertising, Product Design, Radio Advertising, Spatial Design, TV & Cinema Advertising, TV & Cinema Communications, Typography, Writing for Advertising and Writing for Design.

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Dietmar Elger
ID: 5149
Издательство: Taschen

TASCHEN 25—Special edition!

Dadaism: the forerunner of conceptual art

A precursor to Surrealism, the Dada movement stressed the absurd and unpredictable, the illogical and chaotic, lashing out against traditional esthetics and upending artistic conventions. Emerging from the artistic and intellectual milieu of Zurich during World War I, it signaled a re-evaluation of art's cultural relevance in the shadow of industrialized war. Jean Arp, Tristan Tzara, Marcel Duchamp, and Man Ray were among the most famous proponents of Dada, creating works that dared viewers to expand their notions of what might be considered art. This book explains the impulses and theories that gave rise to Dada, the forerunner of conceptual art.

Featured artists: Max Ernst, George Grosz, John Heartfield, Johannes Baader, Hannah Höch, Raoul Hausmann, Kurt Schwitters, Johannes Theodor Baargeld, Hans Arp, Marcel Duchamp, Francis Picabia, Tristan Tzara, Man Ray

About the Series:
Every book in TASCHEN's Basic Art Series features:

* a detailed chronological summary of the artist's life and work, covering the cultural and historical importance of the artist
* approximately 100 color illustrations with explanatory captions
* a concise biography

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Robert Descharnes, Gilles Néret
ID: 832
Издательство: Taschen
Picasso called Dalí "an outboard motor that's always running." Dalí thought himself a genius with a right to indulge in whatever lunacy popped into his head. Painter, sculptor, writer, and filmmaker, Salvador Dalí (1904-1989) was one of the century's greatest exhibitionists and eccentrics—and was rewarded with fierce controversy wherever he went. He was one of the first to apply the insights of Sigmund Freud and psychoanalysis to the art of painting, approaching the subconscious with extraordinary sensitivity and imagination. This lively monograph presents the infamous Surrealist in full color and in his own words. His provocative imagery is all here, from the soft watches to the notorious burning giraffe. A friend of the artist for over thirty years, privy to the reality behind Dalí’s public image, author Robert Descharnes is uniquely qualified to analyze Dalí—both the man and the myth.
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Robert Descharnes
ID: 941
Издательство: Taschen

Picasso called Dalí “an outboard motor that’s always running.” Dalí thought himself a genius with a right to indulge in whatever lunacy popped into his head. Painter, sculptor, writer, and filmmaker, Salvador Dalí (1904-1989) was one of the century’s greatest exhibitionists and eccentrics - and was rewarded with fierce controversy wherever he went. He was one of the first to apply the insights of Sigmund Freud and psychoanalysis to the art of painting, approaching the subconscious with extraordinary sensitivity and imagination. This lively monograph presents the infamous Surrealist in full color and in his own words. His provocative imagery is all here, from the soft watches to the notorious burning giraffe. A friend of the artist for over thirty years, privy to the reality behind Dalí’s public image, author Robert Descharnes is uniquely qualified to analyze Dalí - both the man and the myth.

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Eric Shanes
ID: 6803
Издательство: Parkstone

As one of the foremost painters of the 20th century, Dalí overturned the art of the previous century and directed contemporary art toward its present incarnation.

As irrational as he was surrealist, this genius diverted objects from their original meanings, plunging them into the acid of his constantly churning imagination. A megalomaniac and an artist who above all understood the force of marketing and publicity, Dalí disorients his viewers in order to draw them into his world. On his canvases, images and colours crash together to express and mock certain ideas, creating a subversive eroticism that taps into the subconscious of the avid voyeurs that we are.

The author, Eric Shanes, explores the twists and turns of Dalí’s mad genius, commenting on the masterpieces of the painter so as to show the diversity and scope of his talent, leaving the reader blown away and bewitched by this Prince of Metamorphosis.

This work opens up the sweet, mad universe of this genius and invites us to let ourselves be overcome.

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Gilles Neret
ID: 8640
Издательство: Taschen

The infamous surrealist. A genius with a right to indulge in whatever lunacy popped into his head

Picasso called Dalí "an outboard motor that's always running." Dalí thought himself a genius with a right to indulge in whatever lunacy popped into his head.

Painter, sculptor, writer and film-maker, Salvador Dalí (1904-1989) was one of the century's greatest exhibitionists and eccentrics - and was rewarded with fierce controversy wherever he went. He was one of the first to apply the insights of Sigmund Freud and psychoanalysis to the art of painting. Dalí brought extraordinary sensitivity, imagination and concern for precision to bear upon submerged levels of consciousness.

This lively biography presents the infamous Surrealist Dalí in full colour and in his own words. His provocative ideas are all here, from the soft watches to the notorious burning giraffe. And the fantastic phenomenon that was Salvador Dalí is grasped entire and placed in his various contexts.

About the Series:

Each book in TASCHEN’s  Basic Art Series features:

- a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
- a concise biography
- approximately 100 colour illustrations with explanatory captions

The author:
Gilles Néret (1933–2005) was an art historian, journalist, writer and museum correspondent. He organized several art retrospectives in Japan and founded the SEIBU museum and the Wildenstein Gallery in Tokyo. He directed art reviews such as L'Œil and Connaissance des Arts and received the Elie Faure Prize in 1981 for his publications. His TASCHEN titles include Salvador Dalí: The Paintings, Matisse, and Erotica Universalis.

 

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Gilles Neret
ID: 9949
Издательство: Taschen

A genius with a right to indulge in whatever lunacy popped into his head

Picasso called Dalí "an outboard motor that’s always running." Dalí thought himself a genius with a right to indulge in whatever lunacy popped into his head.

Painter, sculptor, writer and film maker, Salvador Dalí (1904 - 1989) was one of the century’s greatest exhibitionists and eccentrics - and was rewarded with fierce controversy wherever he went. He was one of the first to apply the insights of Sigmund Freud and psychoanalysis to the art of painting. Dalí brought extraordinary sensitivity, imagination and concern for precision to bear upon submerged levels of consciousness.

This lively biography presents the infamous Surrealist Dalí in full colour and in his own words. His provocative ideas are all here, from the soft watches to the notorious burning giraffe. And the fantastic phenomenon that was Salvador Dalí is grasped entire and placed in his various contexts.

Each book in TASCHEN’s  Basic Art Series features:

- a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
- a concise biography
- approximately 100 colour illustrations with explanatory captions

The author:
Gilles Néret (1933–2005) was an art historian, journalist, writer and museum correspondent. He organized several art retrospectives in Japan and founded the SEIBU museum and the Wildenstein Gallery in Tokyo. He directed art reviews such as L'Œil and Connaissance des Arts and received the Elie Faure Prize in 1981 for his publications. His TASCHEN titles include Salvador Dalí: The Paintings, Matisse, and Erotica Universalis.

Посмотреть русскоязычное издание книги Dali - Дали

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Gilles Néret
ID: 12968
Издательство: Taschen

Painter, sculptor, writer, filmmaker, and all-round showman Salvador Dalí (1904–1989) was one of the 20th century’s greatest exhibitionists and eccentrics. One of the first artists to apply the insights of Freudian psychoanalysis to art, he is celebrated in particular for his surrealist practice, with such conceits as the soft watches or the lobster telephone, now hallmarks of the surrealist enterprise, and of modernism in general.

Dalí frequently described his paintings as “hand-painted dream photographs.” Their tantalizing tension and interest reside in the precise rendering of bizarre elements and incongruous arrangements. As Dalí himself explained, he painted with “the most imperialist fury of precision,” but only “to systematize confusion and thus to help discredit completely the world of reality.”

Revolutionizing the role of the artist, the moustache-twirling Dalí also had the intuition to parade a controversial persona in the public arena and, through printmaking, fashion, advertising, writing, and film, to create work that could be consumed and not just contemplated on a gallery wall.

This book explores both the painting and the personality of Dalí, introducing his technical skill as well as his provocative compositions and challenging themes of death, decay, and eroticism.

About the series:

Each book in TASCHEN's Basic Art series features:

- a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
- a concise biography
- approximately 100 illustrations with explanatory captions

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ID: 13172
Издательство: Taschen

Gala Dinner. Salvador Dalí’s surrealist cookbook

Ever heard of surrealist fine dining? This must-have reprint of Les diners de Gala reveals the exotic flavours and elaborate imaginings behind the legendary dinner parties of Salvador and Gala Dalí. With recipes from such leading Paris restaurants as La Tour d’Argent and Maxim’s, a special section on aphrodisia, and bespoke illustrations from Dalí himself, this book is at once an artwork, a practical cookbook, and a delicious morsel of multisensory pleasure.

Les diners de Gala is uniquely devoted to the pleasures of taste … If you are a disciple of one of those calorie-counters who turn the joys of eating into a form of punishment, close this book at once; it is too lively, too aggressive, and far too impertinent for you.”—Salvador Dalí

Food and surrealism make perfect bedfellows: sex and lobsters, collage and cannibalism, the meeting of a swan and a toothbrush on a pastry case. The opulent dinner parties thrown by Salvador Dalí (1904–1989) and his wife and muse, Gala (1894–1982) were the stuff of legend. Luckily for us, Dalí published a cookbook in 1973, Les diners de Gala, which reveals some of the sensual, imaginative, and exotic elements that made up their notorious gatherings.

This reprint features all 136 recipes over 12 chapters, specially illustrated by Dalí, and organized by meal courses, including aphrodisiacs. The illustrations and recipes are accompanied by Dalí’s extravagant musings on subjects such as dinner conversation: “The jaw is our best tool to grasp philosophical knowledge.”

All these rich recipes can be cooked at home, although some will require practiced skill and a well-stocked pantry. This is cuisine of the old school, with meals by leading French chefs from such stellar Paris restaurants as Lasserre, La Tour d’Argent, Maxim’s, and Le Train Bleu.

Good taste, however voluptuous, never goes out of fashion. In making this exceptionally rare book available to a wide audience, TASCHEN brings an artwork, a practical cookbook, and a multisensory adventure to today’s kitchens.

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