Искусство

Forever a circus ringleader at heart, Federico Fellini (1920-1993) is remembered as one of cinema’s greatest storytellers. From bittersweet, heart wrenching tales (La Strada and Nights of Cabiria) to semi-autobiographical classics (La Dolce Vita and the much-imitated 8 1/2) to ambitious period-pieces (Satyricon and Casanova) to dreamlike pseudo-documentaries (The Clowns, Roma, and Intervista), Fellini brought his inner world to the silver screen in a profoundly original and innovative way. Among his many gifts to the world of cinema are the roles he created for his wife, the unforgettable Giulietta Masina.

Federico Fellini is one of the most beloved and revered filmmakers of the twentieth century, having entertained audiences worldwide with his ability to breathe life into imagery normally confined to human memory and emotion. His insights into the world of dreams have contributed to his many famous cinematic creations, including La Dolce Vita, 8 1/2, and La Strada. A unique combination of memory, fantasy, and desire, this illustrated volume is a personal diary of Fellini’s private visions and nighttime fantasies. Fellini, winner of four Oscars for Best Foreign Language Film, kept notebooks filled with unique sketches and notes from his dreams from the 1960s onward. This collection delves into his cinematic genius as it is captured in widely detailed caricatures and personal writings. This dream diary exhibits Fellini’s deeply personal taste for the bizarre and the irrational. His sketches focus on the profound struggle of the soul and are tinged with humor, empathy, and insight. Fellini’s Book of Dreams is an intriguing source of never-before-published writings and drawings, which reveal the master filmmaker’s personal vision and his infinite imagination.

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Посмотреть новой издание книги Federico Fellini: The Book of Dreams

Along with Visconti and Rossellini, Fellini established the fame of Italian cinema. His subject is the life and dreams of ordinary folks, musicians, carnies, and clowns. Fellini biographer Tullio Kezich presents all 23 films, with texts, film stills, partly unpublished set photographs, and sketches by Fellini who was not only a master filmmaker but a gifted caricaturist.

This is a new edition of the diary kept by Federico Fellini, in which the great director faithfully recorded his dreams and nightmares.

A highly colourful journey into the boundless territory of a genius's imagination, this is a work that added a fundamental element to the study of Federico Fellini and his creative experience. From the late 1960s until 1990, the great director used this diary to represent his nocturnal visions in the form of drawings or, as he himself described them, "scribbles, rushed and ungrammatical notes."

Currently out of print, this new edition will include a critical introduction, as well as updated graphic design. It will be published in collaboration with the Municipality of Rimini as well as the Museo Nazionale del Cinema, the Centro Sperimentale di Cinematografia, and the Cineteca di Bologna (the three main Italian institutions in the field of cinema).

The volume will be released to coincide with the centenary of Federico Fellini's birth (January 2020), which will be celebrated in Italy with a travelling exhibition on the director that will start its journey from Milan in December 2019.

About the Authors:

Sergio Toffetti, born in Turin in 1951, is president of the Museo Nazionale del Cinema and has published essays on Italian and international cinema, and on the conservation and restoration of film. Felice Laudadio is president of the Fondazione Centro Sperimentale di Cinematografia in Rome. He has overseen numerous cinema events, such as MystFest, EuropaCinema, and RomaFictionFest. Gian Luca Farinelli has been director of the Cineteca of Bologna since 2000. In 1986 he created, together with Nicola Mazzanti, Il Cinema Ritrovato an event dedicated to the history of cinema and the activity of film libraries. Together with Martin Scorsese, Raffaele Donato, Thierry Frémaux, and Alberto Luna he founded the World Cinema Foundation, which brings together about twenty great international directors for the restoration of third-world films.

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The femme fatale is a myth; a projection; a construct. It represents a rigid, immutable female stereotype: the seductive, supposedly demonic woman who holds men spellbound. The catalogue to accompany the exhibition FEMME FATALE is dedicated to this scintillating, cliché-ridden and long male-dominated image. View – Power – Gender. It explores not only the artistic manifestations of the topic since 1800, but also embarks on a critical examination of the myth of the femme fatale throughout history, right up to the feminist deconstruction and appropriation of the idea.

Artists:

Sonia Boyce, Evelyn de Morgan, John Collier, Lovis Corinth, Mary Beth Edelson, Nan Goldin, Birgit Jürgenssen, Fernand Khnopff, Maria Lassnig, Max Liebermann, Jeanne Mammen, Gustave Moreau, Edvard Munch, Odilon Redon, Dante Gabriel Rossetti, Mickalene Thomas, Betty Tompkins, Franz von Stuck, John William Waterhouse, Francesca Woodman

https://www.kerberverlag.com/en/2030/femme-fatale?c=37

Ferdinand Preiss (1882-1943) was the most prolific sculptor of the Art Deco period in Germany; he combined ivory, bronze, onyx and marble to create the most dazzling sculptures of his day.

Preiss entered into an apprenticeship with his uncle, a master ivory carver, at the age of sixteen, following the death of his parents. He went on to become the most important Art Deco sculptor in Germany and, indeed one of the most accomplished in the whole of Europe, during the Nazi period.

This book, the only work devoted entirely to this subject, follows the development of ivory carving in Erbach, Germany, focusing on the life and work of one of the country's most talented and prodigious sons. The political climate which Preiss and other artists were forced to endure during this time, its difficulties, constraints and influences on their work, is also explored. Extensive research into Nazi archives, interviews with family members, recently unearthed documents and the most comprehensive collection of sumptuous colour illustrations, truly enable the extraordinary talents of this formidable artist to shine.

Botero has gained international fame, capturing the whimsy of life by painting corpulent and sometimes comical figures. The dilation of his subjects gives the figures an abstract, unreal, and even grotesque dimension. Studies in beauty and terror, Botero’s monumental figures can be sensual, and many are filled with pain and sorrow.

This monograph presents the paintings realized in the last thirty years and created using his own unique language, which is a distinguishing feature of his work and an extraordinary blend of Latin American tradition and European painting.

Pleasantly plump

With whimsical irony and a style reminiscent of the old masters, Fernando Botero (b.1932) began painting caricatured animals and corpulent bodies with disproportionate heads at a time when his contemporaries were fervently rejecting figurative work in favor of abstraction. More recently he has expanded into sculpture, creating delightful large-scale bronze works portraying the same sorts of voluminous figures he so loved to paint. Like the writings of Gabriel García Márquez or the music of Astor Piazzola, Botero’s work has come to represent modern Latin American culture.

About the Series:
TASCHEN portfolios feature high quality prints that beg to be framed. Tucked in each portfolio are 14 large-format reproductions, each with a brief description. Guaranteed to brighten any day, they also make great gifts for art lovers!

This book charts contemporary illustration’s rich history: the rampant idealism of the 1960s, the bleak realism of the 1970s, the over-blown consumerism of the 1980s, the digital explosion of the 1990s, followed by the increasing diversification of illustration in the early twenty-first century.

The book explores the contexts in which the discipline has operated and looks historically, sociologically, politically and culturally at the key factors at play across each decade, whilst artworks by key illustrators bring the decade to life.

Contemporary illustration’s impact and influence on design and popular culture are investigated through introductory essays and profiles of leading practitioners, illustrated with examples of their finest work.
About the Author

Lawrence Zeegen is an illustrator, educator and writer. He has worked as an illustrator since graduating from The Royal College of Art in 1989. He is Dean of the School of Design at the London College of Communication, and he lectures and speaks at conferences around the world.

Caroline Roberts is a journalist who writes mainly about the graphic arts. She was the founder of Grafik magazine.

Contents:

Foreword Introduction: What is Illustration?
Chapter 1 The 1960s: An Era of Utopian Idealism
Chapter 2 The 1970s: A Decade of Discontent
Chapter 3 The 1980s: The Designer Decade
Chapter 4 The 1990s: The Digital Dawn
Chapter 5 The 2000s: A New Wave
Chapter 6: Where Next?
Further Reading – Books
Further Viewing – Digital
Further Info – Organisations
Contacts – Illustrators and Contributors
Index
Acknowledgements

Figure Drawing for Concept Artists is an essential primer that aims to bring traditional figure drawing techniques and knowledge to every concept artist's skill set.

Accessibly written and lavishly illustrated by respected concept artist Kan Muftic, this book celebrates the common ground between traditional life drawing and the fast-paced world of the concept art industry. Learn about the skills, techniques, and mindset needed to make successful life drawings, how to capture the forms of the human body on paper, and how to improve your character and concept art with a dynamic approach to figures and anatomy. Figure Drawing for Concept Artists offers a unique, up-to-date perspective on classical skills, with the contemporary practitioner in mind.

About the Author:

Kan Muftic was born in 1976 in Sarajevo, Bosnia and Herzegovina, where he attended the Academy of Fine Arts from 1991–1992. In April 1992, he left Sarajevo due to violent political conflict in his country. During his time as a refugee, he helped his father with anti-war propaganda, creating illustrations and posters. After moving to Zurich, Switzerland, Kan attended the F F School for Art and Media Design, graduating in painting. Kan has now worked on film, television, and games projects for the past decade, for companies including the Moving Picture Company, Rocksteady Studios, and Axis. His credits include Jungle Book (2018), Godzilla, Doctor Strange, Guardians of the Galaxy, the Batman: Arkham series, and many more. He is currently Animation Director for an upcoming Netflix show.

Contents and contributors:
Materials
Why draw from life?
The roots
01 | Attitude
02 | Setting up
03 | Three-tiered approach
04 | Drawing techniques
05 | Problem areas
06 | Figure drawing classes
07 | Going forward
08 | Friends’ gallery
09 | Reference gallery
Closing thoughts
Recommended resources

There is probably no subject more intimidating and complex to artists than the human figure. Even artists who have otherwise mastered their chosen medium are unable to render figures successfully. How can artists develop or apply their drawing skills to portray the figure as animate and made of muscle and bone, but without overpowering form with anatomical detail?

In Figure Drawing Workshop, a veteran artist guides readers through a series of progressive lessons designed to help artists draw the figure with accuracy, simplicity, and skill. Step by step, readers learn how to see and render basic shapes; use line to express energy and movement; depict light and shadow; convey a sense of underlying musculature without overworking a drawing; and draw convincing heads, hands, and feet. Finally, they’ll learn how to liberate themselves from unproductive habits and develop their own creative style.

• Figure and anatomy drawing are perennially popular among artists
• One of the only figure drawing books that offers a series of progressive lessons aimed at beginners
• Presents elegant drawings that reflect all phases of image development

A fresh new approach to teaching the fundamentals of human proportions.

Figure It Out! Human Proportions gives artists the tools they need to draw the head and figure right — every time. This comprehensive book provides all the essential information for artists at all skills levels, demonstrating proportional relationships of the head and body from all angles — front, side, and back — and for both men and women.

About the Author:

Christopher Hart is the world's bestselling author of manga, basic drawing and cartooning books. His titles have set the standard for art instruction with more than 3 million copies in print in eighteen languages. Renowned for up-to-the-minute content and easy-to-follow steps, all of Hart's books have become staples for a new generation of aspiring artists and professionals.

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Пролистать книгу Figure It Out! Human Proportions: Draw the Head and Figure Right Every Time

Beginning with a general overview of film noir and covering its most important themes chapter by chapter (lovers plan murder, corrupt police, doomed love, psychological noir, etc.), this copiously illustrated handbook provides instant and in-depth access to the film noir genre for amateurs and aficionados alike. Among the films covered are these "top ten": Double Indemnity, Kiss Me Deadly, Gun Crazy, Criss Cross, Detour, In A Lonely Place, T-Men, Out of the Past, The Reckless Moment, and Touch of Evil.

Shadows and smoke

Classic noir flicks of the 1940s-50s, illustrated and examined

Beginning with a general overview of film noir and covering its most important themes chapter by chapter (lovers plan murder, corrupt police, doomed love, psychological noir, etc.), this copiously illustrated handbook provides instant and in-depth access to the film noir genre for amateurs and aficionados alike. Among the films covered are these "top ten": Double Indemnity, Kiss Me Deadly, Gun Crazy, Criss Cross, Detour, In A Lonely Place, T-Men, Out of the Past, The Reckless Moment, and Touch of Evil.

Into the shadows. From The Cabinet of Dr. Caligari to Drive, 100 all-time favorite film noirs and neo-noirs

Enter a world populated by private eyes, gangsters, psychopaths, and femmes fatales, where deception, lust, and betrayal run rampant. The first film-by-film photography book on film noir and neo-noir, this essential collection begins with the early genre influencers of German and French silent film, journeys through such seminal works such as Double Indemnity, The Postman Always Rings Twice, and Vertigo, and arrives at the present day via Chinatown, Pulp Fiction, Heat, and the recent cult favorite Drive.

Entries include posters, tons of rare stills, cast/crew details, quotes from the films and from critics, and analyses of the films. Film director, film noir scholar, and Taxi Driver screenwriter Paul Schrader provides the introduction to this feast of noir worship. Populated by the genre’s most revered directors, like Hitchcock, Wilder, Welles, Polanski, Mann, and Scorsese, the book also pays homage to its iconic faces, including Mitchum, Bogart, Hayworth, Bergman, Grant, Bacall, Crawford, Nicholson, Pacino, and so many more.