Искусство

Impressionists in their Gardens explores gardens through the senses of the Impressionists from three continents - Europe, North America and Australia - enjoying the essentially similar pleasures of the garden, but engaging with the light from their skies in order to create very different sensations. The enclosure of the garden acts like a picture frame showcasing a living canvas that exudes the individuality, vision and taste of its tenants, their family, friends, lifestyles and, in the simple words of the greatest Impressionist and gardener Monet, providing motifs to paint.

The first section uses contemporary paintings and photographs to see the who, what and where of Impressionist gardens - planting, eating, loving, sleeping, children, animals, working and painting. The second section, illustrated with paintings, old photographs and modern images, starts at the horticultural source - the nurseryman Latour-Marliac at Temple sur Lot, then Monet at Giverny; American Impressionists at Old Lyme, Cos Cob and Appledore in the USA; Gertrude Jekyll at Munstead Wood and beyond; the Heidelburg School and Frederick McCubbin at Fontainebleau; and, chronologically last but not least, Renoir at Les Colettes.

- Lavishly illustrated, this publication includes photographs of how these gardens are now
- Impressionists in their Gardens covers the entire impressionist movement
- Features information on how the fashionable plants that were used, were both discovered and cultivated
- Perfect for gardeners and horticultural experts as well as anyone interested in gardening, history and art

Bringing to life the gorgeous, inspiring art of Monet, Manet, Renoir, Pissarro and their group, Impressionists takes the reader back to Nineteenth-Century Paris to explore one of the most influential, and popular art movements in the history of painting. A careful selection of the period's most enduring artworks sits alongside some lesser-known, but equally impressive images to convey the spirit and passion of the era.

Rachel Reinert, author of adult-coloring sensations Botanical Wonderland and Desert Wonderland and the bestselling coloring-instruction book Color Workshop, uses her trademark straightforward, step-by-step instruction style and gorgeous photography to teach artists at every skill level how to draw more than 30 beautiful flowers from around the globe. Blank pages for drawing practice are included for each bloom, as is a special section on how to color your own floral drawings. Including everything from common favorites such as tulips, roses, violets, and tiger lilies to exotic flowers such as proteas, kangaroo paws, birds of paradise, and passion flowers, In Bloom is a thrilling exploration of florals the world over.

About the Author:

Rachel Reinert grew up in Colorado and California, but has travelled extensively across the globe. She has recently lived and traveled around Australia in Sydney and Perth, and has also travelled to Thailand, Malaysia, Singapore, Japan, Korea, China, France, Canada, Germany and Iceland. She is endlessly inspired by the flora in each new country she visits and, in turn, applies her floral observations to her illustrations and paintings. Rachel currently lives in San Diego, California, USA.

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Пролистать книгу In Bloom: A Step-by-Step Guide to Drawing Lush Florals

Let there be light

In the beginning was the word, and in the Middle Ages was the zenith of the Bible. It was a time when bibles were commissioned by kings, princes, and high-ranking members of the Curia, whose wealth and influence begat ornately illustrated bibles of extraordinary craftsmanship. To mark the Year of the Bible, and in conjunction with the Austrian National Library`s exhibition of its most precious sacred manuscripts, TASCHEN is publishing this book that will make the finest of these illuminated manuscripts accessible to the general public. The Power and Glory of Illuminated Bibles covers examples from every epoch of the Middle Ages, presenting the Bible as it was visualized in both theological and historical contexts. As the beauty and significance of the illustrations are undeniable, the manuscripts are also examined from an art historical point of view. Texts by Andreas Fingernagel, Stephan Füssel, Christian Gastgeber, and a team of 15 scientific authors describe each manuscript in detail and explore the evolution of the Bible as well as the medieval understanding of history that is inherent in these versions of the Bible; also included is a glossary of important terms so that those not versed in bible history can enjoy the texts as well. This sumptuous publication of these rare and significant manuscripts - reproduced with the impeccable quality and modest price tag for which TASCHEN is known - is a truly divine event.

A visual exploration of the Impressionists’ love affair with the new thinking about garden design that swept 19th-century France

From Manet's earliest depictions of the Tuileries Gardens in Paris to Monet's late waterlilies painted at Giverny, the Impressionists' love affair with gardens has left an exhilarating legacy. As places of rest, relaxtion, beauty and leisure, indeed, they were the Impressionist subject par excellence, offering all the evanescent beauty of colour and light that these artists loved. But what meanings might lie underneath the surface of their works?

This book explores the Impressionist's fascination with gardens, parks and flowers in the context of the 'great horticultural movement' and of the changing political and cultural landscape in France. Drawing on sources such as gardening journals, well-known novels by Zola and Flaubert, poetry by Baudelaire, and the artists' personal letters, it describes how gardens were central to the Impressionists' discovery of their distinctive plein-air (out-of-doors) style, and how they influenced the artists as spaces which were at the same time both 'modern' and imbued with nostalgia. It also brings to life the enchanting tradition of floral symbolism in 19th-century France, and explores - for the first time ever - how this infiltrated the work of key Impressionists such as Monet. A final chapter covers the spread of Impressionist garden painting outside France, exploring the exciting developments in Britain, Germany, North America and Japan.

With its new discoveries about familiar works by Manet, Renoir, Degas, Monet and Pissarro, thorough coverage of less familiar Impressionists such as Bazille, Caillebotte and Guillaumin, and spectacular illustrations, including period photographs, engravings from journals and cartoons, as well as paintings and drawings, this book will appeal equally to the scholar, student, art lover or gardening enthusiast.

Contents List:
1. Flowers of Tradition
2. Horticulture and Pleinairisme
3. Private Gardens in Early Impressionism
4. Painting the Parisian ‘Bouquet’
5. Sunshine, Shadows and Sanctuary
6. The Social Garden
7. The Working Garden
8. Cultivating Inspiration
9. The Impressionist Garden Beyond France

Ingrid Bergman was more than the luminous image of healthy sensuality that intoxicated audiences worldwide during and immediately after World War II in movies like Casablanca, Gaslight, Spellbound and Notorious. In later life, she found continued film success with Anastasia, The Inn of the Sixth Happiness, Indiscreet, and Autumn Sonata. She was also a ferociously ambitious actress who played Strindberg, O’Neill, Cocteau, and Maugham on the stage to great acclaim, as well as a woman who found the most lasting sensual experience to be found in the response of an audience rather than any individual husband or lover.

The Movie Icon series:

People talk about Hollywood glamour, about studios that had more stars than there are in heaven, about actors who weren't actors but were icons. Other people talk about these things, TASCHEN shows you. Movie Icons is a series of photo books that feature the most famous personalities in the history of cinema. These 192-page books are visual biographies of the stars.

For each title, series editor Paul Duncan has painstakingly selected approximately 150 high quality enigmatic and sumptuous portraits, colourful posters and lobby cards, rare film stills, and previously unpublished candid photos showing the stars as they really are. These images are accompanied by concise introductory essays by leading film writers; each book also includes a chronology, a filmography, and a bibliography, and is peppered with apposite quotes from the movies and from life.

Zen. Soothing. Mystical. Meditative. All the most serene words in the world couldn't begin to describe the effect of Asia's most beautiful interiors. Whether it's a monastery in Tibet, a beautiful garden on a rubber plantation in Sri Lanka, or a Tadao Ando-designed house in Japan, each spot chosen for this book is remarkable not only for its aesthetics but for its spirit. Presented in two sublime volumes, these interiors have what it takes to transport you to a sacred place; breathe deeply, delve in, and be inspired. Featuring 100 locations in the following countries: Tibet, Nepal, India, Sri Lanka, Myanmar, Thailand, Laos, Cambodia, Singapore, and Malaysia, Indonesia, Philippines, Vietnam, Hong Kong, China, and Japan.

Inside the Human Body features fascinating detailed images of the human figure from the 19th century. In the mid- and late 19th century, substantial advancements in medical science were made, in part as a result of the development of new instruments that facilitated new ways of looking into the human body. The collection of spectacular drawings in this book is the result of the close observation of the human body during this period. Included are views of the major organ, skeletal and muscular systems. Another unique feature is the free CD packed with the book: it contains digital files of all illustrations for immediate use, either to print for further manual elaboration or as a digital template.

Inside an art gallery, it is easy to forget that the paintings there are the end products of a process involving not only creative inspiration, but also plenty of physical and logistical details.

It is these "cruder," more mundane aspects of a painter's daily routine that motivated Brooklyn artist Joe Fig to embark almost ten years ago on a highly unorthodox, multilayered exploration of the working life of the professional artist.

Determined to ground his research in the physical world, Fig began constructing a series of diorama-like miniature reproductions of the studios of modern art's most legendary painters, such as Jackson Pollock and Willem de Kooning.

A desire for firsthand references led Fig to approach contemporary artists for access to their studios. Armed with a camera and a self-made "Artist's Questionnaire," Fig began a journey through the workspaces of some of today's most exciting contemporary artists.

Inside the Painter's Studio collects twenty-four remarkable artist interviews, as well as exclusive visual documentation of their studios. Featured artists were asked a wide range of questions about their day-to-day creative life, covering everything from how they organize their studios to what painting tools they prefer.

Artists open up about how they set a creative mood, how they choose titles, and even whether they sit or stand to contemplate their work. Also included are a selection of Fig's meticulously detailed miniatures. In this context Fig's diminutive sculptures - reproducing minutiae of the studio, from paint-tube labels and paint splatters on the floor to the surface texture of canvases - become part of a fascinating new form of portraiture as diorama. Inside the Painter's Studio offers a rare look into the self-made universe of the artist's studio.

Inside the Painter's Studio features interviews with Gregory Amenoff, Ross Bleckner, Chuck Close, Will Cotton, Inka Essenhigh, Eric Fischl, Barnaby Furnas, April Gornik, Jane Hammond, Mary Heilmann, Bill Jensen, Ryan McGinness, Julie Mehretu, Malcolm Morley, Steve Mumford, Philip Pearlstein, Matthew Ritchie, Alexis Rockman, Dana Schutz, James Siena, Amy Sillman, Joan Snyder, Billy Sullivan, and Fred Tomaselli.

Illustrations: 198 col

This lavishly illustrated book presents outstanding examples of one-of-a kind jewellery from the 1940s to the present drawn from the collection of the Museum of Arts & Design in New York. The 288 pages guide the reader through a fascinating diversity of materials, technique and approaches that make contemporary jewellery visually exciting and intellectually stimulating. No longer dependent on gold and gemstones, these creations demonstrate that commonplace aluminium, rubber, glass, paper, thumbtacks, and even salvaged gun triggers can be made into dazzling jewellery.

The international nature of today's jewellery is fully represented with established luminaries as well as emerging artists in the field from the United States, Europe, Asia and Australia including Gijs Bakker, Robert Ebendorf, Hermann Jünger, Sam Kramer, Otto Künzli, Linda MacNeil, Margaret DePatta, Bruno Martinazzi, Giò Pomodoro, Wendy Ramshaw, Art Smith, Kiff Slemmons, David Watkins, and Anna Maria Zanella.

The book contains a foreword by Holly Hotchner, Director of the Museum of Arts & Design; essay by Ursula Ilse-Neuman, Jewellery Curator of the Museum of Arts & Design, surveying major trends in contemporary jewellery over the past 75 years; and over 200 full-colour illustrations of works from the Museum's Permanent Collection.

Ursula Ilse-Neuman is Jewellery Curator at the Museum of Arts & Design, New York. She joined the Museum in 1992 and has curated numerous exhibitions in all media. Ms. Ilse-Neuman is the author of numerous publications and has juried many competitions and lectured widely both in the United States and abroad. She is currently a Ph.D. candidate at the Bard Graduate Center for Studies in the Decorative Arts, Design, and Culture. She is a member of the Editorial Board of Directors of Metalsmith magazine.

A narrative chronology of the dealers, artists and spaces that have defined modern art – lavishly illustrated throughout with photographs of artists, dealers and art world personalities.

Art galleries are enormously influential in the aesthetic discourse of the modern age. They have launched the careers of the era’s most important artists, and breathed life into some of its most important artistic movements.

International Art Galleries is the first book to examine the modern gallery phenomenon, offering more than seventy-five portraits of art galleries from around the world, all of whom have represented the finest artists of the last sixty years, and all of whom have had a key role in defining the artistic zeitgeist.

Organized decade-by-decade, each chapter is introduced by a brief historical sketch that summarizes the social background of the decade in question. The galleries are introduced by a brief factual section that details their date of foundation, proprietor, addresses and artists represented, followed by a lively illustrated essay.

World’s fairs were the most important vehicles for debuting advancements in modern living. These renowned international expositions were showcases for design on a national and global level, and they democratized design, unlike any previous forum.

Inventing the Modern World is lavishly illustrated with two hundred examples of woodwork, metalwork, ceramics, glass, jewellery, and textiles from private and public collections, primarily in America and Europe, many never before published or seen outside of their respective collections. Incredibly diverse but all representing the pinnacle of scientific and artistic achievements of their time, these extraordinary creations range from a monumental 1850s Gothic Revival cabinet to a streamlined glass chair from 1939, to masterpieces of jewelry and objects in glass, silver, and porcelain by Baccarat, Tiffany, Gorham, Cartier, Sèvres, and Herman Miller.

This unprecedented volume, edited by Jason Busch and Catherine Futter, and with contributions by them and many other specialists and scholars, breaks new ground in the study of decorative arts.

Formed in east London in 1975, Iron Maiden went on to become one of the most successful rock acts in history. With more than 85 million album sales to their credit, the legendary metal band remains hugely popular worldwide: Their 2010 album, The Final Frontier, debuted at No. 1 in 30 countries and received unanimous critical praise.

In this, the first complete illustrated treatment of Iron Maiden, a roster of respected heavy metal journalists including Ian Christe, Martin Popoff, Mick Wall, Daniel Bukszpan, and more relate the band’s history, analyze their recordings, and provide a complete discography. The stories behind the band’s formation, recordings, and tours, are complemented with more than 400 images, including live performance and candid off-stage photographs, as well as memorabilia, gig posters, T-shirts, backstage passes, buttons, and tickets. Exclusive cover art was created by Derek Riggs, the man behind Iron Maiden's iconic mascot, Eddie.

Isaak Levitan (1860-1900) was born into a poor Jewish family in Lithuania and was able to enrol at the Moscow School of Painting in 1873. He made rapid progress, the great merchant collector Pavel Tretyakov buying one of his paintings when he was only nineteen. In 1886 Levitan sketched in the Crimea and from 1887 he spent several summers painting in the Volga region. These years saw the development of his great friendship with the future playwright Anton Chekhov and the creation of his first 'mood landscapes'. Levitan travelled extensively, if briefly, in Europe, visiting Berlin, Paris, the Riviera, Italy, Switzerland, Munich and Vienna. He was thus, unlike many of his contemporaries, well aware of artistic trends in the west, his experience of European art adding to the breadth of his vision. In both his joyful commemorations of the Russian spring and his quiet scenes of fields and forests, lakes and rivers, often seen at twilight, Levitan employed simple, well-loved motifs of the Russian countryside, an expressive brushwork and a subtle tonality. His work was greatly admired by Diaghilev, the revolutionary theatre manager Stanislavsky and the great operatic singer Chaliapin. Towards the end of his short life Levitan, exhibiting with the Wanderers (the Russian association for travelling exhibitions) and the Munich Secession, was responsible for revitalising the teaching of landscape in Moscow. This revised edition of the author's Isaak Levitan Lyrical Landscape (2004 and 2006), also focuses on Levitan's still lifes, portraits and cityscapes. The creative thinking behind some of his most outstanding works is explored and certain parallels are drawn with the landscapes of Monet, who, while Levitan painted on the shores of the Volga, lived and worked near the river Seine. AUTHOR: Averil King is an independent art historian with a particular interest in the art of the late nineteenth and early twentieth centuries. Her previously published books are Isaak Levitan Lyrical Landscape, 2004, re-issued 2006, Newlyn Flowers: the Floral Art of Dod Procter, RA, 2005 (both Philip Wilson Publishers), and Paula Modersohn-Becker, 2009 (Antique Collectors' Club).