Искусство

Japan's impact on Western art was as immediate and almost as cataclysmic as the influence of the West on Japanese life. After Commodore Perry opened Japan's door to the outside world in 1858, a wealth of visual information from the Japanese traditions of ceramics, metalwork and architecture, as well as printmaking and painting, reached the West and brought electrifying new ideas on composition, colour and design. This is a study of how Japanese ideas have inspired artists such as Monet, Degas, Whistler and Van Gogh. Japanese conventions of symbolism underlie the use of decorative motifs in European symbolism and art nouveau, and the Zen idea of spontaneity is the ultimate source of both the apparently capricious shapes of art nouveau ware and the development of an abstract "calligraphy" in abstract expressionism.

150 illustrations

At a time when the dominant mode of painting, Abstract Expressionism, emphasized expressive drama through bold brushwork and largely abstract compositions, Johns’ paintings of
the American flag, targets, numbers and the alphabet demonstrated a decided departure from convention. Despite being painted with obvious care, they seemed emotionally reticent, cool and quiet, far from the emotional fireworks then fashionable. "It all began... with my painting a picture of an American flag. Using this design took care of a great deal for me because I didn’t have to design it. So I went on to similar things like the targets - things the mind already knows. That gave me room to work on other levels. For instance, I’ve always thought of painting as a surface; painting it in one color made this very clear. Then I decided that looking at a painting should not require a special kind of focus like going to church. A picture ought to be looked at the same way you look at a radiator.” Unlike most artists’ statements in New York during the 1950s, Johns’ remarks contained none of the familiar talk of doubt and angst, and his selection of subject matter appeared deliberate, thoughtful, and far removed from emotional attachments and desires. To younger artists his art seemed not so much cold and unfeeling as clear-eyed and honest after the excesses of Abstract Expressionism.
Furthermore, in selecting recognizable subjects, Johns seemed to reject prevailing abstract modes of painting, yet his subjects themselves - flags, targets, numbers - each possessed a vital characteristic of classic abstraction, namely, a flatness rendering them all but indistinguishable from the picture plane itself. This books underlines how Johns’ work made the polarity between abstraction and representation that had dominated debates about modern art for decades seem suddenly obsolete, opening up other ways of thinking about art’s relation to the world. It also tries to understand why since his first exhibition at the Leo Castelli Gallery, at the age of twenty-seven, he has remained one of the major artists of the contemporary artistic scene until today.

About the author:
Catherine Craft is an art historian specializing in modern and contemporary art. She earned her Ph.D. from the University of Texas at Austin with a dissertation on the New York art world between 1951 and 1965. She is author of the forthcoming book An Audience of Artists: Dada, Neo-Dada, and the Emergence of Abstract Expressionism, 1945-1953 and has published numerous articles on Johns, Rauschenberg, Duchamp, Pollock, and other artists in such prestigious reviews as The Burlington Magazine. She has also lectured at important museums, including the Museum of Modern Art, the Metropolitan Museum of Art and the National Portrait Gallery in Washington, D.C. She currently lives between Texas and Germany, where she works as an independent scholar.

Vinyl mania. Jazz LP covers from the 1940s to 1990s

This volume features a broad selection of jazz record covers, from the 1940s through the decline of LP production in the early 1990s. Each cover is accompanied by with a fact sheet listing performer and album name, art director, photographer, illustrator, year, label, and more. Special features for jazz lovers include a top-10 favourite records list by leading jazz DJs King Britt, Michael McFadden, Gilles Peterson, Andre Torres, and Rainer Trüby, as well as interviews with legendary jazz personalities Rudy Van Gelder (sound engineer that recorded for many labels such as Blue Note, Impulse!, and Prestige), Creed Taylor (founder of many labels and one of the best jazz producers ever, credited also for bringing bossa nova to the US and fusing it with jazz), Michael Cuscuna (Blue Note jazz producer and catalogue researcher, responsible for its most successful re-editions), Bob Ciano (designer at the CTI Label, founded in the ’70s by Creed Taylor, and one of the greatest cover designers ever), and Ashley Kahn (writer, critic, and journalist for jazz whose books include A Love Supreme, Kind of Blue, and The House That Trane Built).

Vinyl mania. Jazz LP covers from the 1940s to 1990s

This volume features a broad selection of jazz record covers, from the 1940s through the decline of LP production in the early 1990s. Each cover is accompanied by a fact sheet listing performer and album name, art director, photographer, illustrator, year, label, and more.

Special features for jazz lovers include a top-10 favorite records list by leading jazz DJs such as King Britt, Michael McFadden, Gilles Peterson, Andre Torres, and Rainer Trüby, as well as interviews with legendary jazz personalities Rudy Van Gelder (sound engineer who recorded for many labels such as Blue Note, Impulse!, and Prestige), Creed Taylor (founder of many labels and one of the best jazz producers ever, credited also for bringing bossa nova to the US and fusing it with jazz), Michael Cuscuna (Blue Note jazz producer and catalog researcher, responsible for its most successful re-editions), Bob Ciano (designer at the CTI Label, founded in the 70s by Creed Taylor, and one of the greatest cover designers ever), Fred Cohen, (the owner of New York’s Jazz Record Center store with an encyclopedic knowledge of jazz music), and Ashley Kahn (writer, critic, and journalist for jazz whose books include A Love Supreme, Kind of Blue, and The House That Trane Built).

This new edition features 2 volumes in a slipcase.

The author:
Joaquim Paulo is a consultant for major labels and directs a number of radio stations in Portugal. He started collecting vinyl at 15, and flies to London, Paris, New York and São Paulo to enrich his collection of over 25,000 LPs. He lives and works in Lisbon and dedicates his free time to recovering old and rare recordings.

Vinyl mania. The greatest in Jazz LP art

Part design history, part trip down musical memory lane, this anthology of Jazz album artwork is above all a treasure trove of creative and cultural inspiration. Spanning half a century, it assembles the most daring and dynamic Jazz cover designs that helped make and shape not only a musical genre but also a particular way of experiencing life.

From the 1940s through to the decline of LP production in the early 1990s, each chosen cover design is distinct in the way it compliments the energy of the album's music with its own visual rhythms of frame, line, text, and form. To satisfy even the most demanding of music geeks, each record is accompanied by a fact sheet listing performer and album name, art director, photographer, illustrator, year, label, and more.

About the series:

Bibliotheca Universalis — Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!

Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together more than 100 of our all-time favourite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.

Bookworm’s delight — never bore, always excite!

"Jazz Icons" presents eight of the most successful jazz artists who have characterised the musical genre so decisively: Louis Armstrong, Coleman Hawkins, Billie Holiday, Dizzy Gillespie, Sonny Rollins, Miles Davis, Dave Brubeck and John Coltrane. The author guides us through the musicians’ lives with eight enjoyable portraits and illuminates the complex interactions within the jazz scene.

An impressive array of photographs and eight CDs featuring a representative cross section of the artists portrayed complete the musical experience of Jazz Icons.

Swinging Gotham. Big City, big bands: New York’s jazz scene of the 1920s

It’s the Roaring Twenties, and New York is exploding with jazz fever. Crowds flock to the nightclubs and dance halls in Harlem to see the likes of Louis Armstrong with the Fletcher Henderson Orchestra playing at the Kentucky Club, or Duke Ellington at the Roseland Ballroom or the world-famous Cotton Club. Designed, illustrated, and edited by Robert Nippoldt, this award-winning book pays homage to this exceptional era, via an entertaining blend of illustrations, facts, and amusing anecdotes presenting 24 leading lights of New York’s jazz scene in the 1920s, complete with a CD containing some of their best tunes. The texts, contributed by Hans-Jürgen Schaal, give a vivid account of the club scene and the “band battles,” as well as the legendary recording sessions. A splendid read, a groovy CD — and not strictly for jazz fans only!

The illustrator:

Robert Nippoldt is a German graphic designer, illustrator, and book artist. He is best known for his award-winning books Gangster, Jazz and Hollywood about America in the 1920s and 1930s. His studio is located at the very hip old depot of Muenster.

The author:

Hans-Jürgen Schaal, born in 1958, studied German philology, sociology, and dramatics. He works as a freelance music journalist for various magazines and has published numerous books about jazz.

Awards for the original German edition:

 - European Design Award, 2008, Stockholm
 - Institute for Book Arts: "The Most Beautiful Book of Germany" 2008, Frankfurt
 - Illustrative: "One of the Most Beautiful Books of Europe" 2007, Berlin

Anatomically correct. An unsurpassed treatise of the human body

Discover one of the most comprehensive and beautifully illustrated anatomical treatises ever published. The product of more than two decades of dedication, and spanning descriptive, surgical, microscopic, and general anatomy, as well as embryology, The Atlas of Anatomy marks to this day a major achievement in medical history and a breathtaking insight into the workings and wonder of the human body.

We owe a great debt to Jean Baptiste Marc Bourgery (1797–1849) for his Atlas of Anatomy, which was not only a massive event in medical history but also remains one of the most comprehensive and beautifully illustrated anatomical treatises ever published.

Bourgery began work on his magnificent atlas in 1830 in cooperation with illustrator Nicolas Henri Jacob (1782–1871), a student of the French painter Jacques Louis David. The first volumes were published the following year, but completion of the treatise required nearly two decades of dedication; Bourgery lived just long enough to finish his labour of love, but the last of the treatise’s eight volumes was not published in its entirety until five years after his death.

The eight volumes of Bourgery’s treatise cover descriptive anatomy, surgical anatomy and techniques (exploring in detail nearly all the major operations that were performed during the first half of the 19th century), general anatomy and embryology, and microscopic anatomy. Jacob’s spectacular hand-coloured lithographs are remarkable for their clarity, colour, and aesthetic appeal, reflecting a combination of direct laboratory observation and illustrative research. Unsurpassed to this day, the images offer exceptional anatomical insight, not only for those in the medical field but also for artists, students, and anyone interested in the workings and wonder of the human body.

About the Authors:

Jean-Marie Le Minor has been a professor of anatomy at the University of Strasburg since 1990, radiologist at the University Hospital in Strasburg, member of the French National Academy of Surgery since 2012, laureate of the French National Academy of Medicine (2003), and officer of the Ordre des Arts et des Lettres (French Ministry of Culture). He is the author of several anatomy and history books and numerous scientific and historical articles.

Henri Sick was a professor of anatomy at the Louis Pasteur University in Strasbourg from 1972 to 2003 and director of the Institute of Normal Anatomy from 1994 to 2003. He is an officer of the Ordre des Palmes Académiques (French Ministry of Education) and the author of several books on sectional anatomy, as well as numerous scientific articles.

About the series:

Bibliotheca Universalis — Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!

Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together more than 100 of our all-time favourite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.

Bookworm’s delight — never bore, always excite!

Jean Renoir (1894-1979) was, like his father Auguste, a virtuoso in his field. From early films such as La Fille de l`Eau and La Chienne through later masterpieces like Rules of the Game and The Grand Illusion (widely considered to be two of the greatest films ever made), Renoir forged a reputation as France`s most important filmmaker. Highly prolific (he directed over 40 films), Renoir worked in a multitude of genres, though social realism was his most powerful mode of expression.

The legend of Jean-Michel Basquiat is as strong as ever.

Synonymous with New York in the 1980s, the artist first appeared in the late 1970s under the tag name SAMO, spraying caustic comments and fragmented poems on the walls of the city. He appeared as part of a thriving underground scene of visual arts and graffiti, hip hop, post-punk, and DIY filmmaking, which met in a booming art world.

As a painter with a strong personal voice, Basquiat soon broke into the established milieu, exhibiting in galleries around the world. Basquiat's expressive style was based on raw figures and integrated words and phrases.

His work is inspired by a pantheon of luminaries from jazz, boxing, and basketball, with references to arcane history and the politics of street life-so when asked about his subject matter, Basquiat answered "royalty, heroism and the streets." In 1983 he started collaborating with the most famous of art stars, Andy Warhol, and in 1985 was on the cover of The New York Times Magazine. When Basquiat died at the age of 27, he had become one of the most successful artists of his time.

This book allows an unprecedented insight into Basquiat's art, with pristine reproductions of his most seminal paintings, drawings, and notebook sketches.

In large-scale format, the book offers vivid proximity to the artist's intricate marks and scribbled words, further illuminated by texts from writer and curator Carlo McCormick, a contemporary of Basquiat's on the New York scene, and curator and art historian Eleanor Nairne.

Richly illustrated year-by-year chapter breaks follow the artist's life and quote from his own statements and contemporary reviews to provide both personal background and historical context.

The editor:

Hans Werner Holzwarth is a book designer and editor specializing in contemporary art and photography. His TASCHEN publications include Collector’s Editions like Jeff Koons, Christopher Wool, Albert Oehlen, Ai Weiwei, and the David Hockney SUMO A Bigger Book, as well as monographs like the XXL-sized Jean-Michel Basquiat and survey books such as Modern Art and Art Now! Vols 3 and 4.

The author:

Eleanor Nairne is a curator at the Barbican Art Gallery. She has worked on a number of critically acclaimed exhibitions and publications, including Basquiat: Boom for Real (2017) and Imran Qureshi: Where the Shadows are so Deep (2016). Prior to the Barbican, she was curator of the Artangel Collection at Tate. She is a regular catalogue essayist, a writer for frieze, and a previous Jerwood Writer in Residence.

The first book on the drawings and works on paper of this legendary cult artist.

Published on the occasion of an exhibition of the same name, Jean-Michel Basquiat Drawing is the first book on the Schorr Collection of Basquiat’s works on paper. Jean-Michel Basquiat (1960–1988) was barely out of his teens when he rocketed to the center of New York’s art scene; he was 27 when he died of a heroin overdose. A friend of Keith Haring and Andy Warhol, and always controversial, Basquiat is now established as a major contemporary painter whose unique work continues to enthral. Herbert and Lenore Schorr began collecting the work of Basquiat in 1981, before his first New York exhibition.

During the artist’s seminal years of 1982–83, the Schorrs acquired several of his most important paintings, but in contrast to virtually every other early collector, the Schorrs also pursued and acquired a great number of works on paper both directly from the artist and from his first dealer. Their collection demonstrates the focus and ambition that the artist invested in the medium of drawing.

About the Author:

Fred Hoffman met Jean-Michel Basquiat in 1982 and worked closely with him during the artist’s residency in Venice, California, from 1982 to 1984. He cocurated Basquiat’s retrospective at the Brooklyn Museum in 2005. Hoffman is the Ahmanson Curatorial Fellow at the Museum of Contemporary Art, Los Angeles.

From his early years spray painting the walls of lower Manhattan to his first solo show in 1982 and his untimely death at the age of 27 in 1988, Jean-Michel Basquiat has become a symbol of the 1980s New York art scene

Now, more than a quarter-century since his death, this book considers Basquiat’s works in light of their transformative power. Exquisitely reproduced full-page color illustrations of his paintings cover the full thematic range of Basquiat’s work. From the autobiographical elements of "Untitled" (1981) and the powerful critique of racial justice that is "Irony of a Negro Policeman" to an exploration of black heroes, "Untitled" (1982) and the tongue-in-cheek social commentary of "A Panel of Experts", Basquiat’s limitless palette of observation, criticism, and cultural references endows his art with lasting and provocative power. Author Dieter Buchhart explores how Basquiat’s success paved the way for an entire generation of black artists and how street culture has spread into popular culture. Texts by curators, art dealers, and cultural critics discuss the significance of Basquiat’s oeuvre and show how his approach and subject matter continue to influence artists around the world.

This book is published by DelMonico Books in association with the Art Gallery of Ontario, Toronto.

Jean-Michel Basquiat | Xerox is the first concentrated examination of the extraordinary body of work that the artist created using Xerox copies as his principal medium and compositional focal point.

These immersive, collaged Xerox paintings epitomize Basquiat’s extraordinary capacity for visual language. Their raw, allover compositions incorporate recycled and transformed signs and markings from the artist’s everyday experiences ― including motifs from his earlier artworks. The intricate web of content in this series presages the copy-paste sampling characteristic of the subsequent Internet and post-Internet generations, positioning Basquiat as a pioneer of the pre-digital age.

Which living artists keep their price? Who will be regarded as an investment 30 years from now? Both limited edition artist monographs of this book sold out in months, attaining instant investment status.
Here comes the unlimited popular edition!
The definitive work on the most controversial artist of his generation. A book owned by the world's major collectors and institutions, including New York's MoMA. See the exhibition in Berlin and remember why you've always loved Koons, even though you'd love to hate him – he's not only richer, but better looking. And he once married a porn star!
Then plunge into this Taschen überwerk and revel in the kinky and kitsch, but always conceptual art of Jeff Koons. Basketballs in tanks! Stainless steel blow-ups! Topiary dog sculptures! Come on.
Michael and Bubbles in porcelain. No artist since Warhol has made the banal appear so profound, and the trivial carry such import. So here's an object that bears his name. Does that make it mysterious – or valuable? Let's see.
Includes a biographical essay, analyis of Koons from a European perspective, and a scholarly study of his work. With hundreds of large format full color images, it traces Koons’ career from 1979 to today. A sumptuous objet d'art – he says so himself – and the definitive overview of Koons' work.

The Art Edition, limited to 100 copies, each with an original artwork by Jeff Koons.

From kinky to kitsch to conceptual, Jeff Koons’s art is anything but conformist. Since he stirred up the art world establishment in the 1980s with his unapologetic basketball sculptures and stainless steel toy blow-ups, Koons has been known as somewhat of a bad boy - a reputation he confirmed in the early 90s via works depicting him having sex with then-wife Cicciolina, the Italian porn star-cum-politician. Following this torrid phase, he changed gears to produce the gargantuan Puppy, the 43-foot tall floral terrier that now resides at the Guggenheim Museum in Bilbao, Spain. Koons’s exploitation of the banal, in the aggrandizement and/or embodiment of kitsch and pop imagery, has become his trademark; detractors may delight in their naysaying, but Koons’s work commands millions at auction and his position at the forefront of contemporary art is indisputable.

This exhaustive monograph begins with a biographical essay by Interview magazine editor-in-chief Ingrid Sischy that puts his work into context and tells his personal story, as well as a text by Eckhard Schneider’s analyzing Koons from a European perspective. Arranged in chronological chapters by work groups, the main body of the book features art historian and critic Katy Siegel’s detailed analyses alongside hundreds of large-format images tracing Koons’s career from 1979 to today. Rounding off the book are an extended bibliography and a lavishly illustrated biography. Fans of Jeff Koons’s work will find in this publication not only a sumptuous book-object, but also the most comprehensive study of the artist’s work ever published.