Искусство

This book provides the best study of Art and Crafts style jewelry and metalwork to date. Devised late in the 19th century as a reaction to industrialized manufacturing, the Arts and Crafts movement stressed naturalistic materials, designs and techniques. The book begins with the British movement and traces the roots of this "new art" including its characteristics, materials, motifs, influences and makers' marks. Biographical sketches are provided for over 240 of the most influential British designers/jewelers/metalworkers, with discussions of the guilds, schools and commercial firms. In over 700 photographs, nearly 400 in glorious color, the success of these designs to provide fascinating and beautiful objects is demonstrated.

She was a creature of contrasts: there was the Chanel of rococo mirrors and playful jewellery; but also the Chanel of the tailored suit, of the utmost restraint; of classicism à la française.
The jewellery that Chanel created presents one of the least-known aspects of her work: in complement to her ‘costume jewellery’, she invented jewellery that was unparalleled in luxury and refinement and unfettered in its imagination.

Using illustrations and documents, many of them previously unpublished, and based on archival research and interviews with Chanel’s colleagues and other witnesses of her life and career, this book presents her passion for fabulous jewels and improbable marvels.

Gabrielle Chanel was a creature of contrasts: there was Mademoiselle Chanel of the sumptuous baroque, of rococo mirrors and dazzling jewelry, a playful, unrestrained Coco; but there was also Gabrielle Chanel of the little black dress, of the severe cut, of rigour in black and white.

Out of this dialogue between ostentation and austerity, the fine jewelry that she created all her life was unparalleled in its insistence on luxury and refinement, drawing inspiration from tradition without ever being the slave of everyday formulas or market values.

Based on archival research and interviews with Chanel’s colleagues and witnesses to her life and career, this book is the first to set in relief her passion for fabulous jewels, for exceptional stones, for improbable marvels, that should be considered ‘with innocence, with naivety, like enjoying an apple tree in blossom along the road as we speed by in a car’.

With more than 350 illustrations, Jewelry from Nature is a fresh, sensitive look at natural materials magically transformed by masters of fine jewelry.

The vast range of materials is impressive: coral, amber, horn, ivory, shells, pearls, wood, tortoiseshell, and such exotica as feathers, shagreen and bog oak – with origins from all over Europe, Asia, North and South America, Africa and the Far East. Their beauty often belies their age – amber (65 million years old) and mammoth ivory (10,000 years old).

Here, lavishly displayed, are superb works made by the world’s finest jewelers of the past two hundred years. Every major jeweler has created pieces of exceptional beauty, importance and style: Van Cleef & Arpels, Bulgari, JAR, Cartier (their 
Art Deco coral bangles are icons of the period), Tiffany, Boivin, Verdura (whose seashell brooches studded with fine stones have long been collectors’ items), David Webb, Schlumberger, Lalique (whose name enbodies the best in Art Nouveau), Suzanne Belperron and Hermès.

Scores of modern designers are also featured (Andrew Grima, John Donald, Noma Copley) as well as artists today such as Patricia Von Musulin, Ted Muehling and Liv Blåvarp, whose exquisite objects show great respect for natural materials.

Including masses of information, each chapter explores the inspiration of a different material, with special profiles on designers, themes, or style icons such as Princess Grace of Monaco, Chanel and the Duchess of Windsor.

The glamour and excitement of the world of haute jewellery is beautifully explored in Jewelry International.

About the Author

Tourbillon International has published six volumes of Grand Complications and is an expert in the field.

Easy-to-follow instructions and carefully executed illustrations make it possible for anyone to learn the basics of an age-old art form and fashion beautiful, lasting objects. Author discusses tools and techniques, use of gems and enamels, wire inlay, casting, and other topics. 72 line illustrations and diagrams.Easy-to-follow instructions and carefully executed illustrations make it possible for anyone to learn the basics of an age-old art form and fashion beautiful, lasting objects. Author discusses tools and techniques, use of gems and enamels, wire inlay, casting, and other topics. 72 line illustrations and diagrams.

This sumptuous book, now updated to mark the opening of the spectacular new Jewellery Gallery at the V&A in May 2008, features exquisite early medieval pieces and superb examples of jewellery design from the Renaissance up to the present. Exceptional photographs illustrate not only rare precious stones but elaborate techniques such as chasing, enamelling and cameo. Famous jewels are featured alongside rings, brooches, pendants, earrings and tiaras, all revealing the beauty and technical virtuosity of their maker’s art.

A definitive work of reference
Features images, techniques, materials and producers of the jewels made in Spain and in the New World, in the 16th, 17th and 18th centuries
Includes images of many jewels that have never before been published

In effect, this book, which features numerous pictures, has remained an essential work of reference for the study of Spanish jewellery during the reign of the Hapsburg and Bourbon Dynasties, extending as far as the rule of Charles IV. However, in spite of its importance, the work is only now being published in English.

Forty years have passed since Dr. Muller completed the book and, in all this time, her monographic work has lost none of its relevance, continuing to be an excellent basic guide for the study of a fundamental aspect of Spanish art. However, it is quite impossible to find Jewels in Spain: 1500-1800 today. For this reason, Ediciones El Viso has undertaken the task of carefully republishing the work, as revised and updated by the author, featuring new pictures based on photographs taken expressly for the purpose at hand and reproduced in full colour.

The history of the world -- triumphs and tragedies, breakthroughs and breakups -- through the iconic jewels that have inspired and influenced since the dawn of time.

From ancient treasures to royal weddings, great heists to the red carpet, this book is a stunning, surprising, and glittering tour of historic turning points and gem-driven drama, delving into the passions and predilections of some of the world's most interesting and extraordinary people.

Starting in the era of Cleopatra and continuing through to contemporary jewelry statements by Jennifer Lopez, Lady Gaga, and Meghan Markle, Stellene Volandes tells the stories of how shiny stones and precious metals have determined empires, inspired expeditions and great crime, and been the communicator of status and ruin since ancient times. Each moment is placed in historic and relevant context, with Volandes drawing engaging parallels between Napoleon's gift to Marie Louise at the birth of their son and the modern push present or the insouciant story behind the brooch Jackie Kennedy famously wore to a 1962 State Dinner with the Shah of Iran. Illustrated with a mix of archival images and gorgeous photography of the jewels, this book is a beautiful, informative, and essential read for history lovers, fashion, celebrity, and pop-culture followers, as well as passionate jewel hounds.

About the Author:

Stellene Volandes is an internationally renowned expert in jewelry. In addition to writing about jewelry for Town & Country (where she is also editor in chief), she hosts a series at the 92nd Street Y on jewels and their history. Her first book, Jeweler, was published by Rizzoli in 2016.

Raised on the blues, James Marshall Hendrix exploded onto the international stage in 1967 fronting the Jimi Hendrix Experience trio. The world had seen nothing like him before: a wild-haired, blues-rocking, singer-songwriter whose virtuoso psychedelic guitar style and showmanship captivated audiences on both sides of the Atlantic. Wowing fans and critics alike, Hendrix took blues-rock as the basis for a unique sound filled with amplified distortions, wild feedback and liquid solo riffs. His live performances became legendary, hallmarked with teeth-playing antics and guitar-burning rituals, while his personal life followed an equally fascinating and destructive path. Dead at just 27, Hendrix became the poster boy for the psychedelic era's sex, drugs and rock'n'roll lifestyle. Transforming the landscape of rock music forever, the seminal recordings from his four studio albums broke new ground and his unrivaled southpaw fret-work has influenced successive generations of musicians. Hendrix's music and legacy burn as brightly today as they did 40 years ago.

The Music Icons series:
Each title contains a painstaking selection of approximately 150 portraits, colorful posters and record covers, rare concert photos, and previously unpublished candid photos. These images—each matching an important biographical event—are accompanied by text tracing the progression of each subject’s life and career and are complemented by a section containing lists of essential recordings and selected chart rankings.

Joe Sorren’s oil paintings redefine naturalist scenery such as caves, reefs, and seashores, inserting a surreal mood through soft, eerie imagery, thick Impressionist-inspired brushstrokes, and animalistic figures caught mid-motion.

Although the subjects are often childlike, the postures and weariness betray adult maturity, drawing a fine line between the vulnerable and precocious. Bulls and minotaurs parade guiltily with parasols and umbrellas through both Sorren’s original paintings and the sculptures created in collaboration with Jud Bergeron.

This monograph of work from 2004-2010 is published in conjunction with the exhibition Joe Sorren—Interruption, for the Grand Central Art Center at CSU Fullerton.

"In the middle of the seventeenth century Johann von Nassau returned to his estate and castle at Idstein, which had been devastated by the Thirty Years War. A sophisticated collector, he acquired paintings, stuffed birds and objects of every kind for his cabinet of curiosities. He created a garden full of rare plant species, grottoes decorated with shells, fountains, and flower-beds in the shape of vegetables and fruit. In the desire to immortalize his garden, Johann von Nassau engaged Johann Walter (1604-1677), a painter from Strasbourg, to record it. This was the origin of the Florilegium, a work of great artistic quality.

Now kept in the department of Prints and Photography of the BNF, it comprises 54 gouaches on vellum, including a portrait of the prince in his cabinet of curiosities, a portrait of the painter, and views of the castle and garden, following by 30 plates depicting flowers and 12 depicting fruits, all remarkable originality."

John Cage. Imaginary Landscapes, Concerts and Musicircus, are the contents of the catalogue that documents the exhibition, of the same title, realized in the Espai d'Art Contemporani de Castello. Apart from having a section of theoretical texts developed by Joan Cerveró, Francisco Ramos, Carmen Pardo, Vicente Carretón Cano and Richard Kostelanetz, the catalogue also reflects on each of the activities that were realized during the exhibition, (concerts, operas, dance, auditions and pedagogic concerts, workshops, lectures, conferences, meetings and round table discussions). Lastly, the publication contains a biography on Cage, a chronology, including a chronologic list of his work, discography, bibliography and filmography about the composer. The idea that founded both the exhibition and the publication was to pay homage to one of the most important artists and musicians of our time, while at the same time disseminating and promoting his core body of work. To this end, the art centre was transformed into a concert hall, a stage and a meeting place for a plethora of events where the connection with John Cage was made not just as a mere spectator but also as an active participant. One of the main ideas of the project is to stage various scenarios, like his Imaginary Landscapes , where Cage s works were performed. These spaces were designed specifically for the EACC as several little installations that transform the exhibition hall into one huge sound installation.