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For decades, fans have unsuccessfully importuned R. Crumb to expand his card-set, Heroes of the Blues. In his stead, mainstream comics artist and blues fan Stout has leaped into the breach. A book proved more feasible than cards, though, and here are the first results of Stout’s labors. The drawings, stylistically modeled on Crumb’s, are unimpeachable, the faces based on photographs while the backdrops refer, when possible, to the subjects legends. So, for instance, Friday 13 looms behind guitarist-singer Albert King, conjuring his hit, Born under a Bad Sign. A biographical sketch faces each portrait and includes Stout’s choices of Recommended Tracks and Interesting Covers, and more often than not a bit of Trivia is appended. Stout reprises only two of Crumb’s subjects (Skip James, Blind Willie Johnson) and features the electric bluesmen Crumb deliberately excluded, such as Howlin Wolf and T-Bone Walker, and musical-genre-straddlers like Chuck Berry and Dinah Washington. Nice stuff. --Ray Olson
About the Author
William Stout is an award-winning artist and writer who has worked for over 45 years in various media, including comics (Tarzan and Little Annie Fanny, with Harvey Kurtzman); film (with Monty Python, Jim Henson, Steven Spielberg, Guillermo del Toro, and Disney); the record industry; magazine illustration; and public murals at museums across the country, including the San Diego Natural History Museum and the Houston Museum of Natural Science. He lives in Pasadena, California.
Tamara de Lempicka and the changing aspects of femininity and masculinity
As the "Goddess of the Automobile Age", Tamara de Lempicka (1898-1980) stood at the centre of the sophisticated Paris art world of the Twenties and Thirties. Her love for beautiful women, elegant automobiles and the modern metropolis provided not only motifs for her pictures, but also influenced her artistic style.
Simultaneously with her career as artist, Tamara de Lempicka pioneered a new image of life on the screen, evident in the new, self-confident woman and the changing aspects of femininity and masculinity. The same sense of style was reflected in a futuristic cult of speed, domestic design forms promulgated by the Bauhaus, and the dandyism of a George Brummell. Tamara de Lempicka’s best-known painting, "Self-Portrait, or Tamara in a Green Bugatti", presents the artist as a female dandy brimming with cool elegance.
Whether as an Art-Déco artist, a post-Cubist or a Neoclasissist, de Lempicka struck the taste of a cosmopolitan (and wealthy) public that found its own image reflected in her work.
About the Series:
Each book in TASCHEN’s Basic Art Series features:
The author:
Gilles Néret (1933–2005) was an art historian, journalist, writer and museum correspondent. He organized several art retrospectives in Japan and founded the SEIBU museum and the Wildenstein Gallery in Tokyo. He directed art reviews such as L'Œil and Connaissance des Arts and received the Elie Faure Prize in 1981 for his publications. His TASCHEN titles include Salvador Dalí: The Paintings, Matisse, and Erotica Universalis.
Посмотреть русскоязычное издание книги Lempicka - Лемпицка
The smoothly metallic portraits, nudes and still lifes of Tamara de Lempicka encapsulate the spirit of Art Deco and the Jazz Age, and reflect the elegant and hedonistic life-style of a wealthy, glamorous and privileged elite in Paris between the two World Wars.
Combining a formidable classical technique with elements borrowed from Cubism, de Lempicka’s art represented the ultimate in fashionable modernity while looking back for inspiration to such master portraitists as Ingres and Bronzino.
This book celebrates the sleek and streamlined beauty of her best work in the 1920s and 30s. It traces the extraordinary life story of this talented and glamorous woman from turn of the century Poland and Tsarist Russia, through to her glorious years in Paris and the long years of decline and neglect in America, until her triumphant rediscovery in the 1970s when her portraits gained iconic status and world-wide popularity.
A visual celebration of one of rock’s sexiest, most magnetic stars. Lenny Kravitz is the quintessential rock god: he has musical chops, glamorous style, and sex appeal for miles. Kravitz’s talents as a writer, producer, actor, and multi-instrumentalist are without question: he has won four consecutive Grammy Awards, setting a record for the most wins in the "Best Male Rock Vocal Performance" category, has sold more than thirty-eight million albums worldwide, and always remains in the public eye by appearing in blockbuster films. Not only is Kravitz a talented musician, he is also a style icon. Lenny Kravitz is a pictorial tribute to one of the sexiest faces in rock and roll. This book includes photographs spanning Kravitz’s time in the public eye, from his earliest days kicking around in New York City in the 1980s to traveling the world; from shots of Lenny composing in hotel rooms to performing in front of massive crowds; and from fashion shoots to intimate personal settings — and it is easy to see why the camera loves him.
This glamorous book showcases images from every top name in fashion and art photography, including Mark Seliger, Patrick Demarchelier, Ellen von Unwerth, Anton Corbijn, Jean Baptiste Mondino, Ricky Powell, Per Gustafson, Bettina Rheims, Matthew Rolston, Roxanne Lowit, Terry Richardson and Mathieu Bitton, to name only a few, and includes a conversation with Pharrell Williams. Lenny Kravitz illustrates the raw sensual power that has captivated his fans all over the world.
About the Author:
Lenny Kravitz is a singer-songwriter, record producer, and actor. Anthony DeCurtis is an author, music critic, and longtime contributor to Rolling Stone magazine. Pharrell Williams is a designer, recording artist, and producer based in Miami. Marla Hamburg Kennedy is a leading dealer and adviser for twentieth- and twenty-first-century art.
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Пролистать книгу Lenny Kravitz
A reflection of American art's most iconic portraits that feature eyeglasses, and their significance to the artists -- from Grant Wood to Alex Katz -- through the lens of renowned art historian John Wilmerding.
This book celebrates and interprets eyeglasses in American art through painting, prints, folk art, sculpture, and photography from the end of the eighteenth century to the present. Accompanying an exhibition at the Shelburne Museum in Vermont, the book includes eighty works by illustrious artists such as Mary Cassatt and Alice Neel.
Though we know eyeglasses are for looking through, we often overlook their role in portraits and figure images. This survey looks at their appearance and uses in American art, from 1784 when Benjamin Franklin invented the bifocal, to the present day. Spectacles in artwork served as emblems of literacy, fashion, and self-identity; old age and wisdom; inner or psychological vision; and sometimes just contemplation. Contemporary works include bespectacled self-portraits by Chuck Close, Andy Warhol, and Keith Haring; and eyeglasses as pure design by Alex Katz and Wayne Thiebaud.
About the Author:
John Wilmerding is Sarofim Professor of American Art, emeritus, at Princeton University. He is an emeritus trustee of the Shelburne and Guggenheim museums and on the board of Crystal Bridges Museum of American Art and the Wyeth Foundation for American Art. He is the author of many books, including volumes on the work of Fitz Henry Lane, Winslow Homer, and Thomas Eakins.
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Пролистать книгу Lens on American Art: The Depiction and Role of Eyeglasses
Leonardo: from art and anatomy to helicopters and submarines
One of the most accomplished human beings who ever lived, Leonardo remains the quintessential Renaissance genius. Creator of the world's most famous painting, this scientist, artist, philosopher, inventor, builder, and mechanic epitomized the great flowering of human consciousness that marks his era. And yet, so wide-ranging and prolific were his interests that he brought hardly any major undertaking to a final end.
If Leonardo seems so modern, it is perhaps because of his non-speciality, his magpie mind and curiosity, and his thousands of notes and sketches. In these pages, he would anticipate some of the great discoveries and inventions that would follow him, from key points in anatomy - such as the principles behind blood circulation - through to plans for armoured military vehicles, planes, helicopters and submarines.
Leonardo also advanced numerous artistic techniques, and implicated a complex psychology into his paintings of The Last Supper and the enigmatic La Gioconda, or Mona Lisa. Famous horseman, rival to Michelangelo, military engineer to the Borgias, he died in 1519 in a chateau given to him by Francis I, King of France. Not bad for the illegitimate son of a Florentine notary.
About the Series:
Every book in TASCHEN's Basic Art Series features:
* a detailed chronological summary of the artist's life and work, covering the cultural and historical importance of the artist
* approximately 100 colour illustrations with explanatory captions
* a concise biography
Посмотреть русскоязычное издание книги Leonardo - Леонардо да Винчи
The non-specialist. From key points in anatomy to plans for vehicles, planes, helicopters and submarines
One of the most fully achieved human beings who has ever lived, Leonardo remains the quintessential Renaissance genius. Creator of the world’s most famous painting, scientist, philosopher, builder, he is credited with defining the accomplishments of the great flowering in human consciousness. And yet, so wide-ranging and prolific were his interests that he brought hardly any major undertaking to a final end.
If Leonardo seems so modern, it is perhaps because of his non-speciality, his magpie mind and curiosity, and his thousands of notes and sketches. In these pages he would anticipate some of the great discoveries and inventions that would follow him, from key points in anatomy - such as the principles behind blood circulation - through to plans for armoured military vehicles, planes, helicopters and submarines.
As well as all that, Leonardo also managed to advance numerous artistic techniques, and implicated a complex psychology into his paintings of the "Last Supper" and the enigmatic "La Gioconda", or "Mona Lisa". Famous horseman, rival to Michelangelo, military engineer to the Borgias, he died in 1519, in a chateau given him by the King of France, Francis I. Not bad for the illegitimate son of Florentine notary.
About the Series:
Each book in TASCHEN’s Basic Art Series features:
- a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
- a concise biography
- approximately 100 colour illustrations with explanatory captions
About he Author:
Frank Zöllner wrote his doctoral thesis on motifs originating from Antiquity in the history of art and architecture of the Medieval and Renaissance periods (1987). He is also the author of a post-doctoral treatise on motion and expression in the art of Leonardo da Vinci, published in 2010. He has published numerous works on Renaissance art and art theory, and on 20th-century art. Since 1996 he has been Professor of Medieval and Modern Art at the University of Leipzig. For TASCHEN he has authored the XL monographs on Leonardo da Vinci and Michelangelo.
Renaissance Man. The unstoppable curiosity and invention of the da Vinci genius
Filling notebook after notebook with sketches, inventions, and theories, Leonardo da Vinci (1452 - 1519) not only stands as one of the most exceptional draftsmen of art history but also as a mastermind and innovator who anticipated some of the greatest discoveries of human progress, sometimes centuries before their material realisation.
From the smallest arteries in the human heart to the far-flung constellations of the universe, Leonardo saw nature and science as being unequivocally connected. His points of enquiry and invention spanned philosophy, anatomy, geology, and mathematics, from the laws of optics, gravitation, heat and light to the building of a flying machine.
In his painting, Leonardo steered art out of the Middle Ages with works such as The Last Supper and the world-famous La Gioconda or Mona Lisa depicting not only physical appearances, but a compelling psychological intrigue and depth which continues to draw crowds of mesmerized visitors to masterpieces in Paris, Milan, Washington, London, and Rome.
This book collates some of Leonardo's most outstanding work to introduce a figure of infinite curiosity, feverish imagination and sublime artistic ability often described as having not enough worlds for to conquer, and not enough lives for to live (Alan Woods).
About the series:
Each book in TASCHEN's Basic Art series features:
- a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
- a concise biography
- approximately 100 illustrations with explanatory captions
This book has chapters on the early years 1452-69, the early Works 1473-82, Plans and Projects 1482-99, Art and Anatomy Rome 1513-16, and Enduring Icons
Da Vinci in detail. Leonardo's life and work - the definitive edition
Leonardo da Vinci (1452-1519) possessed one of the greatest minds of all time; his importance and influence are inestimable. This two-volume, midsize format comprehensive survey is the most complete book ever made on the subject of this Italian painter, sculptor, architect, engineer, scientist and all-around genius. With huge, full-bleed details of Leonardo’s masterworks, this highly original publication allows the reader to inspect the subtlest facets of his brushstrokes.
- Part I explores Leonardo’s life and work in ten chapters. All of his paintings are interpreted in depth, with The Annunciation and The Last Supper featured on large double-spreads.
- Part II comprises a catalogue raisonné of Leonardo’s paintings, which covers all of his surviving and lost painted works and includes texts describing their states of preservation.
- Part III contains an extensive catalogue of his drawings (numbering in the thousands, they cannot all be reproduced in one book); 663 are presented, arranged by category (architecture, technical, anatomical, figures, proportion, cartography, etc).
Пятьсот лет назад Леонардо да Винчи (1452–1519) не только произвел переворот в искусстве, но и предвосхитил открытия грядущих эпох в самых разных областях науки. Данное издание отражает широту и разнообразие интересов художника и предлагает новую оценку достижений этого гения Ренессанса. Основываясь на письмах, контрактах, поэтических произведениях и дневниковых записях того времени, авторы книги рассматривают творения Леонардо, и в первую очередь его живопись, в совершенно новом свете.
В подробной биографии да Винчи, сопровождаемой каталогом из 34 картин, обсуждаются все основные аспекты сохранившихся и утраченных живописных работ мастера. Это первый каталог, в котором на основании новейших исследований приводятся сведения о состоянии, техниках, процессе написания, биографии, атрибуции и предпосылок создания картин Леонардо. В раздел из 430 страниц, посвященный графике да Винчи, вошли не только его рисунки, но также и менее известные листы из записных книжек и научных манускриптов. Каталог графики, включающий 633 рисунка, воспроизведенных в цвете и крупном масштабе, является наиболее полным собранием такого рода на настоящий момент.
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Leonardo da Vinci (1452-1519) possessed one of the greatest minds of all time; his importance and influence are inestimable. This XXL-format comprehensive survey is the most complete book ever made on the subject of this Italian painter, sculptor, architect, engineer, scientist and all-around genius. With huge, full-bleed details of Leonardo's masterworks, this highly original publication allows the reader to inspect the subtlest facets of his brushstrokes. Part I explores Leonardo's life and work in ten chapters. All of his paintings are interpreted in-depth, with The Annunciation and The Last Supper featured on large double-spreads. Part II comprises a catalogue raisonne of Leonardo's paintings, which covers all of his surviving and lost painted works and includes texts describing their states of preservation. Part III contains an extensive catalogue of his drawings (numbering in the thousands, they cannot all be reproduced in one book); 663 are presented, arranged by category (architecture, technical, anatomical, figures, proportion, cartography, etc).
Leonardo da Vinci (1452-1519) possessed one of the greatest minds of all time; his importance and influence are inestimable. This XXL-format comprehensive survey is the most complete book ever made on the subject of this Italian painter, sculptor, architect, engineer, scientist and all-around genius. With huge, full-bleed details of Leonardo's masterworks, this highly original publication allows the reader to inspect the subtlest facets of his brushstrokes.
* Part I explores Leonardo's life and work in ten chapters, drawing upon his letters, contracts, diary entries, and writings. All of his paintings are presented and interpreted in depth, with The Annunciation and The Last Supper featured on large double-spreads.
* Part II comprises a catalogue raisonné of Leonardo's paintings, which covers all of his surviving and lost painted works and includes texts describing their states of preservation. Each and every painting that can be justifiably attributed to Leonardo is included here; thanks to new findings and scientific research, this is the first time his definitive painting oeuvre is being published.
* Part III contains an extensive catalogue of his drawings (numbering in the thousands, they cannot all be reproduced in one book); 663 are presented, arranged by category (architecture, technical, anatomical, figures, proportion, cartography, etc). Over half of the drawings included were provided by Windsor Castle, marking the first time that the Castle has allowed a publisher to reproduce so many of their drawings.
Leonardo da Vinci was the original Renaissance Man, an artist, mathematician, inventor and writer amongst his many talents. His skilful observations of the mechanics of the body informed both his work, and the generations that followed. But his drawings are elegant too, with the gentle features of his female subjects in particular graced with unrivalled care and eloquence. Da Vinci's illustrations lie at the heart of our heritage and this new book offers a breadth and scale that will satisfy both the casual and informed reader.
Stroke of Genius. The complete painted oeuvre of Leonardo da Vinci
Leonardo da Vinci stands to this day as one of the most accomplished human beings ever to have lived. Sourced from our best-selling XXL-sized edition, this spectacular resource gathers full-bleed details of all the artist’s paintings, including Salvator Mundi, recently the most expensive painting ever bought at auction.
Inventor, painter, sculptor, scientist, architect, and engineer Leonardo da Vinci (1452–1519) was nothing short of a quintessential Renaissance genius. No other artist of his generation has left behind such an extensive, authentic, and innovative oeuvre — yet Leonardo remains the most enigmatic of them all.
From the beguiling Last Supper to the showstopping Mona Lisa, discover the complete painted oeuvre of one of history’s most insatiable creative masters. This collection draws from our extensive best-selling XXL edition, one of the most complete explorations of Leonardo to date, to trace his life and work across 10 chapters. All known paintings are featured, gathering some of the finest treasures of the Louvre, Prado, and National Gallery, as well as works lost to time, but no less startling in their precision and poise.
This definitive volume is complete with crisp details, accessible essays situating Leonardo’s approach within its socio-cultural context and pictorial traditions of the time, the latest scientific insights, as well as an updated foreword that illuminates one of the most sensational art historical discoveries of our time: the record-breaking Salvator Mundi.
About the Author:
Frank Zöllner wrote his doctoral thesis on motifs originating from Antiquity in the history of art and architecture of the Medieval and Renaissance periods (1987). He is also the author of a postdoctoral treatise on motion and expression in the art of Leonardo da Vinci, published in 2010. He has published numerous works on Renaissance art and art theory, and on 20th-century art. Since 1996 he has been Professor of Medieval and Modern Art at the University of Leipzig. For TASCHEN he has authored the XL monographs on Leonardo da Vinci and Michelangelo.