Искусство

Expertly curated by Pantone, the international colour authority, these 35 palettes make colour selection for home decor easy for anyone.

Brief text describes and contextualises each palette, offering fun and practical application for colour combos. A follow-up to the beloved first fan deck, these palettes are the perfect go-to guide for decorating living rooms, kitchens, nurseries or any other room in the house.

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Home decorators rejoice! Interiors can now be brightened with confidence using color combos from the international color experts at Pantone. Selected specifically for décor, these palettes are perfect for color coordinating every room in the house.

A beautiful little book about one of the Ashmolean's most famous paintings at a time when the Ashmolean is very much in the spotlight

The Hunt in the Forest is the foundation of the Ashmolean's distinguished collection of old master paintings, and a magical and enigmatic picture. The artist, Paolo Uccello, had a lifelong interest in geometry and perspective, and together with his skill in depicting animals and landscape this helped to form this jewel-like swansong from the last decade of his career.

This book, written by Dr Catherine Whistler, examines Uccello's life and work, the process of making The Hunt in the Forest, the subject of the painting, its original setting, and its use of perspective and rhythm.

Contents:
Paolo Uccello: life and work
The making of The Hunt in the Forest
The subject of the painting
The original setting of the painting
Perspective and rhythm in The Hunt in the Forest

Aboutthe Author:

Dr Catherine Whistler is a curator in the Department of Western Art, Ashmolean Museum. She is responsible for the collections of Italian and Spanish paintings and drawings and the textile collection, and her curatorial duties include work on exhibitions, gallery displays and the planning of paintings conservation. Apart from the Ashmolean's collections, her research interests lie in 18th-century Italy and Spain.

There's a renaissance underway in the art form of cut paper, with an explosion of raw talent and an abundance of amazing work produced in the medium in recent years.

This gorgeous volume features work from 26 contemporary international artists who are creating images of astonishing intricacy, using little more than paper and blade.

Featuring a host of new discoveries and including art by such stars as Nikki McClure, Rob Ryan, and Thomas Allen, as well as a number of emerging practitioners, Paper Cutting is sure to engage art buffs and indie crafters alike.

An in-depth introduction by paper art expert Natalie Avella illuminates the rich history of the centuries-old form, and a whimsical preface by beloved artist Rob Ryan rounds out this delightful collection.

Outstanding creative work with paper.

Paper is arguably the most influential material in human civilization. In our digital age, paper has become less important as a medium for the immediate transmission of information. As this shift occurred, designers and artists increasingly discovered the creative possibilities of paper’s endurance. Today, designing with paper continues to be a trend.

In the last three years, a broad range of creative disciplines including scenography, fashion design, and advertising have discovered the versatility of this basic material. These new areas have contributed fresh ideas and perfected existing techniques. The areas of application and forms of expression for working with paper have now reached an unforeseen breadth and level of quality.

With an unparalleled collection of new and groundbreaking projects, Papercraft 2 presents current developments in contemporary design with paper and cardboard. The book documents how techniques such as cutting, folding, gluing, and collage help designers craft innovative communication design, products, and artwork from these materials that reach new creative heights. Recent examples include illustration, sculpture, and 3D graphic design as well as complex spatial installations, fashion, and objets d’art. Clearly advancing the handicraft used in earlier pieces, these are setting prevailing trends and inspiring the future evolution of work with paper in ever more creative disciplines.

Its more than 250 pages and additional bonus video material on the included DVD make Papercraft 2 a comprehensive documentation of the creative potential that can be realized with the traits of what was once our

En se fondant sur les riches collections du Musée du papier peint de Rixheim, ce livre a pour propos de faire revivre ces innombrables motifs qui ont transformé la vie de nos ancêtres, de tenter de leur redonner un sens. Le motif de papier est un monde : les manufactures en ont imprimé des milliers des années 1770 à nos jours, de façon à transformer à moindre frais le mur nu et lui donner un sens en rapport avec les désirs de chacun. Ne parle-t-on pas à son propos de seconde peau ?

Sommaire :
Les fleurs du XVIIIe, les fleurs du XIXe, les arabesques, les ornements du XIXe, les textiles du XVIIIe, les textiles du XIXe, capitons, rubans, dentelles.

Between 1919 and 1939, Paris experienced a cultural and intellectual boom. Packed with evocative illustrations, this book is a vibrant kaleidoscope of the incomparable city at its dazzling peak.

The city was ablaze with bright lights and the sound of jazz, and the ideas and fashions born there spread across the world, attracting a host of international artists, writers and performers to come and share the excitement of the period that the French called les années folles – the crazy years.

Bohemian Montparnasse, with its cafés, bars and studios, was a hub of creative energy. Cubism, Surrealism and Dada turned Paris into the home of the avant-garde, and Picasso and Matisse were just two of the leading lights in a scene that included Chagall, Giacometti, Léger, Miró and Calder.

Intellectual life was punctuated by artistic quarrels, ideological debates, rival literary schools and competing theatrical styles. In literary circles, Gide, Valéry and Malraux were at the forefront of French thought, while world writers who found inspiration there included Ernest Hemingway, F. Scott Fitzgerald and James Joyce.

But Paris was not just a city of the mind: it was a city of unsurpassed style. The International Exhibition of 1925 became a landmark event, and Art Deco and modernist designers embraced the beauty of technology, machinery and all that contemporary life had to offer.

It was a golden age for haute couture, too, with the houses of Chanel, Lanvin and Schiaparelli dressing the emancipated women who peopled Paris’s glittering social scene, while the exotic nightlife was embodied in the sensational glamour of Josephine Baker.

When the Great Depression of the 1930s cast a shadow over the world, the carefree days were over but the city’s creative spirit continued to flourish. Political and social turmoil began to be reflected in such challenging works as Picasso’s Guernica, while the films of René Clair and the photography of Brassaï and André Kertész captured a darker side to life.

This comprehensive volume examines Tinseltowns fascination with the City of Light, from silent movies through to modern blockbusters.

Romantic, elegant, and enticing, Paris has fascinated American filmmakers for over a century. As habile in accommodating a romantic comedy or mystery as it is in hosting an action-packed thriller, it is by far the foreign city that appears most frequently in Hollywood movies.

In Paris by Hollywood, essays by eminent film experts and commentators uncover Hollywoods role in the cultivation of now timeless Parisian clichés, examining seminal films such as An American in Paris, The Hunchback of Notre Dame, and Sabrina. Chapters on Audrey Hepburns Parisian persona; Disneys and Woody Allens personifications of Paris; Hollywoods depictions of the French Revolution; and the American fascination with the enigmatic, glamorous Parisienne explore a cultural relationship that owes as much to the allure of Paris itself as to Hollywoods desire to paint a picture of European exoticism.

Interviews with eminent filmmakers and actors including Martin Scorsese, Julie Delpy, and Leslie Caron bring us behind the scenes and provide intimate insiders perspective. Insightful analysis explores the reasons why Hollywood has invested and continues to invest so much in depicting the French capital; an often mutually-beneficial economic and cultural relationship.

Covering over 100 years of movie-making, from silent films to the animated world of Disney, via Cancan films and action-packed blockbusters, Paris by Hollywood is the perfect companion for lovers of American cinema and those captivated by the magic of the French capital.

After The Erotic Museum of Berlin and The Temple of Venus in Amsterdam, a work on Paris was imperative. Rich of six centuries of gallantry and the world capital of fashion and love, Paris is the symbol of eroticism and joyful pleasures. As a matter of fact, Offenbach has written a hymn to the joy of the senses of the Parisian life. But this city still does not possess an erotic museum comparable to Berlin's or Amsterdam's. The author, with great liberty, uses a method comparable to André Malraux's by constructing an imaginary museum in this Paris where time and space is infinite, but desires are still present. The exceptional iconography comes from private collections and covers over five centuries of naughty Parisian history. This is accompanied by an academic text, which allows the reader to penetrate in a world that is never vulgar, always subtle and never-ending: eroticism.

THE GRAFFITI ART of the tunnels and quarries beneath Paris is a mirror and memorial of the past 500 years. It is easier to track the history of Paris through these images than to look for it above ground in the streets.

For generations, a broad range of French citizenry has created artwork that responds to historical events like the French Revolution, the storming of the Bastille, Prussian and German soldiers, the Nazi occupation, Resistance workers, civilian and secret societies, the Cataphiles and the student and workers’ strikes of the late 1960s.

This book illustrates graffiti, painting, sculpture, mosaics and cartoons. Today, the underground labyrinths are plagued by illicit explorers who leave elaborate art behind. This book brings to light these striking images and the insightful text tells the tale that to date has remained underground.

Hundreds of full-color photographs

The publication of the Said and Roswitha Marouf Collection focuses the viewer’s eye on the magnificent art works of the Meissen porcelain manufactory, which in 2010, on the occasion of its 300 anniversary, will celebrate the multifarious artistic wealth of the first European manufactory for porcelain. This book is not about the history of Meissen porcelain in the eighteenth century, which has been examined in numerous publications, but is rather a feast for the senses. The collection documented here provides a representative survey of the early creative period of the Meissen manufactory, especially in the area of painting, with outstanding works of art by Johann Gregorius Höroldt and his workshop.

Also the small sculptural work of Johann Joachim Kaendler and co-workers is presented in detail. The diversity of the porcelain items, chosen with care and collector’s passion, is reflected in the some 500 reproductions – including numerous large-format reproductions – of the nearly 200 art works. In the clear commentaries and in magnificent reproductions – including many details – the individual characteristics and distinctive features of these works are vividly presented.
Since 1994 the author, Dr. Ulrich Pietsch, has been director of the Porcelain Collection of the Staatliche Kunstsammlungen Dresden, the world’s largest collection of Meissen porcelain of the eighteenth century.

In 1889, Paul Gauguin (1848–1903) organized the independent L’Exposition de Peintures du Groupe Impressionniste et Synthésiste at Café Volpini with his followers on the occasion of the Paris World’s Fair. The French artist presented an extraordinary portfolio of prints in this framework for the first time: the so-called Suite Volpini, an ensemble of eleven lithographs printed on radiant yellow paper.

The publication examines the year 1889 as a defining moment in Gauguin’s development in which his autonomous, revolutionary new painting style and the central motifs of his work were unmistakably formed. It reconstructs the Volpini exhibition in the process, demonstrating the radicality of the works produced by Gauguin’s artistic circle. The Suite Volpini – for Gauguin a visual résumé that was intended to advertize his role as the founder of a new style – will be comprehensively described and seen in the context of the artist’s related paintings, woodcuts, ceramics, prints, and drawings.

Gauguin began his artistic life as an Impressionist in Paris, but yearning for a wider world view he experimented with decorative art and bright colours to create what some have termed Symbolism. He painted briefly with Van Gogh but was strongly drawn by the “otherness” of the South Pacific to which he travelled frequently, and finally settled far away from his origins and early influences to create a unique and intensely personal body of work. This beautiful new book revels in the scenes of Tahiti, the sunlit bodies, the shapes and styles of the South Pacific each of which have secured him a unique place in the history of art.

A comprehensive, illustrative monograph on the life and work of Paul Klee
All of the masterpieces in one volume

Paul Klee (1879–1940) is one of the most important representatives of modern art. His oeuvre is as universal as it is individual, standing tall among all of the currents and “isms” of his day. His overwhelming body of paintings, drawings, and other visual works; his letters, journal entries, and, last but not least, his teaching notes form the background for this pointed depiction of the life and work of the meditative artist and visual thinker.
This richly illustrated volume traces Klee’s eventful biography, ranging from his artistic beginnings with caricature-like drawings and nudes, his encounter with the avant-garde and the famous watercolors from his journey to Tunisia, the abstract color compositions from the Bauhaus era, to the mysterious, inventive images of his last years in Bern.

As an avant-garde artist of the twentieth century, painter Paul Klee's work defies classification. What is indisputable, however, is its originality and brilliance. Taken from the artist's most prolific years,1917-1933, this book presents works that Klee never intended to sell. More than 100 color plates reveal Klee's chromatic genius and wide stylistic range. Along with an indepth biography, the book features three essays, which examine Klee's versatility, place him in context with his contemporaries, and discuss his process for cataloging his works. The result is a unique and far-reaching exploration of one of the twentieth century's most important and admired artists, at the most fecund stage of his career.