Искусство

A filmmaker's most precious assets - not just for directing actors, but also for making all the storytelling decision - are his instincts, imagination, and intuition. The author reveals the secrets that can keep an imagination alive and free a director's intuition, so everyone on the set can function at full creativity. You will learn about: sources of imagination ; goals of script analysis ; tools of the storyteller ; the lost art of rehearsal ; and the director's authority.

The Film Director's Intuition is the follow up book to Weston's best-selling book, Directing Actors also published by Michael Wiese Productions

About the Author:

Judith Weston, who lives in Los Angeles, has taught "Acting for Directors" for over a decade throughout the U.S. and Europe, and is the author of the best-selling book, Directing Actors.

A Revolution of Light and Color

Occasionally, when something seems very familiar you lose sight of what makes it so special: Flemish Masters. From van Eyck to Bruegel sets out to counteract this effect and opens our eyes once again to the revolution that took place in the Low Countries in the 15th and 16th centuries that shaped the course of European art. In 48 lavishly illustrated analyses, Matthias Depoorter explores how painters such as Van Eyck, Van der Weiden, Massys, Bosch, and Bruegel reached unprecedented heights, and are rightfully considered innovators to this day. The defining factor was their perfecting and mastery of the oil painting technique as well as their groundbreaking attention to optical lighting effects. The new technical possibilities offered a different way of looking at the world and ultimately a new way of painting. No less innovative was the level of detail. These painters were thoroughly acquainted with each other’s work — this volume shows the fundamental artistic cross-fertilization. A must-read for anyone who wants to fall in love with the old masterpieces anew.

About the Author:

Matthias Depoorter (*1980) is a writer and an art historian. He was one of the curators of the seminal exhibition Van Eyck: An Optical Revolution at the Museum of Fine Arts in Ghent and coordinated the accompanying scholarly publication.

An essential reference guide to the methods and techniques of glazing

Packed with information and glaze recipes, The Glaze Book will enable you to reference hundreds of ceramic surfaces. Each glaze recipe is clearly illustrated so you can see the colour and surface responses it has to offer, and features a description including its firing range, and the uses to which it can be put.

The Glaze Book provides easily accessible help on
- Methods and Techniques
- Raw Materials
- Glazing Tools and Equipment
- Mixing a Glaze
- Methods of Application
- Glaze Recipes for Earthenware, Stoneware and Porcelain

About the Author:

Stephen Murfitt has been working with ceramics for the past 30 plus years both teaching and exhibiting.

With hundreds of stickers ― in forty graffiti lettering styles ― The Graffiti Alphabet Sticker Book makes it easy to spell out anything...and stick it anywhere you like!

Personalise your junk journal, laptop, skateboard or phone, or simply stick your name on stuff! There are endless uses for these sticky street art letters. With complete alphabets in a variety of graffiti styles – including wildstyle, blockbuster, bubble, throw-up, and stencil – you’re free to create any message you want. And for added effect you’ll even find paint drips, splats and plenty of sticky extras...from skulls to spray cans and Smilies.

About the Author:

Luke Herriott, who creates the alphabets, is an award-winning designer and typographer whose work has always had a playful side. He is the author of Art Directing Projects for Print and The Designer's Packaging Bible.

Skittledog Sticker Books are loved by junk journalers, collage artists and scrapbookers for their fun and imaginative range. Make sure to check out:

The Ransom Note Sticker Book
Ye Olde Ransom Note Sticker Book
The Curious Collectables Sticker Book
All the Feels: A Sticker Book of Faces and Emotions

The Graphic Art of Tattoo Lettering is a visually led, comprehensive guide to designing and realizing hand-drawn letterforms in the most widely used contemporary tattoo styles.

Each chapter constitutes an accessible overview to these key tattoo styles, including an account of the history, complexities and relevant sub-styles, interviews spotlighting leading practitioners, galleries of exemplary artists’ work, sketches, sketchbooks, finished designs and detailed how-to-design guides to allow readers to truly understand each style.

More than a step-by-step, technical handbook for professional and practising tattoo artists, The Graphic Art of Tattoo Lettering is also an informative introduction to both understanding tattoo styles, their history and context, and learning from them to inform other graphic arts. Touching on the role of lettering in tattooing, as well as considering the components of typographic tattoos, it offers an insight into how tattoo art intersects with other areas of design practice, including sign-making, furniture painting and scrimshaw.

Combining great book design with the inimitable expertise of a master tattoo artist, The Graphic Art of Tattoo Lettering is the ultimate guide for all with an interest or involvement in tattoo art, typography and calligraphy, and graphic design.

Contents List::

Foreword • Traditional • West Coast • Fancy Script • Calligraphic • New School

About the Authors:

B.J. Betts is one of the most influential tattoo artists working today. Based in Delaware, USA, he has published a number of industry-standard guidebooks on tattoo lettering.

Nick Schonberger is a writer, blogger and critic on fashion, culture and music. He lives in New York.

A concise, accessible, and up- to-date overview of the arts of Africa from prehistoric times to the present day.

A concise, accessible and up-to-date overview of the arts of Africa from prehistoric times to the present day.

This indispensable introductory guide explores the art of the African continent from its early origins over 150,000 years ago to the contemporary, set in the context of post-colonial debates, the restitution of cultural objects and artefacts, and the challenges of the present. This enormous and complex field of study, once under-appreciated by the Western art world, is now of global importance and an essential subject of education in art history.

For ease of reference and analysis, this indispensable guide is structured chronologically into manageable and meaningful chapters covering ancient art, the Middle Ages, travel and trade, encounters with Europe in the age of exploration, the colonial era, the rebuilding of the continent in recent times, and contemporary art. It addresses core, continent-wide themes in African visual and cultural expression, from the life-cycle (motherhood, children, initiation, religion) to the body and representations of power dynamics. Important regional artistic expressions are also explored, such as the cultures of Mali (the Western Sudan), Nigeria (the lower Niger and Benue area), the Congo Basin and various nomadic populations across the continent.

Written from an inclusive modern perspective, focusing not only on royal traditions but also the broader global history of the continent and its artistic practices, this is an excellent introduction for students, museum visitors and anyone with an interest in fine art, African history and cultural studies.

About the Author:

Suzanne Blier is Professor of Fine Arts and Professor of African and African American Studies at Harvard University, and a leading expert on African art, architecture and culture. Her many books include A History of Art in Africa (co-author, 2000), Royal Arts of Africa (2012), Art and Risk in Ancient Yoruba (2015) and The Image of the Black in African and Asian Art (with David Bindman and Henry Louis Gates, Jr., 2017).

Intended to be kept at a screenwriter’s fingertips, The Hollywood Standard provides what even the best script software can’t: clear, concise instructions and hundreds of examples to take the guesswork out of a multitude of formatting questions that perplex even seasoned screenwriters.

Contents include:

• When a new scene heading is appropriate and when it isn’t
• How to format shot headings, dialogue, direction and transitions
• How to control pace with formatting • How to make a script page visually inviting to the reader
• What to capitalize and why
• How to get into and out of a POV shot
• How to handle text messages and Zoom meetings
• How Hollywood’s most innovative screenwriters are pushing the boundaries of format
• How format for animation differs from live-action formats Simply put, Riley knows more about script format than anyone in Hollywood and shares it all in this indispensable guide.

About the Author: 

Christopher Riley is a professional screenwriter who cowrote with his wife Kathy Riley the award-winning German-language film After the Truth. The Rileys have written scripts for Disney’s Touchstone Pictures, Paramount Pictures, Mandalay Television Pictures, Sean Connery’s Fountainbridge Films, and Robert Cort Productions. Christopher produced the action-thriller Red Line and executive produced the web series Bump+. He began his career as a proofreader in the standard-setting script processing department at Warner Bros., a department he eventually rose to manage. He is the former director of the Act One Hollywood Writing Program, the author of the classic screenplay format guide The Hollywood Standard, an instructor of screenwriting at the undergraduate and graduate levels, a founding partner of Story Masters Film Academy, and a longtime member of the Writers Guild of America West.

A new edition of this classic collection of letters, critical reviews and reminiscences by Impressionist artists and their contemporaries.

The Impressionists - Monet, Manet, Degas, Morisot, Pissarro, Renoir, Sisley and others - are probably the most popular of all artistic schools. Their struggle to impose a new vision is one of the most absorbing in the whole history of art. With imagination and insight, art historian Bernard Denvir brings Impressionism into focus by showing it through the eyes of the artists themselves and their contemporaries, against the background of the time.

Through letters, critical reviews, statements and reminiscences - whether explosive or appreciative, blinkered or perceptive - of the people who were there, the story of this ground-breaking art movement comes alive. This was the age of innovation, political liberalization, emergent photography and modern ideas about perception. The Impressionists had new ways of painting, but they also had a new world to paint.

This revised edition now features full colour reproductions of art throughout and an updated bibliography.

About the Author:

Bernard Denvir was a distinguished art critic, art historian and writer. He was head of the Department of Art History at Ravensbourne College of Art and Design, a member of the Council for Academic Awards, and for several years President of the British section of the International Association of Art Critics. He wrote widely on art, including books on Chardin, Impressionism, Post-Impressionism and Fauvism.

Contents List:

Introduction
Documents 1855–1871
Impressionist colour Documents
1. 1871–1873
2. 1874–1876
3. 1877–1881
4. 1882–1885
5. 1886–1894
6. 1895–1920
Biographies
Chronology
Bibliographical note
List of illustrations

The perfect introduction to the world of Japanese myth and legend

This is a smart and succinct guide to the rich tradition of Japanese mythology, from the earliest recorded legends of Izanagi and Izanami, their divine offspring and the creation of Japan, to medieval tales of vengeful ghosts, through to the modern-day reincarnation of ancient deities as the heroes of mecha anime. While many around the world love Japan’s cultural exports, few are familiar with Japan’s unique mythology - enriched by Shinto, Buddhism and regional folklore.

Mythology remains a living, evolving part of Japanese society, and the ways in which the people of Japan understand their myths are very different today even from a century ago, let alone over a millennium into the past. Offering much more than any competing overview of Japanese mythology, The Japanese Myths not only retells the ancient stories but also considers their place within the patterns of Japanese religions, culture and history, helping readers to understand the deep links between past and present in Japan, and the ways these myths live and grow.

Joshua Frydman takes the very earliest written myths in the Kojiki and the Nihonshoki as his starting point, and from there traces Japan’s mythology through to post-war State Shinto, the rise of the manga industry in the 1960s, J-horror and modern-day myths. Reinventions and retellings of myth are present across all genres of contemporary Japanese culture, from its auteur cinema to renowned video games such as Okami. This book is for anyone interested in Japan, as knowing its myths allows readers to understand and appreciate its culture in a new light.

Contents List:

Introduction
1. What are the Japanese Myths?
2. Age of the Gods
3. The Imperial Mythos
4. Living Kami and Divine Humans
5. Canon Foreigners
6. A World Flush with Spirits
7. Invention and Rediscovery

About the Author:

Joshua Frydman is Assistant Professor of Japanese in the Department of Modern Languages, Literatures and Linguistics at the University of Oklahoma. An expert on ancient Japan, his academic interests include the development of writing systems (in East Asia and worldwide), and the role of transregional and global cultural interactions in the development of premodern societies as viewed through literature and art. He is also the author of Inscribed Objects and the Development of Literature in Early Japan.

A crimson fish wrestles a man. A horned demon stares menacingly. 

These vivid scenes are tattoos, created in pain, incised in the flesh of the Yakuza, Japan's feared secret society of gangsters. They are the visions of the Irezumi, the legendary tattoo artists, who spend years creating living masterpieces. Photographer Sandi Fellman describes this strange and violent world both in her text and in her stunning, large 20 x 24 inch Polaroid photographs.

About the Author:

Sandi Fellman is a well-known photographer whose work has been featured in many one-person and group exhibitions in the United States, Europe, Japan, and Australia. Her photographs can be found in numerous private and public collections, including the Museum of Modern Art, The Metropolitan Museum of Art, Bibliotheque Nationale, and Center for Creative Photography. Her work has also been widely published over the past fifteen years.

The Landscape Painter’s Workbook is the definitive hands-on guide to the time-honored techniques and essential elements of landscape painting.

Written by celebrated landscape artist, instructor, and author Mitchell Albala, this richly informative and beautifully illustrated volume leads you step by step through his approach to the genre, from establishing a composition using basic shapes to applying time-tested color strategies, with all-new lessons, practical exercises, and special topics, including:

- The Complete Color Strategy. What are the three aspects of color contrast that guide a painting’s strategy?
- Notan. Explore this special type of compositional study, which identifies the underlying shapes and patterns of a composition.
- Picture Formats. How does the picture format — horizontal, vertical, or square — affect the composition? What are the pros and cons of each?
- Color Grouping. A full chapter details this special practice, which helps maintain harmony by organizing colors into a limited number of groups.
- Composition. An in-depth review of variation, movement, and active negative space, with illustrations that diagram the action in each example.
- Workshop Exercises. Instead of demonstrations that show how the author paints, The Landscape Painter’s Workbook includes 10 skill-building workshop exercises to help you work through essential lessons on your own.

With examples of work by 45 contemporary landscape painters — more than 80 paintings in all — ​in oil, acrylic, pastel, and watercolor, the lessons are suitable for all mediums. Each painting is thoroughly analyzed in terms of shape, composition, or color, with supporting diagrams, thumbnails, and photographs.

The Landscape Painter’s Workbook inspires and informs all artists, from aspiring to accomplished, on how to successfully portray the majesty and subtlety of the natural world.

The For Artists series expertly guides and instructs artists at all skill levels who want to develop their classical drawing and painting skills and create realistic and representational art.

About the Author:

Mitchell Albala, whose semi-abstract and atmospheric landscapes have been exhibited nationally, is the author of two books: The Landscape Painter’s Workbook: Essential Studies in Shape, Composition, and Color (Rockport Publishers) and Landscape Painting: Essential Concepts and Techniques for Plein Air and Studio Practice (Watson-Guptill), a leading title on the subject since it was published in 2009. In addition to leading plein air workshops in Italy, Albala is also a popular workshop instructor in the Pacific Northwest and has lectured on Impressionism and landscape painting at the Seattle Art Museum. He has written for International Artist and Artists & Illustrators magazines, and his work was profiled in the French Arts magazine Practique des Arts. His popular painting blog holds a top spot on feedspot.com’s “Top 80 Websites & Blogs for Painters.” His paintings, workshops, and blog can be found on his website mitchalbala.com. He lives in Seattle, Washington.

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Пролистать книгу The Landscape Painter's Workbook: Essential Studies in Shape, Composition, and Color на Google Books

This beautifully illustrated guide delves deep into the meaning and significance of different tattoo symbols, exploring the rich cultural history around the world of this widespread form of body art

Tattoos are everywhere: one in three of us has at least one. Body art is one of the most popular ways of expressing our identity and beliefs.

But whether we’re aware of it or not when we choose a design to be permanently inked on our skin, a complex language of meanings lies behind the visuals we choose. A lotus flower, koi carp swimming upstream or a dragon rising towards the sun: in the language of tattoos these are all symbols of strength and overcoming adversity.

This book uncovers the meanings behind tattoo symbols, delving into the history of the most popular motifs that recur in many different tattoo styles, including tribal, traditional, Japanese and realistic. Over 130 symbols are grouped according to their meanings, whether it’s good luck, freedom, wisdom, power, spirituality or love.

Each symbol is illustrated with stunning, specially drawn visuals by acclaimed artist and tattooist Oliver Munden, and accompanied by an explanation by tattoo expert Nick Schonberger which delves into its history, significance and application in tattooing.

Both a visual delight and a fascinating insight into the rich cultural heritage of tattooing, this is the perfect book for anyone wanting to learn more about tattoo symbolism, in need of inspiration for their next tattoo, or who just loves tattoo art.

About the Author:

Nick Schonberger is a writer, blogger and critic on fashion, culture and music, based in New York. He is the co-author of TTT: Tattoo (2018) and The Graphic Art of Tattoo Lettering (2019).

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Пролистать книгу The Language of Tattoos: 130 Symbols and What They Mean на Google Books.

There are no rules, and even less justice. Death takes everyone without discrimination. Sometimes it is accidental – like Signorelli, who fell from scaffolding. Sometimes it is expected, as with the diabetic Cezanne, who wrote “I am old, sick, and I swore to die while painting”. But often, researching a painter’s death is an easier task than determining which of their works is truly their ‘last’. Paintings tend to be dated by year and not month, inciting much debate among art historians. This book embraces this ambiguity, studying 100 examples of works that lay completed for several years, or were left unfinished on the easel, or were finished post-mortem by a friend’s grieving hand.

The Last Painting collects 100 terminal paintings from 100 artists, including Dalí, Manet, Toulouse-Lautrec, Degas, Goya, Pollock, Rembrandt, Dix, Bonnard, Titien, and many more. Each picture gives us a glimpse into the painter’s mind. Did they know death was coming? Did they paint with denial, or acceptance? Did they return to a favourite subject, or decide to embark on a new, original project while they still had time? A poetic and thought-provoking book, The Last Painting is a sensitive exploration of the relationship between art and death.

- A collection of 100 final paintings from 100 deceased artists, with accompanying biographies and thought-provoking text
- Features a diverse range of artists, from Bosch, Rubens, and Fragonard, to Hopper, Mondrian, and Kahlo
- Generates a fascinating discussion about the relationship between art and death

About the Author:

Born in 1949, Bernard Chambaz is a historian, poet, novelist and essayist. He is the winner of Goncourt's First Novel Award (1993), Apollinaire Awards (2005), Louis- Guilloux (2008) and Roland-de-Jouvenel of the French Academy (2014). He has written about fifty books, including Ghetto, Dernières Nouvelles du martin-pêcheur, À tombeau ouvert and 17.

Published on the occasion of the exhibition The Lost Mirror. Jews and Conversos in Medieval Spain, held at the Museo Nacional del Prado from 10 October 2023 to 14 January 2024.

Every image we create is a mirror that reflects a way of seeing. We look at the world and at others in relation to ourselves, through our own mentality and attitude. Using a broad selection of works, this exhibition recreates a medieval mirror that shows how Jews and conversos (converts to Christianity) were portrayed by Christians in Spain from 1285 to 1492. Images played a key role in the complex relationship between all three groups during this period. On the one hand, they were an important vehicle for the transmission of rites and artistic models between Christians and Jews and provided a space for collaboration between artists from both communities. On the other – the grim flipside – they helped spread the growing anti-Judaism embedded in Christian society. In this respect, the visual stigmatisation of the Jews was a faithful reflection of the Christians’ mirror, of their beliefs and anxieties, and accordingly a powerful means of asserting their identity.

About the Author:

Edited by Joan Molina Figueras, curator of the exhibiton and Head of the Department of Spanish Gothic Painting at the Museo del Prado.
With texts by Sonia Caballero Escamilla, Javier Castaño, Cloe Cavero de Carondelet, Cèsar Favà Monllau, Borja Franco Llopis, Yonatan Glazer-Eytan, Joan Molina Figueras, David Nirenberg, Pamela A. Patton, Felipe Pereda and Paulino Rodríguez Barral.

Highlighting 52 significant masterpieces, this elegant card deck is a unique way to enjoy and learn about the world-renowned works of the great artists.

The Musée du Louvre, the museum that inhabits the Louvre Palace, is the world’s largest and most famous museum. With 10 million visitors every year, the Louvre houses and displays many of the most celebrated and important paintings of all time.

This art deck is a curated showcase of 52 magnificent works from this spectacular museum. Flip through the cards and tour the museum’s halls to see such works as the Mona Lisa and Liberty Leading the People. Many well-known masters are included: Giotto, Fra Angelico, Ghirlandaio, Botticelli, Leonardo, Raphael, Titian, Veronese, Caravaggio, Van Eyck, Breughel, Memling, Holbein, Van Dyck, Rembrandt, Vermeer, David, Delacroix, La Tour, Fragonard, Gericault, Ingres, Poussin, El Greco, Goya, Velasquez, and many more.

Each of the 52 cards features a beautiful reproduction on one side, while the other side includes text on the key attributes of the work; what to look for when viewing it; the artist’s biography, inspirations, and techniques; and more. Perfect for students, art lovers, and armchair travelers alike, the cards give the experience of standing in front of a particular work with a docent at your side.

About the Authors:

Brian Boucher has written for publications including the New York Times, CNN, Playboy, and New York Magazine. He is a former editor at Art in America magazine and writer at Artnet News. Art Resource, the world’s largest photo archive of fine art, is the exclusive North American representative for the National and Regional Museums of France under the aegis of the Réunion des Musées Nationaux, including the Musée du Louvre, Paris.