Искусство

Discover the richness of contemporary creative culture from Ukraine with the best in interior design, architecture, art, photography, and fashion.

In the last decade, Ukraine has emerged as a hotbed of contemporary creativity, showcasing impressive contributions in fields such as interior design, fashion, architecture, photography, and art. The young Ukrainian creatives blend traditional crafts, materials, and aesthetics with a modern, cosmopolitan outlook.

Ukraine Rising is a book that celebrates the best of contemporary Ukrainian culture through compelling photography and insightful writing. It showcases the work of top creatives and features expert essays that offer a glimpse into the vibrant people, projects, and innovation the country has to offer. This collaboration with Ukrainian publisher Lucia Bondar is a testament to the creative spirit and energy of Ukrainians and a promise for a better future.

About the Author:

Lucia Bondar is an experienced media manager and publisher, the founder of CP Publishing. She has been working as a journalist and author of various professional publications for over 10 years. Under her leadership, CP Publishing has organized numerous well-known events in Ukraine, including an annual architecture and design forum.

In the world of tattoos there are many professionals who create amazing works of art on the skin.

It is such a responsibility to do a good job, looking for a balance between technique and design, anatomy and legibility, beauty and tradition… but each one with a unique aesthetic vision of the style we portray: Japanese, old school, new school, tribal, neo-tribal, realistic, Chinese, and so on.

In this book we have brought together tattoo artists from around the world showing us these miracles on the skin that many readers will change their perception of this art form, which is at once ages-old and forever young.

Understanding Jewellery, by authors David Bennett and Daniela Mascetti, is often described as the must-have jewellery book of our time – a ‘Bible’ in the jewellery trade. First published in 1989, it has remained in print ever since, amassing a loyal following of devotees who admire its detailed information and stunning imagery.

In this new work, Bennett and Mascetti have taken the original concept of Understanding Jewellery a stage further. Now, with the benefit of 20 years of hindsight, they have concentrated on the 20th century alone by conducting a detailed survey of each decade, identifying the key players, trends and movements. The book is an encyclopedic history of the various forms, techniques and materials employed by the companies and individuals who defined jewellery in the 20th century.

Most significantly, this book includes a new set of photographs, which make Understanding Jewellery: The Twentieth Century one of the most dazzling, absorbing and varied collections of jewellery images ever assembled in a book. This large format hardback volume is a perfect gift for all lovers of jewellery and the definitive guide for those who desire a deeper understanding of the subject. 

About the Authors:

David Bennett is the Worldwide Chairman of Sotheby’s International Jewellery Division and the Chairman of Sotheby’s Switzerland. He has sold four out of the five most expensive jewels in auction history. Having worked as an auctioneer at the firm since 1978, Bennett is renowned internationally as an authority on jewellery. He played a key role in numerous illustrious sales, such as the ‘Jewels of the Duchess of Windsor’ (1987), a tiara from the Collection of Princess Katharina Henckel von Donnersmarck (2011) and Henry IV of France’s Beau Sancy (2012).

Daniela Mascetti is Sotheby’s Chairman of Jewellery in Europe. She joined Sotheby’s in 1980, opening the firm’s Milan-based department. She is one of Sotheby’s most experienced scholars in the history of jewellery, and has collaborated extensively in the sales of historic collections. Her research has assisted with several notable auctions, from The Jewels of the Duchess of Windsor to the collections of Elton John and Gina Lollobrigida.

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Пролистать книгу Understanding Jewellery: The 20th Century

Universal Principles of Color is an in-depth introduction to color and its myriad applications, presenting 100 elements, theories, innovative ideas, and effective uses and solutions.

A comprehensive, cross-disciplinary overview of color, Universal Principles of Color presents 100 core concepts and guidelines that are critical to a successful use of color. Richly illustrated and easy to navigate, it pairs clear explanations of every topic with visual examples of it applied in theory and in practice.

The book is organized alphabetically so that principles can be easily and quickly referenced. For those interested in addressing a specific color challenge or application problem, the principles are also indexed by pathways based on nine topics of color study ranging from science, art and design, and industry. "

Each principle is presented in a two-page format:

- The left-hand page contains a succinct definition, a full description of the principle, and examples of and guidelines for its use. Side notes, which appear to the right of the text, provide elaborations and references.
- The right-hand page contains visual examples and related graphics to support a deeper understanding of the principle.

Whether in a branding campaign or a healthcare facility, a product’s packaging or a software user interface, the color we see is the culmination of many concepts and practices brought together from a variety of disciplines to increase appeal, influence perception, and enhance usability.

By considering these concepts and examples, you can learn to make more informed and ultimately better color decisions. This landmark reference is the standard for designers, engineers, architects, and students who seek to broaden and improve their understanding of and expertise in color.

The titles in the Rockport Universal series offer comprehensive and authoritative information and edifying and inspiring visual examples on multidisciplinary subjects for designers, architects, engineers, students, and anyone who is interested in expanding and enriching their design knowledge.

About the Authors:

Stephen Westland is Professor of Color Science and Technology in the School of Design at the University of Leeds (UK). He was previously Head of the School of Design at Leeds (2006-2013). His research interests are color design, color vision and color measurement and he has published over 250 peer-reviewed papers, book chapters and books about these topics. He is a Fellow of the Society of Dyers and Colourists and was President of the Society in 2019. In 2008 he was awarded the Davies Medal from the Royal Photographic Society (London) for his color research. He has won numerous research grants from both government and industry and has recently worked with AkzoNobel, Colgate and Unilever on color-related projects. He holds several visiting professorships including at the University of Texas (USA) and Huazhong University of Science and Technology in Wuhan (China). 

Maggie Maggio is a designer, artist and art educator who has studied, taught, and worked with color for over forty years. Her personal explorations into the science of light and pigments led to the creation of workshops for artists and designers who want to incorporate the latest research in color science into their creative practice. As a member of the Board of Directors of the US Inter-Society Color Council (ISCC) and co-chair of the International Color Association Study Group on Color Education, Maggie focuses on bridging between the art, science and industry of color and advancing color literacy for the 21st century. She is the current chair of the Joint International Color Association/ISCC Color Literacy Project advocating for the integration of art and science in color education programs worldwide.

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Пролистать книгу Universal Principles of Color: 100 Key Concepts for Understanding, Analyzing, and Working with Color на Google Books.

Celebrates the contemporary revival of pottery, focusing on six inspiring cities and their makers

​Clay is back: the age-old craft of ceramics is being embraced by a new generation of urban makers and collectors. Author Katie Treggiden explores the contemporary revival of pottery, focusing on six inspiring cities and their makers. 27 young and passionate ceramicists in New York, London, Tokyo, Copenhagen, Sydney and Sao Paulo introduce us to their work, their studios and their inspiration.

Urban Potters: Makers in the City will appeal to a broad audience – not only those who practice pottery themselves, but anyone who is interested in the handmade. The book also includes a practical source list of places to buy handmade ceramics in the six cities featured.   

About the Author:

Katie Treggiden is a design writer, editor, curator, lecturer and consultant. Treggiden writes for the Guardian Magazine, the Telegraph Magazine, Elle Decoration and Icon, among others. She is the author of The Makers of East London and The Residents: Inside the Iconic Barbican Estate.

The ukiyo-e masters are brought together in a volume that illustrates Japan’s “floating world” between the 17th and 19th centuries.

The so-called Edo period (1603–1868) was extremely productive for Japan from a historical and artistic standpoint; later its influence would extend beyond the archipelago, as far as the West, where it gave rise to a real passion for Japanese aesthetics and culture. The term ukiyo-e, which translates as “pictures of a floating world,” refers to the woodblock colour prints that were first created in the Edo period by combining the talents of painters like Utamaro, Hokusai, and Hiroshige with the absolute mastery of block carvers and printers. These prints are the highest aesthetic expression of what could be called a “culture of pleasure,” pervaded by the awareness that the beauties of life must be enjoyed to the full because they are bound to end. The book offers a chance to discover the world of Japanese ukiyo-e prints through over 300 works by some of the most important artists, and the themes that characterize them: from elegant female beauties to delicate flowers and birds, famous kabuki actors, valiant samurai, and even erotic subjects with their insouciant celebration of love.

About the Authors:

Francesco Paolo Campione, author and curator, teaches Cultural Anthropology at the University of Insubria (Como) and is Director of the Museo delle Culture in Lugano.
Marco Fagioli, art historian and critic, has edited many books and essays on Chinese and Japanese painting, shunga and Postimpressionist artists.
Moira Luraschi, anthropologist, is curator of the Oriental collections of the Museo delle Culture in Lugano, for which she has edited several publications on Japanese art.

Renaissance Realist. The painted world of a Flemish master

Through intricate detail and captivating compositions, Jan van Eyck was one of the most innovative Renaissance artists of the 15th century. Though only 25 surviving works are confidently attributed to him, his extraordinary recreation of reality highly influenced later generations of Early Netherlandish painters. Examine his masterful oil works in this hardcover introduction exploring his spectacular life and oeuvre.

Often imitated but never equaled, Jan van Eyck (c. 1390-1441) left an indelible impression on Renaissance art and paved the way for future realist painters. With its unprecedented precision and masterful use of color, Arnolfini Double Portrait, depicting the wedding of a young couple, is testament to the mastery of the Flemish painter and leader of the Early Netherlandish school. Van Eyck painted both secular and religious subject matter, emphasizing a naturalism and realism that moved seamlessly between 15th-century everyday life and poetic, heavenly settings. Working with oil paint, he innovated the medium, allowing for great intensity and depth of color.

Trace the artist’s impressive oeuvre in this hardcover survey of his work, including altarpieces, religious figures, and commissioned portraits. Featuring enlarged details and close analyses of masterpieces like the Ghent Altarpiece, this publication also offers a chronology of van Eyck’s production, including the output of his workshop which continued even after his death.

The author:

Till-Holger Borchert studied art history, musicology, and German literature at the universities of Bonn and Bloomington (IN). An acknowledged expert on Early Netherlandish painting, he has worked as chief curator at the Groeningemuseum in Bruges since 2002 and as Director of the Bruges Museum since 2014. Borchert teaches art history at the universities of Aachen, Memphis (TN), and Middlebury (VT) and has curated exhibitions in Brussels, Rome, Madrid, and New York. He heads the Flemish Research Centre for the Arts in the Burgundian Netherlands.

About the series:

Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. 

Each book in TASCHEN’s Basic Art series features:
- a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
- a concise biography
- approximately 100 illustrations with explanatory captions

A landmark publication tracing the final months of Van Gogh’s life

Van Gogh in Auvers-sur-Oise: His Final Months offers a unique and impressive overview of the paintings and drawings that Vincent van Gogh created during the last seventy days of his life. He produced no fewer than seventy-four paintings and over thirty drawings in the course of the intense, productive period leading up to his self-inflicted death on 29 July 1890.

Featuring essays by leading specialists on his painted still lifes, portraits, panoramic landscapes and drawings, and on his burgeoning reputation after his death, the book is richly illustrated with drawings, sketches, historical photographs and detailed maps of the places Van Gogh worked and where he found his inspiration.

About the Authors:

Nienke Bakker is Senior Curator at the Van Gogh Museum, Amsterdam. Louis van Tilborgh is Senior Researcher at the Van Gogh Museum, Amsterdam.
Emmanuel Coquery is Senior Curator and Associate Deputy Director of Collections at the Musée d’Orsay, Paris.

A groundbreaking new exhibition will be presented by the Het Noordbrabants Museum, focusing on the impact of Van Gogh’s interpersonal relationships on his work. Part biography, part art history, the catalogue of this exhibition will dismantle the commonly-held conception that Van Gogh’s genius stemmed from his mental illness and isolation. Revealing a complex, emotionally engaging picture of the man behind some of the most celebrated works in history, this catalogue includes well-known works and pieces from private collections, as well as rare documents virtually unknown to the public, such as a never-before-exhibited sketchbook that Vincent gifted to Betsy Tersteeg, daughter of an art dealer at The Hague; poetry he sent to his dear brother and confidante Theo; and six rarely featured letters of condolence received by Theo after Vincent’s death. Masterpieces include Still life with Bible (1885), Madame Roulin Rocking the Cradle (La berceuse) 1889, and L’Arlésienne (Madame Ginoux) (1890). The catalogue also contains numerous less well-known portraits of family and friends, revealing how they appeared through the artist’s eyes.

Van Gogh’s Inner Circle sheds light on Vincent’s often tempestuous personality, his love affairs, his eventual estrangement from many of his colleagues, and how his relationships influenced the work he produced in the years leading up to his premature death.

- Richly illustrated catalogue accompanying a new exhibition focused on Van Gogh's relationships with family, friends and models. The exhibition runs from 21 September 2019 to 12 January 2020, Her Noordbrabants Museum, Den Bosch, The Netherlands
- Features works never previously exhibited as well as popular masterpieces
- Challenges the accepted image of Van Gogh as a tormented, solitary artist

About the Author

Van Gogh's Inner Circle was curated by Sjraar van Heugten, former Head of Collections at the Van Gogh Museum. He has curated exhibitions such as Van Gogh and the Seasons in Melbourne, at the National Gallery of Victoria - the largest exhibition of Vincent van Gogh's work in Australia. He co-authored Van Gogh (Thames & Hudson, 2005) and Van Gogh in Provence: Modernizing Tradition (Actes Sud, 2016) among many more.

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Пролистать книгу Van Gogh's Inner Circle: Friends Family Models

A captivating and highly illustrated introduction to Vincent Van Gogh, told through 50 major works.

This new book presents all you need to know about Vincent Van Gogh’s turbulent and prolific creative life, featuring fifty works from the world’s leading art collections and museums.

Art historian John Cauman analyses the career and works of, arguably, the best-known artist in the world today. A detailed introduction examines Van Gogh’s development as an artist and explores the themes, methods and driving forces behind his extraordinary paintings and drawings, as well as his relationships with his brother Theo and fellow artists. The book includes both major paintings and lesser-known sketches and artworks.

The latest digital technology has been used to ensure that the reproductions are as faithful to the original works as possible. For all art lovers and students interested in Post-Impressionism and 19^th-century art, Van Gogh in 50 Works provides a dazzling recreation of the viewing experience.

Among the fifty paintings featured, the book includes The Potato Eaters (1885), Père Tanguy (1887), Self-Portrait in Front of the Easel (1888), Sunflowers (1888), Café Terrace at Night (1888), Bedroom in Arles (1888), Van Gogh’s Chair (1888), Portrait of Joseph Roulin (1889), Irises (1889), The Starry Night (1889) and Wheatfield with Crows (1890).

About the Author:

John Cauman is an independent curator and writer on late 19th-century and early 20th-century art. He studied at Columbia and Bennington before receiving his PhD from City University of New York with a dissertation on Matisse and America: 1905-1933. He has contributed to various publications including Inheriting Cubism and co-curated the exhibition ‘Matisse and American Art’ at Montclair Art Museum in New Jersey, 2018.

Forty exemplary works spanning the Post-Impressionist's career, from one of the world's foremost Van Gogh collections

The life and work of the most famous artist in the world through a selection of masterpieces.

Forty masterpieces by Vincent van Gogh (1853-90) from the prestigious Kröller-Müller Museum in Otterlo - which houses one of the greatest Van Gogh collections - document the Dutch painter's entire career, on the eve of the 170th anniversary of his birth.

An extraordinary opportunity to enter into contact with the vision of an artist who managed, through the power of his brushstrokes, to represent his idea of reality and to convey an inner world rich in emotions, as well as a picture of the life of his time, which his work presents together with its profound significance, at times simple, at times troubled and dramatic.

Van Gogh lived a tormented life, marked by failure in all the spheres of existence generally considered to be important: incapable of establishing a family, of supporting himself and of maintaining human relations. Yet, as a painter, he managed to represent even the humblest reality in an incessant path within life, nature and himself, transcending their confines and revealing their meaning.

Through reproductions of the forty paintings and drawings alongside biographical accounts, the volume reconstructs Van Gogh's trajectory along a chronological thread of the periods and places where the painter lived: from his early life in the Netherlands to his years in Paris, Arles, S. Remy and finally Auvers Sur-Oise; from his early passionate and dark landscapes to his depictions of manual laborers such as sowers, potato pickers, weavers, woodcutters, miners and domestic workers.

The book presents forty works by Vincent van Gogh, both paintings and drawings; Van Gogh's works are accompanied by six other highlights from Kröller-Müller Museum's collection, from different periods of time, by Lucas Cranach the Elder, Henri Fantin-Latour, Auguste Renoir, Floris Verster, Paul Gauguin, and Pablo Picasso.

About the Authors:

Maria Teresa Benedetti, Italian critic and art historian, author, curator and lecturer. From 2001 to 2004 she served as President of the Italian Section of the A.I.C.A. International Association of Art Critics.
Francesca Villanti is an art historian and exhibition planner.

Van Gogh’s sublime artistry comes alive in this luxuriously packaged volume that features a canvas cover, impeccable reproductions of all the major works, and forty-eight extra pages on six fold-out spreads.

From the iconic Starry Night to sunflowers and irises that radiate with vibrant hues; from an emotionally charged depiction of his bedroom to his intense and evocative portrayal of a café interior; this lavish volume showcases the breadth and depth of Van Gogh’s artistic vision. In addition to sixty of the painter’s major works, the book reproduces six of Van Gogh’s essential masterpieces in the form of giant fold-outs. Accompanied by detailed descriptions, the oversized gatefolds enable readers to experience these works in their entirety, from the smallest details to the dynamic brushwork, from bold colors to carefully arranged compositions. With each turn of the page, this book unfolds Van Gogh’s artistic journey in Arles, Saint-Rémy, and Auvers-sur-Oise, inviting readers to immerse themselves in the brilliance of his greatest paintings and providing the ideal companion for art enthusiasts, students, and anyone seeking a deeper connection to the work of one of the most influential figures in art history.

About the Author:

Anne Sefrioui is the author of numerous art books, including Hiroshige: Famous Views of the Sixty-odd Provinces (2017), Monet: The Essential Paintings (2023), and Kingfisher with Lotus Flower: Birds of Japan (2022), all published by Prestel.

This magnificent boxed-set features stunning, accordion-fold, color reproductions of Van Gogh’s essential works, accompanied by a separate booklet with a background and descriptions of each painting.

Van Gogh's brilliant colors and expressive brush strokes come vibrantly to life in this sumptuous book that features approximately fifty of his most important works in generous accordion-fold pages. The large-format reproductions, printed on heavy stock, are presented chronologically, allowing for a close study of Van Gogh’s development as an artist. In addition to his more well-known works, such as Irises, The Starry Night, Sunflowers, The Bedroom, Almond Blossom and Wheatfield with Crows, readers will also discover how he experimented with the landscape, still life and portraiture and how his influences changed over his brief but prolific career to embrace Impressionism, Neo-Classicism, and Pointillism, and incorporated elements of Symbolism as well as the techniques of Japanese woodcuts.

An accompanying booklet features thumbnails of each painting along with captions that highlight key elements, as well as a brief appraisal of his life and work. Both volumes are encased in a sturdy slipcase. The set is a must-have for fans of Van Gogh and an excellent resource for understanding why he remains one of the world’s most beloved painters.

About the Author:

Valérie Mettais is the author of several works on painting and artists' writings

The book presents the extraordinary three-dimensional “live sculptures” by the Russian architect, designer, writer and artist.

Having some engineering experience, Klyukin was able to experiment and derive a concept of connecting steel sheets on a non-existent, speculative axis without any actual fasteners. The principle of mobility of each individual piece was the basis for this technological innovation. Each sculpture created without physical fasteners is easily assembled and disassembled. This new experience brought new satisfaction. One of the statuettes done using the “live sculpture” technique, the Golden Madonnina, was used as the official award during Milan Design Week in 2017, a kind of Oscar for designers.

Vasily Klyukin was born in Moscow in 1979. From 1995 to 2010, he was active in business; when he left business he moved to Monaco, where he took up writing, architecture, and design. In 2013, he published Designing Legends, an album of architectural concepts that contained fifty of his visions for future buildings such as towers, office buildings, museums, and opera houses. Klyukin is recognized by many for his pronounced individuality and the unique shapes of his buildings. He strives to make each building internationally recognizable and mark it as the symbol of the city, or even the country that hosts it. In 2016, he published a sci-fi novel, Collective Mind. This is a dystopia about the creation of artificial intelligence, a computer that uses human brain as fuel. The book has been translated into English and French and published around the world. The sequel to the novel is expected in 2019. Hollywood producer Peter D. Graves has optioned Collective Mind.

His main achievement is the live sculptures technique that he created in 2017 and that he uses to craft influential and memorable installations. His first solo exhibition of live sculptures is based on Dante Alighieri’s The Divine Comedy and is called

In Dante Veritas. Currently displayed at the State Russian Museum in St. Petersburg, the collection of twenty-seven sculptures will soon be traveling to Moscow, then the Vatican, Venice, Miami, and New York.

“My sculptures are a symbiosis of engineering and meaning.” —Vasily Klyukin

A superbly illustrated survey of Velázquez’s court portraits from 1649 to his death in 1660

This book presents a complete survey of one of the key moments in the history of the Spanish court portrait, a period spanning the years 1650 to 1680.

In 1650 Velázquez was in Rome, where he depicted members of the papal court with a new freedom of approach, while the following year saw his keenly awaited return to Spain, where he returned to the conventions of the court portrait. From that point onwards and until his death in 1660, Velázquez devoted most of his efforts to satisfying a growing demand for portraits of the Spanish royal family. These images were used for both family and diplomatic purposes, given that Philip IV’s children with his last wife, Mariana of Austria, were essential elements in the strategic creation of political alliances across Europe.

These last ten years of Velázquez’s career constitute a period with a marked and distinctive personality. His sitters were now primarily women and children rather than men, a difference that was accompanied by changes in the density of the pigment, the pictorial handwriting and the colour range, which became wider and richer. In terms of artistic achievement and social advancement, this decade marks the peak of Velázquez's career, with Las Meninas as his great masterpiece.

After the artist's death, his activities as court painter were continued by Juan Bautista Martinez del Mazo and Juan Carreno de Miranda. Like Velázquez, both focused on colour while also offering a reconsidered interpretation of the royal image based on his last portraits and in particular on his inclusion in those images of interiors in the royal palace.

Contents List:

Introduction • Diego Velázquez, 1650–60: portraiture and court culture, Javier Portús • Dynastic and cultural relations between the two lines of the Habsbur g dynasty and their effect on Velázquez’ s work, Andrea Sommer- Mathis • It was an astonishing ending. Still, it was an ending, Miguel Morán • Catalogue, Javier Portús • Bibliography

About the Author:

Javier Portús is a curator and the head of the department of Spanish Painting (until 1700) at the Museo Nacional del Prado, Madrid.