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An authoritative guide to one of the world's most important collections of African-American art, with works by artists from Romare Bearden to Kehinde Wiley.

The artists featured in Black Refractions, including Kerry James Marshall, Faith Ringgold, Nari Ward, Norman Lewis, Wangechi Mutu, and Lorna Simpson, are drawn from the renowned collection of the Studio Museum in Harlem. Through exhibitions, public programs, artist residencies, and bold acquisitions, this pioneering institution has served as a nexus for artists of African descent locally, nationally, and internationally since its founding in 1968. Rather than aim to construct a single history of "black art," Black Refractions emphasizes a plurality of narratives and approaches, traced through 125 works in all media from the 1930s to the present.

An essay by Connie Choi and entries by Eliza A. Butler, Akili Tommasino, Taylor Aldridge, Larry Ossei Mensah, Daniela Fifi, and other luminaries contextualize the works and provide detailed commentary. A dialogue between Thelma Golden, Connie Choi, and Kellie Jones draws out themes and challenges in collecting and exhibiting modern and contemporary art by artists of African descent. More than a document of a particular institution's trailblazing path, or catalytic role in the development of American appreciation for art of the African diaspora, this volume is a compendium of a vital art tradition.

About the Authors:

Connie H. Choi is the Associate Curator of the Permanent Collection at The Studio Museum in Harlem. Previously, she was Assistant Curator of American Art at the Brooklyn Museum. Thelma Golden has become a driving force in the art world. Since disrupting the status quo with her 1994 exhibition, Black Male: Representations of Masculinity in Contemporary American Art, Golden has continued to create challenging dialogues around art and artists, making her one of the most respected curators in America. Golden took up a new challenge in 2000, joining the Studio Museum in Harlem and becoming executive director and chief curator in 2005. Kellie Jones Dr. Kellie Jones is Associate Professor in Art History and Archaeology and the Institute for Research in African American Studies (IRAAS) at Columbia University. Dr. Jones has received numerous awards for her work and in 2016 she was named a MacArthur Foundation Fellow. She is the author of two books published by Duke University Press, EyeMinded: Living and Writing Contemporary Art and South of Pico: African American Artists in Los Angeles in the 1960s and 1970s (2017).

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Пролистать книгу Black Refractions: Highlights from The Studio Museum in Harlem

The definitive survey of contemporary photography of the human body

The body remains a battleground. Politicized, conceptualized and increasingly shared, our often-paradoxical relationship with the human form is nothing new, but finds itself heightened in the digitised, virtualised era of the ‘post-industrial’ body. No longer a tool but a work-in-progress, our bodily expectations bound from fantasy to reality, beauty to tyranny, art to commerce and curiosity to obsession, leaving us dreaming of other bodies and alternate lives.

Surveying a range of over 360 photographic re-presentations from the worlds of art, fashion, scientific and vernacular photography – including the work of Nobuyoshi Araki, Bettina Rheims, Lauren Greenfield, Viviane Sassen, Cindy Sherman, Wolfgang Tillmans, Daido Moriyama, Sally Mann, Pieter Hugo, Juergen Teller, Sølve Sundsbø and Daniel Sannwald – Body explores what our imaging of the human form, and the ways in which those images have been used and shared, might reflect of our relationship to the body. Supporting the broad range of photography is an essay by the psychologist Professor David Sander, Ph.D., discussing the neurological representation of our own bodies

About the Author:

Nathalie Herschdorfer is an author and curator specialised in photography. She is the director of the Museum of Fine Arts Le Locle, Switzerland, and a curator with FEP (Foundation for the Exhibition of Photography). She has written a number of books amongst which are Afterwards, The Thames & Hudson Dictionary of Photography, Coming into Fashion and reGeneration, all published by Thames & Hudson.

Contents List:

Introduction • 1. Physique • 2. Alter Ego • 3. Essay • 4. Constructions • 5. Mutations • 6. Celebration • 7. Essay • 8. Flesh • 9. Love

Against the Grain

Since its beginnings in Paris in the mid-19th century, the idea of bohemia, an urban community of artists and intellectuals living outside bourgeois norms, has been a potent trope of artistic identity. It was here that the notion of an unconventional, free-spirited life, precarious yet filled with idealism, was codified and romanticized. Bohemia: History of an Idea, 1950 – 2000 shows the continuities and differences between the scenes and subcultures of the second half of the twentieth century, when the mainstream began to appropriate and thereby erode a way of life predicated on its rejection. Nonetheless, as an alternative to conformity the bohemian idea has exerted an enduring fascination. Through works by 39 artists, including Alice Neel, PeterHujar, John Deakin, David Wojnarowicz, Ed van der Elsken, Robert Frank and Alfred Leslie, William Gedney, Libuše Jarcovjáková, Nan Goldin, Zhang Huan and Wolfgang Tillmans, the publication explores the diversity of expressions in various cities in Europe, North America and Asia and shows that the bohemian idea continues to galvanize and inspire.

About the Author:

Russell Ferguson is a research professor at the University of California’s Art Department. During his tenure at the Museum of Contemporary Art and the Hammer Museum in Los Angeles, he curated numerous exhibitions on culture and representation in contemporary art and photography.

Rarely seen and important paintings by this much-loved French postimpressionist, emphasizing his radical use of color and unconventional compositions. 

A new monograph brings together 30 important paintings by Pierre Bonnard (1867–1947) on loan from museums and private collections, including still lifes, nudes, interior scenes, and landscapes, many never seen together before and published here for the first time. The book reveals how Bonnard’s modern compositions transformed paintings in the first half of the twentieth century, while celebrating his unpar-alleled ability to capture fleeting moments, memories, and emotions on canvas. Rather than focus on a particular time period or subject, Bonnard: The Experience of Seeing aims to present Bonnard’s modernity and concentrate on his influence on contemporary painters working today. The book draws attention to how Bonnard translated the experience of perception—with his shifting spaces, camouflaged and dissolving figures going in and out of focus, and forms hidden at the periphery — and how we as viewers experience his paintings, with his works slowly revealing themselves to us over time. 

About the Author:

Barry Schwabsky is art critic for The Nation and coeditor of international reviews for Artforum. Sarah Whitfield is an art historian, writer, and curator. She is coauthor of the René Magritte Catalogue Raisonné. 

Take your listening sessions to the next level with the game edition of the essential cocktail guide Booze & Vinyl, pairing groundbreaking albums with mood-setting mixed drinks in an entertaining new way.

- RECIPE BOOK: 88-page book provides information on the music and full instruction for 50 amazing cocktails
- DISCOVER YOUR OWN PAIRINGS: Book includes space to create your own unique music and drink combinations
- ENTERTAIN LIKE A PRO: This game works for solo play as well as groups of 2, 3, or more
- INSPIRED BY BEST-SELLING BOOK: Game based on Booze & Vinyl, the original guide to pairing cocktails with excellent music 

About the Author:

André Darlington and Tenaya Darlington are the co-authors of Booze & Vinyl, The New Cocktail Hour, and Turner Classic Movies: Movie Night Menus. André is a drinks, food, and lifestyle writer based in Philadelphia. He is a former restaurant critic and award-winning wine and spirits columnist. He recently completed a circumnavigation of the globe to survey the world's cocktail landscape, a journey he details in his forthcoming book, Booze Cruise (Running Press, 2021). Tenaya is a food writer and educator in Philadelphia. By day, she teaches writing at Saint Joseph's University; by night she pens the cheese blog Madame Fromage. She is the author of The Di Bruno Bros. House of Cheese and the forthcoming Milky Way (Workman, 2022).

An in-depth exploration into the immense popularity of William-Adolphe Bouguereau's work in America throughout the late 19th and early 20th centuries Seeking to bring Gallic sophistication and worldly elegance into their galleries and drawing rooms, wealthy Americans of the late 19th and early 20th centuries collected the work of William-Adolphe Bouguereau (1825-1905) in record numbers.

This fascinating volume offers an in-depth exploration of Bouguereau's overwhelming popularity in turn-of-the-century America and the ways that his work-widely known from reviews, exhibitions, and inexpensive reproductions-resonated with the American public. While also lauded by the French artistic establishment and a dominant presence at the Parisian Salons, Bouguereau achieved his greatest success selling his idealized and polished paintings to a voracious American market.

In this book, the authors discuss how the artist's sensual classical maidens, Raphaelesque Madonnas, and pristine peasant children embodied the tastes of American Gilded Age patrons, and how Bouguereau's canvases persuasively functioned as freshly painted Old Masters for collectors flush with new money.

Shirley Trevena is a well-known and successful watercolourist, with a huge international fan base. Throughout her career she has pushed the boundaries of watercolour and is regarded as one of Britain’s most innovative artists in that medium.

Shirley’s watercolours are visually inspiring, vibrant in colour and strong in composition This, her third book, shows how she achieves her stunning results by pushing the medium to its limits. Shirley takes the reader through 10 paintings in great detail and shares all her professional tips and painting secrets. In addition, each painting has large close-up details so the reader can really see all the brushstrokes.

Shirley breaks the conventional rules of watercolour in many different ways: through her compositions, strange perspectives, fascinating textures and, above all, the strength and vibrancy of her colour combinations.

In Breaking the Rules of Watercolour, Shirley explains all her painting decisions and demonstrates her techniques at every stage. In this way, she encourages all watercolourists, whatever their level, to experiment with the medium and produce exciting and challenging work of their own.

About the Author:

Shirley Trevena is a well-known watercolourist with an international reputation who is regarded as one of Britain’s most innovative artists in the medium. She is a Member of the Royal Institute of Painters in Watercolour and is author of three best-selling books, Taking Risks with Watercolour, Vibrant Watercolours, Breaking the Rules of Watercolour and DVDs. In 2010 she was the British representative at the International Watercolour Festival in Antwerp.

Bridgman’s classic, essential guide — with more than 1,000 drawings and 22 expert lessons on mastering the human figure from every angle — is now completely redesigned!

Bridgman’s Complete Guide to Drawing from Life combines six well-known books by celebrated artist and lecturer George A. Bridgman, who taught figure and anatomy drawing at New York City's Art Students League. This fifth edition preserves Bridgman’s comprehensive, unequalled lessons and original sketches but repackages it with a new eye-catching cover that distinguishes it from the competition. In addition, the interior art has been cleaned and the design freshened in two-color. In its sleek new format, this authoritative volume is sure to continue as one of the premier figure-drawing publications of all time.

About the Author:

George B. Bridgman (1865–1943) was a celebrated Canadian-American artist and lecturer who taught figure and anatomy drawing for many years at New York City’s Art Students League. His previous books, assembled in this volume, separately garnered significant popularity and respect within the artistic community, and they continue to post strong sales.

An engaging overview of the changing styles and uses of brooches and badges from the Middle Ages to today

From medieval pilgrim badges and Renaissance hat decorations to jewelled brooches and twentieth-century political pins, brooches and badges are often more than practical or decorative dress fasteners; they are expressions of identity. Focusing on the V&A’s world-famous collection, Brooches and Badges explores the evolution of these intricate and versatile works of art, and the way in which changes in dress have dictated their use.

Contents List:

Introduction • 1. ‘Send…letters, tokens, brooches, and ranges’ 1000–1500 • 2. ‘Rich Apparell, precious Jewells’ 1500–1800 • 3. ‘Any number of brooches, up and down and everywhere’ 1800–1900 • 4. ‘The new jewel has been born’ 1900–1920 • 5. ‘Clips are going like wildfire’ 1920–1940 • 6. ‘Almost anything goes’ 1940–1960 • 7. ‘Precious stones have won their freedom’ 1960-1990 • 8. ‘The shock of beauty’ 1990–The Present • References; Glossary; Further Reading; Notes; Major Collections Featuring Brooches and Badges Acknowledgments; Author’s Biography; Index

About the Author:

Rachel Church is a Curator in the Sculpture, Metalwork, Ceramics and Glass Department at the Victoria and Albert Museum with a special responsibility for the rings collection. She has published and lectured on jewelry and worked on the re-display of the William and Judith Bollinger Jewellery Gallery. She has contributed to a number of V&A publications, including writing on gold boxes in The Gilbert Collection at the V&A (2009).

An unprecedented look at a very young Bruce Springsteen and the E Street Band, from the group’s creation and early New Jersey days to their meteoric rise and seminal Born in the USA tour, in photographs almost all not previously published.

David Gahr (1922–2008) was tapped by Columbia Records designer John Berg to shoot cover art for Bruce Springsteen’s second album, The Wild, the Innocent and the E Street Shuffle. Gahr’s earliest photographs of the musician showcase a youthful Springsteen, not even aged twenty-three, in Asbury Park, New Jersey, on the eve of a career breakthrough. Gahr befriended the rising star, and over a span of approximately ten years he photographed Springsteen, both on- and offstage. Rare captures include Springsteen recording music, performing at the cramped venue Bottom Line weeks before the release of his seminal 1975 album Born to Run, and playing to legions of fans during his Born in the USA tour. Bruce Springsteen 1973–1986 is an unprecedented look back at Bruce Springsteen and the E Street Band on their path to becoming rock legends.

About the Author:

David Gahr was one of music’s renowned but under-the-radar photographers. Starting in 1958when Moses Asch of Folkways Records brought his work to a larger audience, Gahr captured iconic images of some of the greatest musicians of the twentieth century, including Bob Dylan, Pete Seeger, Janis Joplin, Johnny Cash, and Miles Davis, to name only a few. Chris Murray is a writer and founder of Govinda Gallery, which represents some of the best rock music–related fine art photography and photographers in the world.

The iconic Dome of the Cathedral of Florence, the largest masonry vault in the world, was built by Filippo Brunelleschi between 1420 and 1436. More than 100 years later, between 1572 and 1579, the vault was decorated with frescos by the artists Giorgio Vasari and Federico Zuccari depicting the Last Judgment. Working with advanced imaging technology, total access, and Italy’s leading art photographer, this book presents in never-before-seen detail and completeness the entire pictorial cycle of the Dome. Contributions by noted art historians Marco Bussagli, Mina Gregori, and Timothy Verdon illuminate the art historical significance of this magnificent symbol of Florence and the Renaissance.

Text in English and Italian.

About the Authors:

Marco Bussagli is an art historian and a professor at the Academy of Fine Arts in Rome.

Mina Gregori is the Professor Emeritus of Modern Art History at the University of Florence.

Timothy Verdon is an art historian trained at Yale University. He is Director of the Museo dell'Opera del Duomo, Florence.                                                

Carlo Vannini is one of Italy's leading art photographers and teaches photography for Culture Heritage at the Academy of Fine Arts in Bologna.    

This is the long-awaited reprint of Bryan Adams’ first comprehensive monograph of his portrait photography. In the late 1990s Adams became curious about making photographic self-portraits for his album covers, and so chose to pick up the camera himself. This serendipitous decision proved the beginning of a successful photographic career parallel to Adams’ impressive achievements as a singer, songwriter and producer. Exposed is a retrospective of his photography and features portraits of friends and colleagues in the entertainment, fashion and art industries. Including Morrissey, Ben Kingsley, Amy Winehouse, Michael Jackson, Louise Bourgeois, Lindsay Lohan and Judi Dench, among many others, the book “exposes” not only unknown facets of his subjects but also the depth of Adams’ photographic faculty.

About the Author:

Bryan Adams, born in 1959 in Ontario, divides his time between music and photography. Adams has photographed for magazines including Interview, i-D, Harper’s Bazaar, and British and German Vogue. In 2003 he founded Zoo Magazine for which he has received a Goldene Feder Award. In 2006 Adams was honored with a German Lead Award for his series of photographs of Mickey Rourke. Adams’ exhibitions include those held at the Saatchi Gallery and National Portrait Gallery in London, and Haus der Kunst in Munich. Steidl has published Adams’ Exposed (2012), Wounded: The Legacy of War (2013), Untitled (2016) and Homeless (2019).

'Treasure the sounds you hear and sometimes even enjoy a little silence.' - Bryan Adams

Dive into the world of conscious hearing with Hear the World, a book by musician and photographer Bryan Adams for the Hear the World Foundation, featuring over 120 portraits by Adams of renowned ambassadors for the foundation. Wim Wenders, Dionne Warwick, Lana Del Rey, Ben Kingsley, Tina Turner, Julianne Moore, John Cleese, Mick Jacker, Cindy Crawford — these are just some of the subjects from the worlds of film, theatre, music, fashion and beyond whom Adams has photographed.

The Hear the World Foundation supports children with hearing loss in low- and middle-income countries and is founded on the belief that all children deserve the chance to hear well and live life to its full potential. Adams began collaborating with the foundation in 2007; now, out of a shared commitment to honoring the importance of hearing, their joint vision has blossomed into this book. With each subject striking their own distinct Hear the World pose, the publication is a collection of individuals united in their support for preserving and cherishing our ability to hear.

Co-published with the Hear the World Foundation, Steinhausen

About the Author:

Bryan Adams, born in 1959 in Ontario, divides his time between music and photography. Adams has photographed for magazines including Interview, i-D, Harper’s Bazaar, and British and German Vogue. In 2003 he founded Zoo Magazine for which he has received a Goldene Feder Award. In 2006 Adams was honored with a German Lead Award for his series of photographs of Mickey Rourke. Adams’ exhibitions include those held at the Saatchi Gallery and National Portrait Gallery in London, and Haus der Kunst in Munich. Steidl has published Adams’ Exposed (2012), Wounded: The Legacy of War (2013), Untitled (2016) and Homeless (2019).

An insightful look at the history of Tibet and Buddhism through historical narratives and striking art from the Alain Bordier collection.

Fascinated by Buddhist art and Asian spirituality, Alain Bordier has spent more than forty years building a unique collection of religious objects from the Himalayas (Tibet, Nepal, and Bhutan). On display today at the Tibet Museum in the heart of the medieval city of Gruyères, Switzerland, some six hundred works offer visitors the rare opportunity to discover an endangered world heritage.

This volume presents a general historic and artistic framework of Tibetan art through narratives, anecdotes, and commentary from Bordier on the different subjects and the collection itself. Beyond the artistic aspect, this work demonstrates the symbolism and spirituality that emerge from each object and offers an interpretation of the themes from a Buddhist viewpoint. The highlight of the book is the presentation of an unpublished manuscript retracing the life of Milarepa, the great eleventh-century Tibetan yogi, whose analysis provides an excellent introduction to the great Buddhist principles.

About the Author:

Etienne Bock is a specialist in Himalayan art and literature. Jean-Marc Falcombello is a cultural journalist and a disciple of Lama Teunsang, one of the oldest living Tibetan masters for four decades. Magali Jenny is an ethnologis

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Пролистать книгу Buddhist Art of Tibet: In Milarepa's Footsteps на сайте издательства.

An insider's look at art museums and how they shape the ways we view art, through the eyes of the architects who design them.

Architects and art lovers everywhere will enjoy this remarkable collection of interviews from sixteen of the world's most celebrated, thoughtful, and innovative architects who have designed many of the world’s greatest museums. Spanning generations, geographies, and methods of architectural practice, these architects share the complex and fascinating process of creating spaces for art. Building Culture includes interviews with:

_Frank Gehry, who reveals how a half-century of dialogue with the visual arts influenced his revolutionary Guggenheim Bilbao.
_Kulapat Yantrasast, who describes his rethinking of exhibition design and how it expands the presentation of work in venerable institutions like the Metropolitan Museum of Art, where he is currently redesigning the galleries for the arts of Africa, Oceania, and the Americas.
_Walter Hood, whose long interest in improvisational techniques in music informed his design for outdoor performance spaces in the Oakland Museum.
_Elizabeth Diller, whose conception of the Shed in New York City's Hudson Yards was influenced by decades of work in conceptual and performance art.
_Esteemed architects who have designed, renovated, or created galleries for MoMA, the New Museum, and the American Museum of Natural History in New York; the National Gallery and the Tate Modern in London; the Pérez Art Museum Miami; the CentrePompidou in Paris, the 21st Century Museum of Contemporary Art, Kanazawa in Japan; the Museum of West African Art (currently under construction) in Nigeria; and many others.

This lively compendium reveals intensely varied architectural philosophies from a diverse group of established and up-and-coming professionals. Engaging personal recollections of relationships with artists and curators, along with 80 captivating images, provide further insight into the design process and timeless inspiration for architecture students, artists, museum professionals, and anyone fascinated by architectural design, public space, and museum culture.

Foreword by Yve-Alain Bois

About the Authors:

Julian Rose regularly contributes articles to publications such as Aperture, Architectural Review, Artforum, Perspecta, and October. He was a Senior Editor at Artforum from 2012 to 2018 and is a cofounder of the design studio Formlessfinder, whose work was selected for inclusion in MoMA’s 2011 Young Architects Program, won the 2012 AIA NY New Practices Award, and was recognized with the 2020 Architecture League Prize. His design work has been exhibited internationally at venues including the Chicago Architecture Biennial and the Venice Biennale of Architecture. Rose has taught architectural design and history at Columbia University and Princeton University. He received his BA from Harvard University and his M.Arch. from Princeton University School of Architecture and is currently completing a PhD in Art and Archaeology at Princeton University. He lives in New York City.

Yve-Alain Bois is a world-renowned expert on modern and contemporary art. He has curated and co-curated a number of influential exhibitions at museums across Europe and the United States and has published widely on major artists ranging from Matisse and Picasso to Mondrian and Ellsworth Kelly. He is professor emeritus of art history at the School of Historical Studies at the Institute for Advanced Study in Princeton, New Jersey.