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The extraordinary collection of Gaston-Louis Vuitton, grandson of Louis Vuitton, the founder of one of the world’s most famous luxury brands

A collector since his childhood, Gaston-Louis Vuitton (1883–1970) accumulated thousands of objects over his lifetime. His wide interests and voracious curiosity were intimately bound up with the future of the family business and with travel. In addition to forming his own collection of trunks – his primary motivation and the one he announced publicly – Gaston-Louis’s roving eye lit upon rare antique travel articles, locks, hand tools, perfume bottles, tribal arts, walking sticks, vintage children’s toys, books, hotel labels, printed monograms and other typographical rarities. Together they form a rich personal evocation of curiosités industrielles, or curiosities of the trade, as he liked to call them.

This collection will capture the imagination of anyone inspired by bizarre and eclectic curiosities, or those with an interest in the cultural taste of someone who lived through the height of the Art Deco period – indeed, someone whose life was defined by the rigours and rewards of world travel.

A gorgeous celebration of the beauty of Venice as conveyed in the paintings of Canaletto and his followers.

Among the renowned Old Master paintings at the Wallace Collection in London is an important group of 27 eighteenth-century views of Venice, known as vedute, by Canaletto and his followers, including Francesco Guardi. They hang together in a dedicated gallery known as the Canaletto Room, but until recently the majority had not been cleaned since the nineteenth century and their original beauty was obscured by multiple layers of discoloured varnish.

The paintings have now been restored and rephotographed, following a multi-year conservation and research project that has also led to a reappraisal of them. This book presents these pictures in their renewed splendour. It features essays and commentaries by Charles Beddington, the global expert on vedute, and by Wallace Collection curator Lelia Packer. Together they provide fresh insights into the artists’ creative processes, the dating of pictures and their authorship.

About the Authors:

Lelia Packer was previously the Curator of Dutch, Italian, Spanish, German and Pre-1600 Paintings at The Wallace Collection.

Charles Beddington is an independent scholar and art dealer based in London who is a world authority on Venetian vedute.

The acclaimed survey of the life and works of the celebrated Italian modernist master, Carlo Scarpa, from the highly regarded architectural author, Robert McCarter

The work of Carlo Scarpa challenged, and continues to challenge, accepted notions of modern architecture. While several books have been published on his work, none has approached the breadth and depth of this classic monograph by Robert McCarter, who is celebrated for his meticulously researched, experientially based, and jargon-free accounts of key figures in modern architecture. This book is the definitive study of Scarpa’s many accomplishments, including such works at the Canova Museum, the Castelvecchio Museum, and the Brion Cemetery, among others. It features in-depth ‘walk-throughs’ of a selection of Scarpa’s key projects, embracing Scarpa’s approach to experientially based design and presents sketches and architectural plans, together with a complete list of works, realized and unrealized, including his much-loved interiors and glassware, as well as the buildings themselves.

About the Author:

Robert McCarter is a practicing architect and has been Ruth and Norman Moore Professor of Architecture at Washington University in St. Louis since 2007. He taught previously at the University of Florida, where he was Director of the School of Architecture from 1991–2001, and Columbia University, among other schools. He has written for numerous international publications, and his books include: Grafton Architects (2018); Marcel Breuer (2016); Steven Holl (2015); Alvar Aalto (2014); Carlo Scarpa (2013); Understanding Architecture, co-authored with Juhani Pallasmaa (2012); and Louis I Kahn (2005), all by Phaidon Press. He has also published The Work of MacKay-Lyons Sweetapple Architects: Economy as Ethic (2017); The Space Within: Interior Experience as the Origin of Architecture (2016); and Aldo van Eyck (2015), among other books.

Carrie Moyer’s first major monograph expansively represents the influential abstract painter’s work and queer agitprop.

Carrie Moyer consciously centers her painting as a practice about painting, with history as a subtext. Known for her incursions into Color Field painting, Moyer also traces her influences to iconic female artists of the twentieth century, such as Georgia O’Keeffe, and surrounding questions of taste, once quipping of her paintings that “[Helen] Frankenthaler and [Fernand] Léger met in a dark corner and had Elizabeth Murray.”

Moyer’s complex work merges abstract aesthetics and legible imagery: vividly colored and textured forms are embedded with a range of historical, stylistic, and physical references to Surrealism, Modernism, 1960s and ’70s counterculture graphics, and ’70s feminist art. Moyer often works on the floor, pouring, rolling, stippling, mopping the paint, and embellishing with glitter. An exploration of acrylic’s unique properties is a driving force in her work. Beginning as an intern at HERESIES, the pioneering feminist art magazine, Moyer has also engaged in critical practices beyond the studio.

This monograph enriches a deep dive into Moyer’s painting practice, in particular her work of the past decade, with a portfolio of the artist’s agitprop from the 1990s, including Dyke Action Machine! (DAM!), one of the first lesbian public art projects.

About the Author:

Carrie Moyer is the director of Hunter College’s MFA program in Studio Art. Lauren O’Neill-Butler is a New York–based writer, editor, and educator. Katy Siegel is Eugene V. and Clare E. Thaw Endowed Chair in Modern American Art at Stony Brook University. Johanna Fateman is a writer, musician, and founding member of the rock band Le Tigre.

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A sumptuous exploration of the influence of the Islamic arts on Cartier’s jewelry, published to accompany a major exhibition at the Musée des Arts Decoratifs, Paris

Cartier and Islamic Art traces the glorious ways Islamic art has inspired Maison Cartier from the early 20th century to today, showing how its geometric patterns and opulent colour palette augured the birth of a decidedly modern aesthetic. Masterpieces of Islamic art, including works brought together from Louis Cartier’s extraordinary personal collection, as well as archival drawings, books and photographs, sit alongside dazzling period photographs of Cartier jewelry, while in-depth texts by distinguished scholars of both Islamic art and architecture as well as the decorative arts illuminate and celebrate the beauty of Islamic art and the astonishing creative genius of Maison Cartier.

Accompanies the exhibition at the Musée des Arts Decoratifs, Paris, from 21 October 2021 to 20 February 2022.

Contents List:

Forewords by Pierre-Alexis Dumas, Cyrille Vigneron, Agustín Arteaga, Olivier Gabet and Pierre Rainero

CATALOGUE

Cartier – The Story
Pascale Lepeu

A Journey into the Cartier Archives
Violette Petit

The “Revelation” of Islamic Arts: a Path to Modernity?
Judith Henon-Raynaud and Évelyne Possémé

Exquisite Manuscripts and Inlaid Objects: Reconstructing Louis Cartier’s Collection of Islamic Art
Judith Henon-Raynaud

Cartier and India: a Source of Formal and Technical Renewal
Évelyne Possémé

Cartier’s lexicon of forms: Abstractions, the ‘Arab’ Style, and the ‘Persian’ Style
Heather Ecker

An Exploration of Islamic Aesthetic Influence on Cartier’s Graphics, 1909-1940
Sarah Schleuning

APPENDIX

Check list of exhibited works
(with illustrations)

Comprehensive list of Louis Cartier’s collection (with illustrations)

About the Authors:

Heather Ecker is Marguerite S. Hoffman and Thomas W. Lentz Curator of Islamic and Medieval Art at Dallas Museum of Art. Judith Henon-Renaud is Deputy Director of the Department of Islamic Arts at the Louvre. Pascale Lepeu is curator of the Cartier Collection. Violette Petit is head of the Cartier Paris Archives. Évelyne Possémé is Chief Curator, Art Nouveau-Art Deco and Antique and Modern Jewelry at the Musée des Arts Décoratifs, Paris. Sarah Schleuning is Interim Chief Curator and The Margot B. Perot Senior Curator of Decorative Arts and Design at Dallas Museum of Art.

List of Contributors:

Pierre-Alexis Dumas, Cyrille Vigneron, Agustín Arteaga, Olivier Gabet, Pierre Rainero

This refined volume documents the new collection of high jewelry from Cartier.

Through Le Voyage Recommencé, its latest collection of high jewelry and precious objects, Cartier pays tribute to the richness of its style. Embarking readers on a prodigious journey, the jewelry showcased in this book explores the Maison’s iconic fields of expression: essential lines, geometry, colors, flora and fauna, and influences from world cultures, to name but a few. The renowned jeweler continually pushes the boundaries of creation to discover new horizons.

Accompanied by text focusing on the concept of style in the arts, the pieces presented in this richly illustrated volume take us on a renewed journey ― a voyage recommencé ― into the heart of the Cartier style, where creative imagination and superlative savoir faire transform precious stones and materials into magnificent jewelry.

About the Authors:

Francois Chaille is passionate about art history, fashion, jewelry, and watchmaking. He has collaborated with Flammarion to publish over fifteen books on these subjects.

Hélène Kelmachter is an art historian and has curated exhibitions on contemporary art and on artistic professions. She has been a cultural attaché for the French Embassy in Tokyo and Buenos Aires, and, since February 2020, at the French Embassy in Italy.

True to the Cartier brothers' passion for the earth and its natural beauties, the newest collection of high jewelry brings the wonders of nature and cultural splendors from all four corners of the globe into dialogue. Sublimated by the interplay of stones and drawings, the inspirations give rise to highly stylized, even abstract compositions of a new genre. A coral reef entwines the length of a flamboyant necklace, an iguana skin transforms into a geometric matrix, and a Chinese puzzle box reveals a kaleidoscopic ring. Natural treasures and the fruits of human creativity meet in the purity of original compositions, revealing the unique dimensions of a multifaceted world that showcases all the richness of the nature and the Cartier universe.

About the Authors:

Francois Chaille is passionate about art history, fashion, jewelry, and watchmaking. He has collaborated with Flammarion to publish over fifteen books on these subjects.
Alberto Cavalli is Executive Co-Director of the Michelangelo Foundation for Creativity and Craftsmanship and the Director General of the Fondazione Cologni dei Mestieri d’Arte. A professor at Milan’s university Politecnico, he writes regularly about the arts for several international reviews.

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Пролистать книгу Cartier: Beautés du Monde: High Jewelry and Precious Objects

The story of the French cashmere shawls of the 19th century and their rise to the heights of fashion. This treasure-trove will not only delight textile scholars and costume historians but is sure to appeal to anyone who loves gorgeous accessories

The delicate beauty of the cashmere shawl was first brought to Europe by the East India Companies and Napoleon’s campaigns. Woven in Kashmir, its fabric was so light that, according to legend, a whole shawl could be passed through a finger-ring. By the 19th century, these shawls were highly sought-after in France; French manufacturers soon saw that there was a market for more accessibly priced versions and started to create their own.

Monique Lévi-Strauss has spent more than thirty years collecting and studying these shawls and gathering rare documents to preserve their history. This completely revised, expanded and redesigned edition of her classic book on the subject illustrates nearly 300 of these beautiful items, superbly photographed to showcase their splendid original designs, alongside a wealth of archive material and contemporary paintings that show them being worn by their elegant owners.

This refreshing new book, a lavishly produced and illustrated volume on the controversial 19th-century Romantic artist, addresses Caspar David Friedrich’s modern critics while deepening our appreciation for his singular genius.

"A painting must stand as a painting, made by human hand", wrote Caspar David Friedrich, "not seek to disguise itself as nature." One of his generation’s most popular painters, Friedrich imagined landscapes of powerful beauty and spirituality from within the confines of his studios. This breathtaking monograph, filled with glorious reproductions and details of his paintings, argues for Friedrich’s reputation as a sublime artist and interpreter of nature. In his thoughtful and wellresearched commentary, author Johannes Grave explores Friedrich’s unique approach to landscape painting as well as his revolutionary thoughts about how these paintings should be received by their viewers. Looking closely at pieces such as "Monk by the Sea", "The Abbey in the Oakwood", and the "Tetschen Altar", Graves shows how Friedrich developed an innovative approach to landscape painting, one that communicated a new sense of space and time, and which draws the viewer into a unique aesthetic experience.

Readable, insightful, and copiously illustrated in a deluxe volume, this compelling new perspective sheds crucial light on Friedrich’s celebrated body of work.

250 years after the painter’s birth, this luxurious exhibition catalog offers glimpses into the mystery of Friedrich’s largely posthumous popularity as well as the latest research into his training and techniques.

Largely ignored during his lifetime, Caspar David Friedrich was a meticulous painter of emotionally evocative landscapes, often featuring solitary figures or groups of people against dramatic scenery. His work has inspired many artists to the present day, and this volume explores the role that Berlin’s Nationalgalerie played in bringing Friedrich into the forefront of modern art history. It also shines a light on Friedrich's remarkable use of pairs in paintings — including his most famous pairing, Monk by the Sea and Abbey in the Oakwood — which he employed to express a range of different perspectives and the concept of change. Finally it examines the latest research into Friedrich’s technique: his early training in Copenhagen; his sketches, preparatory drawings and underdrawings; and his unconventional selection and use of pigments.

Throughout this monograph readers will find stunning reproductions of sixty paintings, including several iconic works, and fifty drawings—representing collections from around the world. Coupled with the latest research, they combine to offer a completely up-to-date appreciation of Friedrich’s extraordinary talent and his unquestionable status as a pioneer of modern art.

With contributions by Birgit Verwiebe, Johannes Grave, Hilmar Frank, Werner Busch, Anna Marie Pfäfflin, Gerd-Helge Vogel, Kristina Mösl, Ralph Gleis, Sintje Guericke.

About the Authors:

Birgit Verwiebe is curator at the Alte Nationalgalerie in Berlin for painting of the first half of the 19th century, and an expert on Caspar David Friedrich.

Raplph Gleis is director of the Alte Nationalgalerie in Berlin with numerous publications on the art of the 19th century.

Featuring the works Japan’s most celebrated neko-e artists, this gorgeous boxed set contains a volume of more than seventy exquisite accordion-fold prints and an accompanying booklet with explanatory texts.

For centuries, cats have played an essential role in Japanese culture and folklore. Long before Hello Kitty, they were fetishized and revered by every strata of Japanese society, especially by artists. This volume collects dozens of prints by the greatest masters of Japanese printmaking including Hokusai, Hiroshige, Kuniyoshi, Utamaro, and Kunichika. It beautifully reflects the complex nature of the country’s attachment to felines. Cats are depicted as playful and cuddly, menacing and predatory; they are imbued with erotic meaning; and regarded as symbols of wealth and taste. They can be seen as having human qualities, yet also take on monstrous forms. Each of these prints captures its subject’s personality with meticulous detail, vibrant colors, and intricate patterns.
Included in this package is a booklet featuring an introduction to and brief texts about each of the works ― making this the perfect gift for cat fanciers, Japanese culture enthusiasts and lovers of woodblock prints.

About the Author:

Jocelyn Bouquillard is a curator at the Bibliothèque Nationale de France and an expert in Japanese prints.

A monumental volume devoted to one of the world’s largest and most spectacular collections of Cézannes.

The Barnes Foundation’s holdings of works by the renowned Post-Impressionist Paul Cézanne (1839–1906) — sixty-one oils on canvas and eight works on paper — are among the most significant in the world. The Barnes Foundation was established in 1922 by scientist, entrepreneur, and educator Dr. Albert C. Barnes, a passionate supporter of European modernism. His virtually unrivaled collection, which can only be viewed at the Barnes Foundation, also includes exceptional paintings by Pierre-Auguste Renoir, Henri Matisse, Pablo Picasso, and many others.

Beginning in 1912, Barnes acquired works by Cézanne from major Paris dealers such as Paul Durand-Ruel and soon ranked among the artist’s most prominent collectors. At the time, this expressed a pioneering taste that Barnes shared with only a small group of enthusiasts, even though Cézanne had been posthumously hailed as a father of modern art at the turn of the twentieth century. The foundation’s impressive holdings of Cézannes — never before published in a single study in their entirety — span every period of the artist’s career and include his largest rendition of The Card Players and one of the three versions of The Large Bathers, one of his signal testaments.

This lavishly illustrated landmark volume is both a work on Cézanne and his time, and an impetus for further study of an artist whose oeuvre is at once luminous, austere, challenging, and deeply confounding.

About the Author:

André Dombrowski is Frances Shapiro-Weitzenhoffer Associate Professor of 19th-Century European Art at the University of Pennsylvania. Nancy Ireson is Deputy Director for Collections and Exhibitions and Gund Family Chief Curator at the Barnes Foundation, Philadelphia. Sylvie Patry is Chief Curator and Deputy Director for Curatorial Affairs and Collections at the Musée d’Orsay.

The best of the tiaras created by Parisian high-jewelry house Chaumet, presented in a luxurious slipcased package

Founded in 1780 in Paris, the Maison Chaumet became the most prestigious and sought-after jeweller in Europe under the patronage of the Empress Joséphine, wife of Napoléon. For nearly 250 years, Chaumet has specialized in tiaras of dazzling craftsmanship for powerful women including royalty, heiresses, celebrities, artists and modern businesswomen.

The spectacular and rarely seen tiaras in this book are presented thematically: Nature, Sky, Freeforms and Power, accompanied by essays from V&A jewellery curator Clare Phillips and fashion journalist Natasha Fraser-Cavassoni. Featuring more than 200 illustrations, including specially commissioned photographs, this is a stunning tribute to an enduring symbol of feminine majesty.

Contents List:

Chaumet: An Exquisite Legacy, by Clare Phillips • The Tiara: Power, Fashion and Magic by Natasha Fraser-Cavassoni • Nature • Sky • Freeforms • Power • Timeline • Endmatter

About the Authors:

Clare Phillips is a curator in the Sculpture, Metalwork, Ceramics and Glass Department at the Victoria and Albert Museum. Her publications include Jewelry: From Antiquity to the Present and Jewels and Jewelry.
Natasha Fraser-Cavassoni is the author of numerous books, including Vogue on Yves Saint Laurent and After Andy: Adventures in Warhol Land. She was the European editor for Harper’s Bazaar from 1999 to 2004.

This is Gagosian’s 500th book. It fittingly marks the achievement, as Chris Burden was among the first artists to work with Larry Gagosian. Chris Burden: Streetlamps is the definitive publication on Burden’s iconic series.

Chris Burden: Streetlamps explores the artist’s work with antique streetlamps, which he began to amass in the early 2000s. Burden fully restored 202 streetlamps from the 1920s to create his renowned Urban Light, which was acquired by the Los Angeles County Museum of Art. He realized four more major streetlamp sculptures in both public and private spaces, all of which are lavishly documented here from conception through installation.

About the Author:

Christopher Bedford is the Dorothy Wagner Wallace Director of the Baltimore Museum of Art. Russell Ferguson is an art historian, curator, author, and a professor at the University of California, Los Angeles. Michael Govan is the director of the Los Angeles County Museum of Art. Ari Marcopoulos is a photographer and filmmaker. George Roberts is a philanthropist and the cofounder and co-CEO of KKR.

For centuries, the stories of the world’s great jewellery collections have lain hidden within the archives of Christie’s, the celebrated auctioneers. From the tragic European queens, Mary, Queen of Scots and Marie Antoinette – both beheaded – to Hollywood royalty such as Elizabeth Taylor, the vaults sparkle with the most celebrated (and occasionally notorious) names of the last 250 years. Following on from the success of his books on Boucheron: The Secret Archives, Van Cleef & Arpels: Treasures and Legends and Mellerio: Jewellers to the Queens of Europe, author Vincent Meylan explores these remarkable jewellery archives, revealing the mysteries within for the first time.

Each sale had its intrigue, each its story to tell. The first auction of jewellery from the British royal family took place at Christie’s in 1773, after the death of the Princess of Wales, mother of George III. As the archives reveal, in the subsequent centuries, Christie’s has been party to the sale of jewellery by several further generations of British royals, from Lady Patricia Ramsay and the Countess of Southesk through to Princess Margaret, Countess of Snowdon. And, in the wake of revolution and regicide further afield, the crown jewels of France, Russia, Bavaria, Serbia, Egypt, India and Spain were all sold at Christie’s. Aside from Elizabeth Taylor, the legendary movie star collections of Merle Oberon and Gloria Swanson are also revealed here, as well as the most famous pearls and diamonds in the world; each explored within the context of their owners’ remarkable lives.

Expertly curating the extensive archives, Vincent Meylan has drawn out the key details of each momentous sale. Original documents from the vaults are reproduced in the book, alongside hundreds of colour illustrations of the jewels and their owners.

About the Author:

Vincent Meylan is a specialist in precious stones and high jewellery, and the author of several biographies and works on the history of precious stones, including Queens' Jewels (Assouline, 2005), Boucheron: The Secret Archives ISBN 9781851496679 (ACC, 2011), and of Van Cleef & Arpels: Treasures and Legends ISBN 9781851497706 (ACC, 2014).