Искусство

Everyday Sketching and Drawing offers an easy-to-follow, 5-step formula, which teaches beginner-friendly techniques for learning the skills necessary to make drawing and sketching an everyday habit. For those who have always wanted to or tried and failed to learn to draw it provides simple step-by-step instruction, plus easy-to-follow practice exercises, and provides the motivation and inspiration readers need to be successful. For those who already draw, Everyday Sketching and Drawing offers another technique to add to their drawing arsenal.

Why do so many adults come to view drawing as difficult or fraught with anxiety? Traditional art instruction is often bogged down with jargon, rules, and admonishments that unintentionally stifle the joy of drawing for its own sake.

Steven Reddy's new and easy approach to drawing instructs sketchers to document their unique and compelling lives in realistic yet playful sketches that record the places, spaces, and objects that help define them as individuals. He reminds artists to slow down, notice, and attend to the sketch-worthy scenes and subjects that are unstaged and always there in our everyday lives. He offers a versatile technique that can lead to a skill that fills sketchbooks with the visual details that differentiate one life from another. This approach is a meditative, relaxing alternative to academic concerns about perspective, proportion, and accuracy. Reddy encourages artists to capture in whimsical but detail-specific illustrations their unique, subjective interpretation of their visual surroundings.

Steven Reddy's drawing method produces extremely detailed and realistic scenes of objects and scenes in everyday life in a relatively short period of time (60 minutes to 3 hours or more, depending on the sketcher's preference). Modifying a technique utilized by Old Master oil painters, the drawings pass through 5 clearly articulated stages where each step focuses on one visual concept at a time.

About the Author:

Steven B. Reddy teaches drawing and illustration at Gage Academy of Art in Seattle. He has also taught for the Seattle Public Schools since 1998. Reddy has a passion for creating detailed illustrations of urban scenes, cluttered interiors, and complex still lifes on location in ink and watercolor. His drawings from China and Mexico appear in Danny Gregory's An Illustrated Journey. Reddy also self-published Now Where Was I? An Illustrated Memoir, which showcases drawings that span 35 years from his daily sketchbook diaries

The art of collecting — from artist’s palettes still freckled with oil paint, to sculpted picture frames, to a menagerie of wooden toy animals — associating an accumulation of kindred objects is at the core of timeless French style.

French artist, designer, and talented antique hunter Marin Montagut celebrates the joy of collecting everything from textiles to barware to architectural details, taking readers inside a dozen private homes, flea markets, and unusual ateliers to discover the most whimsical treasure troves in France. From a film prop house’s array of leather sporting goods and playing cards to a travel buff’s vintage maps and globes, and from a sculpture studio’s Grecian plaster casts to an amateur designer’s spiral staircase models, and from Montagut’s own wonder wall assemblages to a cook’s haven filled with porcelain dessert molds and copper pots — objects, when presented together as a series, create unforgettable interiors that radiate charm. Inspiration comes in repetition: wooden zigzag rulers with engraved numbers aligned on a wall in a herringbone pattern create an artful space. The spare wooden forms of capipotes — devotional statues used in religious processions, their eyes turned heavenward in ecstasy — and silver ex-votos can be the point of departure for the theme of an entire room. Montagut’s mood boards for each chapter provide endless ideas for the home.

About the Author:

Marin Montagut is French illustrator and designer; his eponymous boutique is dedicated to whimsical decorative objects. He published Timeless Paris (Flammarion, 2021), is coauthor with Ines de la Fressange of Maison: Parisian Chic at Home (Flammarion, 2018), and he created and illustrated the Bonjour City Map-Guides. He has collaborated with the Château de Versailles and with many brands, including Farrow & Ball, the Ritz Paris, Diptyque, and Pierre Frey. Pierre Musellec is a lifestyle photographer; his work appeared in Timeless Paris and Faire magazine. Laura Fronty contributed text to Timeless Paris: Ateliers, Emporiums, Savoir Faire (Flammarion, 2021).

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Пролистать книгу Extraordinary Collections: French Interiors, Flea Markets, Ateliers на сайте издательства.

Fabergé: Treasures of Imperial Russia. Fabergé Museum, St. Petersburg is a lavish volume on the most complete Fabergé collection in the world, with many pieces rarely seen before, from the famous imperial Easter eggs to precious jewelry, enamels, and Russian silver, showcased in the sumptuous Shuvalov Palace in St. Petersburg, Russia.

Jeweler and goldsmith Carl Fabergé and his firm are renowned for creating the most superbly refined objects of the late nineteenth and early twentieth centuries for the nobility and aristocracy of imperial Russia. Exquisite examples of the jeweler’s art, Fabergé’s magnificent Easter eggs, commissioned for the Romanov Imperial family, and other impeccably crafted objects continue to be prized the world over for their incredible craftsmanship and unparalleled beauty.

Now, the Fabergé Museum in St. Petersburg has gathered the most spectacular and comprehensive treasury of Fabergé objects. This book showcases a wealth of precious objects — from the imperial eggs, delicate jeweled enamel clocks, and picture frames to animals carved out of hardstone and gem-encrusted jewelry and presentation boxes.

With all-new photography of the collection — more than 500 priceless objects in all — alongside stunning images of the majestic Shuvalov Palace, this luxurious volume is a celebration of the exquisite beauty and craftsmanship of prerevolutionary Russia and its heritage.

About the Author:

Written by internationally known authors and leading experts: Géza von Habsburg, Tatiana Muntian, Valentin Skurlov, Ulla Tillander-Godenhielm, Kieran McCarthy, Mark Schaffer, Irina Buseva-Davydova, Alexander von Solodkoff, and Ekaterina Khmelnitskaya.

The first comprehensive survey of the beloved figurative realist painter Fairfield Porter to be published in more than two decades. A figurative realist in the heyday of abstract expressionism, Fairfield Porter (1907–1975) painted himself, his family, and friends in New York City, in Southampton, Long Island, and on an island off the Maine coast, all depicting a relaxed and comfortable world that seemed to mirror his own affluent, well-connected existence. With virtually all of the artist’s previous publications now out of print, this much-anticipated volume is an important addition to the literature on this great American master. Porter graduated from Harvard in 1928 and then studied at the Art Students League in New York with Thomas Hart Benton. Along with months in Maine, Porter lived in New York and from 1948 on, in Southampton where he purchased a large, late Federal-style house for his own expanding family. Porter painted several artist friends, including Elaine de Kooning, Larry Rivers, and Jane Freilicher. He was also close to the modern poets John Ashbery, Frank O’Hara, and James Schuyler. With a carefully curated selection of the artist’s best works, John Wilmerding, a specialist in American art, gives full consideration to Porter’s expressive compositions and a color palette influenced by his coastal surroundings. Karen Wilkin discusses Porter’s influences and pictorial creativity. Distinguished poet J. D. McClatchy writes a reflection on one of Porter’s paintings.

About the Authors:

John Wilmerding is Sarofim Professor of American Art, emeritus, at Princeton University. Karen Wilkin is an independent curator and art critic based in New York. She is a contributor to Rizzoli’s Wayne Thiebaud (2015). J. D. McClatchy is the editor of the Yale Review and former president of the American Academy of Arts and Letters.

An original Marvel Comics graphic novel starring the Fantastic Four, written and illustrated by renowned, multi-award-winning artist Alex Ross.

It’s a rainy night in Manhattan and not a creature is stirring except for . . . Ben Grimm. When an intruder suddenly appears inside the Baxter Building, the Fantastic Four — Mister Fantastic (Reed Richards), the Invisible Woman (Susan Storm Richards), the Human Torch (Johnny Storm), and the Thing (Ben Grimm) — find themselves surrounded by a swarm of invading parasites.

These carrion creatures composed of Negative Energy come to Earth using a human host as a delivery system. But for what purpose? And who is behind this untimely invasion?

The Fantastic Four have no choice but to journey into the Negative Zone, an alien universe composed entirely of anti-matter, risking not just their own lives but the fate of the cosmos!

Fantastic Four: Full Circle is the first longform work written and illustrated by acclaimed artist Alex Ross,

About the Author:

Alex Ross studied at the American Academy of Art in Chicago, then honed his craft as a storyboard artist before entering the field of comics. In 1993 Marvels — his groundbreaking miniseries with writer Kurt Busiek — created a wider acceptance for painted comics. In 1996 he and writer Mark Waid produced the equally successful Kingdom Come for DC Comics, and Ross followed those up with an extensive series of work including magazine and album covers, as well as a poster for the Academy Awards. Ross has also been the subject of two monographs written and designed by Chip Kidd — Mythology: The DC Comics Art of Alex Ross and Marvelocity: The Marvel Comics Art of Alex Ross. His latest book is The Alex Ross Marvel Comics Poster Book (Abrams ComicArts, spring 2021).

This book provides insights on Farah Ossouli’s artistic pursuits with miniature painting, explains the historical background of Iranian Contemporary and the challenges of contemporary image-making in the new political and social climate.

Farah Ossouli (born in 1953 in Zandschan, lives and works in Tehran) has explored innovative approaches to the medium painting, most commonly through juxtaposition of images and texts that scrutinize preconceptions about gender and race while undermining collective assumptions in post-revolutionary Iran.

A hallmark of her paintings are exceptionally fine miniatures; her subjects are figurative but nevertheless not easily deciphered. Even through titles can identify what is portrayed, they often only hint at a possible interpretation of the picture. Through most of her works have a private character, Ossouli refers to historical events and occurrences with collective memory internationally, which still disturbs to this day. Ossouli can interpret history through an artwork, since the aesthetics of representation creates a challenge to the ethics of what is represented. The aesthetic quality of the paintings is what first allows the viewers to address his content. The dissolution of subjectivity and its rearticulation in miniature compositions is a major trope. Early on Ossouli began to use mirrors to facilitate this process – as myth and metaphor doubling and redoubling a fragmented vision – returning the viewer to that moment of ego formation described by Jacques Lacan as the mirror stage. Farah Ossouli’s paintings, gouaches, conceptual miniature works, drawings, artist books and texts since the mid-1970s have been characterized by a keen awareness how the conditio humana is a product of its representation in mass media. She has developed a unique aesthetic practice committed to a metaphorical and feminist narration.

For more than four decades, Ossouli has been delving into the violent peripheries of a society mediated by images, in genuine compositions whose fine surfaces contain an unsettling visual poetics, political allure, and hope. Her works are monumental sites of confrontation with ideologies that manipulate and often obliterate the individual. This corporal trauma is expressed in an almost documentary realism with the elements of classical Persian Miniature Paintings that presents little more than the bare facts, it is also reflected in every aspects of composition, from the projection of contemporary political issues and the removal of entire sections in the narration, to unnerving collapse of the figure with space it occupies.

From bestselling art instruction author Christopher Hart, a fun and informative introduction to the basics of drawing the figure for fashion!

Chris Hart not only gives step-by-step instructions on drawing figures from many points of view and in varying poses, he explains the tricks of the trade: how to "dress" your figure; render color, texture, and print; and create accessories, hairstyles, and makeup looks. An overview of tools, materials, and essential skills will help you bring your creative vision to life!

About the Author:

Christopher Hart is the world's bestselling author of manga, basic drawing and cartooning books. His titles have set the standard for art instruction with more than 3 million copies in print in eighteen languages. Renowned for up-to-the-minute content and easy-to-follow steps, all of Hart's books have become staples for a new generation of aspiring artists and professionals.

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Пролистать книгу Fashion Design Studio: Learn to Draw Figures, Fashion, Hairstyles & More

Rising from the Ashes. The first color lithographs of the rediscovered Pompeii

When the excavations at Pompeii were first placed on a scholarly archaeological footing in the 19th century, brothers Fausto and Felice Niccolini were close at hand and ready to respond. Making use of the newly introduced technique of color lithography, they documented the buildings, frescos, statues, as well as the most ordinary everyday objects, of the city buried in just 24 hours by the catastrophic eruption of Vesuvius and preserved for over 1,600 years under a mantle of volcanic ash.

The Niccolinis’ goal was to illustrate all aspects of life in the antique city. Their publication, Le case ed i monumenti di Pompei (“The Houses and Monuments of Pompeii”), which was issued in installments between 1854 and 1896 in Naples, presented over 400 color plates providing not only views, maps, and groundplans of the city and its public buildings, but also offered unprecedented access to Pompeii’s private residences. They revealed the astonishing painted wall decorations that adorned these long-buried abodes, their intricate works of art, and the practical utensils of everyday use, conjuring up a vivid picture of each house as a real domestic space. In total, the plates illustrated more than 1,000 items, each extensively specified and located for the first time, making the publication a major reference in Pompeii research. In addition, “animated” representations visualized daily life in Pompeii’s workshops, taverns, and shops, on its public squares, and in its temples, theaters, and baths.

This meticulous facsimile revives the Niccolinis’ extraordinary achievement with all color plates and two introductory essays setting the project in its contemporary context and presenting the historical protagonists of the Vesuvian excavations. In addition, we explore the remarkable influence exerted by Pompeian art — and by the haunting plaster casts made of victims of the eruption — on the visual arts. Across painting, sculpture, and interior design, we trace the Pompeii legacy in the work of Robert Adam, Anton Raphael Mengs, Angelika Kaufmann, Jean-Auguste-Dominique Ingres, Lawrence Alma-Tadema, Pablo Picasso, and Giorgio de Chirico, right through to recent masters Duane Hanson and George Segal.

The authors:

Sebastian Schütze was a longtime research fellow at the Bibliotheca Hertziana (Max Planck Institute for Art History) in Rome. He is a member of the academic board of the Istituto Italiano per gli Studi Filosofici in Naples, and a member of the Österreichische Akademie der Wissenschaften. From 2003 to 2009 he held the Bader Chair in Southern Baroque Art at Queen’s University in Kingston. In 2009 he was appointed professor of early modern art history at Vienna University.

Valentin Kockel studied classical archaeology and obtained his doctorate in 1978 with a thesis on the necropolises of Pompeii. He has worked at the German Archaeological Institute in Rome, the Technical University of Darmstadt, and until 2014 he was Professor at Augsburg University. Kockel has headed excavations in Ostia Antica and at the Forum in Pompeii.

Ubiquitous in the music world, Fender^® guitars and amplifiers are also icons in popular culture, their shapes and sounds instantly recognizable. Authoritatively written and lavishly illustrated, Fender 75 Years is the officially licensed anniversary celebration of the company and its legendary instruments.

Originating in Leo Fender’s modest radio and amplifier repair shop in Fullerton, California, Fender Musical Instrument Corporation went on to become the world’s preeminent name in musical instruments. Today, Fender’s guitars, amplifiers, and script logo are recognizable even to those with only a casual interest in music.

From Fender’s first instrument — a 1946 lap steel guitar — to Leo Fender’s groundbreaking early six-string guitar designs like the Esquire that set the standard for the electric guitar explosion to follow, author Dave Hunter traces Fender’s entire history to the present. All the innovations and landmark models are here, as well as legendary players who became synonymous with Fender instruments across musical genres.

In addition to the instantly recognizable Telecaster^® and Stratocaster^®, Hunter examines Fender’s legendary offset guitars like the Mustang^®, Jazzmaster^®, and Jaguar^®, and such lesser-known models as the Marauder, Coronado, Bronco™, and more. The Jazz Bass^® and Precision Bass^® also feature, as do Fender’s acoustic guitars and workhorse amplifiers like the Bassman^®, Twin Reverb^®, and Princeton^®, to name a few.

Along the way, readers get in-depth scoops on the relationships dozens of players have enjoyed with Fender: rock ’n’ roll pioneers like Hank Marvin and James Burton; classic-rock icons like Jimi Hendrix and Eric Clapton; blues legends Bonnie Raitt, Stevie Ray Vaughan, and Buddy Guy; alt-rock gods J Mascis and Kurt Cobain; more recent guitar heroes like Courtney Barnett, beabadoobee, and H.E.R. …the list goes on. In addition, Hunter explores the work of the award-winning Fender Custom Shop and the guitars produced there.

Illustrated throughout with rare images from company archives, Fender 75 Years treats readers to rare behind-the-scenes views of the shop floor throughout the years, studio imagery of the guitars, rare period advertising and brochures, and performance images of Fender players.

It’s the definitive look at the Fender’s first three-quarters of a century and a must-have for every guitar enthusiast.

About the Author:

Dave Hunter is an author, musician, and journalist. He is the author of several popular books about guitars, amps, and effects, including Voyageur Press's Star Guitars, The Fender Stratocaster, The Gibson Les Paul, and 365 Guitars, Amps & Effects You Must Play. A regular contributor to Guitar Player and Vintage Guitar magazines, he resides in Portsmouth, New Hampshire.

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Пролистать книгу Fender 75 Years на Google Books

This handbook combines three "schools of thought" regarding figure drawing that are, at least on the surface, at odds with each other. But with his vast teaching experience, Zeller has seen that on a deeper level they are very compatible. Such a synthesis leads to a more complete understanding of the figure. Although this comprehensive approach is reflected in contemporary art and art education, no book has ever combined all three before. Gestural: The dynamic, gestural, rhythmic understanding of the figure as practiced by the great Mannerists of the Renaissance. This philosophy emphasizes life and rhythm in the human form. Rooted in the 16th and 17th centuries. Structural: A solid architectural understanding of the structure and anatomy of the body as the basis for building solid figure drawings. Rooted in the 20th and 21st centuries. Atelier Method: A beautiful, careful, detailed understanding of surface morphology of the figure. Smooth surface rendering. Very sensual. Rooted in the 18th and 19th centuries. This fresh, modern treatment of the subject will be eagerly received by today's artists and art students.

About the Author:

Robert Zeller is an artist who lives and works in Brooklyn, New York. Originally from New Orleans, Zeller received a BFA from the Boston Museum School and Tufts University and an MFA from the New York Academy of Art. He finished his education with atelier training from Jacob Collins at the Water Street Atelier and in-depth anatomical and structural study with the sculptor Sabin Howard. Zeller is the recipient of two Posey Fellowships and a Pollock-Krasner Foundation Grant and has exhibited at galleries in Los Angeles, Houston, Paris, and New York, where he has had two solo shows. He is the founder of the Teaching Studios of Art (www.teachingstudios.com) in Oyster Bay, New York. For more about the artist, visit www.robertzeller.com.

Informative and instructive, this comprehensive guide will give you all the tools you need to draw the human figure, from life and from a screen. While many books focus on just one aspect of figure drawing, this manual unites the skills of observation, expression and understanding in one coherent approach. Beginning with the key principles of observation, Figure Drawing will help you to build a strong foundation of skills to make well-observed, proportionally accurate drawings. As the book progresses you will explore processes and exercises that move beyond the purely observed to express the gesture, form and substance of your model.

_Photographic and illustrative examples throughout the book support your learning at every step.
_Clear step-by-step tutorials provide a practical understanding of the key materials, skills and ideas in figure drawing.
_A comprehensive anatomical reference section, broken down into manageable zones, deepens your knowledge of the human form.
_The book is a Swiss-bound paperback, designed to lie flat when open and in use.

About the Author:

Jake Spicer is a passionate advocate of drawing as a tool for social change, communication & investigation and promotes wider visual literacy through his works as an artist, author & tutor. He lives in North Wales and works as head tutor of the independent drawing school Draw Brighton, Co-Director of the Drawing Circus and as a visiting tutor at galleries & institutions across the UK, including the National Portrait Gallery, Camden Arts Centre, V&A and Brighton University.

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Пролистать книгу Figure Drawing: A complete Guide to Drawing the Human Body на Google Books.

The newest book in bestselling author Christopher Hart's Figure It Out! series simplifies the basics of drawing people through essential tips and tricks. Geared toward both the general drawing audience and more seasoned artists, Figure It Out!: Simple Lessons, Quick Results offers the basic keys to drawing the human figure, broken down into straightforward steps that anyone can understand and attempt. This is the easy way to learn how to draw people, with no need for in-depth explanations on anatomy or musculature.

For example: most figure-drawing books, including previous books in the Figure It Out! series, teach how to draw the torso with a focus on the rib cage, collar bones, pectoral placement, etc. Simple Lessons, Quick Results takes a more straightforward approach by breaking the torso down into three simple, distinct areas that are easy to understand and draw for excellent results without the extra information. In another example, Chris focuses on drawing the natural curves of the body as opposed to drawing muscles, which would require much more time to explain and absorb. Many of the final drawings in the book are presented in full color and shown in basic clothing as well, making them more representative of real people one would see every day. Using the signature, simple instruction that Chris is known for, Figure It Out!: Simple Lessons, Quick Results is designed to solve common figure-drawing problems that aspiring artists can relate to.

With this book, anyone with even a passing interest in drawing will immediately grasp the basics of drawing people — and get the quick results to prove it!

About the Author:

Christopher Hart is the world's bestselling author of manga, basic drawing and cartooning books. His titles have set the standard for art instruction with more than 3 million copies in print in eighteen languages. Renowned for up-to-the-minute content and easy-to-follow steps, all of Hart's books have become staples for a new generation of aspiring artists and professionals.

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Пролистать книгу Figure It Out! Simple Lessons, Quick Results: Essential Tips and Tricks for Drawing People

A glorious selection of jewellery based on the human figure, all in the holdings of the Musée des Arts Décoratifs in Paris

Following on from Flora and Fauna, this is the third book in a series devoted to the splendid jewellery collection of the Musée des Arts Décoratifs. The theme this time is the human figure. It begins in the Byzantine era and ranges through the medieval and Renaissance periods and beyond to the 19th century when Lalique, Fouquet and the Maison Vever produced pieces that were the embodiment of elegant sophistication, and into the 20th, when artists such as Picasso and Giacometti joined forces with jewelers like Jean Lurçat and Line Vautrin. Figures & Faces is packed with striking and witty works of art that will charm all lovers of jewellery.

Contents List:

• Introduction
• Two essays by Évelyne Possémé and Patrick Mauriès
• The jewellery

About the Authors:

Patrick Mauriès is a writer and publisher of many notable titles on fashion and design, including Jewelry by Chanel, A Cabinet of Rarities, The World According to Karl and Fashion Quotes to name a few, all published by Thames & Hudson.
Évelyne Possémé is chief curator at the Musée des Arts Décoratifs in Paris.

Composing shots with your camera is one thing.

Making your video rock through editing is another. This one-of-a-kind book is your must-have cheat sheet for making the cuts that editors use to create memorable movies. Fantastic for filmmakers, students, moviegoers, or anyone who wants to discover how cuts affect the viewer and the movie’s story. YouTube filmmakers: This book will juice up your creations!

Film Editing makes the invisible art of editing visible by using 600 colorful frames from popular, recent films. The frames, accompanied by brisk descriptions, are perfect for readers who like to gaze as well as those who prefer to graze. Written by an editor and the author of Cut by Cut, this picture dictionary of cuts shows you how filmed frames are edited together to craft movies that zing audiences with their pacing, character connections, and enduring stories.

About the Author:

Chandler has been nominated twice for a Cable Emmy for comedy editing. Gael has edited every type of genre on every medium: film, tape, and digital; and has trained hundreds of professionals and students to put their best cut forward. She has written a handful of feature screenplays, one of which won the Scriptwriters Networks' Producers Outreach Program contest. Her first book was Cut by Cut: How to Edit Your Film or Video. Additionally, she has created numerous online courses on a variety of subjects, including editing.

A magnificent, never-before-published collection of every painting and fresco on display in the Uffizi, the Galleria Palatina of the Pitti Palace, the Accademia, and the Duomo, and more — nearly 2,000 works of art — all presented in a practical and elegant paperback format.

The city of Florence is home to dozens of museums and palaces that contain many of the world’s most renowned works of art. Florence: The Paintings & Frescoes is a rich and magnificent collection of thousands of paintings and frescoes that are visited by millions of travelers every year including the art of Giotto, Leonardo da Vinci, Michelangelo, Ghirlandaio, Correggio, Botticelli, Caravaggio, Titian, Rembrandt, van Dyck, El Greco, and hundreds more.

Explore the history of art in Florence through seven essays by Ross King, bestselling author of Brunelleschi's Dome and Michelangelo and the Pope's Ceiling, which connect how the paintings, politics, and every-day lives of Florentines influenced one another. Art historian Anja Grebe, author of The Louvre and The Vatican, also highlights 250 of the most iconic and significant paintings and frescoes in the historic city with details on the attributes of the works, biographical details of the artists, and more.

This spectacular collection of nearly 2,000 paintings and frescoes is a must-have for any art lover, student, or arm-chair traveler.  

About the Author:

Ross King is the author of the bestselling Brunelleschi's Dome and Michelangelo & the Pope's Ceiling, as well as the novels Ex-Libris and Domino. He lives in England, near Oxford.