Искусство

This inspiring book accompanies the first travelling exhibition about Doris Duke’s estate Shangri La and its influential synthesis of modernist architecture and Islamic art and design. 

Situated on five acres of terraced gardens and pools overlooking the Pacific Ocean and Honolulu’s Diamond Head, Shangri La was the idyllic paradise of philanthropist Doris Duke, reflecting her personal passion for the art, architecture, and design of the Islamic world. The estate incorporates unique architectural features, such as carved marble doorways, jalis, and floral ceramic tiles, and the decor includes artifacts, such as silk textiles, jewel-toned chandeliers, and gilt and coffered ceilings, many collected during her travels. 

This volume presents an exclusive tour of Shangri La’s breathtaking interiors and landscape, including the splendid furnishings and art. Archival photographs of Duke and friends as well as correspondence and drawings provide a view into a lifestyle defined by the highest sense of aesthetics. Doris Duke’s Shangri La is sure to inspire both art and design lovers.

About еhe Author

Thomas Mellins has organized exhibitions for many institutions and coauthored with Robert A.M. Stern an award-winning New York architecture and urbanism series. Donald Albrecht is the Museum of the City of New York’s curator of architecture and design and the writer of many books. Deborah Pope is the executive director of Shangri La; Keelan Overton is the institution’s curator of Islamic art; Sharon Littlefield Tomlinson is its former curator. Linda Komaroff is the Los Angeles County Museum of Art’s curator of Islamic art. Tim Street-Porter is a widely published photographer and the author of numerous books.

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Пролистать книгу Doris Duke's Shangri-La: A House in Paradise: Architecture, Landscape, and Islamic Art

A comprehensive reference covering an extensive range of painting and drawing styles

Bursting with practical techniques, engaging artist profiles and inspirational galleries, Drawing and Painting combines an authoritative approach with a contemporary aesthetic guaranteed to appeal to all artists.

The book’s up-to-date approach is a far cry from the dry instructions and dated artwork that feature in more traditional art books. In contrast to other, project-orientated titles, Drawing and Painting places the emphasis on the techniques themselves, encompassing drawing, sketching and a range of painting styles.

From pen and ink to oils and acrylics, specially commissioned photography and artwork accompanies step-by-step techniques, while profiles of contemporary artists provide insight into various working methods, materials and techniques.

Acknowledging the growing interest in digital tools as a medium, information is provided throughout the book on how effects can be created using Smart Pens, tablets and apps.

Contents List:

Introduction
I. Drawing Materials and Techniques
Pencil • Ink • Charcoal and Chalk • Pastel and Crayon
II. Painting Materials and Techniques
Colour • Materials • Watercolours and Gouache • Acrylic • Oil and Resin • Mixed Media • Making Paint
III. The Bigger Picture
Still Life • Environment • The Human Body • Making Visible
Resources

About the Author:

Kate Wilson studied painting at Winchester School of Art and the Royal Academy Schools. She is a winner of the Royal Academy Gold Medal and the Bateson Mason Drawing Award and received an Andre de Segonzac scholarship to study in Italy.

This is a truly exceptional collection of drawings from one of our most revered cultural commentators.

Gerald Scarfe began his career in the 60s working for PUNCH and PRIVATE EYE before taking a job as a political cartoonist for the DAILY MAIL. He then worked for TIME Magazine in New York before starting his long association with the SUNDAY TIMES that still exists today in the form of his weekly drawings. His varied career has seen him work with Pink Floyd (The Wall, Wish You Were Here), Roger Waters and Eric Clapton (The Pros and Cons of Hitchhiking), Disney (Hercules), English National Ballet (The Nutcracker), Los Angeles Opera (Fantastic Mr Fox) as well as produce such iconic images as those for the titles of Yes Minister and Yes Prime Minister. His work has featured in the New Yorker and various BBC TV films such as Scarfe on Sex and Scarfe on Class. Exhibitions of his paintings and drawings have appeared in the Tate Gallery, the National Portrait Gallery and the Smithsonian National Portrait Gallery. He is viewed by many as both a national treasure and a genius and this is the first collection of his work to appear for 20 years.

About the Author:

Gerald Scarfe was born and lives in London. His incredible career spans newspapers, satirical and political publications, television, film, theatre and opera. He has worked for the SUNDAY TIMES for 38 years and the NEW YORKER for 12 years.

This book showcases a lesser-known aspect of Maurice Sendak’s oeuvre–his set designs for opera and ballets.

Maurice Sendak is well-known for his acclaimed children’s books, but he was also an avid opera lover and designed a number of sets for opera and ballet productions, among them Mozart’s The Magic Flute, Janáˇcek's The Cunning Little Vixen, Prokofiev’s The Love for Three Oranges, Tchaikovsky's The Nutcracker, and an opera by Oliver Knussen based on Where the Wild Things Are. This book brings together over one hundred and twentyfive pieces from among the more than nine hundred in the Morgan Library & Museum’s collection, including preliminary sketches, final watercolors, and cardboard models. Essays in the book discuss the importance of music to Sendak’s work, his fascination with comic strips, movies, mechanical toys, and pop-up books, and the artworks that inspired his stage designs. The book reveals the full breadth of Sendak’s visual work for opera and ballet and highlights his keen sense of humor, his love of art history, and his ability to tell striking stories through his art.

About the Authors:

Rachel Federman is Assistant Curator of Modern and Contemporary Drawings at the Morgan Library & Museum. She received her PhD in Art History from the Institute of Fine Arts, New York University, and previously held the position of Assistant Curator of Painting and Sculpture at the San Francisco Museum of Modern Art. She has published essays on Bruce Conner, Paul McCarthy, Allen Ruppersberg, and Andy Warhol, among others.

Liam Doona is a freelance theater designer and Head of the Department of Design and Visual Arts at Dún Laoghaire Institute of Art, Design and Technology, Ireland, where he also lectures in scenography. Alongside his academic role, he has maintained a practice as a set and costume designer. His work was included in the Collaborators exhibition (2007) at the Victoria and Albert Museum, London, and can also be seen in 2D-3D (2003) and Collaborators (2007), the quadrennial reviews of British stage design published by the Society of British Theatre Designers.

Christopher Mattaliano was named Portland Opera’s General Director in 2003. He has directed productions for such companies as the Metropolitan Opera, New York City Opera, San Francisco Opera, Washington Opera, Canadian Opera Company, Minnesota Opera, and Portland Opera, among others. He has also taught and directed at the Juilliard School, Manhattan School of Music, Yale University, and Princeton University and served on OPERA America’s Board of Directors from 2005 to 2011.

Avi Steinberg is the author of three books, including The Happily Ever: Travels in the World of Popular Romance, which will be published by Knopf Doubleday in 2020. He is a contributing writer at The New York Times Magazine and the Culture Desk of The New Yorker.

Drawing the Head for Artists is the definitive modern guide to drawing the human head and portrait, featuring the classic mediums and methods of the Old Masters.

Written by celebrated portrait artist and veteran studio instructor Oliver Sin, this richly informative and beautifully illustrated volume leads readers step-by-step through his method, from establishing a point of view to applying the timeless principles for creating an accurate and expressive likeness.

Among the topics covered:
- Essential Materials & Techniques: Learn about necessary supplies and basic drawing techniques, including hatching, various stroke styles, and blending.
- Applying the Essentials: Explore how the concepts of sight-sizing, value, negative space/shapes, and plane changes factor into a portrait’s underlying structure.
- Techniques for Creating Depth & Dimension: Investigate how contrasting shapes, overlapping forms, and linear and atmospheric perspective are used to enhance depth.
- Creating the Illusion of Three Dimensions: Examine how edges — contours as well as changes in value — are used to convey three-dimensional form.

Brimming with striking images that document all the phases and details of the author’s process, Drawing the Head for Artists inspires and informs all artists, from aspiring to accomplished, on how to successfully portray the physical subtleties and emotional eloquence of the human face.

The For Artists series expertly guides and instructs artists at all skill levels who want to develop their classical drawing and painting skills and create realistic and representational art.

About the Author:

Oliver Sin graduated from the Academy of Art University in San Francisco with a Bachelor of Fine Arts in Illustration. He began his career as a computer games concept artist, including stints at LucasArts and 3DO, and has been teaching for the Academy's School of 2D Animation and the School of Fine Art since 2001. His award-winning portrait art has been recognized by the Portrait Society of America, and featured on ArtistsNetwork.com, in the journal The Art of the Portrait, and in International Artist and Southwest Art magazines. Born in Hong Kong, Sin has lived in San Francisco since 1990.

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Пролистать книгу Drawing the Head for Artists: Techniques for Mastering Expressive Portraiture на Google Books.

Drawing the Human Head is an in-depth study of the infinite variety of emotions that the human face can express and of how these can be conveyed on paper.

Emotions such as joy, pain, sadness, jealousy and desire are inherent human traits, and the great artists have been able to move us over the centuries through their ability to communicate them. This book guides the reader through human emotion in the history of art and also analyses the methods required to reproduce it. With its clear and accessible texts, this book is an indispensable tool for students, who can also use it as a self-study manual.

About the Authors:

Giovanni Colombo was born in Como, Italy, in 1961. After attending a lyceum for the arts, he enrolled in the Accademia di Belle Arti di Brera in Milan to study painting. In the early 1980s, he attended the studio of A. Tenchio to deepen his knowledge of engraving, where he met and became friends with many other artists and started working in illustration in addition to painting. In 1982 he began showing his artwork, in both group and individual shows, and in 1988 he started to teach painting at the "Fausto Melotti" State Art School in Cantù, Italy - where he still works today. He wrote Percezione & Disegno: dalla visione alla rappresentazione (Perception & Drawing: From Vision to Representation; Ikon, Milan, 1998). He has published several limited edition booklets and engravings. Today he lives and works in Como.

Giuseppe Vigliotti was born in Estavayer Le Lac, Switzerland, in 1965 and currently teaches painting. In 1983 he received his diploma from a fine arts secondary school, and in 1986 his work was shown in numerous exhibitions, both group and individual. Since 1987 he's worked as a freelance illustrator and graphic designer for numerous publishers. In 1988 received his degree in painting at the Accademia di Belle Arti di Brera in Milan. From 2007 to 2010 he worked in art publishing, with specific experience relating to artists' books and the use of graphic design software, editorial layout and website creation. His current artistic focus is on video-installations, multimedia techniques and computer graphics. Today he lives and works in Como.

The first graphic novel adaptation of Dune, the groundbreaking science-fiction classic by Frank Herbert — now in a deluxe collector’s edition

Dune, Frank Herbert’s epic science-fiction masterpiece set in the far future amidst a sprawling feudal interstellar society, tells the story of Paul Atreides as he and his family accept control of the desert planet Arrakis. A stunning blend of adventure and mysticism, environmentalism, and politics, Dune is a powerful, fantastical tale that takes an unprecedented look into our universe, and is transformed by the graphic novel format. Brian Herbert and Kevin J. Anderson’s adaptation retains the integrity of the original novel, and Raúl Allén and Patricia Martín’s magnificent illustrations, along with cover art by Bill Sienkiewicz, bring the book to life for a new generation of readers.

A national bestseller, Dune: The Graphic Novel, is now available in a deluxe collector's edition with an increased trim size of 7 1/2" x 11 1/4", printed on high-quality matte art paper in a faux-cloth slipcase with gold foil stamping tip-on cover.

An essential visual guide for artists to the mastery and use of advanced human anatomy skills in the creation of figurative art.

Dynamic Human Anatomy picks up where Basic Human Anatomy leaves off and offers artists and art students a deeper understanding of anatomy, including anatomy in motion, and how that essential skill is applied to the creation of fine figurative art.

About the Author:

Roberto Osti teaches figure drawing and human anatomy for artists at the New York Academy of Art, University of the Arts in Philadelphia, and the Pennsylvania Academy of the Fine Arts. Formally trained as a medical illustrator before becoming a fine artist, Osti has contributed his work to many science and art publications. His paintings have been exhibited in galleries in Europe and the United States. He is the author of Basic Human Anatomy, an art instruction best seller and classic reference book.

The first book on artist, musician, and DJ Eamon Ore-Giron who mines the complex nature of Latinx identity, the history of the Americas, and the many legacies of abstraction in art.  

Over the course of his career, Eamon Ore-Giron has examined the personal and historical ramifications of cultural hybridity. Raised in Tucson, Ore-Giron is inspired by his roots in the American Southwest, his visits to his father’s hometown of Huancayo, Peru, and his time spent as a practicing artist in California and Mexico. This catalogue brings together for the first time three pivotal chapters in Ore-Giron’s career: his Southwest and Peruvian-inspired figurative works from the 2000s; his paintings from the 2010s that engaged elements of both figuration and abstraction, including an ongoing series focused on Mesoamerican deities; and the sublime gold-based paintings from his recent “Infinite Regress” series.

Curator Miranda Lash, along with celebrated scholars C. Ondine Chavoya and Jace Clayton, explore Ore-Giron’s approach to de-colonizing the medium of painting, his impact within in the Los Angeles art scene, and his seminal work as a DJ who highlights the intersections between North and South American sound.

About the Author:

Miranda Lash is the Ellen Bruss Senior Curator at the Museum of Contemporary Art Denver. C. Ondine Chavoya is a Professor of Art History and Latina/o/x Studies at Williams College in Williamstown, Massachusetts. Jace Clayton is an artist and writer based in New York City, also known for his work as DJ /rupture. 

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Пролистать книгу Eamon Ore-Giron: Competing with Lightning

The artist's deceptively beautiful work--colorful tapestries and garden-inspired installations created out of faux flowers, glitter, sequins, fabric, toys, beads, jewelry, and other embellishments --comes to life at The New York Botanical Garden, where she employs the beauty and symbolism of living plants to unearth the complex entanglements of race, gender and colonialism.

Accompanying a major site-specific exhibition of sculptural and horticultural installations by artist Ebony G. Patterson at The New York Botanical Garden, this volume provides deeper insights into Patterson’s multilayered practice. The artist’s work has long examined and experimented with the concept of the garden through a practice that uses beauty as an invitation to confront larger societal questions and concerns.

About the Author:

Joanna L. Groarke is Vice President of Exhibitions & Programming at The New York Botanical Garden. Karenna Gore is the founder and executive director of the Center for Earth Ethics at Union Theological Seminary in New York. Abra Lee is the author of Conquer The Soil: Black America and the Untold Stories of Our Country’s Gardeners, Farmers, and Growers. Seph Rodney is an adjunct faculty member at Parsons School of Design, and an editor and writer for Hyperallergic.

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Пролистать книгу Ebony G. Patterson на сайте издательства.

This visually stunning homage to the most distinctive male dancer of his generation combines photography and personal essays to explore every facet of Ed Watson’s achievements both on stage and off.

Ed Watson, Principal Dancer with The Royal Ballet for over 20 years, is a unique talent; a widely celebrated collaborator in dance, photography and fashion. Each illustrated essay of this gorgeous volume focuses on a distinct aspect of Watson’s career. Leading art critic Sarah Crompton discusses his trajectory from young student to principal dancer and coach with The Royal Ballet. Wayne McGregor reflects on their long and fruitful collaboration. Longtime friend Charlotte MacMillan engages in a lively conversation with the man himself, while Gareth Pugh muses on the concept of duende. Dozens of images by leading photographers — including Rick Guest, Nick Knight, Anthony Crickmay, Kosmas Pavlos, Nadav Kander, Paul Smith, Laurence Ellis, Teddy Iborra Wicksteed, Liz Seagrove, Paul Grover, and Johan Persson — depict Watson throughout his career, in rehearsal, on fashion shoots, in the dressing room, and in stills from his famed performances. Together these words and images tell the story of a performer of extraordinary versatility, exceptional physicality, and a profound artistic sensibility.

About the Author:

Sarah Crompton is Arts Editor in Chief for the Daily Telegraph, London, a theater critic for Whatsonstage, and a journalist and broadcaster on all things cultural for publications including The Guardian, The Sunday Times (London) and Vogue.

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Пролистать книгу Ed Watson: A Different Dance

The first international monograph dedicated to Eddy Kamuanga Ilunga, one of the most enterprising and exciting young artists working in Africa today.

Eddy Kamuanga’s large-scale figurative paintings display a wealth of historical understanding in a sophisticated interplay of strikingly colored forms juxtaposed on gray negative space.

Kamuanga’s work taps into the rich yet complex colonial history of the Democratic Republic of the Congo, or DRC. His politically nuanced and culturally sensitive work explores the seismic shifts in economic, political, and cultural identity in the DRC since colonization. Increasingly globalized in outlook, many in the DRC today are rejecting their ancestral heritage in favor of modernity, a conflict that fuels Kamuanga’s work.

The DRC is the world’s largest exporter of coltan, a mineral critical to the production of computer chips and mobile phones. In all of Kamuanga’s works, the skin of each figure is embedded with integrated circuits, referring to the harsh conditions experienced by workers who mine coltan by hand.

Eddy Kamuanga has been recognized internationally as one of the most interesting young contemporary African talents of today, and his reputation is growing fast worldwide.

His work has been shown across Africa, notably at Zeitz Museum of Contemporary Art Africa (Zeitz MOCAA), South Africa, and has been included in exhibitions in Europe and the United States, at institutions such as Fowler Museum at UCLA, Los Angeles; Hood Museum of Art at Dartmouth College, Hanover, New Hampshire; Saatchi Gallery, London; and Royal Academy of Arts, London. He is represented by October Gallery, London.

About the Author:

Sammy Baloji is an international contemporary artist. Sandrine Colard is a historian of modern and contemporary African arts. Gerard Houghton is director of special projects at October Gallery. Gabriela Salgado is a curator based in London. Gus Casely-Hayford is a museum director, cultural historian, broadcaster, and lecturer.

A beautifully produced literary art book that restores a collection of drawings and pastels to the heart of the life story of one of the great artists of the 19th century

Edgar Degas (1834 - 1917) was described as 'the most intelligent, the most demanding, the most merciless draughtsman in the world' by the poet and critic Paul Valery and today Degas is considered one of the outstanding draughtsman of the late nineteenth century. His powerful drawings and the pastles, which he himself characterized as 'orgies of colour', are some of the most compelling works in western art.

Drawing was not only the central tenet of Degas's art but also virtually a daily activity. Through an examination of the artist's drawings and pastels, which exist in great number and variety, Christopher Lloyd examines the development of Degas's style and outlines the story of his life in the contexts of Impressionism and Post-Impressionism.

Following a broadly chronological approach, Lloyd discusses the wide range of Degas's work: the images of ballet dancers (which form over half of the artist's oeuvre), jockeys, laundresses, milliners and female nudes, as well as the less well-known landscape drawings. With over 200 illustrations that capture the most fleeting of subtleties and shades, this book provides a comprehensive and engaging account of the artist as draughtsman.

Contents List:

Introduction • 1. Beginnings 1853–1855 • 2. Italy 1856–1859 • 3. History Paintings 1860–1865 • 4. Changing Directions 1865–1870 • 5. Confronting the Modern World 1870–1879 • 6. Retreat into the Studio 1880–1890 • 7. Landscape Drawings • 8. ‘The Dying of the Light’ 1890–c. 1912

About the Author:

Christopher Lloyd worked in the Department of Western Art of the Ashmolean Museum in Oxford from 1968 to 1988, combining curatorial duties with teaching. During that time he was appointed by Harvard University to a Fellowship at Villa I Tatti in Florence and was Visiting Research Curator of Early Italian Painting at the Art Institute of Chicago. He was appointed Surveyor of The Queen’s Pictures in the British Royal Collection in 1988 and retired from that post in 2005. He is now engaged in writing and organizing exhibitions on a wide variety of subjects. His publications include monographs on painters, catalogues of museum collections and surveys of the Royal Collection, as well as In Search of a Masterpiece: An Art Lover’s Guide to Great Britain and Ireland, Edgar Degas: Drawings and Pastels and Paul Cézanne: Drawings and Watercolours, all published by Thames & Hudson.

In dialogue with Edward Munch — discover the many ways the expressionist painter’s work has influenced modern and contemporary artists.

While Munch’s pessimistic, melancholy worldview crucially defines our understanding of his work, many important postwar and contemporary artists have drawn inspiration from several aspects of his oeuvre. This richly illustrated book explores how nine such artists — Francis Bacon, Georg Baselitz, Louise Bourgeois, Miriam Cahn, Peter Doig, Marlene Dumas, Tracey Emin, Jasper Johns and Andy Warhol — engaged with Munch’s work at different points in, or throughout, their careers. It features elaborate reproductions of sixty works by Munch juxtaposed with those inspired by him.

Readers discover how Baselitz cunningly pays tribute to his artistic hero; how Tracey Emin’s practice, like Munch’s, is autobiographical, both drawing from their personal torment to create their unnerving works; how Marlene Dumas was drawn to the expressiveness of Munch’s portraits; how Louise Bourgeois’ works are illustrative of Munch’s fixation on fear and isolation; how Francis Bacon modeled “Screaming Pope” after Munch’s most renowned painting; and how Peter Doig draws on Munch’s radical treatment of pigments and materiality.

Essays by leading scholars detail each artist’s unique preoccupation with Munch and offer a focused exploration of the ways women artists in particular were inspired by his examinations of loneliness, fear, and trauma.

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Пролистать книгу Munch In Dialogue

Munch’s pictorial worlds – the initial impetus for modernism

Edvard Munch’s radical modernity in painting was a challenge for his contemporaries. This applied in particular to the art scene in Berlin around 1900 which the Norwegian Symbolist artist influenced profoundly. In return, he received support there and was able to continue to develop his work. The publication is lavishly illustrated and describes knowledgeably the story of Munch and Berlin.

In 1892 the Association of Berlin Artists invited the still-unknown Edvard Munch (1863–1944) to an exhibition. The public was shocked by the colourful, sketch-like pictures. The artist enjoyed the furore and moved to the city on the Spree, where he repeatedly sojourned until 1908. Here he learned the techniques for printed graphics and presented for the first time paintings in several continuous series which would become central to his oeuvre. In Berlin, before long, the concept of the “Magic of the North” (Stefan Zweig) was no longer associated with romantic or naturalistic fjord landscapes, but with Munch’s psychologically concentrated pictorial worlds.

About the Authors:

Thomas Köhler has been the director of the Berlinische Galerie, the State Museum of Modern Art, Photography and Architecture in Berlin since 2010.

Stefanie Heckmann has been the head of the fine art collection at the Berlinische Galerie since 2014 and is the curator of the exhibition.