Искусство

Europe is often defined in either strictly political terms or through rather vague cultural notions. But where do these definitions come from? Were they ever true? And do they make sense in today’s globalized world? Exploring Europe through various perspectives, this exhibition catalogue offers a view of what constitutes Europe and Europeans. It is structured around six clichés about Europe, which — like all clichés — contain a grain of truth, but also express a bias.

Over 300 works from the beloved early 20th-century illustrator and graphic designer

The highly original and unique art of Escher, one of the most celebrated artists of the 20th century

Maurits Cornelis Escher was born in 1898 in the Netherlands and died there in 1972. In 1922 he first visited Italy (Tuscany, Umbria and Liguria) and in 1923 arrived in Rome, where he lived for twelve years, until 1935. The Roman period had a strong influence on all his later work, which saw him prolific in the production of lithographs and etchings especially of landscapes, views, architecture and views of that ancient and Baroque Rome that he loved to investigate in its most intimate dimension, that of the night, by the dim light of a lantern. Restless, reserved and undoubtedly brilliant, Escher in his famous engravings and lithographs created a unique, imaginative, impossible world where art, mathematics, science, physics and design converge.

Published on the exhibition in Rome, the volume gathers over 300 works, including new acquisitions and many of his most notable pieces that have made him famous all over the world, documenting the story of the Dutch artist’s genius with the most iconic works of his production such as Hand with Reflecting Sphere (1935), Bond of Union (1956), Metamorphosis II (1939), Day and Night (1938) and the Emblemata series, which belong to the common imagination referable to the great artist. The book also features the complete series of 12 Roman Nocturnes produced in 1934. An artist discovered relatively recently, Escher is loved by those who know art, but also by those who are passionate about mathematics, geometry, science, design, and graphics. A wide range of themes converge in his works, and for this reason in the panorama of art history he represents a uniqueness.

About the Author:

Mark Veldhuysen is CEO of the M.C. Escher Company.

Federico Giudiceandrea is one of the world’s leading Escher experts.
 

The second collection from Ilya Kuvshinov, the illustrator with magical colors.

Following the worldwide success of Momentary, PIE International is proud to present this second collection from Ilya Kuvshinov, Eternal. This book collects popular artworks the artist has posted on social media that were created after Momentary was published. After the success of that book, Ilya has gained popularity and has had major exhibitions and commercial works. One of the most prestigious jobs Ilya took on was as the character and visual designer for the anime "Birthday Wonderland" (directed by Keiichi Hara; Crayon Shin-chan series). This talented illustrator, who was influenced by many Japanese artists, now has 1.5 million followers worldwide on Instagram, and is established as an influencer of other illustrators around the world.

Eternal features special printing technology to reproduce the beautiful colors of Ilya's CG illustrations, enhancing the quality of the of 4-color printing. As social media is the main platform where Ilya presents his works, Momentary was published in a square format. But this time, to have more variety and include illustrations with different sizes, we have produced this book in a larger format.

About the Author:

Kuvshinov Ilya is an illustrator and storyboard artist born and raised in Russia, who now resides in Japan. With experience in concept art, comic art and animation, his goal is to create a unique story-based media to inspire people to believe in their own strength and ability to move forward in life.

Everyday Sketching and Drawing offers an easy-to-follow, 5-step formula, which teaches beginner-friendly techniques for learning the skills necessary to make drawing and sketching an everyday habit. For those who have always wanted to or tried and failed to learn to draw it provides simple step-by-step instruction, plus easy-to-follow practice exercises, and provides the motivation and inspiration readers need to be successful. For those who already draw, Everyday Sketching and Drawing offers another technique to add to their drawing arsenal.

Why do so many adults come to view drawing as difficult or fraught with anxiety? Traditional art instruction is often bogged down with jargon, rules, and admonishments that unintentionally stifle the joy of drawing for its own sake.

Steven Reddy's new and easy approach to drawing instructs sketchers to document their unique and compelling lives in realistic yet playful sketches that record the places, spaces, and objects that help define them as individuals. He reminds artists to slow down, notice, and attend to the sketch-worthy scenes and subjects that are unstaged and always there in our everyday lives. He offers a versatile technique that can lead to a skill that fills sketchbooks with the visual details that differentiate one life from another. This approach is a meditative, relaxing alternative to academic concerns about perspective, proportion, and accuracy. Reddy encourages artists to capture in whimsical but detail-specific illustrations their unique, subjective interpretation of their visual surroundings.

Steven Reddy's drawing method produces extremely detailed and realistic scenes of objects and scenes in everyday life in a relatively short period of time (60 minutes to 3 hours or more, depending on the sketcher's preference). Modifying a technique utilized by Old Master oil painters, the drawings pass through 5 clearly articulated stages where each step focuses on one visual concept at a time.

About the Author:

Steven B. Reddy teaches drawing and illustration at Gage Academy of Art in Seattle. He has also taught for the Seattle Public Schools since 1998. Reddy has a passion for creating detailed illustrations of urban scenes, cluttered interiors, and complex still lifes on location in ink and watercolor. His drawings from China and Mexico appear in Danny Gregory's An Illustrated Journey. Reddy also self-published Now Where Was I? An Illustrated Memoir, which showcases drawings that span 35 years from his daily sketchbook diaries

The art of collecting — from artist’s palettes still freckled with oil paint, to sculpted picture frames, to a menagerie of wooden toy animals — associating an accumulation of kindred objects is at the core of timeless French style.

French artist, designer, and talented antique hunter Marin Montagut celebrates the joy of collecting everything from textiles to barware to architectural details, taking readers inside a dozen private homes, flea markets, and unusual ateliers to discover the most whimsical treasure troves in France. From a film prop house’s array of leather sporting goods and playing cards to a travel buff’s vintage maps and globes, and from a sculpture studio’s Grecian plaster casts to an amateur designer’s spiral staircase models, and from Montagut’s own wonder wall assemblages to a cook’s haven filled with porcelain dessert molds and copper pots — objects, when presented together as a series, create unforgettable interiors that radiate charm. Inspiration comes in repetition: wooden zigzag rulers with engraved numbers aligned on a wall in a herringbone pattern create an artful space. The spare wooden forms of capipotes — devotional statues used in religious processions, their eyes turned heavenward in ecstasy — and silver ex-votos can be the point of departure for the theme of an entire room. Montagut’s mood boards for each chapter provide endless ideas for the home.

About the Author:

Marin Montagut is French illustrator and designer; his eponymous boutique is dedicated to whimsical decorative objects. He published Timeless Paris (Flammarion, 2021), is coauthor with Ines de la Fressange of Maison: Parisian Chic at Home (Flammarion, 2018), and he created and illustrated the Bonjour City Map-Guides. He has collaborated with the Château de Versailles and with many brands, including Farrow & Ball, the Ritz Paris, Diptyque, and Pierre Frey. Pierre Musellec is a lifestyle photographer; his work appeared in Timeless Paris and Faire magazine. Laura Fronty contributed text to Timeless Paris: Ateliers, Emporiums, Savoir Faire (Flammarion, 2021).

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Пролистать книгу Extraordinary Collections: French Interiors, Flea Markets, Ateliers на сайте издательства.

Fabergé: Treasures of Imperial Russia. Fabergé Museum, St. Petersburg is a lavish volume on the most complete Fabergé collection in the world, with many pieces rarely seen before, from the famous imperial Easter eggs to precious jewelry, enamels, and Russian silver, showcased in the sumptuous Shuvalov Palace in St. Petersburg, Russia.

Jeweler and goldsmith Carl Fabergé and his firm are renowned for creating the most superbly refined objects of the late nineteenth and early twentieth centuries for the nobility and aristocracy of imperial Russia. Exquisite examples of the jeweler’s art, Fabergé’s magnificent Easter eggs, commissioned for the Romanov Imperial family, and other impeccably crafted objects continue to be prized the world over for their incredible craftsmanship and unparalleled beauty.

Now, the Fabergé Museum in St. Petersburg has gathered the most spectacular and comprehensive treasury of Fabergé objects. This book showcases a wealth of precious objects — from the imperial eggs, delicate jeweled enamel clocks, and picture frames to animals carved out of hardstone and gem-encrusted jewelry and presentation boxes.

With all-new photography of the collection — more than 500 priceless objects in all — alongside stunning images of the majestic Shuvalov Palace, this luxurious volume is a celebration of the exquisite beauty and craftsmanship of prerevolutionary Russia and its heritage.

About the Author:

Written by internationally known authors and leading experts: Géza von Habsburg, Tatiana Muntian, Valentin Skurlov, Ulla Tillander-Godenhielm, Kieran McCarthy, Mark Schaffer, Irina Buseva-Davydova, Alexander von Solodkoff, and Ekaterina Khmelnitskaya.

The first comprehensive survey of the beloved figurative realist painter Fairfield Porter to be published in more than two decades. A figurative realist in the heyday of abstract expressionism, Fairfield Porter (1907–1975) painted himself, his family, and friends in New York City, in Southampton, Long Island, and on an island off the Maine coast, all depicting a relaxed and comfortable world that seemed to mirror his own affluent, well-connected existence. With virtually all of the artist’s previous publications now out of print, this much-anticipated volume is an important addition to the literature on this great American master. Porter graduated from Harvard in 1928 and then studied at the Art Students League in New York with Thomas Hart Benton. Along with months in Maine, Porter lived in New York and from 1948 on, in Southampton where he purchased a large, late Federal-style house for his own expanding family. Porter painted several artist friends, including Elaine de Kooning, Larry Rivers, and Jane Freilicher. He was also close to the modern poets John Ashbery, Frank O’Hara, and James Schuyler. With a carefully curated selection of the artist’s best works, John Wilmerding, a specialist in American art, gives full consideration to Porter’s expressive compositions and a color palette influenced by his coastal surroundings. Karen Wilkin discusses Porter’s influences and pictorial creativity. Distinguished poet J. D. McClatchy writes a reflection on one of Porter’s paintings.

About the Authors:

John Wilmerding is Sarofim Professor of American Art, emeritus, at Princeton University. Karen Wilkin is an independent curator and art critic based in New York. She is a contributor to Rizzoli’s Wayne Thiebaud (2015). J. D. McClatchy is the editor of the Yale Review and former president of the American Academy of Arts and Letters.

An original Marvel Comics graphic novel starring the Fantastic Four, written and illustrated by renowned, multi-award-winning artist Alex Ross.

It’s a rainy night in Manhattan and not a creature is stirring except for . . . Ben Grimm. When an intruder suddenly appears inside the Baxter Building, the Fantastic Four — Mister Fantastic (Reed Richards), the Invisible Woman (Susan Storm Richards), the Human Torch (Johnny Storm), and the Thing (Ben Grimm) — find themselves surrounded by a swarm of invading parasites.

These carrion creatures composed of Negative Energy come to Earth using a human host as a delivery system. But for what purpose? And who is behind this untimely invasion?

The Fantastic Four have no choice but to journey into the Negative Zone, an alien universe composed entirely of anti-matter, risking not just their own lives but the fate of the cosmos!

Fantastic Four: Full Circle is the first longform work written and illustrated by acclaimed artist Alex Ross,

About the Author:

Alex Ross studied at the American Academy of Art in Chicago, then honed his craft as a storyboard artist before entering the field of comics. In 1993 Marvels — his groundbreaking miniseries with writer Kurt Busiek — created a wider acceptance for painted comics. In 1996 he and writer Mark Waid produced the equally successful Kingdom Come for DC Comics, and Ross followed those up with an extensive series of work including magazine and album covers, as well as a poster for the Academy Awards. Ross has also been the subject of two monographs written and designed by Chip Kidd — Mythology: The DC Comics Art of Alex Ross and Marvelocity: The Marvel Comics Art of Alex Ross. His latest book is The Alex Ross Marvel Comics Poster Book (Abrams ComicArts, spring 2021).

Originally published in 1970, Roald Dahl’s Fantastic Mr. Fox tells the story of the Fox Family. After twelve years, the Fox Family’s quiet home life proves too much for Mr. Fox’s natural animal instincts. When his young nephew arrives, Mr. Fox slips back into his old ways as a smart bird thief and, in doing so, endangers not only his beloved family, but the whole animal community as well. In Fall 2009, audiences will cheer as award-winning director Wes Anderson (Rushmore, The Royal Tenenbaums, The Darjeeling Limited) brings us his take on the tale: a blockbuster stop-motion animation film shot entirely in high definition. Starring the voice talents of George Clooney (Michael Clayton), Meryl Streep (Doubt), Bill Murray (Lost in Translation), and Jason Schwartzman (Marie Antoinette), the movie is sure to please fans of the original story as well as enchant new generations.

Fantastic Mr. Fox: The Making of the Motion Picture is a family-friendly behind-the-scenes look at the creation of the film. Filled with photos, script pages, storyboards, and interviews with cast and crew, this book is a delightful and intriguing peek at the magic that happens as the filmmakers bring to life one of children’s literature’s most beloved characters: the outrageous, audacious, Fantastic Mr. Fox.

About the Author:

Oscar©-nominee Wes Anderson is the writer and director of such films as Bottle Rocket, Rushmore, The Royal Tenenbaums, and The Darjeeling Limited.

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Пролистать книгу Fantastic Mr. Fox: The Making of the Motion Picture

This book provides insights on Farah Ossouli’s artistic pursuits with miniature painting, explains the historical background of Iranian Contemporary and the challenges of contemporary image-making in the new political and social climate.

Farah Ossouli (born in 1953 in Zandschan, lives and works in Tehran) has explored innovative approaches to the medium painting, most commonly through juxtaposition of images and texts that scrutinize preconceptions about gender and race while undermining collective assumptions in post-revolutionary Iran.

A hallmark of her paintings are exceptionally fine miniatures; her subjects are figurative but nevertheless not easily deciphered. Even through titles can identify what is portrayed, they often only hint at a possible interpretation of the picture. Through most of her works have a private character, Ossouli refers to historical events and occurrences with collective memory internationally, which still disturbs to this day. Ossouli can interpret history through an artwork, since the aesthetics of representation creates a challenge to the ethics of what is represented. The aesthetic quality of the paintings is what first allows the viewers to address his content. The dissolution of subjectivity and its rearticulation in miniature compositions is a major trope. Early on Ossouli began to use mirrors to facilitate this process – as myth and metaphor doubling and redoubling a fragmented vision – returning the viewer to that moment of ego formation described by Jacques Lacan as the mirror stage. Farah Ossouli’s paintings, gouaches, conceptual miniature works, drawings, artist books and texts since the mid-1970s have been characterized by a keen awareness how the conditio humana is a product of its representation in mass media. She has developed a unique aesthetic practice committed to a metaphorical and feminist narration.

For more than four decades, Ossouli has been delving into the violent peripheries of a society mediated by images, in genuine compositions whose fine surfaces contain an unsettling visual poetics, political allure, and hope. Her works are monumental sites of confrontation with ideologies that manipulate and often obliterate the individual. This corporal trauma is expressed in an almost documentary realism with the elements of classical Persian Miniature Paintings that presents little more than the bare facts, it is also reflected in every aspects of composition, from the projection of contemporary political issues and the removal of entire sections in the narration, to unnerving collapse of the figure with space it occupies.

From bestselling art instruction author Christopher Hart, a fun and informative introduction to the basics of drawing the figure for fashion!

Chris Hart not only gives step-by-step instructions on drawing figures from many points of view and in varying poses, he explains the tricks of the trade: how to "dress" your figure; render color, texture, and print; and create accessories, hairstyles, and makeup looks. An overview of tools, materials, and essential skills will help you bring your creative vision to life!

About the Author:

Christopher Hart is the world's bestselling author of manga, basic drawing and cartooning books. His titles have set the standard for art instruction with more than 3 million copies in print in eighteen languages. Renowned for up-to-the-minute content and easy-to-follow steps, all of Hart's books have become staples for a new generation of aspiring artists and professionals.

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Пролистать книгу Fashion Design Studio: Learn to Draw Figures, Fashion, Hairstyles & More

Rising from the Ashes. The first color lithographs of the rediscovered Pompeii

When the excavations at Pompeii were first placed on a scholarly archaeological footing in the 19th century, brothers Fausto and Felice Niccolini were close at hand and ready to respond. Making use of the newly introduced technique of color lithography, they documented the buildings, frescos, statues, as well as the most ordinary everyday objects, of the city buried in just 24 hours by the catastrophic eruption of Vesuvius and preserved for over 1,600 years under a mantle of volcanic ash.

The Niccolinis’ goal was to illustrate all aspects of life in the antique city. Their publication, Le case ed i monumenti di Pompei (“The Houses and Monuments of Pompeii”), which was issued in installments between 1854 and 1896 in Naples, presented over 400 color plates providing not only views, maps, and groundplans of the city and its public buildings, but also offered unprecedented access to Pompeii’s private residences. They revealed the astonishing painted wall decorations that adorned these long-buried abodes, their intricate works of art, and the practical utensils of everyday use, conjuring up a vivid picture of each house as a real domestic space. In total, the plates illustrated more than 1,000 items, each extensively specified and located for the first time, making the publication a major reference in Pompeii research. In addition, “animated” representations visualized daily life in Pompeii’s workshops, taverns, and shops, on its public squares, and in its temples, theaters, and baths.

This meticulous facsimile revives the Niccolinis’ extraordinary achievement with all color plates and two introductory essays setting the project in its contemporary context and presenting the historical protagonists of the Vesuvian excavations. In addition, we explore the remarkable influence exerted by Pompeian art — and by the haunting plaster casts made of victims of the eruption — on the visual arts. Across painting, sculpture, and interior design, we trace the Pompeii legacy in the work of Robert Adam, Anton Raphael Mengs, Angelika Kaufmann, Jean-Auguste-Dominique Ingres, Lawrence Alma-Tadema, Pablo Picasso, and Giorgio de Chirico, right through to recent masters Duane Hanson and George Segal.

The authors:

Sebastian Schütze was a longtime research fellow at the Bibliotheca Hertziana (Max Planck Institute for Art History) in Rome. He is a member of the academic board of the Istituto Italiano per gli Studi Filosofici in Naples, and a member of the Österreichische Akademie der Wissenschaften. From 2003 to 2009 he held the Bader Chair in Southern Baroque Art at Queen’s University in Kingston. In 2009 he was appointed professor of early modern art history at Vienna University.

Valentin Kockel studied classical archaeology and obtained his doctorate in 1978 with a thesis on the necropolises of Pompeii. He has worked at the German Archaeological Institute in Rome, the Technical University of Darmstadt, and until 2014 he was Professor at Augsburg University. Kockel has headed excavations in Ostia Antica and at the Forum in Pompeii.

This handbook combines three "schools of thought" regarding figure drawing that are, at least on the surface, at odds with each other. But with his vast teaching experience, Zeller has seen that on a deeper level they are very compatible. Such a synthesis leads to a more complete understanding of the figure. Although this comprehensive approach is reflected in contemporary art and art education, no book has ever combined all three before. Gestural: The dynamic, gestural, rhythmic understanding of the figure as practiced by the great Mannerists of the Renaissance. This philosophy emphasizes life and rhythm in the human form. Rooted in the 16th and 17th centuries. Structural: A solid architectural understanding of the structure and anatomy of the body as the basis for building solid figure drawings. Rooted in the 20th and 21st centuries. Atelier Method: A beautiful, careful, detailed understanding of surface morphology of the figure. Smooth surface rendering. Very sensual. Rooted in the 18th and 19th centuries. This fresh, modern treatment of the subject will be eagerly received by today's artists and art students.

About the Author:

Robert Zeller is an artist who lives and works in Brooklyn, New York. Originally from New Orleans, Zeller received a BFA from the Boston Museum School and Tufts University and an MFA from the New York Academy of Art. He finished his education with atelier training from Jacob Collins at the Water Street Atelier and in-depth anatomical and structural study with the sculptor Sabin Howard. Zeller is the recipient of two Posey Fellowships and a Pollock-Krasner Foundation Grant and has exhibited at galleries in Los Angeles, Houston, Paris, and New York, where he has had two solo shows. He is the founder of the Teaching Studios of Art (www.teachingstudios.com) in Oyster Bay, New York. For more about the artist, visit www.robertzeller.com.

Figure Drawing for Artists: Making Every Mark Count is not a typical drawing instruction book; it explains the two-step process behind juggernauts like DreamWorks, WB and Disney.

Though there are many books on drawing the human figure, none teach how to draw a figure from the first few marks of the quick sketch to the last virtuosic stroke of the finished masterpiece, let alone through a convincing, easy-to-understand method.

That changes now!

In Figure Drawing for Artists: Making Every Mark Count, award-winning fine artist Steve Huston shows beginners and pros alike the two foundational concepts behind the greatest masterpieces in art and how to use them as the basis for their own success.

Embark on a drawing journey and discover how these twin pillars of support are behind everything from the Venus De Milo, to Michelangelo's Sibyl, to George Bellow's Stag at Sharkey's, and how they're the fundamental tools for animation studios around the world. Not to mention how the best comic book artists since the beginnings of the art form use them whether they know it or not.

Figure Drawing for Artists: Making Every Mark Count sketches out the same two-step method taught to the artists of DreamWorks, Warner Brothers, and Disney Animation, so pick up a pencil and get drawing.

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Пролистать книгу Figure Drawing for Artists: Making Every Mark Count на Google Books.

Informative and instructive, this comprehensive guide will give you all the tools you need to draw the human figure, from life and from a screen. While many books focus on just one aspect of figure drawing, this manual unites the skills of observation, expression and understanding in one coherent approach. Beginning with the key principles of observation, Figure Drawing will help you to build a strong foundation of skills to make well-observed, proportionally accurate drawings. As the book progresses you will explore processes and exercises that move beyond the purely observed to express the gesture, form and substance of your model.

_Photographic and illustrative examples throughout the book support your learning at every step.
_Clear step-by-step tutorials provide a practical understanding of the key materials, skills and ideas in figure drawing.
_A comprehensive anatomical reference section, broken down into manageable zones, deepens your knowledge of the human form.
_The book is a Swiss-bound paperback, designed to lie flat when open and in use.

About the Author:

Jake Spicer is a passionate advocate of drawing as a tool for social change, communication & investigation and promotes wider visual literacy through his works as an artist, author & tutor. He lives in North Wales and works as head tutor of the independent drawing school Draw Brighton, Co-Director of the Drawing Circus and as a visiting tutor at galleries & institutions across the UK, including the National Portrait Gallery, Camden Arts Centre, V&A and Brighton University.

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Пролистать книгу Figure Drawing: A complete Guide to Drawing the Human Body на Google Books.