Искусство

Tattoo is a human activity that lasted for thousands of years. The earliest recorded tattoo comes from the ice man that lived 3000 thousand years ago. With its long history, tattoo is always endowed with mysterious sense. With the development of tattoo machines, tattoo has made its way to the popular culture. It is said that about three in ten Americans have at least one tattoo.

This book starts with the history and culture of Polynesian tattoo, the most ancient and profound style of tattoo and the one that is most well-recorded among tribal tattoos. Following the chronological order, Japanese tattoo and American traditional tattoo will be introduced consecutively in the following chapters. Going down the timeline, the book will elaborate how tattoo is influenced by the greater culture and the individuals involved. Besides, this book includes a large number of tattoo works of various styles and inspiring interviews with renowned tattoo artists from all over the world.

1. Tribal tattoo, Japanese tattoo, American traditional tattoo are elaborated with abundant historical photos and drawings.
2. Interviews with well-known tattoo artists, Taku Oshima, Horichiro, Luca Ortis, and Pablo De and more, sharing their inspiring thoughts on tattoo.
3. Display of tattoo works of various styles.

An intimate and complete journey into the world of Gianluca Pacchioni, sculptor, designer, and master in arts and crafts.

This book is an exploration of the artistic world of Gianluca Pacchioni, from the backstage of his workshop in Milan to his incredible studio-house, as well as finished projects and open-air installations. It also touches on his inspiration, which is drawn from a mix of Italian classicism and Japanese minimalism, with a dash of French seventeenth-century decorative style.

First based in Paris, where Pacchioni became a sculptor in the 1990s, and then in Milan, his hometown, his atelier constantly forges sculptures and limited-edition furniture produced for international clients. As a pioneer in the art and design world, his approach to art is experimental and innovative, and over the years he has shifted from iron to stainless steel, and his most recent works have been made with cast bronze and semiprecious stones and marble.

About the Author:

Federica Sala is an independent curator and design adviser. Olivier Gabet is an art historian and Director of the Musée des Arts Décoratifs in Paris. Alberto Cavalli is General Director of the Cologni Foundation for the Métiers d’Art. Clio Lavau is curator at FILAF, the International Art Book and Film Festival of Perpignan.

Accompanied by a traveling exhibition, this book on the Bahamian artist’s textile portraits serves as a love letter to Black women: their style, strength, vulnerabilities, and beauty.

This debut of the 29-year-old Bahamian-born artist aims to redefine the often-politicized Black body, with portraits made in a range of textile-based techniques, such as embroidery and appliqué, celebrating Black women.

Gio Swaby’s intimate portraits are unique, highly personal figurative works made from an array of colorful fabrics and intricate, freehand lines of thread on canvas that explore the intersections of Blackness and womanhood. Illustrated with 80 works in full color that span from 2017 to 2021, this is the first book on this contemporary feminist artist who is a rising star in the world of textiles and portraiture. According to Swaby, “I wanted to create a space where we could see ourselves reflected in a moment of joy, celebrated without expectations, without connected stereotypes.”

Writers and scholars with multiple points of view take on Swaby’s work and delve into her place within contemporary Black art.

About the Author:

Katherine Pill is curator of contemporary art at the Museum of Fine Arts, St. Petersburg, Florida. Melinda Watt is Chair and Christa C. Mayer Thurman Curator of Textiles at the Art Institute of Chicago. Nikole Hannah-Jones is a Pulitzer Prize–winning reporter for the New York Times Magazine.

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Пролистать книгу Gio Swaby

The first overview in decades of the eerie allegories of de Chirico, the forefather of surrealism and genius of uncanny connections

An innovative analysis of the artistic poetics of the master of metaphysical painting.

Through a selection of important works made during this master’s career, this volume aims to conduct a critical revision of the artist’s complex practice for the centenary of his so-called volte-face in 1919, the year he was criticised for leaving metaphysical painting (1910-1918) in favour of styles and techniques inspired by Classicism and the grand masters.

Edited by the most important experts of De Chirico, The Face of Metaphysics promotes an innovative interpretation of the artist’s oeuvre (both metaphysical, where the traditional confines of linear time and space are replaced by the doctrine of cyclical coexistence); an arrangement according to themes and not chronology underlines the idea that, despite the many changes in style, technique and subject, composition and colour tone, all of De Chirico’s works may offer tangible visions of the intangible philosophical concept of Metaphysics, advanced by Nietzsche in the late 1800s: constant metaphysics.

Divided into six sections (The Eternal Return; Metaphysical Exteriors; Metaphysical Protagonists; Metaphysical Interiors; Metaphysical nature; Metaphysics Encounters Tradition), this volume gathers around 90 works from some of the most prestigious private museums and collections in Italy and from the Fondazione de Chirico and also offers a rich core of archive documents including letters, period photos and exhibition catalogues.

About the Author:

Victoria Noel-Johnson is an art curator and historian specialised in early 20th-century Italian art. Recognised as one of the greatest experts of Giorgio de Chirico’s painting, from 2008 to 2017 she was the scientific curator at the Fondazione Giorgio e Isa de Chirico, where she managed the art collection and international exhibition programme for the Foundation.

Zorzi da Castelfranco, known as Giorgione: is an artist who has so few confirmed works attributed to him, and about whose life little is known.

Yet, after a career span of just over ten years, Giorgione has achieved a fame that has remained unchanged over the centuries. Starting from Giovanni Bellini’s lessons on spirituality and harmony between man and nature, and from the use of colour by Giovan Battista Cima da Conegliano, the master from Castelfranco offers a very particular synthesis of musical lyricism, connecting bodies and landscape with a soft and dense light.

This tonal painting, set by Cima and Bellini, becomes with Giorgione the language of initiation of the formidable brood protagonist of the great Venetian 16th century, the season of Palma il Vecchio, Sebastiano del Piombo and Tiziano Vecellio.

CHAPTER I
Zorzi’s Hidden Canvases. Visits with an Exceptional Guide

CHAPTER II
Gypsy Women and Philosophers: Giorgione’s Enigmas. Open Work, Context and Readings

CHAPTER III
A Façade and a Frieze. Debut and Early Success amidst Classicism and Astrology

CHAPTER IV
An Altarpiece for Castelfranco. Certain and Uncertain Family Ties: Costanzo and Barbarella

CHAPTER V
“With Time” and in a Hurry. Portraits of the Young and Old

CHAPTER VI
The Competition between the Arts. The Young Man from Castelfranco in the Venetian Melting Pot

CHAPTER VII
Portraits, Self-Portraits, Personalities and Interpreters. Giorgione’s Gallery

CHAPTER VIII
The Legend of the Libidinous Painter. A Myth and its Creators

Bibliographical notes

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A monograph of works dedicated to Giotto with author Francesca Flores d'Arcais drawing on an impressive range of sources, from 14th-century documents to the most recent art-historical investigations

Vasari famously wrote that Giotto "recovered the true method of painting, which had been lost for many years before him," and indeed, he is traditionally considered a founder of the Italian Renaissance.

Producing a series of commissioned works for the church and upper classes in his native Tuscany and surrounding regions, Giotto changed the course of European art by breaking away from the rigid, stereotyped figures of the Byzantine and medieval traditions. His innovation was to give his characters natural movement and expression. His great fresco cycles, such as the lives of the Virgin and Christ in the Scrovegni (or Arena) Chapel, Padua, are populated with realistic depictions of three-dimensional figures; secondary characters, both comic and tragic, display the range of the painter's wit and invention.

And Giotto's treatment of perspective was just as revolutionary as his approach to the human form: the dramatic power of his scenes is heightened by the convincing illusionistic spaces in which he places them. In this authoritative survey of Giotto's life and work, Francesca Flores d'Arcais draws on an impressive range of sources, from 14th-century documents to the most recent art-historical investigations. Her research leads her to important reattributions of Giottesque paintings and to new conclusions regarding the execution and dating of both famous and lesser-known works. In this second edition of her study, d'Arcais also discusses the earthquake of September 26, 1997, that damaged the frescoes of the Upper Basilica of San Francisco in Assisi, some of which are attributed to the young Giotto; she explains not only the extent of the damage, but also the art-historical insights that emerged from the subsequent restoration effort.

More than three hundred illustrations, most in full colour and some on double gatefold pages, reproduce all of Giotto's significant frescoes in exquisite detail, as well as his moving crucifixes and jewel-like polyptychs. These splendid images and d'Arcais's insightful text, now, for the first time, in an affordable paperback edition, make this the definitive monograph on the greatest of trecento masters.

About the Author:

Francesca Flores d'Arcais is a professor of art history at the University of Verona, Italy. An expert in the field of northern Italian painting, she has made numerous contributions to the study of medieval and Renaissance art over the course of her distinguished teaching career.

After more than ten years of intensive research, the first encyclopedia of GLASS MARKS from the 16th to the 20th century is now available; there has been no comparable publication until now! The starting point is the mark you are looking for. The encyclopedia is clearly arranged and easy to handle. Right next to the mark you will find all necessary information. The "mystery" of the markis solved and you will find sound information on the artists/manufacturers/or the producing glass factories, as well as when the works were produced. In addition you will find thousands of biographies of artists in glass and firms from Europe and North America. 

There is no other handbook of its kind on the market! Its unparalleled quality has already made it a standard work in the field.

Illustrations of over 11,000 signatures and marks

"I like my paintings to have one foot in the grave, to be not quite of this world. For me they exist in a dream world, a world that is made up of all the accumulated images stored in our subconscious that coagulate and mutate when we sleep." — Glenn Brown Mining art history and popular culture, Brown has created an artistic language that transcends time and pictorial conventions. He creates a space where the abstract and the visceral, the rational and irrational, the beautiful and grotesque churn in a dizzying amalgamation of reference and form.

In paintings completed over the last three years, including some of his largest works to date, Brown confronts traditional subjects of still life and portraiture. With characteristically fleshy textures beneath remarkably flat and glossy surfaces, the scenes evoke traditional memento mori.

About the Author:

Rudi Fuchs is a Dutch art historian and curator. He has been director of the Van Abbemuseum in Eindhoven, the Gemeentemuseum in The Hague and the Stedelijk Museum in Amsterdam from 1993 to 2003. He is currently a lecturer at the University of Amsterdam and has written extensively on art.

A survey of America's preeminent maker of fine silver and its legacy of exceptional design and innovation in the decorative arts.

Established in 1831, the Gorham Manufacturing Company adeptly coupled art and industry, rising to become an industry leader of stylistic and technological achievement in America and around the world. It produced public presentation pieces and one-of-a-kind showstoppers for important occasions, as well as tableware for everyday use. Its works trace a narrative arc not only of great design but also of American ambitions. In this volume, insightful essays are accompanied by gorgeous new photography of splendid silver pieces along with a wealth of archival images, design drawings, casting patterns, and company records that reveal a rich heritage of a giant in decorative arts and silver manufacturing.

Produced in collaboration with the RISD Museum, which has the world's most significant collection of Gorham silver, this major new book casts new light on more than 120 years of grand aesthetic styles in silver, innovative industrial practices, and American social and cultural norms.

About the Author:

Elizabeth A. Williams is David and Peggy Rockefeller Curator of Decorative Arts and Design, RISD Museum.

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Пролистать книгу Gorham Silver: Designing Brilliance, 1850-1970

The story of the Gothic, from early architecture and literature to the modern horror genre, illustrated by the beautiful, the macabre and the strange

Crumbling ruins, undead fiends, dark alleys and forests teeming with horrors seen and unseen: the tendrils of the Gothic have crept out of the architecture of churches, mosques and grand houses and into suburban malls, overcrowded cities, the deserted corners of the world and beyond, taking the shape of monsters from Beowulf to Gojira, Cthulhu or the wendigo to our own terrifying, warped reflections. Across time, form and media, this book traces the weaving path of the Gothic from the shadows of history to the very heart of popular culture today.

Contents List:

Introduction
I. Architecture & Form
The Pointed Arch • Ruins • Fragment • Labyrinth • The House
II. The Lie of the Land
The Country & The City • Village • Forest • Wilderness • Edgelands
III. The Gothic Compass
North • South • East • West • Planetary & Cosmic Horror
IV. Monsters
Scale • Splices • The Tentacle • Formless • Us
Further Reading

About the Author:

Roger Luckhurst is the author of The Invention of Telepathy, 1870–1901 (2002), The Mummy’s Curse: The True History of a Dark Fantasy (2012), and Zombies: A Cultural History (2015), and has edited several classic Gothic novels by Bram Stoker, Robert Louis Stevenson and H. P. Lovecraft. He is the Geoffrey Tillotson Professor of Nineteenth Century Studies at Birkbeck College, University of London.

The famous, unconditionally guaranteed, durable paperback edition with high-quality paper and binding.

A sumptuous survey of over 300 women painters and their work spanning almost five centuries

Great Women Painters is a groundbreaking book that reveals a richer and more varied telling of the story of painting. Featuring more than 300 artists from around the world, it includes both well-known women painters from history and today's most exciting rising stars.

Covering nearly 500 years of skill and innovation, this survey continues Phaidon's celebrated The Art Book series and reveals and champions a more diverse history of art, showcasing recently discovered and newly appreciated work and artists throughout its more than 300 pages and images.

Artists featured include: Hilma af Klint, Eileen Agar, Sofonisba Anguissola, Cecily Brown, Leonora Carrington, Mary Cassatt, Elaine de Kooning, Marlene Dumas, Nicole Eisenman, Jadé Fadojutimi, Helen Frankenthaler, Artemisia Gentileschi, Maggi Hambling, Carmen Herrera, Gwen John, Frida Kahlo, Tamara de Lempicka, Agnes Martin, Joan Mitchell, Alice Neel, Plautilla Nelli, Georgia O'Keeffe, Paula Rego, Bridget Riley, Jenny Saville, Dana Schutz, Lee Krasner, Yayoi Kusama.

About the Authors:

Phaidon Editors

Alison M. Gingeras is a curator and writer based in New York and Warsaw. She has served as curator at the Solomon R. Guggenheim Museum, New York; Centre Pompidou, Paris; and Palazzo Grassi, Venice. Gingeras currently serves as an adjunct curator at Dallas Contemporary and a guest curator at Museum of Contemporary Art in Miami as well as the Museum of Modern Art in Warsaw, in addition to working independently.

On the Baroque painter's early years in Rome and the origins of his vision of landscape painting

The impetus behind this volume was the Italian state's 2020 acquisition of the painting Landscape with a Country Dance (1601-02) by the Italian Baroque painter Guido Reni (1575-1642). The artwork's return to its native land at the Galleria Borghese marked a prime opportunity to rediscover the artist and his oeuvre, particularly the landscapes and rural scenes he created during his early years in Rome.

Nature and Devotion tracks the new vision of nature-a fusion of science and poetry-that Reni developed alongside his contemporaries (who included Niccolò dell'Abate, Annibale Carracci, Domenichino and Giovanni Battista Viola). Following the artist's course up until his breakthrough fresco for the Casino of Cardinal Scipione Borghese, Aurora (1613-14), the volume conveys how the impressions he gathered during his early years in Rome established a robust foundation upon which he built his later masterpieces.

Celebrate the world’s most seductive instrument. An obsessive, full-color book in the irresistible format of Shoes and Handbags — which together have over 700,000 copies in print — guitars delivers a feast of 500 guitars in vibrant color, plus players, makers, legends, myths, and more.

Here are guitars that made history, that changed the course of music, that inspired new generations of players and listeners. Here are milestones in the guitar’s search for its true self — Torres’s classical, the amazing Gibson L-5 — and experiments that ushered in a new world of sound — Rickenbacker’s "Frying Pan" and Les Paul’s "Log." Plus B. B. King’s Lucille, Willie Nelson’s Trigger, Eric Clapton’s Brownie, the J-160E that John Lennon played during his 1968 "bed-in" with Yoko, Jimi Hendrix’s hand-painted Flying V in full psychedelic regalia. And the far-out Gittler — no body, no neck, no peghead, yet every inch a guitar.

Also here are profiles of famous builders, including C. F. Martin, Orville Gibson, Leo Fender — the Henry Ford of guitars — and the mad genius Lloyd Loar. And individual luthiers, like Linda Manzer (her Pikasso II has 42 tunable strings), the maverick Ken Parker, and old-world artisan John D’Angelico, staring at skyscrapers from his Lower East Side shop and creating the ultimate art deco masterpiece, "The New Yorker."

Marrying visual pleasure with layers of information, Guitars captures the soul, the significance, history, magic, and the raw mojo of this most beloved of instruments.

About the Author:

David Schiller is an author of eclectic interests whose books include The Little Zen Companion, The Little Book of Prayers, and Guitar, among others. His books and calendars have more than 2 million copies in print. He lives in New York.

With three-quarters of a century of firearms expertise, Gun Digest remains the most trusted firearms annual in print.

This 77th edition is a celebration of American manufacturing ingenuity. Our cover image proudly shows off products from three iconic Made-in-USA brands: Springfield Armory, Leupold Optics and Federal ammunition. That’s just a taste of what’s inside, including:

• The Forgotten .33 Winchester
• A Tribute 1911
• Browning X-Bolt Rifles: Evolving Toward Perfection
• Marlin 1895 SBL .45-70
• Ruger Precision Custom Shop Special

In addition to this, all your favourite sections are there: gun tests, firearms features, product roundups, ballistic tables and more… For true firearms enthusiasts, Gun Digest 2023 proves familiar as the smell of Hoppe’s No. 9 and as vital as a zeroed scope!

About the Editor:

Philip P. Massaro is the seventh editor of the Gun Digest annual, is a regular contributor to Gun Digest the Magazine and Cartridges of the World, and contributes to many different firearms and hunting publications. He has been an avid handloader for three decades, is a land surveyor by trade, a musician by choice, and is happiest in the wildest places on Earth.

Table of Contents:

John T. Amber Literary Award
Introduction: 77th Edition
About the Cover
FEATURES
Griffin & Howe: The Early Years — BY RICK HACKER
Scattergun Adventures — BY JOE COOGAN
The Forgotten .33 Winchester — BY SHANE JAHN
Federal Premium’s Centennial Anniversary — BY PHIL MASSARO
Five Blue-Collar Deer Guns — BY WILL BRANTLEY
Rethinking Rifling — BY C. RODNEY JAMES
.500 Jeffery, Ultimate Game Stopper — BY TOM TABOR
On Custom Guns — BY TOM TURPIN
Mastering the Double-Action Revolver — BY JIM WILSON
Double or Nothing — BY CRAIG BODDINGTON
A Gentleman’s Right … The Duelling Pistol — BY TERRY WIELAND
A Tribute 1911 — BY LENÉE LANDIS
The Case for Single-Shot Handguns — BY LARRY WEISHUHN
Elegant Arsenal for An Aging Handgun Hunter — BY DICK WILLIAMS
The M704 CRF Action — BY RON SPOMER
Bolt-Action Sporters of the Early 20th Century — BY PHIL SHOEMAKER
Chronology of Czech Bolt-Action Hunting Rifles — BY PIERRE VAN DER WALT
A Potpourri of Varmint Wildcats — BY STAN TRZONIEC
The Nepalese Gehendra Rifle — BY JIM DICKSON
The Emergency Gun — BY BOB CAMPBELL
Browning X-Bolt Rifles: Evolving Toward Perfection — BY MIKE DICKERSON
Sturmgewehr 44: The Storm and the Tempest — BY MIKE HASKEW
Pioneer Arms Polish PM 63C “Rak” — BY GEORGE LAYMAN
Are Bullets Too Sharp? — BY WAYNE VAN ZWOLL
Rimfire Revolution — BY MICHAEL SHEA
Handloading Economics — BY PHIL MASSARO
The Age of Chassis Rifle Systems — BY THOMAS GOMEZ
It Ain’t So, Mac! — BY WARREN PAGE

TESTFIRE
Stevens Model M-301 Turkey Gun — BY STEVE GASH
Ruger Precision Custom Shop Special — BY L.P. BREZNY
Marlin 1895 SBL .45-70 — BY ANDY LARSSON
Heritage Barkeep — BY AL DOYLE

ONE GOOD GUN
A Few Good Guns — BY PHIL MASSARO
Benelli 828U Trim Twenty! — BY COREY GRAFF
The Great .450 Ackley — BY TERRY WIELAND
The Underappreciated .356 Winchester — BY JIM HOUSE
A Well-Traveled Shotgun — BY NICK HAHN

REPORTS FROM THE FIELD
Rifles — BY WAYNE VAN ZWOLL
AR-Style Rifles — BY TODD WOODARD
Semi-Auto Pistols — BY ROBERT SADOWSKI
Revolvers & Others — BY SHANE JAHN
Shotguns — BY KRISTIN ALBERTS
Muzzleloaders — BY BOB CAMPBELL
Optics — BY JOE ARTERBURN
Airguns — BY JIM HOUSE
Ammunition — BY PHIL MASSARO
Reloading — BY PHIL MASSARO

RIFLES
Centerfire – Autoloaders
Centerfire – ARs
Centerfire – Levers & Slides
Centerfire – Bolt Actions
Centerfire – Single Shots
Drillings, Combination Guns, Double Rifles
Rimfire – Autoloaders
Rimfire – Bolt Actions & Single Shots
Competition – Centerfires & Rimfires

HANDGUNS
Autoloaders
Competition
Double-Action Revolvers
Single-Action Revolvers
Miscellaneous

SHOTGUNS
Autoloaders
Pumps
Over/Unders
Side-by-Sides
Bolt Actions, Single Shots & Lever Actions
Military & Police

BLACKPOWDER
Single-Shot Pistols
Revolvers
Muskets & Rifles

AIRGUNS
Handguns
Long Guns

BALLISTICS TABLES
Average Centerfire Rifle Cartridge Ballistics
Centerfire Handgun Cartridge Ballistics
Rimfire Ammunition Ballistics
Shotshell Loads