Книги о граффити, стрит-арте и urban art искусстве

A zippy, compact and affordable introduction to Street Craft for all fans of traditional street art or contemporary arts and crafts

Street Craft is the next chapter in the story of Street Art. From urban crochet to street sculpture, light projections, miniature installations and more, this book brings together artists whose creations are transforming cities around the world.

Twenty-eight entries each offer a short profile of one artist followed by a first-person reflection on what motivates their creativity – and what creativity!

- Tasha Lewis’s blue butterfly swarms bring beauty to derelict corners of New York
- Spidertag intertwines sturdy rope and nails to construct abstract graffiti in Madrid
- Mademoiselle Maurice’s origami and lace graffiti bring a light touch to the streets of Paris and Hong Kong

250 illustrations emphasize the sheer visual variety of these works, from the dark and moody to the bright and cheerful.

Riikka Kuittinen is a freelance curator and writer. A contributing writer to the online journal 2italic(Photomonitor), she curated the touring V&A show ‘Street Art: Contemporary Prints’ (2010–12). She is the author of several books, including Street Art: Contemporary Prints.

A unique typographical sourcebook featuring over 150 specially designed, original alphabets exclusive to this book

Classic graffiti lettering and experimental typographical forms lie at the heart of street culture and have long inspired designers in many different fields. But graffiti artists, who tend to paint the same letters of their tag again and again, rarely design complete alphabets.

Claudia Walde spent over two years collecting alphabets by 154 artists from thirty countries to show the many different styles and approaches to lettering within the graffiti and street art cultures. All of the artists have roots in graffiti. Some are world renowned such as 123 Klan (Canada), Faith47 (South Africa), and Hera (Germany); others are lesser-known or only now starting to emerge.

Each artist received the same instructions: design all 26 letters of the Latin alphabet within the limits of a single page of the book. How they approached this task and selected the media with which to express their ideas was entirely up to them, and the results encompass not just street art but sketches, sculpture, digital art, and photography.

This highly original book will inspire fans of street culture as well as typographers, graphic designers, advertising and communication students and design professionals worldwide.

Contents List:

Introduction • The Artists and their Alphabets A– Z • Acknowledgements

About the Author:

Claudia Walde, aka MadC, is a world-renowned graffiti artist, muralist, designer and writer. She was born in Bautzen, Germany, and is most known for her large-scale, outdoor artistic paintings. MadC painted her first graffiti piece in 1996, being 16 years old. She studied at Burg Giebichenstein University of Art and Design in Halle and Central Saint Martins College in London. MadC carries a master's degree in graphic design. She is the author of Sticker City: Paper Graffiti Art.

'Many of the images are today iconic masterpieces … one of the most influential art books of its time’ Eye Magazine

In 1984, the groundbreaking Subway Art brought graffiti to the world. 30 years on, the bible of the street-art movement is back and better than ever.

• With over 70 fresh photographs not included in the original edition.
• In new introductions Martha Cooper and Henry Chalfant recall how they gained entry to the New York City graffiti community in the 1970s and 1980s.
• New afterwords continue the story from the decline of the subway graffiti scene in the late 1980s to its unexpected rebirth as a global art movement.
• The authors bring us up to date on how the lives of the original subway artists have unfolded, and mourn the loss of several writers to the darker forces of the street.

Contents List:

‘Why don’t you photograph graffiti?’ Martha Cooper • ‘If art like this is a crime, let God forgive me.’ Henry Chalfant • SUBWAY ART • ‘We may have lost the trains...’ Martha Cooper • ‘... but we’ve gained the whole world.’ Henry Chalfant

About the Authors:

Martha Cooper has contributed the photographs for over twenty books and is Director of Photography at City Lore, the New York Center for Urban Folk Culture.

Henry Chalfant is an American photographer and videographer well known for his work on hip hop culture. He is the author of Spraycan Art, and his world-renowned documentation of the artists of the New York subway was memorialized in the most successful book on graffiti ever published, Subway Art, published by Thames & Hudson.

The Power and Purpose of Political Art

In an era of sensationalized news, artists around the world are observing politics and raising awareness on issues like authoritarian regimes, sustainability, climate change, diversity, and immigration.

Art’s ability to communicate, question, and influence opinions have made it a vital tool in activism. We are living in tumultuous times where democracies are challenged from all sides and there is a growing divide between left and right. Diverse topics are subjects that contemporary artists are covering to generate controversy, shine a light on government issues, and create empathy.

The Art of Protest explores the connection between art, politics, and activism today. Understand how over the past decade, artists have been engaging with political and social issues of all kinds and often raising alarms that are missed by politicians.

About the Authors:

Alain Bieber is the artistic director of the cultural institution NRW-Forum Düsseldorf. For the past two decades he has been organizing exhibitions with contemporary artists, especially in the fields of art and activism.

Francesca Gavin is contributing editor at Kaleidoscope, Twin, Good Trouble, Beauty Papers, and Financial Times, How to Spend It magazine. She cocurated “Manifesta11” and has curated exhibitions at Somerset House and Palais de Tokyo. She was co-editor of gestalten’s The Age of Collage 3, published in 2020.

The Art of Urban Sketching is both a comprehensive guide and a showcase of location drawings by artists around the world who draw the cities where they live and travel. Authored by the founder of the nonprofit organization Urban Sketchers (www.urbansketchers.org), this beautiful, 320-page volume explains urban sketching within the context of a long historical tradition and how it is being practiced today.

With profiles of leading practitioners and discussions of the benefits of working in this art form, this inspiring book shows how one can participate and experience this creative outlet through modern-day social networks and online activity. You'll find more than 600 beautiful, contemporary illustrations, as well as artists' profiles and extended captions where these urban sketchers share their stories, how they work, sketching tips, and the tools behind each drawing.

With sketches and observations from more than 50 cities in more than 30 countries, The Art of Urban Sketching offers a visually arresting, storytelling take on urban life from different cultures and artistic styles, as well as insight into various drawing techniques and mediums.

About the Author:

Gabriel Campanario is a staff artist at The Seattle Times and the founder of Urban Sketchers (www.urbansketchers.org), a nonprofit organization dedicated to fostering the art of on-location drawing. Campanario's newspaper column, Seattle Sketcher, was awarded first place for blog writing in "The Best of the West" journalism contest. The blog and weekly print column, which combine location sketches and written stories, have quickly become popular in the Seattle area, where Campanario has been featured in TV and radio appearances. A native Spaniard, Campanario moved to the U.S. in 1998 and has lived near Seattle with his wife and two children since 2006. His journalism career spans two decades, working for newspapers in Barcelona, Lisbon, California, and Virginia. Campanario has a master's degree in journalism from the University of Navarra in Pamplona, Spain.

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The skull is one of the most recognizable symbols of today’s contemporary visual culture. Adorning T-Shirts, badges and rock memorabilia as the ultimate symbol of anarchy and rebellion, the image of the skull has found its way into the vocabulary of urban life.

In response to this cultural phenomenon, The Book of Skulls presents a cool visual guide to the skull, charting its rebirth through music and street fashion to become today’s ultimate anti-establishment icon. From the Grateful Dead to skater punk graffiti, from haute-couture to Damien Hirst, this book is the ultimate collection of iconic and unusual skull motifs.

Packaged in an amazing 'skeleton' binding and drawing together artwork from music, fashion, street art and graphic design, The Book of Skulls is a celebration of one of today’s most iconic cultural symbols.

About the Author:

Faye Dowling is a freelance editor, curator and art buyer specializing in photography, illustration, design, and contemporary visual culture. She has worked for magazines including Dazed & Confused, Varoom, Frieze, Eye, Edit and Pictured.

An up-to-date selection of authentic stencil graffiti art from the new generation of street artists and provocateurs

Attention artists, activists, designers, typographers, provocateurs and all rebellious spirits! This is not just a practical handbook for making stencil art, but a guide to an artistic path. Street-art expert Tristan Manco and the more than 100 artists in this book invite you to experience the absolute freedom stencils give them to create, to imagine, to make mistakes and to change the world.

In an unprecedented age of protest when so many people have something to say – about political upheaval, environmental crises, social inequalities or just to demand beauty in the world – stencil art bursts the bubble of complacency and gets the message out there, quickly and as many times as necessary.

You will find:

• Stencil skills from the best – artists’ tips and tricks, peeks inside the studio and work in progress
• Previously unpublished stencil work from around the world – Buenos Aires to Paris to Melbourne and beyond
• Extracts from the Manual de Stencil, a DIY stencil zine produced by the Instituto Bogotano de Corte (Bogotá Institute of Cut)
• Profiles of the most exciting up-and-coming stencil artists of the next generation as well as influential stencil masters
• Mini-tours through the city streets of eight stencil hotspots

Contents List:

1. Basics • 2. Advanced Techniques • 3. Activism • 4. Themes • 5. Streets • 6. Studios 7. Resources

About the Author:

Tristan Manco’s books include Stencil Graffiti; Street Logos; Graffiti Brasil; Street Sketchbook; and Street Sketchbook: Journeys. He has also explored the world of ‘Urban Art’ in titles such as Raw + Material = Art; Big Art, Small Art; and Make Your Mark. Manco leads workshops on street art practices, and is a regular lecturer at schools and colleges as well as being a sought-after consultant and speaker at street art conferences. https://www.tristanmanco.com/lectures

The Street Art Manual is an illicit, tactical handbook to creating art in public and taking over urban space. Every type of street art is covered, from painting graffiti, to light projections, stenciling, wheat pasting and mural making, with each technique illustrated with step-by-step drawings.

Arm yourself with the tips and knowledge that no other guide will give you and go out and reclaim the streets in the name of urban creativity.

About the Authors:

Bill Posters is an award-winning artist, author and agitator. Over the last decade he has worked alongside artists and activists to create some of the world’s largest unlawful street art projects. In 2019 his project ‘Spectre’, which included a deep-fake video based on Mark Zuckerberg, received huge global media acclaim.

Matt Bonner is a graphic artist, designer, and social justice campaigner. He works with campaigning groups and grassroots activists to use subversive art as a tool for progressive social change. In 2018 Matt designed the world-famous ‘Trump Baby’ blimp.

Mark Jenkins brought sculpture to street art.

Mark Jenkins is redefining sculpture as part of the urban environment. The Urban Theater, his first monograph, documents Jenkins's compelling, often disturbing street installations and demonstrates his talent for provoking reactions from passersby. For Jenkins, these spontaneous responses and interactions are an integral part of the life cycle of his works.

The American artist Mark Jenkins is one of the key figures in street art today. He is known for the clever installations of his startlingly lifelike sculptures in urban spaces. This expert staging of his work provokes various reactions from passersby and expands his interventions into powerful performances. The book documents a broad spectrum of his compelling, often disturbing street installations. It also includes photos with which Jenkins has documented viewers’ spontaneous responses and interactions with his interventions. Although select work from Mark Jenkins has been exhibited in renowned venues such as Lazarides Galleries and the Kunsthalle Wien, his art is made for the street. Jenkins’s sculptures only become complete for him when they interact with their urban environments and the people within them.

A guide to the art, artists, and culture of graffiti from the 1970s to today, as told by the taggers themselves

This major co-publication with the Museum of Graffiti chronicles the worldwide graffiti movement from its birth in the 1970s, through the street and train painting of the 1980s, to its emergence as an artistic genre admired in museums and sold at auction. With hundreds of never-before-seen photographs of graffiti art from the 1970s to today, many of which have been provided exclusively for this volume by the artists themselves, the book gives an insider’s view through multiple interviews with celebrated graffiti artists, including Roger Smith of Sane Smith, Hotboy Hert, DESA, Shirt King Phade, RIME, MadC, Saber, AURA, and others.

Told through essays, hundreds of images, and interviews with the artists – both the underground outlaws and the writers who went mainstream – The Wide World of Graffiti will become the standard-bearer of the art form’s history and life today, a unique contribution from the first and only museum dedicated to graffiti as an art form.

About the Author:

Alan Ket is an artist, graffiti historian, and cofounder of the Museum of Graffiti. Ket has contributed to such publications as the 1990s cult zine Stress, and graffiti, music, and culture magazines Complex and Vibe. He has consulted on product launches embodying street culture and has worked with art institutions to develop programming. Ket has documented street art throughout the world while painting with many of the top graffiti artists.

A global overview of how contemporary artists incorporate text and the written word into work that speaks to some of the most pressing issues of the 21st century

Digital communication has seen the word as text permeate life in ways that the poets and artists of yesterday could never have imagined. Presenting a history of the word- and book-based art, and examining major areas where the word has dominated artistic practice, this book takes us on a fascinating and richly illustrated global tour of diverse contemporary art forms.

What value can text hold in the sphere of visual art? How is such text different from poetry? Can the poetic itself be visual art, or is text in this context consigned to the realms of gimmick and catchphrase? Looking at the work of a broad range of artists including Bruce Nauman, Julien Breton, Jeremy Deller, Tracey Emin, Jenny Holzer, Shirin Neshat and many more, The Word is Art examines each of these questions, contending above all that in the digital age, words have become more important than ever.

With the advent of texting and social media, many predicted the debasement of language, and some have pointed to evidence of this in our so-called ‘post-truth’ culture. Michael Petry demonstrates that, on the contrary, words remain critical, powerful and central to art practice.

About the Author:

Michael Petry is an artist, author and Director of the Museum of Contemporary Art (MOCA), London, and Guest Curator for culture agency Futurecity. His latest book, Nature Morte: Contemporary Artists Reinvigorate the Still-Life Tradition, was also published by Thames & Hudson.

Contents List:

Introduction • 1. Installed Words • 2. Three-Dimensional Words • 3. Light • 4. New Media • 5. The Conceptual Word • 6. Social Comment • 7. The Drawn Word • 8. Books • Further Reading

This truly global and visually stunning compendium showcases some of the most breathtaking pieces of street art and graffiti from around the world.

Since its genesis on the East Coast of the United States in the late 1960s, street art has travelled to nearly every corner of the globe, morphing into highly ornate and vibrant new styles.

This unique atlas is the first truly geographical survey of urban art, revised and updated in 2023 to include new voices, increased female representation and cities emerging as street art hubs.

Featuring specially commissioned works from major graffiti and street art practitioners, it offers you an insider’s view of the urban landscape as the artists themselves experience it.

Organized geographically, by continent and by city – from New York, Los Angeles and Montreal in North America, through Mexico City and Buenos Aires in Latin America, to London, Berlin and Madrid in Europe, Sydney and Auckland in the Pacific, as well as brand new chapters covering Africa and Asia – it profiles more than 100 of today’s most important artists and features over 700 astonishing artworks.

This beautifully illustrated book, produced with the help of many of the artists it features, dispels the idea of such art as a thoughtless defacement of pristine surfaces, and instead celebrates it as a contemporary and highly creative inscription upon the skin of the built environment.

About the Authors:

Dr Rafael Schacter is an anthropologist and curator from London. He co-curated the ‘Street Art’ exhibition at Tate Modern, London, in 2008. He has written for a variety of publications and has lectured on Independent Public Art around the world. His ethnography, Ornament and Order, is based on an ongoing engagement as well as more than two years’ in-depth fieldwork with some of the world’s most important Independent Public Artists.

Working across art-making and academia over three decades, Lachlan MacDowall is a scholar of graffiti, street art and digital culture, best known for pioneering research methods that mix genres, images and data. As a writer and photographer, he has pioneered new methods to register the complexity of graffiti and street art, including its rise as cultural heritage, challenges to documentation and photographic practices, the uses of bio-social paradigms, the analysis of data-rich environments and its connection to white supremacism and the alt-right.    He has published widely on the history and aesthetics of graffiti and street art, including in his most recent books Instafame: Graffiti and Street Art in the Instagram Era (2019) published by Intellect Books and the University of Chicago Press and (with Kylie Budge) Art After Instagram: Art Spaces, Audiences, Aesthetics (2022) published by Routledge. His work has been translated into French and Italian.   He is currently an Associate Professor and Director of the MIECAT Institute in Melbourne, Australia and a Senior Research Fellow (Hon) in the School of Historical and Philosophical Studies at the University of Melbourne.

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Пролистать книгу The World Atlas of Street Art and Graffiti на Google Books.

This vibrant three-volume set explores Banksy’s iconic works through the lens of some of his most powerful symbols — rats, monkeys, and children.

Whether he’s protesting war, challenging societal norms, or sending up political and economic systems with his scathing critiques, Banksy’s strategic and inventive use of symbolism is one of his most effective tools. Now renowned Banksy scholar Alessandra Mattanza helps readers understand and contextualize some of Banksy’s most recognized motifs. Packed with images that span his oeuvre since the early 2000s these volumes are filled with photographs and reproductions of some of his most well-known works featuring rats — Let Them Eat Crack, Rat Inside a Clock, monkeys—Laugh Now and Devolved Parliament; and children — Girl with Balloon and Girl Frisking Soldier. His work on urban resistance is also highlighted here, including such pieces as The Flower Thrower and The Son of a Migrant from Syria. In her introductory essays Mattanza delves into the unique resonance of Banksy’s work; his wit and perception; and his remarkable ability to create enduring messages on an ephemeral canvas.

About the Author:

Alessandra Mattanza is a foreign correspondent, contributor, and editor for several publishers in Italy and Germany. Her previous books are Street Art: Famous Artists Talk About Their Vision, Women Street Artists, and Banksy. She lives in New York.

A cunning group of street artists is appropriating public spaces with astonishing artistic interventions. We Come at Night introduces the work of thirteen street artists whose artistic interventions are not only aesthetically motivated but also function as razor-sharp social, political and ironic commentary on its surroundings. Featured artists include Akim One Machine, Blu, Brom, Dr. Innocent, JR, Kami & Sasu, Mare 139, Mr. Horse, Nina, Nixfitti, Os Gemeos, Zasd and Zevs.

The book contains a DVD with a film documentary by Volker Sattel and Mario Mentrup about the Outsides project initiated by Red Bull.

Rizzoli is pleased to bring back into print OBEY: Supply and Demand, Shepard Fairey's first book originally published in 2006 and slightly updated in 2009, which showcases the artist's career from his earliest art school years to the creation of his famous Obama HOPE and CHANGE posters and is the perfect pendant to Rizzoli's first Shepard Fairey collaboration Covert to Overt.

Shepard Fairey's first comprehensive monograph brought back into print, which chronicles his early art school days, his viral Andre the Giant has a Posse sticker campaign in the 1990s, the creation of his enormously successful OBEY apparel brand, and his longtime role as an activist-street artist.

About the Author:

Shepard Fairey is an American contemporary street artist, graphic designer activist and illustrator who emerged from the skateboarding scene. He earned a bachelor of fine arts in illustration from Rhode Island School of Design in 1992. He is best known for his Barack Obama "Hope" poster, which he created in support of the 2008 presidential campaign. His work has been included in the collections of several museums, including the Smithsonian in Washington D.C.; the Los Angeles County Museum of Art; the Museum of Modern Art, New York; and the Victoria and Albert Museum, London.

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