Книги о восточном искусстве

Haiku – seventeen-syllable poems that evoke worlds despite their brevity – have captivated Japanese readers since the seventeenth century.

Today the form is practiced worldwide and has become established as part of our common global heritage. This beautiful traditionally hand-bound volume presents new English translations of classic poems by the four great masters of Japanese haiku – Matsuo Basho, Yosa Buson, Kobayashi Issa, and Masaoka Shiki – accompanied by both the original Japanese and a phonetic transcription, and a photograph or artwork highlighting or echoing the poem’s theme.

With a timeless design, Haiku Illustrated is an expert introduction and celebration of one of the most beautiful and accessible forms of poetry in the world.

About the Author:

Hart Larrabee is an American translator who lives with his family in the little town of Obuse in northern Nagano, Japan, right in the heart of Issa country. His translations of short stories by Fumio Takano and Mitsuyo Kakuta have appeared, respectively, in the anthologies Tomo: Friendship Through Fiction and The Book of Tokyo: A City in Short Fiction. He also translates non-fiction, particularly in the fields of art, design, and architecture.

Haruki Murakami's best-loved stories finally in graphic novel form!

Haruki Murakami's novels, essays and short stories have sold millions of copies worldwide and been translated into scores of languages. Now for the first time, in this three-volume series, Murakami's best-loved stories are available in manga form in English.

With their trademark mix of realism and fantasy, centering around Murakami's signature themes of loss, remorse and confusion. The three stories in this volume are:

- The Second Bakery Attack: A newlywed couple lie in bed, hungry. The man tells his wife about when he and a friend robbed a bakery and stole bread to feed themselves for two days. On hearing this story, the woman suggests they try the same thing again.
" […] exemplifies Murakami's sense of the fragility of the ordinary world." —Kirkus Reviews

- Samsa in Love: An extension of the tale of Gregor Samsa in Kafka's The Metamorphosis. The main character wakes up to find himself transformed into someone named Samsa, then falls in love with a hunchback woman who comes to fix the lock on his door.
"Samsa in Love is part of a lineage, going back to the original publication of The Metamorphosis in 1915 and extending up to (and beyond?) the present day." —Los Angeles Times

- Thailand: A middle-aged woman takes a break from her job as a doctor to go on holiday in Thailand. She learns from a spirit doctor that her sterile life and inability to forgive have created a rock in her gut, which will be all that remains of her after she is dead.
"His characters are so persuasive, and the storytelling so spacious.… Murakami's crisp, accomplished stories…have great immediacy." —The Seattle Times

These new graphic versions of classic Murakami short stories will be devoured by his fans and will provide a new window onto his work for a new generation of readers not yet familiar with it!

About the Author:

Haruki Murakami's first novel, Hear the Wind Sing, won the Gunzou Literature Prize in 1979. He is the author of many novels including Norwegian Wood, Sputnik Sweetheart and Kafka on the Shore. He has published three collections of short stories: The Elephant Vanishes, After the Quake and Blind Willow, Sleeping Woman. The most recent of his many international literary honors is the Jerusalem Prize, whose previous recipients include J. M. Coetzee, Milan Kundera and V. S. Naipaul. Murakami's work has been translated into more than fifty languages.

Jean-Christophe Deveney's comic book adaptations have been published in Italy, Spain, England, USA, Japan and Argentina. He organizes international projects and comics exhibitions. He taught scriptwriting for comics and animation for fifteen years.

PMGL illustrates magazines and underground comix, and publishes comic strips, short stories and feature comics. He also teaches human morphology and anatomy to animators and videogame artists. On the side he collects 45rpm records from the 70s and deejays under the nom de plume Koffi Gnato.

This art book showcases depictions of hell in Japanese art from the 12th century to the 19th century.

It features a large collection of masterpieces presented with details and enlargements from the works. These images are of aesthetic, thought-provoking, frightening and wickedly funny.

The single-volume collection focuses primarily on works designated as Japanese National Treasures or Important Cultural Properties and features the various depictions of hell by prominent artists such as Kazunobu Kano, Nichosai, Yoshitoshi Tsukioka and Kyosai Kawanabe. It is a must-see for artists, illustrators and anyone interested in representations of hell. This volume also features the 19th-century woodblock-printed edition of Ojoyoshu (The Essentials of Rebirth in the Pure Land) written by the medieval Buddhist monk Genshin (942 - 1017) and is accompanied by modern bilingual text.

Written in 985, this influential Buddhist text is often compared with Dante's La Divina Commedia (La Divine Comedie/The Divine Comedy). Its brutal scenes of underworld realms display the suffering and cruelty one might endure as a consequence of harmful acts committed in life or the judgement by the Ten Kings of Hell. These ideas of hell in Ojoyoshu have played an enduring role in inspiring Japanese Buddhist paintings and other subsequent texts, particularly from the medieval period onward, and are vividly portrayed in the painting featured in this volume.

Essays from historians of both Japanese art and Buddhism are also included in bilingual text.

Hiroshige was one of Japan’s most talented, prolific and popular artists. Famed for his landscapes, he was also a great observer of nature with a visionary approach to colour and brushwork. His legacy continues to influence and inspire artists today.

Over a career spanning four decades, the prolific Utagawa Hiroshige (1797–1858) produced thousands of landscape and nature prints, hundreds of paintings commissioned by the samurai elite, as well as many illustrated books. His work appealed to every stratum of society. While some of his landscape prints, such as Evening Snow – Kanbara and Ohashi – Evening Rain, are well-known examples of Japanese art, the full range of his output is less familiar.

Hiroshige came from a samurai family, but he crossed social boundaries and devoted himself to depicting popular customs and the world around him. His work is distinguished by an air of gentle grace and decorum, perhaps arising partly from his steady temperament. His calm artistic vision sustained his contemporaries through the uncertainties of daily life and changing times. A great colourist, he stands out for discovering a subtle lyricism in the experience of travel, and a bond between people and the natural world.

Featuring highlights from leading private collections of Hiroshige prints, alongside works by Hiroshige and other artists from the British Museum’s outstanding collection of Japanese art and from other major collections, this lavishly illustrated new publication celebrates one of the world’s most accomplished artists.

About the Author:

Alfred Haft is JTI Project Curator for Japanese Collections and Curator of the exhibition Hiroshige at the British Museum. Previous publications include Salon culture in Japan: making art, 1750–1900 (contributor, 2024), Late Hokusai: Society, Thought, Technique, Legacy (contributor, 2023), Hokusai: beyond the Great Wave (contributor, 2017) and Aesthetic Strategies of the Floating World (author, 2012).

The ultimate publication on Hokuei, the master of Osaka ukiyo-e printmakers and one of the most intriguing artists ever in kabuki-actor prints.

Hokuei: Master of Osaka Kabuki Prints centers on one of the most intriguing artists in kabuki actor prints: Shunbaisai Hokuei (act. ca. 1828–36). A culminating, yet enigmatic, figure in Osaka ukiyo-e prints, Hokuei produced more masterworks than any other artist of his day in the Kyoto-Osaka (Kamigata) region. The prints in this richly illustrated publication are largely drawn from the John Fiorillo collection, considered the most extensive of Hokuei’s works.

The book presents a thoughtful and thorough overview of the artist’s life and career in the world of Kamigata print production. Also included is a section highlighting fifty-six meticulously researched and remarkably well-preserved prints. Through Hokuei’s prints, the world of kabuki comes alive in fascinating detail, while assessments of design and technical attributes bring into focus the achievements of Hokuei and Kamigata print designers of the period. Of particular importance for scholars and collectors is a fully illustrated and annotated catalogue raisonné of the artist’s to-date documented 270 prints, a number of which are designs unique to the Fiorillo collection.

Appendices introduce aspects of Hokuei’s prints, including summary data on print formats, figure types, deluxe printings, woodblock-printed books, and the artist’s students; signatures and seals; publishers; block-cutters and printers; kabuki theaters; and the making of Japanese prints. The depth and scope of information provided in Hokuei: Master of Osaka Kabuki Prints makes it a singular reference for scholars, collectors, and enthusiasts of Osaka prints, of the artist Hokuei, and of the world of kabuki.

About the Author:

John Fiorillo is an independent researcher and writer on traditional and modern Japanese prints, with a particular interest in Kamigata-e (“Osaka prints”) and Sōsaku Hanga (“Creative prints”). Over time, he came to especially love and admire the actor prints produced in Osaka, a genre often overlooked by collectors and scholars. Mr. Fiorillo has regularly published in the art journal Andon (Society for Japanese Art, Leiden), contributed to the Hotei Encyclopedia of Japanese Woodblock Prints (2005), and designed and written extensive articles for the websites “ViewingJapanesePrints.net" (since 1999) and “OsakaPrints.com" (since 2005). Mr. Fiorillo also serves as a member of the Andon editorial board.

Over a century and a half after his death, Katsushika Hokusai is still one of Japan’s most popular and influential artists.

This handy volume presents the wide range of Hokusai’s artistic production in terms of one of his most remarkable characteristics: his intellectual ingenuity. It attempts to answer the question of how the self-styled ‘Man Mad about Drawing’ approached his subjects – how he depicted human bodies in motion, combined figures and landscape, represented three-dimensional objects on a two-dimensional surface, and used techniques of illusionism or adjusted reality for greater visual or emotional effect.

Including some fifty stunning and unusual paintings, prints, and drawings from the peerless Japanese art collection at the Museum of Fine Arts, Boston, this book is a treasure trove that introduces readers to a witty, wide-ranging and inimitably ingenious Hokusai.

The legendary masterpieces of Hokusai-fifteen volumes in a single chunky book. 

Hokusai Manga is one of the masterpieces by Katsushika Hokusai (1760-1849), a master of Ukiyo-e art, depicting ordinary people’s lives, animals, plants, landscapes and human figures, historical and supernatural, even demons and monsters, as if it were a visual encyclopedia, amounting to fifteen volumes. 

Hokusai Manga turned out to be very popular among every class of people, from feudal lords to the general public, and became a long-time best-seller in the Edo period. 

This book selects pieces from each volume and compiles them into one charming book. 

The original masterpiece spread throughout Japan and flowed into Europe in the middle of the nineteenth century, where it had a striking impact on artists, including Impressionists Manet, Monet, Degas, and others. The artistic movement ‘Japonisme’ began in part due to its influence.

Perfect for display or close observation, this impeccably produced collection of some of Hokusai’s most renowned prints highlights the exquisite lines and delicate hues that have entranced viewers for centuries.

During his lifetime, Hokusai was one of the most revered artists working in the ukiyo-e school of painting and printmaking. This book gathers the finest examples of Hokusai’s breathtaking prints, including his iconic The Great Wave off Kanagawa, views of Mt. Fuji, landscapes, domestic scenes, and painstakingly rendered flora and fauna.

An introduction by Matthi Forrer offers a brief biography of Hokusai and commentary on his practice and influence.

Each full-color poster is backed with a substantial caption that provides insights into the piece’s significance and notable characteristics. Printed on heavy coated paper, these detachable posters are suitable for framing, but also taken together create a lasting and illuminating introduction to Hokusai’s extraordinary accomplishment.

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Пролистать книгу Hokusai Posters

A deluxe, large-format edition of this beautifully illustrated introduction to Katsushika Hokusai, the most prolific artist of Japan’s Edo period, and master of ukiyo-e – ‘images of the floating world’

Hokusai: the blue, foam-crested wave rearing above Mount Fuji; the celebrated volcano idealized and reinvented by the artist in every nuance of view, season and painting; extraordinary bridges, the waterfalls of Japan, the contortions, costumes, gestures – the very breath of men, women, peasants, townsmen, warriors, artisans, leaping horses, birds, insects, fish, almost live on the ground on which they are painted – the countless imaginative drawings or the lively sketches done on the spot for the Manga, Hokusai’s record of shapes and forms drawn from life or imagined over time. With a body of work comprising more than 30,000 drawings and paintings, Hokusai (1760–1849) was the most prolific, varied and indisputably the most creative artist of old Japan. A universal genius in everything that constituted drawing and painting in his time, he practised all genres of ukiyo-e, those ‘images of the floating world’, as his contemporaries liked to describe their pleasures and their daily life.

This book traces the career of this child from a working-class district of old Tokyo, then known as Edo, evoking the special atmosphere of this great city and of Japanese life, when Japan – closed to foreigners – developed in a vacuum a powerfully original culture. Hokusai became one of the great masters of the woodcut, this ‘brush gone wild’, as he called himself, being rediscovered by the Impressionists and aesthetes at the end of the 19th century. He remains one of the greatest and – thanks to his personality – one of the most attractive figures of world art.

About the Author:

Henri-Alexis Baatsch is a writer and translator who lived in Tokyo in 1981 and again from 1984 to 1986, during which time he wrote an essay on Hokusai, revised for this book. He is the author of several plays and numerous books, including Henri Michaux: Painter and Poetry and Questions of Style.

A major publication on Hokusai’s remarkable late work, which accompanies the important retrospective at the British Museum

Hokusai created sublime works during the last thirty years of his life, right up to his death at the age of ninety. Publications have hitherto presented his long career as a chronological sequence. This book takes a fresh approach based on innovative scholarship: thematic groupings of works are related to the major spiritual and artistic quests of Hokusai’s life.

Hokusai’s personal beliefs are studied here through major brush paintings, drawings, woodblock prints and illustrated books. The book gives due attention to the contribution of Hokusai’s daughter Eijo (Oi), an accomplished artist in her own right. Hokusai continually explored the mutability and minutiae of natural phenomena in his art. His late subjects and styles were based on a mastery of eclectic Japanese, Chinese and European techniques and an encyclopaedic knowledge of nature, myth, and history. Mount Fuji was the most significant model for Hokusai in his quest for immortality. This collection of Hokusai’s works draws on the finest to be found in Japan and around the world, making this the most important publication for years on Hokusai, and a uniquely valuable overview of the artist’s late career.

About the Authors:

Timothy Clark is Head of the Japanese Section in the Department of Asia at the British Museum.
Roger Keyes is a leading Hokusai scholar.

An important publication on Hokusai’s remarkable late work, originally published to accompany the acclaimed retrospective at the British Museum and now available in a compact edition

Hokusai created sublime works during the last thirty years of his life, right up to his death at the age of ninety. Publications have hitherto presented his long career as a chronological sequence. This book takes a fresh approach based on innovative scholarship: thematic groupings of works are related to the major spiritual and artistic quests of Hokusai’s life.

Hokusai’s personal beliefs are studied here through major brush paintings, drawings, woodblock prints and illustrated books. The book gives due attention to the contribution of Hokusai’s daughter Eijo (Oi), an accomplished artist in her own right. Hokusai continually explored the mutability and minutiae of natural phenomena in his art. His late subjects and styles were based on a mastery of eclectic Japanese, Chinese and European techniques and an encyclopaedic knowledge of nature, myth, and history. Mount Fuji was the most significant model for Hokusai in his quest for immortality. This collection of Hokusai’s works draws on the finest to be found in Japan and around the world, making this the most important publication for years on Hokusai, and a uniquely valuable overview of the artist’s late career.

About the Authors:

Timothy Clark is Head of the Japanese Section in the Department of Asia at the British Museum.
Roger Keyes is a leading Hokusai scholar.

The accompanying hardback title to the British Museum exhibition Hokusai: The Great Picture Book of Everything.

This landmark publication documents a major new discovery of over 100 drawings by the foremost Japanese artist Katsushika Hokusai. Acquired by the British Museum in 2020, these previously unpublished drawings had been forgotten for over 70 years. All 103 exquisite drawings are reproduced at full size for the first time.

Katsushika Hokusai (1760-1849) is considered by many to be Japan’s greatest artist. During his seventy-year career, he produced a considerable oeuvre of some 3,000 colour prints, illustrations for over 200 books, hundreds of drawings and over 1,000 paintings.

This exciting collection of over 103 exquisite small drawings were made for an unpublished book called The Great Picture Book of Everything – featuring wide-ranging subjects from depictions of religious, mythological, historical and literary figures to animals, birds, flowers and other natural phenomena, as well as landscapes. They are dominated by subjects that relate to ancient China and India, also Southeast and Central Asia. Many subjects found in the collection are not found in previous Hokusai works, including fascinating imaginings of the origin of human culture in ancient China.

This beautifully produced book draws on the latest research, illustrating the complete set of drawings, published for the first time.

This gorgeous survey of art from the Islamic world covers three continents and fourteen centuries.

From its birth in the 7th century through modern times, the Islamic religion has inspired glorious works of art. This stunning book includes more than four hundred reproductions of treasures of Islamic art that span the world: from southern Europe, along the entire Mediterranean basin to sub-Saharan Africa through the Middle East, India, and Central Asia. Arranged geographically, the objects include paintings, miniatures, ceramics, calligraphy, textiles, carpets, and metalworks. Each region is given a thorough introduction that offers historical context and extensive descriptions of its artefacts. Accompanying essays offer guidance in interpreting the many themes that tie these works together, including typology, calligraphy, and religious beliefs. With its large format, exquisite reproductions, and extensive research, this book is a thorough introduction to the Islamic artistic tradition.

About the Author:

Luca Mozzati is an art historian specializing in the art of Central Asia. He lectures and publishes widely in the field.

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Пролистать книгу Islamic Art: Architecture, Painting, Calligraphy, Ceramics, Glass, Carpets

An inner journey into the beauty of simplicity through the masterpieces of one of the largest and best-known collections of Japanese art outside Japan Among the many ways one can approach a distant country there are study, travel, and a special sensitivity that allow a person to distinctly interpret the reasons behind a culture.

In the case of Jeffrey Montgomery and his splendid collection all three of these elements interact in a surprisingly harmonious way. The works he has collected during his lifetime lead to the very heart of Japanese art, accompanying us on a fascinating journey to discover the aesthetic ideals of a civilization that goes back millennia.

Published on the occasion of the exhibition in Lugano, the volume presents one hundred and seventy works from the period between the 12th and 20th centuries – including textiles, furniture, paintings, religious and everyday-objects – carefully selected from the over one thousand objects collected over a lifetime by Jeffrey Montgomery. Renowned worldwide, the Montgomery Collection displays an extraordinary richness and a very singular substance: it is a collection of “oriental art”, and at the same time it expressed a “folk culture” reinterpreted in very elevated aesthetic terms by the elegant and refined choices made by the collector who had dedicated his entire life to it.

Edited by Francesco Paolo Campione, in collaboration with Moira Luraschi, Japan Arts and Life contains the essays by Francesco Paolo Campione (An Impermanent Journey between Art and Life); Matthi Forrer (Collecting Japanese Art Objects); Rossella Menegazzo (The Other Side of Japan. The Jeffrey Montgomery Collection between Art, Crafts, and Folklore); Giorgio Amitrano (Japan, the Beautiful, and Ourselves); Imogen Heitmann (The Museographical Display as a Creative ‘Meta-work’). The volume presents also the catalogue and the entries of the works, edited by Moira Luraschi and divided into thematic sections (Paintings; Woven objects; Hooks and counterweights; Ceramics; Fabrics; Lanterns; Masks; Furniture; Signs; Kettles and pourers; Sculptures; Lacquers).
Paolo Campione teaches Cultural Anthropology at the University of Insubria and he is the Director of the MUSEC Museo delle Culture, Lugano. Moira Luraschi, anthropologist, is curator of the Japanese collections and the photographic collection of the Yokohama School at MUSEC, Lugano.

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Among the many ways one can approach a distant country, there are studies, travel, and a special sensitivity that allow a person to distinctly interpret the reasons behind a culture. In the case of Jeffrey Montgomery and his splendid collection all three of these elements interact in a surprisingly harmonious way. The works he has collected during his lifetime lead to the very heart of Japanese art, accompanying us on a fascinating journey to discover the aesthetic ideals of a civilization that goes back millennia.

About the Authors:

Francesco Paolo Campione teaches Cultural Anthropology at the University of Insubria and he is the Director of the MUSEC Museo delle Culture, Lugano.
Moira Luraschi, anthropologist, is curator of the Japanese collections and the photographic collection of the Yokohama School at MUSEC, Lugan.

Founded in 1852, the V&A has acquired Japanese objects from its earliest years and played a significant role in bringing the art of Japan to the attention of designers, manufacturers and the British public.

This tradition continues to the present day and in this new book some of the world’s leading researchers in this field bring their attention to the V&A’s unparalleled collection. Ten chapters focus on subjects such as the effects of Buddhism on the country’s arts and culture; the samurai; the highly aestheticized tea ceremony, which has been a notable feature of Japanese culture from the Medieval period up to the present day; Ukiyo-e and the graphic arts (prints, illustrated books, paintings and screens from the Edo period); exchanges with the West and imperialism, right up to modern and contemporary crafts and design including manga and high-tech design.

About the Author:

Gregory Irvine is Senior Curator in the V&A's Asian Department, where he specializes in Japanese metalwork.