Drawing on images of women and men from the heyday of Japanese printmaking, this book explores the subtle iconography and complex symbols inherent in the tradition of ukiyo-e (traditional Japanese woodblock printing meaning 'Fleeting World'). The intriguing elements refer to Japanese history, literature, mythology, fashion, folklore and gossip of the Edo period and are at times difficult to discern, let alone grasp, without proper knowledge. Divided into classic printmaking themes such as beautiful women, heroes, actors and shunga (erotic prints), this lavishly illustrated book provides readers with the keys to understanding the hidden meanings in more than 100 top Japanese prints. 

Beautiful women – including ladies from Edo's famous Yoshiwara brothel district – take up much of the book. Heroes and villains illustrate Japan's rich mythological and pseudo-historical past. The popular pastimes of kabuki and sumo are also covered: famous actors play their best-known roles as brave men or delicate geisha. These colourful masterpieces demonstrate the economy of line and powerful expression of the woodblock medium. Each print is explored in the finest detail in order to explain the many riddles of ukiyo-e – that intriguing and captivating mode of visual expression that had such a profound influence on Western art.

About the Authors:

Chris Uhlenbeck has been a dealer in Japanese prints for 40 years. He acted as curator of many exhibitions in the field of Japanese art, starting with the major retrospective exhibition on 20th-century Japanese prints from the Robert O. Muller collection in 1992 for the National Museum of Ethnology in Leiden, The Fondation L'Hermitage in Lausanne and the Musée Marmottan in Paris. From 2007, he fulfilled the role of curator of the Nihon no Hanga museum in Amsterdam for 10 years. Between 2011 and 2021 he created various exhibitions in the Japan Museum SieboldHuis in Leiden: on Hiroshige (2011), Yoshitoshi (2012) Kuniyoshi (2013), Kunisada (2015) and recently on Gekko (2020). He is co-author of the recent Ludion publication Shin Hanga: The New Prints of Japan 1900–1960 (2022).

Josephine Smit is a scholar and lecturer who obtained her master's degree in Japanese Studies from Leiden University, The Netherlands. Specialising in Japanese politics and international relations, she wrote her master's thesis on the evolution of post-disaster mental health care responses in Japan after conducting research for a year at Kobe University, Japan. As a freelancer, Smit lectures on kimono culture. Smit is currently employed as a Japanologist at both Japan Museum SieboldHuis and Hotei Japanese Prints in Leiden doing Ukiyo-e related research and exhibition management.

Jim Dwinger is a scholar of Japanese art history with a specialization in woodblock prints. He is co-author of the recent Ludion publication Shin Hanga: The New Prints of Japan 1900–1960 (2022) and is currently involved in preparing an upcoming catalogue of prints by Utagawa Hiroshige. He is also a member of the editorial board of Andon, Journal of the Society for Japanese Art.

Samurai warriors and heroes are illustrated by the greatest ukiyo-e masters.

This book is full of great samurai warriors and heroes in Ukiyo-e masterpieces. It showcases various samurai warriors and heroes, including the Genji and Heike clans (hereditary clan names bestowed by the emperors of the Heian period), samurai warriors of the Sengoku period (a century-long period of political upheaval and warlordism in Japan), the swordsman and poet Miyamoto Musashi, Eight Dog Warriors from the novel The Eight Dog Chronicles written in the Edo period, Jiraiya (the toad-riding Ninja character from Japanese folklore), Forty-seven Ronin, the Chinese hero Guan-Yu, and more.

All the illustrations are by legendary ukiyo-e artists such as Hokusai, Hiroshige, Kuniyoshi and Yoshitoshi. Vigorous and powerful characters illustrated in vibrant and dynamic compositions are simply overwhelming and stunningly beautiful. If you love samurai and ukiyo-e, this follow-up to the bestselling book, Something Wicked from Japan, is for you. This is also the perfect reference book for tattoo artists.

About the Author:

Ei Nakau is a member of the executive board of the International ukiyo-e Society, ukiyo-e collector, abstract artist and businessman from Kobe, Japan.

Elegantly packaged in a bespoke box, these 100 postcards feature some of the most spectacular examples of artworks made in the age-old woodblock tradition. All sourced from the V&A's outstanding collections, the Japanese Woodblock Print Postcard Box is the third release in the best-selling V&A box set series. Each set celebrates the V&A's status as a source of inspiration for designers, reflecting the unique breadth and depth of a collection that represents over 3,000 years of objects from all over the world.

Ghosts, demons, Yokai... This is the nightmarish collection of supernatural beings from Japanese folklore as portrayed in Ukiyo-e masterpieces!

Japanese folklore is a goldmine of terrifying supernatural Yokai monsters, demons, phantoms. A large number of Ukiyo-e woodblock printings created in Edo period (1603-1868) depict these monstrous beings in the illustrations of popular folk tales and horror stories. This book contains 70 Yurei (ghosts), Oni (demons), Kaijin (sorcerers) and Yokai (supernatural monsters) with a basic introduction to each creature s story in Japanese /  English bilingual text.

These phantoms and monsters are described vividly in 120 Ukiyo-e art pieces, all created by great masters such as Hokusai, Hiroshige, Kuniyoshi and so on, giving readers a clear and terrifying image of what such supernatural figures might look like.

These images have been passed down through the years, and many art genres in Japan today, including manga and games, are heavily influenced by them. This is the best reference book for Japanese art lovers, folk culture lovers, as well as Japanese pop-culture lovers. It also offers fresh ideas for those searching for new inspirations for tattoo art and design.

Japanese woodblock prints of the Edo period (1615–1868) were the products of a highly commercialised and competitive publishing industry. Their content was inspired by the vibrant popular culture that flourished in Edo (Tokyo). At any given time scores of publishers competed for the services of the leading artists of the day. Publishers and artists displayed tremendous ingenuity in finding ways to sustain demand for prints and to circumvent the restrictions placed upon them by government censorship. Japanese woodblock prints have long been appreciated in the West for their graphic qualities but their content has not always been fully understood. 

In recent years, publications by scholars in Japan, Europe and the United States have made possible a more subtle appreciation of the imagery encountered in them. This book draws upon this recent scholarship to explain how those who first purchased these prints would have read them. Through stunning new photography of both well-known and rarely published works in the collection of the British Museum, including many recent acquisitions, the author explores how and why such prints were made, providing a fascinating introduction to a much-loved but little-understood art form.

Imagine life in Edo, Tokyo from the 17th-19th century, in the early modern period there were many Ukiyo-e shops which sold woodblock prints displaying then-current styles and fashions much like our fashion photography and magazines today.

Each Ukiyo-e work was sold individually people bought the beautifully printed sheets of paper to learn the trends of the day and/or to enjoy the art-works by displaying them on walls as interior decor.

Surprise! By Kuniyoshi covers a variety of subjects and themes ghosts, monsters, yokais and skulls, human beings in humorous or satiric situations any of which might shock or bring laughter to viewers in unexpected ways.

Surprise! By Kuniyoshi includes sixty reproductions of works by Utagawa Kuniyoshi (1792-1892), an outstanding Ukiyo-e great master these wonderful reproductions are removable, so that one may re-purpose the Ukiyo-e for whatever environment they choose.

The backside of each sheet includes elegantly simplified designs based on the featured Ukiyo-e designs.

Surprise! By Kuniyoshi is a must for Japanese art lovers, or anyone who might find interest in unusual and humorous delights.

About the Authors:

Nobuhisa Kaneko is a curatorial staff of the Fuchu Art Museum, Tokyo. He was born in 1962 in Tokyo and specializes in the history of Edo period (1600-1868) painting. He is the author of Tabi suru Edo kaiga: Rimpa kara dohanga made ( Travelling Edo painting: from Rinpa school to copperplate; PIE Books, 2010) and a co-author of Bessatsu Taiyo Edo Kaiga Nyumon (An Introduction to Edo Painting; Heibonsha, 2007. He has been actively conducting research, curating exhibitions, and writing in his endeavors to bridge the gap between the art of the past and people of today.

Kuniyoshi Utagawa (1797-1861) was one of the great masters of the Japanese ukiyo-e style of woodblock prints and painting. Born in 1797 to a silk dyer, he helped his father's business as a pattern designer. His drawing talent from an early age attracted the attention of the famous print master Toyokuni Utagawa, and Kuniyoshi became one of his apprentices in 1811. The range of Kuniyoshi's preferred subjects included many genres: landscapes, beautiful women, Kabuki actors, mythical animals, and cats. More than any other Japanese artist, Kuniyoshi depicted cats humorously and satirically, with great accuracy and careful observation.

Bringing together masterpieces from Japan's three great ukiyo-e collections, the exhibition catalogue of the historic UKIYO-E 2020 exhibition is now available worldwide!

This book is the exhibition catalogue for UKIYO-E 2020, an exhibition held in the Tokyo Metropolitan Art Museum from June 23 to September 22, 2020.

This exhibition has great significance because, for the first time ever, masterpieces from the Ōta Memorial Museum of Art, Japan, the Ukiyo-e Museum, and the Hiraki Ukiyo-e Foundation, museums that are reputed to be the three great collections of ukiyo-e in Japan both in quality and volume, were showcased together. The exhibition catalogue features 450 carefully selected ukiyo-e prints from the 17th to 19th centuries, offering superb coverage of the world's ukiyo-e masterpieces.

This book will not only become a timeless keepsake of a historic exhibition but will also be extremely valuable as the premier source covering the complete history of ukiyo-e.

Ukiyo-e ("pictures of the floating world") is an art form that originated in the metropolitan culture of Edo (Tokyo) in the early seventeenth century and involved collaboration between artist, carver, printer and publisher. Printed on fragile paper using a technique of woodcut or woodblock printing, the early black and white designs soon gave way to delicate two-colour prints and then to multicoloured prints. Favourite subjects were portraits of beautiful geisha and courtesans, popular kabuki actors and sumo wrestlers, erotica, scenes from nature, historical subjects and even foreigners in Japan.

The charming, carefully selected ukiyo-e in this book reflect not only Japan's rich history and way of life but also reveal the author's love affair with an art form that has captured the imagination of people all over the world./p>

Shunga portrays the erotic expression of a couple with pleasures and pains, and the beauty of their bodies with the finest Japanese woodblock print technique. It is a type of Ukiyo-e, which was especially all the rage among people in the Edo period (17th-19th century). Almost all ukiyo-e artists made shunga at some point in their careers. 

This big book of 586 pages features various Shunga works by masters of Ukiyo-e artists such as Hokusai Katsushika, Utamaro Kitagawa, Kuniyoshi Utagawa, Kiyonaga Torii, and Eisen Keisai. 

The magic by Kazuya Tkaoka, art director for this book, and our successful title Hokusai Manga, makes this book a one-of-a-kind Shunga collection.

Ukiyo-e art is a wood engraving technique, representing the last traditional Japanese figurative art before the Meiji period (1868). Its pictures of the floating world imitate ancient aristocratic traditions and reflect the tastes and traditions of the people of Edo (the present-day Tokyo) through landscapes and scenes from everyday life. Ukiyo-e inspired such Western artists as Manet, Degas and van Gogh, and gave birth to Japonism.

The art of ukiyo-e (the floating world) originated in the city of Edo (1603–1867, now Tokyo), when the political and military power of Japan was in the hands of the shoguns. Comprising six essays, six plate sections and over 600 illustrations this beautiful book provides a perfect introduction to the art of this period. The paintings, scrolls and prints reproduced here demonstrate not only the new urban pleasures of the theatre, restaurants, teahouses and geisha, but also Japan’s love of nature and tradition. Professor Calza’s accessible style provides a fascinating yet scholarly study of such masters as Hokusai, Hiroshige and Utamaro.