Книги о восточном искусстве

The world of expressionless girls on the verge of adulthood living in rooms where reality and fantasy blend

The distinctive factor in His work is high school girls in languid poses that arise from the uncertainty that is peculiar to girls during adolescence. Girls in his work show expressionless faces and the artist intentionally makes it hard to gauge their emotions. But the way that the artist presents the subject - depicting the uncertainty felt in adolescence, while at the same time celebrating these youths through pale shades of color and unique composition - is definitely something that resonates with teenage girls. Pale colors give an impression of the fragility and sweetness of young girls, while each work's unique composition shows the girls dwelling alone in between the two incompatible worlds of adulthood and childhood.

This is His first artwork collection showcasing over 170 artworks, including never-before-seen original artworks, remakes of already published artworks, and rough sketches. This book also includes interesting features like the "motif collection," the "making of 170cm cover art illustrations." This book will surely inspire DaisukeRichard fans and those who are new to his distinctive illustrated works alike.

About the Author:

Daisuke Richard is a Japanese illustrator who has 101K followers on Twitter and 679K followers on Instagram. He is quickly gaining popularity among young people and merchandise such as T-shirts and bags featuring his illustrations are always instant best sellers.

A celebration of Japanese printmaking, birds and their habitats, and the pleasures of nature, this magnificent boxed set features more than sixty impeccably reproduced images from masters of the form.

Chickadees amid cherry blossoms, peacocks nestled in wisteria branches, sleeping owls against a moonlit night sky and majestic cranes diving in the ocean waves ― these are some of the transcendent pleasures offered in this exquisite collection of plates bound in an accordion style format that honors the Japanese bookbinding tradition. Every major artist of this genre is included ― from Keisai, Keibun and Hokusai to Hiroshige and Koson ― as the history of Japanese printmaking unfolds in stunning detail. An introductory booklet explores the centuries long role that nature has played in Japanese art, from Chinese influenced works of the Kano school, which depicted the bird as a Buddhist symbol, through to the ukiyo-e, when artists strove to capture fleeting moments of pure joy. Fans of Japanese art, lovers of birds, and anyone who enjoys beautiful depictions of the natural world will cherish this sumptuous, satisfying volume of earthly delights.

About the Author:

Anne Sefrioui is the author of numerous art books, including Hiroshige: Famous Views of the Sixty-odd Provinces (2017), Monet: The Essential Paintings (2023), and Van Gogh: The Bigger Picture (2024), all published by Prestel.

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Пролистать книгу Kingfisher with Lotus Flower: Birds of Japan by Hokusai, Hiroshige and Other Masters of the Woodblock Print  на сайте издательства.

The story of manga, a vibrant form of Japanese narrative art, from its historic roots to its place as a contemporary global phenomenon

Manga is a visual form of narrative storytelling. Its roots are international, but the form as we know it today developed in Japan between the late 19th and early 20th centuries and has recently achieved global reach. Originally confined to comics, prints and graphic novels, manga has expanded to influence animation, fashion, gaming, street art and new media. It is a multi-billion-pound industry, popular with people of all ages in Japan and increasingly all over the world, encompassing hundreds of themes from gender to adventure, in real or imagined worlds. There is a manga for everyone.

For manga fans, this book celebrates the excitement of manga’s cross-cultural appeal and its long history of breaking barriers. For those new to manga, it offers the chance to acquire literacy in what is fast becoming a universal visual grammar for our globalized age.

Arranged into six thematic chapters, with essays by leading scholars, this volume showcases the work of Japan’s most influential mangaka (manga creators) past and present, with printed manga extracts, original drawings, manga magazines, theatre, film, digital technologies and exclusive interviews with artists, editors and publishers.

Published in conjunction with a landmark exhibition at the British Museum, this is manga as Western audiences have never before seen it: diverse yet universally familiar, traditional yet intensely modern, rooted in the 2D printed page but effortlessly leaping out of it.

Contents List:

Introduction • 1. Understanding Manga through Reading, Drawing and Producing 2. The Power of Storytelling • 3. The Power of Seen and Unseen Worlds • 4. Manga and Society • 5. Motion through Line • 6. Expanding Manga’s Boundaries

About the Authors:

Dr Nicole Rousmaniere is IFAC Handa Curator of Japanese Arts at the British Museum.

Matsuba Ryoko is Senior Digital Humanities Officer at the Sainsbury Institute for the Study of Japanese Arts and Cultures, University of East Anglia.

A fascinating and authoritative survey of manga's impact on the kaleidoscope of creativity and cross-pollination that is Asia's comics industry

Brimming with vibrant reproductions of rarely seen comic art from all across Asia, Mangasia is a fascinating and authoritative survey of manga's impact on the kaleidoscope of creativity and cross-pollination that is Asia's comics industry. Paul Gravett charts the manga style as it travels throughout Asia, detailing the changes in its defining myths and themes as it evolves into the multi-platform industry we see today.

He tracks the genre from its roots in 19th-century Japan through to rapidly-growing branches in China and Korea, and pinpoints new blossoms in regions as far-flung as Indonesia and Mongolia. Indispensable maps and timelines present key dates, locations and events at a glance, allowing instant comparison of different countries' evolving styles. A beautiful and engaging volume, Mangasia is the ultimate companion for manga fans around the world.

Contents List:

1. Mapping Mangasia • 2. Fable + Folklore • 3. Recreating + Revising the Past • 4. Stories + Storytellers • 5. Censorship + Sensibility • 6. Multimedia Mangasia

About the Authors:

Paul Gravett is a writer, critic, curator, publisher and broadcaster who has been working in the comics industry since 1981. He is author of many books about comics, including Manga: Sixty Years of Japanese Comics, Graphic Novels: Stories to Change Your Life and Comics Art, and was general editor of 1001 Comics You Must Read Before You Die. He is co-director of Comica, the London International Comics Festival.

Park Chan-wook is a renowned South Korean film director, screenwriter and producer. His 2003 film Old Boy won the Grand Prix at the 2004 Cannes Film Festival.

Ilya Kuvshinov is a Russian illustrator and comic artist based in Japan. In this first book collection of his work, readers can see a fascinating combination of adorable girls with large, manga-influenced eyes, and soulful Japanese landscape illustrations. Momentary features never-before-published finished work and sketches, as well as written commentary (in both Japanese and English) from the artist himself.

Kuvshinov has a significant social media following on Instagram, Twitter and DeviantArt. On Instagram alone, over 1.6 milion followers from all over the world eagerly await his latest posts.

About the Author:

Kuvshinov Ilya is an illustrator and storyboard artist born and raised in Russia, who now resides in Japan. With experience in concept art, comic art and animation, his goal is to create a unique story-based media to inspire people to believe in their own strength and ability to move forward in life.

Featuring breathtaking photographs of masks created by a renowned twenty-first-century craftsman, this book provides a unique perspective into noh and kyogen, two of the oldest surviving forms of theater in the world.

Kitazawa Hideta is a traditional Japanese master craftsman, Shinto-temple carver and mask maker for both classical noh and kyogen theater. This gorgeous volume features more than sixty of his performance masks, presented in striking full-page photographs that allow readers to appreciate their level of detail. These meticulous creations are carved from hinoki wood, decorated with layers of gesso-paint, and thin watercolor antiquing, and sometimes include materials such as horsehair and gold paint.

Readers are introduced first to classical and then to contemporary noh and kyogen masks and are invited into Hideta’s workshop to explore the characteristics of the wood he uses, and the processes of creating, restoring, and wearing the masks. An overview of the basic elements of noh and kyogen theater, and reflections from museums that have worked with Kitazawa, complete this vibrant, immersive journey that celebrates the work of a contemporary artist who is not only preserving a centuriesold theatrical tradition, but also remaking it for modern audiences.

About the Authors:

Jannette Cheong is a poet, playwright, and designer. She has collaborated with Oshima Noh Theatre, Richard Emmert, and Kitazawa Hideta for almost two decades. Uniquely, she has written three noh pieces in English: Pagoda (2009, 2011); Opposites-InVerse (2017), blending noh, opera and ballet; and Between the Stones (2020). She lives in London.

Richard Emmert is the founder and former artistic director of Theatre Nohgaku, which is dedicated to performing noh in English. He has worked in North America, Europe and Asia and has composed music in noh style for English, French, and Spanish language noh. Awarded the Koizumi Prize in 2019, he is Professor Emeritus of Musashino University. He lives in Tokyo.

Samurai warriors and heroes are illustrated by the greatest ukiyo-e masters.

This book is full of great samurai warriors and heroes in Ukiyo-e masterpieces. It showcases various samurai warriors and heroes, including the Genji and Heike clans (hereditary clan names bestowed by the emperors of the Heian period), samurai warriors of the Sengoku period (a century-long period of political upheaval and warlordism in Japan), the swordsman and poet Miyamoto Musashi, Eight Dog Warriors from the novel The Eight Dog Chronicles written in the Edo period, Jiraiya (the toad-riding Ninja character from Japanese folklore), Forty-seven Ronin, the Chinese hero Guan-Yu, and more.

All the illustrations are by legendary ukiyo-e artists such as Hokusai, Hiroshige, Kuniyoshi and Yoshitoshi. Vigorous and powerful characters illustrated in vibrant and dynamic compositions are simply overwhelming and stunningly beautiful. If you love samurai and ukiyo-e, this follow-up to the bestselling book, Something Wicked from Japan, is for you. This is also the perfect reference book for tattoo artists.

About the Author:

Ei Nakau is a member of the executive board of the International ukiyo-e Society, ukiyo-e collector, abstract artist and businessman from Kobe, Japan.

A rich, vibrantly illustrated account of the history and sources of manga

Manga has attained phenomenal worldwide success in recent years, and shows no signs of slowing down. As contemporary as this graphic artform may appear to readers outside of Japan, manga is the fruit of a long artistic tradition. Manga as we know it today is deeply rooted in ancient Japanese culture, and traces can be found in seventh-century temple paintings, folding screens decorated with comical characters, and painted scrolls. The more familiar manga comics of today, aimed at a broad audience of adults as well as children, echo similar themes and draw on narrative forms from throughout Japan’s rich history.

This book spans the history of manga in all its splendour and diversity. From Hokusai’s seminal Manga of 1814 to the genre-shaping works of Tezuka Osamu, from the friendly ghosts and monsters created by Mizuki Shigeru to huge franchises such as One Piece and Demon Slayer, every period is covered. One Thousand Years of Manga is both a rich documentary account and a visual delight packed with over 400 illustrations, demonstrating how this mass-produced medium has become a key facet of Japanese culture that is now enjoyed across the globe.

Contents List:

1. The Origins of Manga
2. The Magic of the Scroll: From the Earliest Caricatures to the Onset of the Comic Strip
3. The Birth of the Japanese Print: The Golden Age of Caricature
4. The Dawn of a New Type of Caricature: Japan Opens Up to the West
5. The Rise of the Comic Strip to the Second World War
6. Tezuka Osamu: The ‘God’ of the Modern Manga
7. Manga Today
8. Selected Portraits of Manga Artists
9. From Manga to Anime: The Work of Studio Ghibli
10. Reciprocal Influences

About the Author:

Brigitte Koyama-Richard is a professor of comparative literature and art history at Musashi University in Tokyo. She has published several works on Japan, including L’Animation japonaise, and she regularly works with Les Nouvelles éditions de la Scala specializing in Art and Japanese culture.

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In recent years, Manga has seen phenomenal success, not only in Japan, where it dominates the publishing industry, but also in the West, where it is steadily growing in popularity and influence. As swift and sudden as the popularity of this graphic art form may seem, Manga has, in fact, deep roots in Japanese culture, drawing on centuries-old artistic traditions. As early as the twelfth century, Emakimono scrolls existed, a narrative form in which stories of all kinds - romantic, fantastic, even comic - were told through the combined use of text and illustration. Japanese art continued to change as profound political, social, and economic transformations remade the country in the centuries to follow. Today there is little doubt as to the meaning of the term Manga - nor to the astonishing popularity of the form - but few in the West understand the long artistic history that gave birth to this phenomenon and the social factors that continue to shape it today. One Thousand Years of Manga is both an informative account of the genesis of the form and a visual delight.

Through its captivating illustrations and enlightening text, the book situates Manga in its proper context, appreciating it for what it truly is: an integral part of Japanese art and culture that is as rich and revealing as it is popular.

From traditional floral motifs to patterns inspired by natural phenomena, from icons depicting mythical features and deities, to lattices and geometrically constructed elements, Oriental patterns evoke a distinct cultural charm.

This volume shows how various hues can be harmonised to transform these patterns dramatically. Providing hundreds of possibilities for every design project, it takes the appreciation of colour to a new level.

Salon culture in Japan: making art, 1750–1900 celebrates the British Museum’s rich collection of technically sophisticated artworks created as part of Japanese cultural salons in the late 18th and 19th centuries, featuring lively figures in daily life and festivals, elegant birds and flowers, ferocious animals, and lyrical landscapes.

This book accompanies the special 2024 display in the British Museum Mitsubishi Corporation Japanese Galleries, City life and salon culture in Tokyo and Osaka: 1770–1900.

In early modern Japan, cultural salons were creative spaces for people of all ages and social levels to pursue painting, poetry and other artistic endeavours, as serious but amateur practitioners. They all used a pen- or art-name. Individuals were therefore able to socialise and interact broadly through these artistic activities, regardless of official social status as regulated by the shogunal government. The idea of communal and collaborative creativity seems to have been especially ingrained around the area of Kyoto and Osaka. Each of the two cities had a distinct character: Kyoto was the national capital, where the emperor and aristocrats resided, and Osaka was the centre of commerce.

Only a fraction of these technically sophisticated artworks has previously been published in colour. With five essays by leading experts that explore this fascinating cultural phenomenon from different angles, and eight shorter insights that delve into specific historical aspects and the personal connections and legacies of cultural figures, this book offers a new perspective on Japanese art and society in the late 18th and 19th centuries.

About the Authors:

Principal contributors from the British Museum
Rosina Buckland, Curator, Japanese Collections
Timothy T. Clark, Honorary Research Fellow
Alfred Haft, JTI Project Curator for Japanese Collections
Akiko Yano, Mitsubishi Corporation Curator, Japanese Collections
with C. Andrew Gerstle, Professor Emeritus, SOAS University of London

Supporting contributors
Akama Ryo, Ritsumeikan University
Akeo Keizo, Osaka University of Commerce
Paul Berry, Kyoto University of Foreign Languages
Hirai Yoshinobu, National Museum
of Modern Art, Kyoto
Scott Johnson, Kansai University
Nakatani Nobuo, Kansai University
Ellis Tinios, Leeds University

Japanese swords, particularly those wielded by famous samurai warriors, hold a continuing fascination for collectors of fine arts and historical military weapons. This book is designed to enhance one's appreciation for the wide variety of Japanese swords (as well as their related polearms), their manufacture and their preservation.

A fascinating opening chapter explains how the elite Samurai class dominated Japan for more than a thousand years, how technological and ideological advances overtook the Samurai in the 1860s, heralding a more up-to-date political and military system of governance, and how such changes affected Samurai sword design and manufacture.

Subsequent chapters present topics of greatest relevance to today's sword collector: namely, the modern Japanese sword; different types of swords and their construction and testing; collecting and studying Japanese swords (and the tremendously important etiquette involved); and techniques of preserving and polishing swords.

This book is beautifully illustrated with paintings, photographs, drawings, and maps. In addition, there is an in-depth glossary and useful tables explaining Japanese calligraphic symbols relating to swords, both of great value to the collector.

About the Author:

Clive Sinclaire is an instructor in the kendo form of martial arts and has been collecting Japanese swords for more than forty years. He is Chairman of the To-ken Society of Great Britain and frequently writes articles on Japanese sword culture and collecting that are featured on the society's website (www.To-ken.com) as well as in magazines. He has become a frequent visitor to Japan in the course of his research and studies, and in particular to the NBTHK (Nihon Bijitsu To-ken Hozon Kyodai) sword shows.

Samurai warriors ruled Japan for 700 years and are widely admired as the most skilled swordsmen who ever lived.

- 1000 pieces
- The finished puzzle is 74 x 51 cm inches
- Quality design & easy to handle pieces
- Full color A3 sized Poster (74 x 51 cm) included for reference
- Features a classic Japanese woodblock print by the artist Toyohara Kunichika

This ukiyo-e woodblock print by the artist Toyohara Kunichika (1835 -1900) shows a Kabuki enactment of a battle between Samurai fighters in a bamboo grove. The warrior astride a brown horse raises his riding crop high above his head, ready to bring it down on his enemy.

About the Author:

Toyohara Kunichika (1835 - 1900) was a well-known ukiyo-e woodblock print artist in Japan. As a teenager he began studying under Tokyo's leading print-maker, Utagawa Kunisada. He was successful throughout the Edo period (1603 - 1867) and the Meiji Era (1868 - 1912). He most often painted beautiful women and contemporary social life, alongside some landscapes and historical scenes. He has historically been dismissed by Western art collectors, but a 2008 show at the Brooklyn Museum and resulting article in the New York Times led to a resurgent interest in Kunichika in the 21st century. 

Tuttle Studio draws inspiration from the modern and traditional cultures of Asia to create its language workbooks and resources, journals, stationery, gift wrapping products and origami paper. It is a division of Tuttle Publishing, a leading publisher of books on the languages, history, art and cultures of Asia. The company was founded in 1832 in Rutland, Vermont (USA) and opened a branch in Tokyo, Japan in 1948.

The Samurai warrior is one of the most famous types of soldier, with his intricate armour, longbow and distinctive katana sword, as well as his strict martial code. But samurai warfare and military culture are much misunderstood in the modern era. In Samurai Weapons & Fighting Techniques, Thomas D. Conlan traces the history and development of samurai warfare over seven centuries, beginning with the historic dominance of the mounted, bow-armed samurai, moving through the introduction of naginata-wielding ashigaru (skirmishers) and pike formations, and finishing with the revolutionary introduction of firearms and cannon. Conlan analyses the success of particular samurai dynasties, such as the Ashikaga, Uesugi and Tokugawa clans, and examines the role of many of the great battlefield commanders – such as Oda Nobunaga, Takeda Shingen and Tokugawa Ieyasu – at key battles like Kawanakajima (1561), Nagashino (1575) and the siege of Osaka (1615).

The book is illustrated throughout with more than 300 detailed line drawings and colour photographs showing the weapons, equipment, techniques and tactics of the samurai. Types of armour – such as ō-yoroi, haramaki and paper armour – and weapons – such as the tachi long sword, wakizashi short sword and yari (pike) – are depicted in detail.

Expertly written, Samurai Weapons & Fighting Techniques is a highly illustrated, accessible introduction to samurai warfare for both the military enthusiast and general reader.

About the Author:

Thomas D. Conlan is Professor of East Asian Studies & History at Princeton University. He was formerly Associate Professor of Asian Studies at Bowdoin College, Maine. A graduate in Japanese History from the Universities of Michigan and Kyoto, he was awarded his Ph.D from Stanford University in 1998. His books include The Violent Order of Fourteenth Century Japan.

Eerie tales of Japanese goblins, ghosts and magic — beautifully illustrated by contemporary Japanese yokai artist Sakyu!

This collection of fifteen chilling tales brings to life a world where the supernatural and earthly realms are seamlessly entwined. The ghosts, goblins and magical creatures in its pages are by turns mischievous, terrifying, protective and tender. Included in this anthology are:

- "The Badger Haunted Temple": A brazen group of friends attempts to rid a temple of a gluttonous, shape-shifting goblin who has taken up residence there
- "A Cherry Flower Idyll": A young man falls in love with the ethereal spirit of a cherry blossom tree and vows to find her in the mortal world
- "The Story of Mimi Nashi Hoichi": A blind bard is summoned to recite the tale of a famous battle to the ghosts of its victims, only to find that his own life is at risk
- And twelve other supernatural tales, including several that rarely appear in English!

About the Author:

Lafcadio Hearn was one of the earliest Western writers to publish stories and essays about supernatural Japan. He arrived in Japan in 1890 and fell in love with the country and its people. After marrying a samurai's daughter, he became a Japanese citizen and changed his name to Yakumo Koizumi. He began publishing books on Japan in 1894, soon becoming known as the great interpreter of all things Japanese to the West.

Yei Theodora Ozaki was born in Victorian England to a Japanese father and an English mother. After her parents' marriage ended, Ozaki began to travel the world, and retell in English the traditional Japanese stories she loved. She later married Yukio Ozaki, a Japanese politician, and went on to publish several collections of Japanese folk tales.

Sakyu is an illustrator based in Osaka whose work frequently depicts yokai and other supernatural beings. Blending traditional styles with modern content, she brings humorous insights to contemporary life in Japan. Since graduating from Kyoto Saga University of Arts, her work has appeared in museums in Japan and abroad, including the Museum of International Folk Art exhibit "Yokai: Ghosts & Demons of Japan," and the video game Samurai Bringer.

No understanding of Chinese civilisation is possible without a grasp of Taoism, the philosophy that has shaped not just Chinese spirituality but also art, science and politics. And it was in the Tao Te Ching, written around 300BC, that the fundamental beliefs of Taoism were first gathered. This short, wise but very humble book went on to influence on philosophy, religion and politics. In a compellingly simple rhetorical style, the book addresses how to live a simple, peaceful and harmonious life, how to rid oneself of desires and free society of institutions that promote greed.

This dual-language edition of Tao Te Ching presents the original Chinese characters with a new translation on the facing page, and is illustrated throughout to make an attractive gift edition in traditional Chinese hand binding. With a new introduction that discusses the questioned authorship of the text and editorial notes, all 81 brief chapters are included, ranging from advice for politicians to wise words for the everyday person. Of immense influence across millennia, Tao Te Ching Illustrated is a classic text richly deserving of this exquisite edition.

About the Author:

Lao Tzu, or Laozi, is an honorific title meaning ‘Old Master’, and it is unlikely that the Tao Te Ching or Daodejing was written by one person, but if he did exist, his name was Li Er. Traditionally written in the sixth century BCE, there are a number of ancient text sources that have been used to compile this version.