Сборники работ по искусству

From crowded dance halls to smoky cabarets, this vibrant collection of posters from the Belle Époque explores the birth, development, and continued popularity of a graphic genre.

Thanks to innovations in color lithography, the streets of fin-de-siècle Paris were punctuated with brightly hued posters featuring bold typography and playful imagery. Many of these posters were torn down almost as soon as they were pastedup, finding their way into private homes and, eventually, museums and collections all over the world. Although many artists contributed to the affichomanie, or “poster craze,” one of the most famous among them was Henri de Toulouse- Lautrec. This gorgeous book offers exquisite reproductions of more than one hundred posters, including those by Lautrec and his contemporaries Bonnard, Picasso, Chéret and Mucha. Advertising everything from tony theater productions to the licentious cancan, bicycles to biscuits, these posters range from cheerfully exuberant to slyly decadent. In her essay, Mary Weaver Chapin captures the voices of the artists, collectors, and critics who fueled the poster craze of the 1890s. The result is a visual spectacle, a lively discourse on the value and purpose of art, and a celebration of a historically and creatively dynamic era.

The most comprehensive survey to date of the drawings, watercolours, prints and designs of the Pre-Raphaelite Brotherhood, provides a fresh and intimate picture of the most popular and enduring group in the history of British art

The book is illustrated with the most important Pre-Raphaelite drawings from public and private collections around the UK, including striking works by Dante Gabriel Rossetti, John Everett Millais, William Holman Hunt and Edward Burne-Jones that have never before been exhibited or reproduced.

The Pre-Raphaelite Brotherhood, a group of radical young artists who banded together in London in 1848, revolutionized British art. This book explores the vital role played by drawing and design, in all its variety, in the work of the
Brotherhood and their associates.

Alongside studies for paintings of religious, literary and medieval subjects are the group’s portraits, self-portraits and caricatures, often exchanged as gifts; meticulous depictions of nature by John Ruskin and his followers; captivating drawings of the iconic Pre-Raphaelite models Lizzie Siddal and Jane Morris; and original designs for stained glass, textiles and ceramics.

Art historian Colin Cruise explores the emergence of the Brotherhood’s graphic style, their theories of naturalism, their radical promotion of new subjects, and their highly original use of watercolour as a drawing medium. He also demonstrates the impact that Pre-Raphaelite drawing had upon turn-of-the-century British art movements such as Aestheticism, Symbolism and Art Nouveau, and explores the role of drawing in the work of leading Arts and Crafts designers such as William Morris, William De Morgan and Florence Camm.

Is the bride pregnant? What are clogs doing on a marriage picture? Why is just one candle burning in the chandelier? And what does the mirror in the background reveal? Rose-Marie and Rainer Hagen provide answers to these and other questions about 100 world-famous works of art. Guiding our eye to revealing details, they also shed fascinating light on fashions and lifestyles, loves and intrigues, politics and people, and transform our encounter with art into exciting adventure.
Vol. 1: From Antiquity to the Renaissance
Vol. 2: From Rembrandt to Rivera

Painting the divine

Heavenly grace and human grandeur

Influenced by his contemporaries Michelangelo and Leonardo, Raphael Santi (1483-1520) became, in his own right, one of the most important artists of the High Renaissance. Though Raphael painted many important works in his Florence period, including his famous Madonnas, it was his mature work in Rome that cemented his place in history, most notably the Stanza della Segnatura in the Vatican featuring his School of Athens and Triumph of Religion murals.

This overview traces the life’s work of this Renaissance master who achieved the height of greatness in only two decades of creation and whose influential work paved the way for the Mannerist and Baroque movements.

About the Series:
Every book in TASCHEN's Basic Art Series features:

* a detailed chronological summary of the artist's life and work, covering the cultural and historical importance of the artist
* approximately 100 color illustrations with explanatory captions
* a concise biography

300 full-colour illustrations

Rembrandt is revered as one of the most talented and prolific artists the world has ever known, and not without reason. His work was in high demand in Amsterdam during his lifetime, and has continued to enthral viewers ever since. The artist’s early Baroque style through to his more introspective later paintings demonstrate his incredible skill in manipulating light and mood, while his striking etchings and engravings convey the energy and spontaneity of a sketch. From portraits to biblical scenes, landscapes to self-portraits, Rembrandt was diverse in his subjects and themes. Here, both his paintings and his engravings are brought together in a highly informative and desirable box set, allowing the reader to compare and contrast the artist’s work in an abundance of beautiful images.

Rembrandt: The Drawings & Etchings. The complete XXL collection

Rembrandt Harmensz. van Rijn (1606-1669) stands as one of the most important painters in Western art, but nowhere else do we encounter his inimitable talent more so than in his drawings and etchings. Hinged upon experimentation and expressive line work, they garnered him unparalleled recognition from his contemporaries.

Each portrait or quotidian scene is elevated by his masterful treatment of light, shadow, and hatching. There is another world to be accessed within Rembrandt’s etchings — one that dwells within the intangibilities of moody midnight contemplation and the twilit countryside, these elusive moments fixed to the page with every stroke. Meanwhile, Rembrandt’s drawings display his emotional state with a candor unseen in other works. Using pen and brush, silverpoint and charcoal as well as colored chalks and ink, he drew on various types of paper which he also sometimes dyed beforehand.

Commemorating the 350th anniversary of the artist’s death, this stunning XXL monograph is the first-ever collection gathering Rembrandt’s complete works on paper. Through the 708 drawings, brilliantly printed in color for the first time, and 314 etchings in pristine reproductions, we discover Rembrandt’s keen eye, deft hand, and boundless depth of feeling like never before; and above all, we witness that he was far more than just a painter.

The authors:

Peter Schatborn is emeritus head of the Rijksprentenkabinet at the Rijksmuseum in Amsterdam. He has served as guest scholar at the Getty Research Institute, Los Angeles, and has curated exhibitions at the Fondation Custodia, Paris and The Frick Collection, New York. He specializes in seventeenth-century Dutch drawings.

Erik Hinterding studied art history at Utrecht University and completed his PhD on Rembrandt the etcher. He has worked on publications and exhibitions for numerous institutions among them the Fondation Custodia in Paris, the Scuderie del Quirinale in Rome, the Klassik Stiftung Weimar, and the National Museum of Western Art in Tokyo. In 2013 he was one of two authors of the new seven-volume catalogue raisonné of Rembrandt’s etchings. Since 2012 he has been Curator of Prints at the Rijksmuseum, where he oversees the early modern print collection.

La belle vie

Impressionism’s most joyful paintings

Pierre-Auguste Renoir (1841-1919) is universally acclaimed and celebrated: museums pride themselves on his paintings, crowds flock to his retrospectives. His work shows art at its most light-hearted, sensual and luminous. Renoir never wanted anything ugly in his paintings, nor any dramatic action. “I like pictures which make me want to wander through them when it’s a landscape,” he said, “or pass my hand over breast or back if it’s a woman.” Renoir’s entire oeuvre is dominated by the depiction of women - again and again he painted “these faunesses with their pouting lips” (Mallarmé) and invented a new image of feminine beauty and sensuality. A prolific painter - he made several thousand works in his lifetime - he is perhaps the most beloved of the Impressionists.

About the Series:
Every book in TASCHEN's Basic Art Series features:

* a detailed chronological summary of the artist's life and work, covering the cultural and historical importance of the artist
* approximately 100 color illustrations with explanatory captions
* a concise biography

Pierre-Auguste Renoir (1841–1919) is so heavily associated with Impressionist painting that his last creative period has frequently been ignored. This publication devotes itself to precisely these last three creative and innovative decades, in which Renoir abandoned Impressionism.

He dedicated himself during this period to cheerful subjects such as bathers, domestic idylls, and landscapes that were influenced by both classical mythology and his move to the south ofFrance. His fluid brushstrokes and masterful use of color were much admired by the up-and-coming modernist avant-garde.

More than three hundred color illustrations graphically demonstrate the influence Renoir had on younger artists such as Bonnard, Matisse, and Picasso, as well as the ways they examined his work.

Pierre-Auguste Renoir (1841–1919) is so closely associated with Impressionist painting that the surprising diversity of his early work is frequently forgotten. His most important model during these early years was the artist’s mistress, Lise Tréhot, with whom he had a relationship between 1865 and 1872. After posing for a large group of prominent early works, including Woman in a Garden and En été (both 1868), Lise turned her back on the Bohemian lifestyle in favor of a bourgeois marriage. The paintings created between 1864 and the end of the following decade show the broad spectrum of Renoir’s art and the development of his artistic vocabulary, including the Impressionist phase. This is the first extensive examination of the painter’s early oeuvre and the strong influence of his close friendships with other artists, such as Éd0uard Manet, Claude Monet, Frédéric Bazille, and Alfred Sisley.

Since his work is categorized as illustration and was most famously featured on the cover of the Saturday Evening Post, fine art critics were slow to acknowledge the importance of Norman Rockwell (1894-1978) as true artist, though his work was enormously popular during his lifetime and has endured as a crucial element in America's perception of itself in the 20th century. Through the Roaring Twenties, the Great Depression, World War II, the 1950s and 60s, Rockwell illustrations were a part of daily life, showing, as he once said, "the America I knew and observed to others who might not have noticed."

The author:
Karal Ann Marling is professor of art history and American studies at the University of Minnesota. She is the author of numerous books on topics including American mural painting of the Depression era, illustration of the 1940s, the architecture of theme parks, and the influence of television on visual culture in the 1950s.

The editor:
Cultural anthropologist and graphic design historian Jim Heimann is Executive Editor for TASCHEN America, and author of numerous books on architecture, pop culture, and the history of the West Coast, Los Angeles, and Hollywood. His unrivaled private collection of ephemera has been featured in museum exhibitions around the world and dozens of books.

About the Series:

Every book in TASCHEN's Basic Art Series features:

* a detailed chronological summary of the artist's life and work, covering the cultural and historical importance of the artist
* approximately 100 color illustrations with explanatory captions
* a concise biography

American beauty. Painting life as it would like to be

An extraordinarily prolific artist, Norman Rockwell (1894–1978) produced some 4,000 paintings in his lifetime, not including a prodigious quantity of commissioned editorial, commercial, and advertising work. His death in 1978 was regarded the loss of a national icon, an artist who, like no other, celebrated the American Dream.

Shunning experimentation and avant-garde techniques in favour of effective composition and relatable subject matter, Rockwell created wholesome, homely paintings with accessible and aspirational appeal. Neat, quaint, and typically jovial, his subjects included classrooms, prom scenes, and Thanksgiving feasts, while his most long-standing projects were covers for The Saturday Evening Post magazine and calendars and covers for the Boys’ Life publication of the Boy Scouts of America. Imbued with optimism and patriotism, the work foregrounds classic professions such as doctor and teacher, as much as the conservative stalwarts of military, family, and faith.

Hailed by President Gerald Ford as a “beloved part of the American tradition,” Rockwell’s works reveal as much about his own talents as they do about the story of 20th-century America. This fresh artist introduction from TASCHEN brings together key paintings and illustrations from his celebratory and sunny portfolio, as well as some more unusual works tackling the underside of the United States, to understand an integrally American artist and the values and ideals that shaped his success.

About the Author:

Karal Ann Marling is professor of art history and American studies at the University of Minnesota. She is the author of numerous books on topics including American mural painting of the Depression era, illustration of the 1940s, the architecture of theme parks, and the influence of television on visual culture in the 1950s.

About the series:

Each book in TASCHEN's Basic Art series features:

- a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
- a concise biography
- approximately 100 illustrations with explanatory captions

Roy Lichtenstein (born 1923) became famous in the early 1960s for his deadpan recreations of popular imagery, particularly paintings based on war and romance comics. As this book demonstrates, Lichtensteins interest in quoting subjects form both high and low art has continued throughout his career, producing a fascinating and varied body of work.

Roy Lichtenstein’s painting is almost an identifiable brand today and his influence is evident in many forms of artistic expression: painting, advertising, photography, design, fashion.

Published for the extensive Milan exhibition and curated by Gianni Mercurio, this catalogue analyses – for the first time – the works he created by appropriating images from the history of modern art.

The publication comprises more than 100 works, mainly large-scale paintings, drawings and sculptures, photographs, and short films dedicated to the artist held in significant public and private international collections, including the Ludwig Museum in Cologne, the Ludwig Forum in Aachen, the Louisiana Museum in Copenhagen, the Whitney Museum and the Guggenheim Museum in New York, the Moderner Kunst Museum in Vienna, and the Broad Art Foundation in Los Angeles.

There is a wide range of paintings with their preparatory drawings made by Lichtenstein from the 1950s to the 1990s and inspired by Cubism, Expressionism, Futurism, 1930s Modernism, minimalist abstraction, Action Painting, and landscape and still life genres.

His art was not mere ‘citationism’ or the desire to reinterpret the art of the past but is about the appropriation and transformation in a Pop way of forms of Greek architecture, Etruscan painting and the Baroque line.

The exhibition proposes a major re-reading of the following: Impressionism and expressionism, with their main exponents such as Monet, Matisse, and Nolde; Cubism with Picasso; Futurism; the Rationalism of Mondrian; and Surrealism.

The historic avant-garde movements in particular, which gave life to a new artistic course through a break with the past and which are now assimilated into ‘great art’, were in turn transformed to become an object of ironic and destabilising inquiry highlighting the cultural commercialisation and exploitation of high art.

One of the most complete monographs of the artist to date, this volume depicts the career of Roy Lichtenstein, one of the finest American pop artists of his era. Roy Lichtenstein (1923-1997) was the master of the stereotype, and the most sophisticated of the major pop artists. An emblematic protagonist of the New York art scene of the second half of twentieth century, he became a legend in his prolific lifetime. Even now, thirteen years after his death, his works and lexicon of symbols, subjects and themes continue to intrigue the art world. Published on the occasion of the major exhibition at the Milan Triennial, this monograph covers the entire artistic development of Roy Lichtenstein, through more than 250 paintings and sculptural works, a rich photographic section including unpublished material, and critical text. The reproductions of Lichtenstein’s work are large-format, in full color. The insightful quotes and most of the references to his personal life serve to explain how his art evolved or how he came to be in a particular place in the world. This deluxe edition (large square format with padded cover) offers a dynamic and provocative look at the works of Lichtenstein through a powerful combination of text and visual elements. It will appeal to Lichtenstein fans, critics, dealers, and anyone interested in contemporary art.

About the Author:

Gianni Mercurio, curator and essayist, lives and works in Rome. His exhibitions in museums include: Andy Warhol (Rome, Genoa, 1996/1999), Roy Lichtenstein, Reflections (Rome, Milan, Wolfsburg Kunstmuseum 1999/2000), Keith Haring (Pisa, Rome, Helsinki, Aachen-Ludwig Forum, Catania 1999/2001) Jean-Michel Basquiat (Rome, 2002) George Segal (Rome, 2002) and exhibitions on the Graffitists (Naples, Rome, 1997/1998) and the Hyper-realists (Rome, 2003). For Skira the author has published The Andy Warhol Show (2004), The Keith Haring Show (2005), and The Jean-Michel Basquiat Show (2006).

The seminal surrealist. Exploring Dalí's grandiose and grotesque oeuvre

Picasso called Dalí "an outboard motor that’s always running." Dalí thought himself a genius with a right to indulge in whatever lunacy popped into his head. Painter, sculptor, writer, and filmmaker, Salvador Dalí (1904-1989) was one of the century’s greatest exhibitionists and eccentrics — and was rewarded with fierce controversy wherever he went. He was one of the first to apply the insights of Sigmund Freud and psychoanalysis to the art of painting, approaching the subconscious with extraordinary sensitivity and imagination.

This publication presents the entire painted oeuvre of Salvador Dalí. After many years of research, Robert Descharnes and Gilles Néret finally located all the paintings of this highly prolific artist. Many of the works had been inaccessible for years— in fact so many that almost half the illustrations in this book had rarely been seen.

About the authors:

Robert Descharnes, a photographer and writer, has published studies of major artists, among them Antoni Gaudí and Auguste Rodin. Since 1950, he has been documenting and cataloguing Dalí's paintings and writings and is now considered the leading expert on the artist.

Gilles Néret (1933–2005) was an art historian, journalist, writer and museum correspondent. He organized several art retrospectives in Japan and founded the SEIBU museum and the Wildenstein Gallery in Tokyo. He directed art reviews such as L'Œil and Connaissance des Arts and received the Elie Faure Prize in 1981 for his publications. His TASCHEN titles include Salvador Dalí: The Paintings, Matisse, and Erotica Universalis.

About the series:

Bibliotheca Universalis — Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!

Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together more than 100 of our all-time favourite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.

Bookworm’s delight — never bore, always excite!

Best known for his barbed and brilliant art for the New Yorker, Saul Steinberg (1914-1999) did much more. He executed public murals, designed fabrics and stage sets, was an inventive collagist and printmaker, and turned his magic touch to the fields of painting, sculpture, advertising, and even wartime propaganda.

This is the first comprehensive look at Steinberg's extraordinary contribution to twentieth-century art, which was that of a modern-day illuminator, putting word and image in play to create art that spoke to the eyes, and minds, of readers. An introduction by poet Charles Simic tracks the origins of Steinberg's darkly comic sensibility in the 'Balkan bazaar' of his native Romania. Joel Smith shows how architectural training and an early rise to fame as a cartoonist in Fascist-era Milan honed the artist's gift for subtle graphic invention, and explores why one of the most visible, prolific, potent, and cosmopolitan careers in postwar American art has so thoroughly evaded serious study.

Tracing the evolving motives that underlie Steinberg's multi-layered activity, this handsome volume also raises fundamental questions about the historiography of modernism and the vexed status of 'the middlebrow avant-garde' in an age of museum-bound art.

Previously unseen sketches, documents, and printed matter from the artist's papers illustrate the essay, career chronology, and entries for 120 objects featured in this important book.

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