Книги про современное искусство

Oxyrhynchus is a city in upper Egypt that was established in 332 BC and is considered one of the most important archaeological sites ever discovered. Saville references the layer upon layer of discoveries at Oxyrhynchus in her new body of work, the final effect being a mysterious narrative of layered bodies and images. The dozen new works presented are a combination of oil, charcoal, and pastel on canvas and a combination of landscape and figures weaving throughout each other.

About the Author:

John Elderfield, a consultant at Gagosian Gallery, is Chief Curator Emeritus of Painting and Sculpture at The Museum of Modern Art, where he directed numerous celebrated exhibitions, among them Kurt Schwitters, Henri Matisse: A Retrospective, and De Kooning: A Retrospective. In 2005, Time magazine named him one of the 100 Most Influential People of the Year; and in 2006 he was made Officier dans l’Ordre des Arts et des Lettres by the French government.

The first major monograph on Turner Prize–nominated Glasgow artist Jim Lambie.

This long-awaited volume surveys the career of Glasgow-based contemporary sculptor Jim Lambie. From his distinctive floor works, striped from wall to wall with vibrant electrical tape, to his paint-soaked mattresses, Lambie adroitly sculpts humor and pathos from the clutter of modern life. Working with items immediately at hand, as well as those sourced in secondhand and hardware stores, he resurrects record decks, speakers, clothing, accessories, doors, and mirrors to form sculptural elements in larger compositions.

Lambie prioritizes sensory pleasure over intellectual response. He selects materials that are familiar and have a strong personal resonance, so that they offer a way into the work as well as a springboard to a psychological space beyond. This volume not only serves as a definitive mid-career survey but also as a major reframing of the artist’s work. Lambie’s practice has long been understood through the lens of punk and rock music, a frequent theme of his works’ titles. Here the artist and new essays instead trace his approach to the rich material histories he mines and the scrappy, resourceful spirit of his hometown, Glasgow.

About the Author:

Daniel Baumann is the director of Kunsthalle Zürich. He previously served as curator of the Adolf Wölfli Foundation, located at the Museum of Fine Arts in Bern, Switzerland.

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Thinking the Unthinkable documents Jim Shaw’s inaugural exhibition with Gagosian and features an essay by Jessica Beck, new fiction from Jonathan Lethem, and a conversation between the artist and Rachel Kushner.

For over three decades, Jim Shaw has found inspiration in comics, pulp novels, album covers, and amateur paintings. His densely layered and humorous works span painting, drawing, and sculpture, and juxtapose images of friends, family, and dreams, with world events, pop culture, and alternative realities.

Published to coincide with Thinking the Unthinkable (2023) in Beverly Hills, Shaw’s first exhibition with Gagosian, this expansive and vibrantly illustrated catalogue delves into the secret histories of psychedelic therapy, Hollywood legend, and nuclear war—themes that all coalesce in the artist’s recent works.

An essay by Gagosian director Jessica Beck discusses Shaw’s hallucinogenic depictions of Cary Grant, Esther Williams, and Jeff Chandler. A conversation with author Rachel Kushner ranges from the artist’s formative years to the early weaponization of LSD. In Jim Shaw Kills, new fiction written by Jonathan Lethem, a miniaturized version of Shaw is dispatched into the comatose body of an ex-president.

About the Authors:

Jim Shaw (b. 1952) lives and works in Los Angeles. He has had exhibitions at museums including CAPC musée d'art contemporain de Bordeaux, France; MASS MoCA, North Adams, MA; and New Museum, New York. His work is held in the collections of the Hammer Museum, Los Angeles; San Francisco Museum of Modern Art; Metropolitan Museum of Art, New York; Museum of Modern Art, New York; Museo Jumex, Mexico City; and Centre Pompidou, Paris, amongst others.

Jessica Beck is a director at Gagosian. Formerly, she was the Milton Fine curator of art at the Andy Warhol Museum, Pittsburgh, where she curated many projects, most notably Andy Warhol: My Perfect Body (2016).

Rachel Kushner is the author of Telex from Cuba (2008), The Flamethrowers (2013), and The Mars Room (2018). She won the Prix Médicis Etranger (2018), was a Guggenheim Fellow (2013), and the recipient of the Harold D. Vursell Memorial Award from the American Academy of Arts and Letters (2016).

Jonathan Lethem is a novelist, essayist, and short story writer. He is the author of The Fortress of Solitude (2003), Chronic City (2009), The Feral Detective (2018), and The Arrest (2020).

The Architecture of Empathy is the title of a marble statue by John Isaacs and at the same time the basic attitude and raw material of all his works. The British artist made a name for himself as a Young British Artist around Damien Hirst in the 1990s with his hyper-realistic wax sculptures. Conscious about not locking himself into one style, he experiments with a wide variety of materials and techniques, from ceramics, neon, bronze, marble and sculpture to photography. This richly illustrated publication is the first comprehensive overview of his work from the 90s to the present, and reveals not just his broad reaching multifaceted technical scope, but also his psycho-anthropological poetic through numerous essays and conversations with companions.

Longtime music icon John Mellencamp’s artistic expression has never been limited to song.

The acclaimed singer-songwriter John Mellencamp has been an accomplished painter for more than four decades. This definitive survey — curated by Mellencamp himself — of his large-scale oil portraits and mixed-media assemblages documents America’s heart and soul, revealing unsettling but beautiful truths with an antiestablishment frown and a rich sense of narrative.

“Although we may primarily know Mellencamp as a rock star, one of the highest-selling of all time and a Hall of Famer, he is also a great painter, as this book shows. Not a musician who also paints... No, John legitimately belongs in the modern art pantheon,” says Bob Guccione Jr. in his essay that delineates the connection of Mellencamp’s music and art, both imbued with the earnest voice of America’s heartland.

About the Authors:

John Mellencamp, award-winning singer-songwriter and member of the Rock & Roll Hall of Fame, is also a painter, collector, and longtime activist who has exhibited his work in galleries and museums across the United States. Dr. Louis A. Zona is the executive director and chief curator of the Butler Institute of American Art, in Youngstown, Ohio. David L. Shirey is a former foreign correspondent, critic, and editor with Newsweek magazine, a critic and cultural writer for the New York Times, and former chair of the MFA Fine Arts program at New York City’s School of Visual Arts. Award-winning editor and publisher Bob Guccione Jr. has created and managed some of America’s most iconic publishing brands, including Spin magazine and Gear magazine.

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Пролистать книгу John Mellencamp: American Paintings and Assemblages

A vibrant look at the celebrated artist and designer KAWS.

Multidisciplinary artist KAWS was first known for his work as a graffiti artist and his subersive approach to poular imagery on bus shelter and phone booth advertisements.  This is the first comprehensive survey of the artist's body of work.

About the Authors:

Multidisciplinary artist KAWS was first known for his work as a graffiti artist and his subversive approach to popular imagery on bus shelter and phone booth advertisements. This is the first comprehensive survey of the artist’s body of work.
Mónica Ramírez-Montagut is a curator at The Aldrich Contemporary Art Museum.
Germano Celant is an art historian and director of Fondazione Prada in Milan.

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Haring as activist and egalitarian: a fresh, accessible and dynamic look at one of New York’s most exhilarating artists.

Lavishly illustrated with essays and reflections by cultural leaders, Keith Haring: Art Is for Everybody surveys Haring’s dynamic art practice from 1978 to 1990, shining a bright light on the iconic and beloved artist known for his fluid, uniform lines, intricate compositions and repeating imagery such as the barking dog and radiant baby. Forty years after he came to prominence, Haring’s art continues to garner worldwide recognition, breaking down barriers and spreading joy, while taking on complex issues that remain crucial today, from environmentalism, capitalism and the proliferation of new technologies to religion, sexuality and race.

Titled after a quote from Haring’s journals, Art Is for Everybody centers on the artist’s activism, the emphasis he placed on community and his egalitarian approach to art and life. The volume is organized chronologically and thematically, emphasizing Haring’s work made with publics in mind such as the subway drawings and murals, his collaborative practice and his unflinching belief that art is essential in making a better world.

Keith Haring was born in Reading, Pennsylvania, in 1958 and arrived in New York from Pittsburgh in 1978, befriending artists including Kenny Scharf and Jean-Michel Basquiat. During the 1980s, Haring achieved international recognition and participated in numerous group and solo exhibitions. After contracting HIV in 1988, he focused his activism on the AIDS crisis. Less than two years later, Haring died of an AIDS-related illness.

A bold, surreal photographic celebration of the fantastical beauty of cosplay, in which seventy cosplayers leave behind their everyday existence and become heroes for a day

In the surreal, transfixing photographic universe of Thurstan Redding, everyday existence collides with colourful fantasy as 70 cosplayers become heroes for a day: Spider-Man is illuminated by the electric glow of an open fridge; three Alices wait at a bus stop in a desolate Wonderland; and a Resistance Pilot plays dead on the gravel driveway of a suburban housing estate. Insights from the cosplayers themselves are supplemented with commentary by fashion stylist and editor Katie Grand, author and musician Tom Rasmussen and fashion writer Sara McAlpine on the expressive craft and inclusive community of cosplay.

Whether it is becoming a fictional character or presenting the ‘you’ the world sees, the craft of cosplay is everywhere. A powerful expression of individuality and diversity, cosplay is a global phenomenon that allows a large number of diverse individuals to join together in one single chaotic but inclusive community. Cosplay allows anyone to become a hero for a day.

After attending a cosplay convention in 2018, photographer Thurstan Redding became captivated by cosplay as a subject matter and embarked on a three-year photographic project to portray cosplay in a way it had never been seen before. In this bold and surprising volume, he captures the transfixing world of cosplay. Brought to life through the presentation of 70 cosplayers in the most unassuming of locations, this exceptional book highlights how creativity can thrive in the most mundane realities: Spider-Man is illuminated by the open fridge in the kitchen, three Alices wait at a bus stop in a desolate Wonderland, Resistance Pilot plays dead on the gravel driveway of a suburban housing estate. Supplemented by commentary from the cosplayers themselves, together with behind-the-scenes pages from Thurstan’s personal diary, Kids of Cosplay is ‘a celebration of ... fandom and allows a glimpse into the world where people are united by their celebration of an art which transforms the ordinary into the extraordinary’ (The Independent).

A foreword by fashion powerhouse Katie Grand, an essay by writer and performer Tom Rasmussen, who discusses the social and cultural context of cosplay, and an illuminating interview with Redding by noted fashion writer Sara McAlpine complete this compelling volume. Sometimes, all it takes is to scratch the surface of our realities to reveal the fantasy that lies beneath.

About the Author:

Thurstan Redding is a British photographer and director, born in Hong Kong and raised in France, whose work applies a cinematic lens to subcultural subject matter. Since graduating from the University of Cambridge, where he read Politics, Psychology and Sociology, he has contributed to Vogue, WSJ, Le Monde, Arena Homme +, i-D and Dazed. He has also shot campaigns for clients including Chanel, Gucci, Louis Vuitton, Versace and Miu Miu.

An artist’s book by visual artist and legendary indie rocker Kim Gordon, this volume is an intoxicating look into Gordon’s dreamy visual world. Watercolors, paintings, photographs, and written word combine to create a portrait of an artist’s work inspired by popular culture. The first 3,000 copies include a beautifully printed, limited-edition signed print by Gordon. This luxurious yet affordable package combines layers of media to create an extension of the artist’s portfolio, with written contributions by artist Jutta Koether and writer Hilton Als. Kim Gordon: Performing/Guzzling is the first in a series of books by Rizzoli and Nieves that consists of beautifully designed books by artists, photographers, and designers who have substantially contributed to the texture of artistic culture. Each project will be an extension of the artist’s portfolio.

About the Author

A founding member of Sonic Youth, Kim Gordon is an established visual artist and curator. Her work has been exhibited across the U.S., Japan, and Europe. Nieves is a zine and artist publisher in Zurich. Jutta Koether is an artist, musician, and critic. Born in Germany, she has been based in New York since the early 1990s. Hilton Als is a staff writer for The New Yorker Magazine.

From rural Japan to international icon – Yayoi Kusama has spent her remarkable life immersed in her art.

Follow her incredible journey in this vivid graphic biography which details her bold departure from Japan as a young artist, her embrace of the buzzing New York art scene in the 1960s, and her eventual return home and rise to twenty-first-century super-fame.

About the Authors:

Elisa Macellari is a Thai-Italian illustrator. Her clients include The New York Times, Corriere della Sera, Mondadori, Feltrinelli and Nobrow Press. Her first graphic novel, Papaya Salad (2018), has been published in Italian, French and Spanish.

You can find him on the stage or in front of a film camera, in the director’s chair or at the mixing board ― Lars Eidinger has many faces, and not just as an actor. His performances testify to a sheer, inexhaustible energy that makes every appearance a tour de force that infects and electrifies the audience in an almost magical way. No less can be expected from his photographic works, which are gathered together here for the first time in a publication. As diverse as the subjects of the pictures are, they still allow us to recognise Eidinger’s signature: elements of fi m and theatre unite to form a unique rhythm that transforms the everyday into a paradoxical world essence. Only one word can suitably describe the richness of these visual spheres and the way of seeing that they articulate: epic.

Lars Eidinger (*1967, Berlin) is one of Germany’s best-known actors. Berliners can experience him close-up as a member of the Schaubühne’s ensemble, while an international audience will know him from his film performances. Autistic Disco is the title of both his photographic work and his DJ set.

An icon of performance art and the indie-music world, this is the first book on the artist’s full career to date, as curated by the artist herself. Laurie Anderson is one of the most revered artists working today, and she is as prolific as she is inventive. She is a musician, performance artist, composer, fiction writer, and filmmaker (her most recent foray, Heart of a Dog, was lauded as an “experimental marvel” by the Los Angeles Times). Anderson moves seamlessly between the music world and the fine-art world while maintaining her stronghold in both. A true polymath, her interest in new media made her an early pioneer of harnessing technology for artistic purposes long before the technology boom of the last ten years. Regardless of the medium, however, it is exploration of language (and how it seeps into the image) and storytelling that is her métier.

A few years ago, Anderson began poring through her extensive archive of nearly forty years of work, which includes scores of documentation, notebooks, and sketchbooks. In the process, she rediscovered important work and looked at well-known projects with a new lens. In this landmark volume, the artist brings together the most comprehensive collection of her artwork to date, some of which has never before been seen or published. Spanning drawing, multimedia installations, performance, and new projects using augmented reality, the extensive volume traverses four decades of her groundbreaking art. Each chapter includes commentary written by Anderson herself, offering an intimate understanding of her work through the artist’s own words.

About the Author:

Laurie Anderson is a multimedia artist, musician (with more than seven albums), and filmmaker. She has exhibited widely around the world, including at the Irish Museum of Modern Art, Dublin; the Musée d’art contemporain, Lyon, France; Fondazione Tramontano Arte, Naples; the Park Avenue Armory, New York; and MASS MoCa, North Adams, Massachusetts.

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Пролистать книгу Laurie Anderson: All the Things I Lost in the Flood

An expansive monograph of work by acclaimed contemporary artist Leo Villareal, known for his monumental installations employing light and computer technology

Transforming pixels using the zeroes and ones of binary code into dazzling displays of light, Mexican-American artist Leo Villareal creates abstract installations that are icons of public art. Employing artist-created code and custom software, his innovative practice explores chance, rules, and the underlying structure of systems. 

Leo Villareal: Coding Light features more than 30 works ranging in scale – from exhibitions and immersive architectural commissions like Cosmos at Cornell University, to urban-scale artworks such as his seminal work, Illuminated River, which joins nine central-London bridges to illuminate the Thames with subtly shifting light patterns along the River Thames in London – and includes work from over two decades of the artist’s career.

About the Authors:

Leo Villareal is a contemporary Mexican American artist. His work is represented in the collections of The Museum of Modern Art, New York, Benesse Art Site Naoshima, Japan, and the National Gallery of Art in Washington, D.C., among others. He lives and works in New York.

Molly Donovan is curator of contemporary art at the National Gallery of Art, Washington, D.C.

Annie Dell’Aria is associate professor of art history at Miami University in Oxford, OH.

Sarah Sze is a contemporary American artist based in New York.

The definitive monograph on innovative American painter Lisa Yuskavage

Lisa Yuskavage is one of the most acclaimed living painters. Known for her highly original approach to figurative painting, Yuskavage challenges conventional understandings of the genre. At times playful and at other times rueful, her bold, eccentric, exhibitionist, and introspective characters inhabit fantastical and vivid compositions, assuming the dual role of subject and object.

Although inspired by popular culture, the artist’s technique is deeply rooted in the history of painting, establishing an underlying tension between polar opposites such as high and low, sacred and profane, harmony and dissonance.

Yuskavage’s first proper monograph features more than 150 color images, including never-before-seen photographs of her studio, along with insightful text contributions from Barry Schwabsky, Lena Dunham, and Ariel Levy.

About the Authors:

Ariel Levy is a staff writer at The New Yorker.

Barry Schwabsky is a writer, poet, and Reviews Editor of Artforum.

Lena Dunham is a writer, director, actress, producer, and creator of the HBO TV series ‘Girls’.

Jason Schmidt is a photographer based in New York.

The most comprehensive book on the work of Liza Lou, whose popular and critically acclaimed installations made entirely of beads consider the important themes of women, community, and the valorization of labor.

Liza Lou first gained attention in 1996 when her room-sized sculpture Kitchen was shown at the New Museum in New York. Representing five years of individual labor, this groundbreaking work subverted standards of art by introducing glass beads as a fine art material. The project blurred the rigid boundary between fine art and craft, and established Lou's long-standing exploration of materiality, process, and beauty. Working within a craft métier has led the artist to work in a variety of socially engaged settings, from community groups in Los Angeles, to a collective she founded in Durban, South Africa. Over the past fifteen years, Lou has focused on a poetic approach to abstraction as a way to highlight the process underlying her work.

In this comprehensive volume that considers the entirety of Lou’s singular vision, curators, art historians, and artists offer important perspectives on the breadth of the work.

About the Author:

Glenn Adamson is a curator and writer who works at the intersection of craft, design history, and contemporary art. Julia Bryan-Wilson is professor of modern and contemporary art at the University of California, Berkeley. Dr. Cathleen Chaffee is chief curator of the Albright-Knox Art Gallery, Buffalo. Elisabeth Sherman is assistant curator at the Whitney Museum of American Art, New York. Carrie Mae Weems is an artist. 

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Пролистать книгу Liza Lou