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Walter Bosing
ID: 5228
Издательство: Taschen

Between heaven and hell. Hieronymus Bosch’s meticulous visions of the grotesque, debauched, and divine

As cryptic as they are compelling, the masterpieces of Hieronymus Bosch (c. 1450–1516) remain some of the most enduring enigmas of the art world. Their intricate, allegorical, and often startling content has captivated not only art historians, but also fashion designers, rock stars, writers, and punk rockers, as well as countless modern and contemporary artist successors.

Although rooted in the Old Netherlandish tradition, Bosch developed a highly subjective, richly suggestive style to render both the celestial bliss of heaven and the grotesque tortures of hell, most famously and meticulously excecuted in The Garden of Earthly Delights. Here, as in his other known works, his artistic language combined religious humility with a razor-sharp wit, often playing off pictorial versions of contemporary proverbs or figures of speech.

This book ties together the elusive threads of Bosch’s oeuvre to provide a concise introduction to an at once haunting and enthralling pictorial world.

About the Series:
Every book in TASCHEN's Basic Art Series features:

* a detailed chronological summary of the artist's life and work, covering the cultural and historical importance of the artist
* approximately 100 color illustrations with explanatory captions
* a concise biography

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Till-Holger Borchert
ID: 11483
Издательство: Ludion

Hieronymus Bosch (1450–1516) is, without any doubt, one of the most famous artists in the history of Netherlandish painting

This book explores his best-known paintings and drawings, showing them as never before in stunning, full-page details. It is organized by characteristic themes in Bosch’s work, such as faces, heaven and hell, the four elements, landscapes, and creatures both fantastic and monstrous. Readers are treated to an exceptional view of masterpieces like The Garden of Earthly Delights, The Haywain Triptych, The Temptation of St Anthony and The Seven Deadly Sins.

Till-Holger Borchert, Director of the Bruges Museums and an expert on Netherlandish art, guides us through the painter’s oeuvre in clear and accessible language, and from less familiar and surprising angles.

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Stefan Fischer
ID: 13927
Издательство: Taschen

Devil in the Details. The complete works of Hieronymus Bosch

An exhaustive exploration of one of art history’s most mysterious masters, Hieronymus Bosch. This monograph, based on the XXL edition which saw TASCHEN commission new photography of recently restored works, unravels his oeuvre through accessible texts, a special chapter on The Garden of Earthly Delights, a fold-out of The Last Judgment, and details reproduced so impeccably that they become paintings in themselves.

A bird-monster devouring sinners, naked bodies in tantric contortions, a pair of ears brandishing a sharpened blade: with just 20 paintings and nine drawings to his name, Netherlandish visionary Hieronymus Bosch (c. 1450–1516) secured his place as a pillar of art history. To this day, the painter par excellence of hell and its demons continues to puzzle and enthrall scholars, artists, designers, and musicians alike.

Based on the best-selling XXL edition, which saw TASCHEN commission new and exclusive photography of details and recently restored works, this large-scale monograph presents Bosch’s complete oeuvre. Texts from art historian and Bosch expert Stefan Fischer dissect the many compelling elements that populate each scene, from hybrid creatures of man and beast to Bosch’s pictorial use of proverbs and idioms. By tying together the elusive threads of his oeuvre into one exhaustive overview, this book reveals just what it was about Bosch and his painting that proved so immensely influential.

Features:​

-  Impeccable full-page reproductions celebrating the artist’s staggering compositional scope
-  Enlarged details unveiling the most intricate and bizarre scenes as much as the unsuspected technical minutiae, from subtle brush-strokes to the grain of the canvas
-  A fold-out spread drawn from the legendary Last Judgement
-  A special chapter focusing on Bosch’s most famous work, the mesmerizing and terrifying triptych The Garden of Earthly Delights

The author:

Stefan Fischer studied art history, history, and classical archaeology in Münster, Amsterdam, and Bonn. In 2009 he completed his doctoral thesis “Hieronymus Bosch: Malerei als Vision, Lehrbild und Kunstwerk.” His specialist fields are Netherlandish painting of the 15th to the 17th centuries and museology.

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Pilar Silva Maroto
ID: 11449
Издательство: Thames & Hudson

A richly illustrated book, reproducing all of Bosch’s masterpieces held by the Prado museum

The Museum houses the largest known collection of works by Jheronimus Bosch. Among its holdings are The Adoration of the Magi and The Garden of Earthly Delights triptychs, as well as the original of The Haywain, making it the ‘home of Bosch’ and the perfect institution to hold a major exhibition marking the quincentenary of the artist’s death. This magnificent book reproduces these masterpieces and other recently cleaned and restored paintings, and reveals hitherto unknown facets of Bosch’s art.

A distinguished team of Bosch scholars contribute to the volume. Pilar Silva Maroto’s essay presents an updated biography of Bosch and his family, and includes all the surviving documents dating from his lifetime. It also locates the artist in the context of his home town, Hertogenbosch, and offers an in-depth appreciation of his status as a painter and draughtsman. Eric De Bruyn considers Bosch’s sources in texts and images; Paul Vandenbroeck, his values and ideology; and Larry Silver, the sins and their punishment, a fundamental theme in the artist’s work.

Finally, there is a ‘conversation’ between Reindert Falkenburg and The Garden of Earthly Delights triptych, and a reflection by Fernando Checa on the reception of Bosch at the Habsburg court in Flanders and in Spain in the 16th century. The catalogue entries for the paintings belonging to the Prado collection discuss the findings of recent technical research carried out specifically for the exhibition, which has shed new light on these works.

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Mariana Hanstein
ID: 9929
Издательство: Taschen

Pleasantly plump

With whimsical irony and a style reminiscent of the old masters, Fernando Botero (b.1932) began painting caricatured animals and corpulent bodies with disproportionate heads at a time when his contemporaries were fervently rejecting figurative work in favor of abstraction. More recently he has expanded into sculpture, creating delightful large-scale bronze works portraying the same sorts of voluminous figures he so loved to paint. Like the writings of Gabriel García Márquez or the music of Astor Piazzola, Botero’s work has come to represent modern Latin American culture.

About the Series:
Each book in TASCHEN’s Basic Art Series features:

- a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
- a concise biography
- approximately 100 colour illustrations with explanatory captions

The author:
Mariana Hanstein, a native of Chile, studied art history in Munich, Bonn. and Venice. She is an art historian who has published works about Peter Paul Rubens and 18th-century Venetian painting and was an art critic and editor of the art market section of the German newspaper Die Welt for almost ten years. Hanstein lives and works in Cologne.

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Mariana Hanstein
ID: 12395
Издательство: Taschen

Bouncing Bodies. Fernando Botero's fulsome and frolicking forms

Fernando Botero is an artist with his own style. For more than six decades, the Colombian's "Boterismo" technique has captured collectors, institutions, and public spaces worldwide with a unique, fleshy, overblown approach to the human body. Through these corpulent creations, Botero has become one of the most recognized artists from Latin America, his artworks displayed in prominent places around the globe, including Park Avenue in New York City and the Champs-Elysees in Paris.

About the series:

Each book in TASCHEN's Basic Art series features:

- a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
- a concise biography
- approximately 100 illustrations with explanatory captions

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Frank Zollner
ID: 8288
Издательство: Prestel

Botticelli is one of the most beloved figures of the Renaissance period and his seductive "Venus" and graceful "Primavera" are among the world's most recognizable works of art. Now available in an attractive and accessibly priced hardcover edition, this catalogue raisonné of Botticelli's paintings offers meticulous scholarship by the distinguished Renaissance art historian Frank Zöllner and more than two hundred full-color illustrations. As "The Financial Times" praised the previous edition of the book, "Zöllner is a fabulous, accessible scholar; his book has luscious reproductions and exquisite detail." Presented in chronological order, the facts of Botticelli's life and career are insightfully discussed against the background of the artistic upheaval that marked the Renaissance period. The artist's reinterpretations of ancient myths as well as his religious paintings are thoughtfully explored in this sumptuously illustrated volume, which will please scholars and delight lovers of fine art books everywhere.

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Barbara Deimling
ID: 9930
Издательство: Taschen

Rediscovered genius of the Early Renaissance

During Sandro Botticelli’s lifetime (1444/45-1510), the influence of his art scarcely reached beyond his native Florence, and following his death he was soon forgotten, to be rediscovered only in the 19th century, by the Pre-Raphaelites. Since then, Botticelli has ranked among the greatest of the Renaissance artists.

In the Uffizi Gallery in Florence, paintings such as ’Primavera’ and ’The Birth of Venus’ belong to the foremost attractions for tourists and art lovers. His captivating figures of women, his intimate portrayals of the Madonna and Child, and the angel-like beauty of his adolescents are famous the world over today.

Посмотреть русскоязычное издание книги Botticelli Боттичелли

About the Series:
Each book in TASCHEN’s Basic Art Series features:

  • a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
  • a concise biography
  • approximately 100 colour illustrations with explanatory captions
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Barbara Deimling
ID: 10632
Издательство: Taschen

Florence’s golden child. The Early Renaissance master

During Sandro Botticelli’s lifetime (1444/45-1510), the influence of his art scarcely reached beyond his native Florence, and following his death he was soon forgotten, to be rediscovered only in the 19th century by the Pre-Raphaelites. Since then, Botticelli has ranked among the greatest of the Renaissance artists. In the Uffizi Gallery in Florence, paintings such as Primavera and The Birth of Venus are among the foremost attractions for tourists and art lovers. Botticelli's captivating figures of women, his intimate portrayals of the Madonna and Child, and the angelic beauty of his adolescents are famous the world over today. The artist's life and work are explored in this thoughtful and beautifully illustrated study.

About the Series:

Each book in TASCHEN’s Basic Art series features:
- a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
- a concise biography
- approximately 100 illustrations with explanatory captions

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Lionello Venturi
ID: 12044
Издательство: Phaidon

Celebrates one of the greatest and most beloved painters of the Early Renaissance with luxurious, large-format images

Sandro Botticelli, one of the greatest painters of the Italian High Renaissance, enjoyed the patronage of the greatest Florentine families. He spent most of his career in the humanist circle of the Medici, for whom he painted such masterpieces as Primavera and Venus and Mars, works that combine a decorative use of line with Classical elements in harmonious and supple compositions.

This sumptuously produced volume features an updated, full-colour selection of the artist's works made for the original 1937 edition by Ludwig Goldscheider, co-founder of Phaidon Press. The original essay by Lionello Venturi is accompanied by a new introduction from Renaissance specialist Alessandro Cecchi, putting Botticelli and his school into a contemporary context. Elegant design, fine papers and tipped-on image plates make this a true collector's edition.

About the Author:

Lionello Venturi (1885-1961) was a renowned Italian art historian, critic and Professor of Art History at the University of Turin and, later, at the University of Rome.

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Barbara Deimling
ID: 12778
Издательство: Taschen

Florence s golden child. The Early Renaissance master

During Sandro Botticelli's lifetime (1444/45-1510), the influence of his art scarcely reached beyond his native Florence, and following his death, he was soon forgotten, to be rediscovered only in the 19th century by the Pre-Raphaelites. Since then, Botticelli has ranked among the greatest Renaissance artists. In the Uffizi Gallery in Florence, paintings such as Primavera and The Birth of Venus are among the foremost attractions for tourists and art lovers. Botticelli s captivating figures of women, his intimate portrayals of the Madonna and Child, and the angelic beauty of his adolescents are famous the world over today. The artist s life and work are explored in this thoughtful and beautifully illustrated study.

About the series:

Each book in TASCHEN's Basic Art series features:

- a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
- a concise biography
- approximately 100 illustrations with explanatory captions

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Emile Gebhart, Victoria Charles
ID: 6208
Издательство: Parkstone

The Medici court painter Botticelli is one of the unequivocal artists of the Italian Renaissance alongside Leonardo da Vinci, Michelangelo and Raphael. Favouring feminine portraits, Botticelli stands apart through the finesse of his lines and the unbridled sensuality of his paintings. With his religious and private commissions, this Florentine artist introduced the profane into art through works of complex mythological subjects, such as the incontrovertibly masterful Primavera and The Birth of Venus, and knew how to delight the erudite patrons of art. The Madonna of the Magnificat remains one of the most beautiful examples of the Virgin ever achieved. Between the delicacy of the Renaissance and the exuberance of Mannerism, the richness and refinement of the works of Botticelli are a magnificent delight.

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Catherine Hervé-Commereuc
ID: 4589
Издательство: Bibliotheque de l'Image

"(...) L'oeuvre du baron Taylor apparaît comme le chef-d'oeuvre de la production de sujet breton tandi que le livre consacré à la Bretagne est l'un des meilleurs de toute la série."
Denise Delouche

Un choix de 144 lithographies parmi les 352 (liste complète en fin de volume) que comptaient les deux volumes consacrés à cette région en 1845-1846. La série complète des Voyages pittoresques et romantiques dans l'ancienne France du Baron Taylor comptait 21 volumes, parus entre 1820 et 1878.

.Liste des planches
.Notices biographiques des 15 auteurs ou auteurs-lithographes des planches sélectionnées
.Bibliographie

Avant-propos de Pierre JAKEZ-HELIAS.
Préface, Choix et Commentaires de Catherine HERVE-COMMEREUC, conservateur des monuments historiques à Rennes.

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Ulrike Lorenz
ID: 3127
Издательство: Taschen

Color and Clash: the Height of German Expressionism

The "Brucke" (established in Dresden in 1905) is, together with the Blauer Reiter in Munich, the most important movement in German expressionism. Meaning "the bridge" in German, "Die Brucke" refers to Nietzsche's belief that humanity has the potential to make a bridge to a perfect future; more concretely, the movement formed a bridge between neo-romantic and expressionist painting. This book covers the work of founding members Ernst Ludwig Kirchner, Erich Heckel, Karl Schmidt-Rottluff, and Fritz Bleyl, as well as works by their friends, such as Emil Nolde and Otto Mueller. Divided into four main categories (self-portraits and portraits of friends, nudes in the studio and in nature, men in the cities, and war and apocalyptic themes) this volume provides a stimulating overview of the movement.

Each book in "Taschen's Basic Genre Series" features: a detailed introduction with approximately 35 photographs, plus a timeline of the most important events (political, cultural, scientific, etc.) that took place during the time period; and, a selection of the most important works of the epoch; each is presented on a 2-page spread with a full-page image and, on the facing page, a description/interpretation of the work and brief biography of the artist as well as additional information such as a reference work, portrait of the artist, and/or citations.

About the Series:
Each book in TASCHEN's Basic Genre Series features:

* a detailed introduction with approximately 35 photographs, plus a timeline of the most important events (political, cultural, scientific, etc.) that took place during the time period
* a selection of the most important works of the epoch; each is presented on a 2-page spread with a full-page image and, on the facing page, a description/interpretation of the work and brief biography of the artist as well as additional information such as a reference work, portrait of the artist, and/or citations

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Francoise Roberts Jones, Philippe Roberts-Jones
ID: 7808
Издательство: Flammarion

An affordable compact edition of the major monograph that offers new insights into the life and work of this astonishing creative genius.

Often Bruegels subjects are traditional: stories from the Bible and mythology, scenes of country life, and cycles of the seasons. But among the multitude of people within them are mysterious figures, enigmatic incidents, and demonic faces. The meaning of these remarkable paintings continues to intrigue us today, more than four centuries after the artist's death. An art historian and a painting conservator and restorer, each of the authors bring their special expertise to bear on the many questions that still remain about Bruegel's life and his intellectual outlook.

Richly illustrated, this important book reveals much new information about one of the most intriguing figures of Renaissance art. Extensive notes, a chronology, bibliography, and a list of Bruegel's exhibitions and catalogues complete the work. It will be an indispensable addition to the libraries of scholars, students, and the many lovers of Bruegel's paintings.

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