An in-depth overview of Ukrainian art from the dawn of Modernism in the late nineteenth century to the start of the Russian invasion in Spring 2022.

This new volume in the World of Art series provides an overview of Ukrainian art, artists and art movements from the dawn of Modernism and the 1900s to the Soviet period, to post-Soviet times and the beginning of the war with Russia in February 2022. Ukrainian art and artists are discussed within historical and political contexts as well as how they have contributed to, and interacted with, Ukrainian culture and identity. Filled with rich illustrations, each chapter explores a different art period or movement.

We are at a historical moment where Ukraine and its cultural identity are in grave danger, and author Alisa Lozhkina offers a powerful opportunity to connect curious and empathetic readers with the Ukrainian art tradition.

About the Author:

Alisa Lozhkina is a leading art historian, critic, and curator. She was the editor-in-chief of the major Ukrainian art magazine Art Ukraine and served as a deputy director and chief curator of Mystetskyi Arsenal, Kyiv, the largest museum and exhibition complex in Ukraine. Lozhkina has curated numerous art projects in Ukrainian and international museums and art centers, and published several books. She has contributed to numerous publications including Texte zur Kunst, The Art Newspaper, ARTnews, Etudes sur L'histoire de l'art, and Los Angeles Review of Books. She is also an artist.

A revised and updated edition of Sir John Summerson's classic book.

Derived from the principles of Greek and Roman architecture in antiquity, the classical style has long dominated the history of western architecture from the Renaissance to the present. Sir John Summerson’s timeless text, as relevant today as it was when first published, distils the visual language of architecture into its core classical elements, and illustrates that building throughout the ages express an awareness of the ‘grammar’ of style and its rules even if they vary, break or poetically contradict them. From the original edifices of Greece and Rome to the recapitulations and innovations of the Renaissance; the explosive rhetoric of the Baroque to the grave statements of Neo-classicism; and finally, the exuberant eclecticism of the Victorians and Edwardians to the 'stripped Neo-classicism' of some of the moderns; Summerson explains how every period has employed classical language to make their statement.

With a new introduction by academic and architectural historian Alan Powers, this introduction continues to be one of the defining texts on the subject and is essential reading for all students of architecture.

About the Author:

Sir John Newenham Summerson, CBE was one of the leading British architectural historians of the 20th century. He wrote mainly about British architecture, especially that of the Georgian Era. He was a Commissioner of the Royal Commission on the Historical Monuments of England, curator of Sir John Soane's Museum, London, and Slade Professor of Fine Art at the University of Oxford.

Contents List:

Preface
1. The Essentials of Classicism
2. The Grammar of Antiquity
3. Sixteenth-Century Linguistics
4. The Rhetoric of the Baroque
5. The Light of Reason – and of Archaeology
6. Classical into Modern
Glossary
Notes on the Literature of Classical Architecture
Sources of Illustrations

A new concise history of modern painting, offering an indispensable reference to the complexities and characteristics of this medium.

While acknowledging the legacy of Herbert Read’s classic 1959 study A Concise History of Modern Painting in the World of Art series, academic and artist Simon Morley places the foundation of modern art much earlier than Read, at the emergence of Romanticism and the dawn of the industrial age. Structured loosely chronologically by period, the focus is as much on individual artists as well as movements, with works discussed within a broader context - stylistic, historical, geographical, and gender and ethnic frames - themes that recur throughout the chapters. Generously illustrated, the global and diverse range of artists featured include William Blake, Édouard Manet, Hilma af Klint, Kazimir Malevich, Willem de Kooning, Amrita Sher-Gil, Faith Ringgold and Kehinde Wiley.

This guide also includes an Appendix in the form of questions the reader might like to ask in relation to the artists and the ideas discussed - in order to reconsider the works from a contemporary perspective.

About the Author:

Simon Morley is a visual artist and Assistant Professor in the College of Arts, Dankook University, Republic of Korea. He has lectured at such museums as Tate, The National Gallery, Hayward Gallery, Serpentine Gallery, Whitechapel Gallery and Camden Arts Centre, and has contributed to numerous publications including Third Text, World Art, the TLS, The Burlington Magazine, Art Monthly, The Art Newspaper, Contemporary Art and the Independent on Sunday.

The fourth edition of the essential introduction to digital art, one of contemporary art’s most exciting and dynamic forms of practice.

Digital art, along with the technological developments of its medium, has rapidly evolved from the ‘digital revolution’ into the social media era and to the postdigital and post-Internet landscape. This new, expanded edition of this invaluable overview of the medium traces the emergence of artificial intelligence, augmented and mixed realities, and Non-Fungible Tokens (NFTs), and surveys themes explored by digital artworks in the areas of activism, networks and telepresence, and ecological art and the Anthropocene.

Christiane Paul considers all forms of digital art, focusing on the basic characteristics of their aesthetic language and their technological and art-historical evolution. By looking at the ways in which internet art, digital installation, software art, AR and VR have emerged as recognized artistic practices, Digital Art is an essential critical guide.

About the Author:

Christiane Paul is chief curator/director of the Sheila C. Johnson Design Center at Parsons School of Design and an associate professor in the School of Media Studies at The New School, and Adjunct Curator of New Media Arts at the Whitney Museum of American Art in New York City.

A new edition of this hugely successful international survey covering all aspects of fashion, organized around crucial shifts in style and major world events

From the turn-of-the-century S-bend silhouette to celebrity couture of the new millennium and the evolution of streetwear, this comprehensive survey explores significant developments in fashion from 1900 to the present day. Fashion historians Amy de la Haye and Valerie Mendes focus on key movements and innovations in style, and explore trends through the work of some of the world’s most original and influential designers and couturiers. Chapters are organized around crucial shifts in tastes and major world events, and exciting advances in fashion are placed within their socioeconomic, political and cultural contexts.

International in scope with colour illustrations throughout, this edition includes updated text as well as a new chapter that discusses some of the defining features of fashion in our time: the industry’s proactive embrace of age, gender and race diversity, and its ongoing efforts to combat labour exploitation and encourage global sustainability.

Contents List:

Preface
1. 1900–1913: Undulations and Exotica
2. 1914–1929: La Garçonne and the New Simplicity
3. 1930–1938: Recession and Escapism
4. 1939–1945: Rationed Fashion and Home-Made Style
5. 1946–1956: Femininity and Conformity
6. 1957–1967: Affluence and the Teenage Challenge
7. 1968–1975: Eclecticism and Ecology
8. 1976–1988: Sedition and Consumerism
9. 1989–1999: Fashion Goes Global
10. 2000–2010: Planet Fashion
11. Fashion 2010–2020
Bibliography

About the Authors:

Valerie Mendes, formerly Head of the Textiles and Dress Department at the Victoria and Albert Museum, is a freelance fashion and textiles historian and consultant. She began her career at Manchester University's Whitworth Art Gallery, and has curated numerous exhibitions and published widely. Professor Amy de la Haye is Rootstein Hopkins Chair of Dress History and Fashion Curatorship at London College of Fashion. She was formerly Curator of Twentieth-Century Dress at the Victoria & Albert Museum, London. Her many publications include The Cutting Edge: British Fashion 1947–1997; The A–Z of Style; Chanel: Couture & Industry; and, with Judith Clark, Exhibiting Fashion.

An accessible history of the Bauhaus, tracing the ideas behind its conception and its highly influential teaching methods.

The aesthetic of our contemporary environment, including everything from housing developments to furniture and websites, is partly the result of a school of art and design founded in Germany in 1919, the Bauhaus. While in operation for only fourteen years before being shut down by the Nazis in 1933, the school left an indelible mark on design as well as the practice of art education throughout the world.

Placing the Bauhaus into its socio-historic context, Frank Whitford traces the ideas behind the school’s conception and describes its teaching methods. He examines the activities of the teachers, who included artists as eminent as Paul Klee, Josef Albers and Wassily Kandinsky, and the daily lives of the students. This remains the most accessible and highly illustrated introduction to perhaps the most significant design movement of the last hundred years.

About the Author:

Frank Whitford was an art historian and critic, and one of Britain’s leading experts on 20th-century German and Austrian art. During his varied career, he lectured on the history of art at University College London and Homerton College, Cambridge, wrote several books and served as a newspaper art critic. From 1983 onwards he was a senior member of Wolfson College, Cambridge.

Contents List:

Introduction • 1. Aims and Ambitions • 2. Art, Crafts, Architecture and the Academies 3. Art Education Reformed • 4. The Founder • 5. Problems • 6. The First Appointments 7. The Students • 8. Achievements • 9. New Arrivals • 10. The Basic Course: Colour and Form • 11. Going Dutch • 12. Towards a New Unity: Moholy-Nagy and Albers • 13. The Public Face • 14. Dessau • 15. Young Masters • 16. A New Director • 17. The Bitter End 18. Judgments

A concise account of the history of fashion and costume from prehistoric times through to today.

From the momentus invention of the needle some 40,000 years ago to the development of blue denim, from Neolithic weavers to the biggest names in the fashion industry today – this classic guide covers the landmarks of costume history, the forms and materials used through the ages, the underlying motives of fashion and the ways in which clothes have been used to protect, to express identity, and to attract or to influence others. This sixth edition features a new foreword and concluding chapter by Amy de la Haye. The book is brought right up to date with a discussion about the major political shifts within the fashion industry, highlighting how it has responded to issues surrounding racism and sexism; LGBTQI rights; mental health awareness; body and age diversity and global sustainability.

Contents List:

Foreword • 1. How it all began • 2. Greeks and Romans • 3. Early Europe • 4. The Renaissance and the sixteenth century • 5. The seventeenth century • 6. The eighteenth century • 7. From 1800 to 1850 • 8. From 1850 to 1900 • 9. From 1900 to 1939 • 10. Rationed fashion to pluralistic style • 11. At the turn of the millennium • 12. Fashion since 2010

About the Authors:

James Laver, the 20th century’s leading authority in Britain on the history of costume and fashion, was Keeper of the Department of Prints and Drawings and of Paintings at the Victoria and Albert Museum, London, from 1938 until 1959. Amy de la Haye is Rootstein Hopkins Chair of Dress History & Curatorship at London College of Fashion. She was formerly Curator of Twentieth-Century Dress at the Victoria and Albert Museum, London. Andrew Tucker is a fashion journalist and author of The London Fashion Book; Dries Van Noten; and Fashion: A Crash Course.

A one-volume guide to the world’s most iconic and important interiors, from William Morris’s home in London to the retail and leisure spaces of the contemporary globalized world.

From the 19th-century Arts and Crafts movement to the present day, and from Art Nouveau and Bauhaus to hi-tech and green design, every style of interior design since 1900 is charted in this wide-ranging survey.

Design in the 20th century saw an extraordinary evolution, with the emergence of professional interior designers and the growing appetite to redesign homes at frequent intervals. In recent decades the focus has been on sustainable design in public spaces such as offices, factories and ships. Anne Massey explores these developments in social, political, economic and cultural contexts. More than 200 illustrations of interiors from
around the world, from William Morris’s drawing room to a 21st-century aircraft, reveal the fundamental changes in taste and style from Art Deco to Pop and from the Streamline Moderne to Post-Modernism.

This volume has been a classic introduction to the subject for almost thirty years. The new, fourth edition is brought up to date with a chapter on transnational design, encompassing mid-century modernist work in Singapore and Sri Lanka as well as very recent interiors for spaces as varied as luxury hotels in Dubai and a contemporary art museum in Cape Town. Anne Massey shows how a shared language of design and cutting-edge technology are reshaping interiors around the globe.

Contents List:

1. Reforming Victorian taste • 2. The search for a new style • 3. The Modern Movement 4. Art Deco and the Moderne • 5. The emergence of interior decoration as a profession 6. Post-war Modernism • 7. Consumer culture • 8. The Post-Modern era • 9. The sustainability of interior design • 10. Transnational interiors

About the Author:

Anne Massey graduated in the History of Modern Art and Design at the University of Northumbria in 1980, and gained her doctorate there in 1984 with research on the Independent Group and post-war British design theory. She has written extensively on the history of art and design, and was the founding editor of the journal Interiors: Design, Architecture, Culture (2010–).