Graduating from Antwerp’s Royal Academy of Fine Arts in the 1980s, Martin Margiela (and his contemporaries in the Antwerp Six) transformed global fashion with his aggressive restatement of traditional fashion design and a polemical approach to luxury trends. Working first with the house of Gaultier, Margiela absorbed the radical design of Japanese deconstruction, making it wholly his own with the founding of his own label in 1988. Margiela propounds a singular, enigmatic look, moving beyond the recognizable tropes of deconstruction - a monochromatic palette, outsized garments, non-traditional fabrics, exposed seams, or roughly appliquéd details - to develop a fully considered worldview, one with elegance, mystery, and menace in equal measure.

This book provides an inside look at the design process from a craftsman who creates pieces prized for their originality, delicacy, and daring. In the spirit of Margiela’s garments, the book is a work of art in itself, designed exclusively by Margiela and complete with silver inks, ribbon markers, a variety of lush paper types, twelve booklets, and an embroidered white-linen cover. This book provides a window onto the intimate, handmade world of a unique designer.

About the Author:

Martin Margiela, born in 1957 in Leuven, Belgium, is the principal designer of his own Paris-based fashion house.

Now available again in a new edition, this opulent book reaches back 25,000 years to trace the history of jewelry from the Paleolithic era to the present day

Drawn from the extensive holdings of the Staatliche Museen in Berlin, this collection of jewelry through the ages links cultures and eras to show how the design, wearing, and collecting of personal adornment has evolved over the ages. They range from classic items such as necklaces, rings and earrings to less common items with origins in non-European cultures. The book features jewelry, ranging from the splendid crowns of ancient Greece, gold earrings from Babylon and jewelled collars worn by 13th-century Islamic royalty to more modern pieces such as those contained in the imperial collection of Queen Louise of Prussia, Art Nouveau jewelry designed by Rene Lalique, and work by contemporary designers. This chronologically arranged survey includes numerous brief essays and 400 illustrations with detailed captions, making it an ideal reference for anyone interested in cultural history, the history of jewelry, or the art and craft of jewelry making.

About the Author:

Maren Eichhorn-Johannsen is deputy head of the department of Exhibitions and Special Events at the Staatliche Museen zu Berlin. Adelheid Rasche is head of the collection of Textiles, Clothing and Jewellery at the Germanisches Nationalmuseum, Nuremberg.

This glorious, authoritative, and unprecedented retrospective of Doré’s prints and paintings, drawn from an oeuvre of more than 10,000 works, comes in a spectacularly ornate package that reflects the artist’s own dramatic style.

If you were a consumer of literature in the nineteenth century, chances are the volumes in your library featured the illustrations of Gustave Doré. From the Bible to Shakespeare, Balzac to Milton, Cervantes to Poe, Doré’s intricate, romantic, and exuberant drawings brought great works to life, and were as treasured as the stories and poetry they depicted. Furthermore, as this magnificent book reveals, he was also a skilled sculptor, painter, and cartoonist. This book spans Doré’s entire career, with chapters dedicated to specific works such as The Divine Comedy, Don Quixote, Tennyson’s Idylls of the King, and medieval fairy tales — each featuring exquisite full-page reproductions that allow Doré’s genius for line, shading, and texture to shine through.

The authors also provide a background on the techniques that Doré employed to achieve his exquisite works. Fans of Doré will appreciate this volume’s spectacular production, which features quarter binding, gold foil stamping, embossing on the cover and spine, a belly band, and silkscreen printing on three edges. Filled with incisive analysis and expert historical perspectives, this book is the consummate collector’s item — a volume as expansive and sensational as the artist himself.

About the Authors:

Alix Paré is a lecturer specializing in 17th, 18th, 19th, and 20th century Western painting. She held previous positions at the Louvre Museum in Paris and the Château de Versailles, France.

Valérie Sueur-Hermel is curator of the Department of Prints and Photography at the Bibliothèque Nationale de France, in Paris, France. She has curated numerous exhibitions such as: Daumier (2008), Gustave Doré (2014), Odilon Redon (2011).

New in paperback, this revelatory book features rarely-seen multimedia works by the revered cult filmmaker David Lynch showing how he applies his powerful imagination and visual language across genres.

David Lynch has always been in the spotlight as a filmmaker, directing some of the most iconic movies ever made, but as a visual artist, he is less widely known. Lynch delights in the physicality of painting and likes to stimulate all the senses in his work. This new paperback edition brings together Lynch’s paintings, photography, drawings, sculpture and installation, and stills from his films. Many of these works reveal the dark underpinnings behind Lynch’s often-macabre movies. Others explore his fascination with texture and collage. Throughout, Lynch’s characteristic style — surreal, stylish, and even humorous — shines through. An introduction by music journalist and Lynch biographer Kristine McKenna, along with a thought-provoking essay by curator Stijn Huijts, offers fascinating new information and perspectives on Lynch’s life and career. This book reveals an unexplored facet of Lynch’s oeuvre and affirms that he is as brilliant a visual artist as he is a filmmaker.

About the Author: 

Kristine McKenna is an American journalist, critic, and curator. She has written for Artforum, The New York Times, ARTNews, Vanity Fair, The Washington Post, and Rolling Stone Magazine. Stijn Huijts is Artistic Director of the Bonnefantenmuseum, Maastricht in the Netherlands.

'a mixture of artistic sensibility and imagery that leaves nothing to the imagination'  - The Telegraph

In early modern Japan, thousands of sexually explicit paintings, prints, and illustrated books with texts were produced. These were euphemistically called ‘spring pictures’ (shunga) and were originally created by the artists of the ukiyo-e school of the floating world to advertise brothels in 17th-century Yoshiwara, including the celebrated artists Utamaro and Hokusai.

This catalogue of an exhibition in 2013/4 at the British Museum aims to answer some key questions about what shunga is and why it was produced. Erotic Japanese art was heavily suppressed in Japan from the 1870s onwards, and it is only in the last twenty years or so it has been possible to publish unexpurgated examples in Japan. 

Drawing on the latest scholarship and featuring over 400 images of works from major public and private collections, this book sheds new light on this unique art form within Japanese social and cultural history.

About the Author:

Timothy Clark, Head of Japanese Section, British Museum

Named a Best Gift Book/Best Travel Book of 2019 by the New York Times, Entertainment Weekly, Associated Press, House Beautiful, Business Insider, The Daily Beast, Forbes, Fodor’s, The Points Guy, Seattle Times, and more

Patricia Schultz curates the world. When she published the original 1,000 Places to See Before You Die, she created not only a new kind of travel book but also a new way of thinking about our experiences and interests.

Now Schultz captivates our hearts in the same compelling way her original book spoke to our minds. Moving from eloquent word to breathtaking image, she takes us on a visual journey of the best the world has to offer, and as we turn the pages and pore over these images, we feel it all: joy, curiosity, awe, passion, nostalgia (if we’ve been there), inspiration (because we want to go), and a profound and transforming sense of how lucky we are to live in a world filled with such beauty and wonder — to see tributaries of mist curling over the Great Wall, elephants grazing on the floor of the Ngorongoro Crater, the sun setting on the wild coast of Donegal, masked whirling dancers at a festival in Bhutan.

The book itself is a thing of beauty, an oversize feast of more than 1,000 all-new photographs and 544 pages, every spread and page designed to showcase these mesmerizing photographs and hold just enough of Schultz’s lively text that we know why it is we’re looking at them. It is a perfect gift for every traveller, every fan of the original, every dreamer whose Instagram feed is filled with pictures of places near and far.

“This is the comfort food of travel books. . . . This book will sweep you off your feet.” — New York Times Book Review
 “Gorgeous . . . breathtaking . . . spectacular.” — Publishers Weekly

About the Author:

Patricia Schultz is the author of the #1 New York Times bestsellers 1,000 Places to See Before You Die and 1,000 Places to See in the United States and Canada Before You Die. A veteran travel journalist with over 30 years of experience, she’s written for Frommer’s, Berlitz, and Access travel guides, as well as the Wall Street Journal, Condé Nast Traveler, and Travel Weekly, where she is a contributing editor. Her home base is in New York City, but good luck finding her there.

Originating as an ancient tribal practice serving as rites of passage, symbols of religious devotion or marks of bravery, tattoo art has slowly grown into an essential fashion item, a personal statement, a decorative memorial or pledges of deep beliefs. From miniature, hand-drawn pieces to extensive tribal-inspired tattoo markings, contemporary lineworks to retrospective designs, the new wave of tattoos reveals an international aesthetic movement grounded in the love of art.

Varied by striking motifs, INK — The Art of Tattoo amasses some 700 recent and classic flash designs, original patterns and illustrations that encapsulate how tattoo styles around the world have evolved. Readers can start examining the subject by admiring a diverse spectrum of tattoo flash categorised by artist, then go on to a photography showcase of inked bodies modelled for fashion and art projects. The book continues with interviews that provide a portal into the mind of select tattoo artists, each distinct in style and approach. Available in three covers, INK is a collectable reference for practitioners and those craving for new tatts.

In the times when the Ukrainian art sphere was regulated by the Soviet institutions, local monumental and decorative arts existed at the frontier of the Party’s propaganda and the artistic thirst to experiments. Nowadays, Ukrainian mosaics are wrested out of the architectural context of the country in both literal and metaphorical ways. The artworks are liquidated from the buildings they were specifically created for and indiscriminately despised as ideological pieces of no value. Furthermore, in legal terms mosaics are not defined as objects of art that makes them unguarded in the face of the decommunization process.

Initially incepted as a guide, this book is an equally beneficial companion for the journey through space (in the context of the geographical area of modern Ukraine) and hitchhiking through time (in terms of Ukrainian cultural history). It incorporates the selection of Ukrainian mosaics which undermines the simplified perspective on the Soviet art heritage in Ukraine. The volume is generously supplemented with unique photographs of the documentary photographer Yevgen Nikiforov who continues the research, initially presented in the book Decommunized: Ukrainian Soviet Mosaics (2017). Together with the art historian Polina Baitsym who reveals striking linkages of the mosaics’ plots with broader historical context, he will guide you through the testimonies of the genuine creativity of Ukrainian monumental artists which managed to flourish on the most infertile soil.

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В эпоху, когда сфера культуры в Украинской ССР, как и в других республиках, регулировалась генеральной линией партии, местное монументальное и декоративное искусство развивалось на стыке партийной пропаганды и художественного эксперимента.

Сегодня украинская мозаика буквально вырвана из архитектурного контекста страны. Произведения искусства уничтожаются, исчезают со стен зданий, для которых они были специально созданы, и без разбора осуждаются как часть идеологической пропаганды, не имеющая никакой ценности. Кроме того, с юридической точки зрения мозаики не считаются искусством, что подвергает их опасности перед лицом действующей программы по декоммунизации.
Изначально задуманная как путеводитель, эта книга является не только полезным спутником в путешествии по современной Украине, но и позволяет читателю совершить скачок во времени и узнать больше об украинской культуре второй половины XX века. Издание включает около 120 уникальных панно, и эта внушительная коллекция противопоставляется упрощенному взгляду на советское художественное наследие Украины.

Книга проиллюстрирована уникальными фотографиями Евгения Никифорова, который продолжает собственное фото-исследование, ранее представленное в альбоме "Декоммунизация: Украинские мозаики советского периода". Вместе с искусствоведом Полиной Байцим, которая раскрывает связи мозаичных сюжетов с историческим контекстом, читатель познакомится со свидетельствами подлинного творчества украинских монументалистов, сумевшего расцвести даже в условиях многочисленных ограничений.

A celebration of Ukraine’s rich cultural heritage, drawing on over 100 of the country’s most important works of art and architectural monuments from prehistory to the present.

Showcasing more than one hundred objects and buildings — from Byzantine icons and wooden churches to gold-domed cathedrals, folk art, and avant-garde masterpieces — Treasures of Ukraine chronicles the rich arts and heritage of a country currently facing destruction and devastation. The significance of the pieces is explained by renowned artists, curators, and critics, revealing the nation’s complex history and its impact on the present. From the development of ancient cultures like Trypillia and Scythia to early states such as Kyivan Rus and the Cossack Hetmanate, to the dawn of Modernism and the striking contemporary paintings and political artworks being produced today, Treasures of Ukraine reminds us that art and monuments represent powerful sources of collective memory and identity.

All proceeds will be donated to PEN Ukraine, to help Ukrainian authors in need and support museums in Ukraine.

Contents List:

Introduction: Andrey Kurkov
Map of Ukraine
1. Pre-history to Early History Andriy Puchkov
2. Kyivan Rus Christian A. Raffensperger
3. The Lithuanian–Ruthenian State Diana Klochko
4. The Ukrainian Baroque Era Maksym Yaremenko
5. The Nineteenth Century and the Fin-de-Siecle Alisa Lozhkina
6. Avant-Garde Art and Theatre Myroslava M. Mudrak
7. Soviet Rule, the Ukrainian SSR and Non-conformist Art Oleksandr Soloviev
8. Postmodern and Contemporary Art Victoria Burlaka
Appendix: Folk arts Alisa Lozhkina
Timeline of Ukrainian History

About the Authors:

Andrey Kurkov is Ukraine’s most acclaimed living novelist and public commentator. Andriy Puchkov is a specialist in Ukrainian architecture and author of more than two dozen monographs. Christian Raffensperger is professor of history and department chair at Wittenberg University. Diana Klochko is a prominent art historian and author of 65 Masterpieces of Ukrainian Art. Maksym Yaremenko is Professor at the Department of History at the National University of Kyiv Mohyla Academy. Alisa Lozhkina is an art historian, critic and author of Permanent Revolution: Art in Ukraine, XX–early XXI century. Myroslava Mudrak is Professor Emeritus of Art History at the Ohio State University and a member of the National Academy of Arts of Ukraine. Oleksandr Soloviev is a leading art critic and a local expert in contemporary art; Victoria Burlaka also specializes in contemporary art.

Published to accompany the Royal Academy exhibition from 29 June to 13 October 2024, a major study of Ukrainian art from 1900 to the mid-1930s – with loans from major museums in Ukraine, elsewhere in Europe, the United States (including MoMA) and Israel

How does artistic life flourish during revolution and conflict? Ukraine in the early 1900s endured unimaginable political upheaval, yet this became a period of true renaissance in Ukrainian art, literature, theatre and cinema.

In the Eye of the Storm: Modernism in Ukraine, 1900–1930s, presents the ground-breaking art produced in Ukraine in the early 20th century, focusing on the three key cultural centres of Kyiv, Kharkiv and Odesa. Against a complicated socio-political backdrop of collapsing empires, World War I, the revolutions of 1917 with the ensuing Ukrainian War of Independence, and the eventual creation of Soviet Ukraine, several strands of distinctly Ukrainian art emerged.

While émigrés such as Sonia Delaunay and Alexander Archipenko found fame outside their homeland, the followers of Mykhailo Boichuk focused on Byzantine revivalism, and the artists of the Kultur Lige sought to promote the development of contemporary Yiddish culture. The first avant-garde exhibitions in Ukraine featured the radical art of Davyd Burliuk and Alexandra Exter, and the dynamic canvases of the Kyiv-based Cubo-Futurist Oleksandr Bohomazov. In Kharkiv, Vasyl Yermilov championed the industrial art of Constructivism, while Vadym Meller, Anatol Petrytskyi, Oleksandr Khvostenko-Khvostov and Borys Kosarev revolutionized theatre design. The attempt to build a national identity in Ukraine resulted in a polyphony of styles and artistic developments across a full range of media – from oil paintings, sketches and sculpture to collages, cinema posters and theatre designs.

Twelve internationally renowned scholars, including curators from the National Art Museum of Ukraine, bring to life this astonishing period of creativity in Ukraine and all the movements it encompassed.

Table of Contents:

Foreword
Francesca Thyssen-Bornemisza
Acknowledgments
Introduction
Konstantin Akinsha

I. Kyiv

From Kyiv to Paris: The Cosmopolitanism of Alexandra Exter
Katia Denysova

The Beginning: The First Avant-Garde Exhibitions in Ukraine
Olena Kashuba-Volvach

The Art Section of the Kultur Lige: Yiddish Avant-Garde Art in Kyiv (1918–1922)
Hillel Kazovsky

Oleksandr Bohomazov: The Ukrainian Version of Futurism
Olena Kashuba-Volvach

Boichukism
Myroslava M. Mudrak

Bauhaus on the Banks of Dnipro
Olena Kashuba-Volvach

II: Kharkiv

The Tragic Sensuality of the Kharkiv Avant-Garde
Tetiana Zhmurko

Constructor Vasyl Yermylov: A Captive of the Material World 
Konstantin Akinsha

Visual and Spatial Experiments in Ukrainian Scenography of the 1920s
Olena Kovalchuk

Ivan Kavaleridze: Searching for the Hero of the New Age
Oksana Barshynova

Nova heneratsiia (1927–1930)
Myroslava M. Mudrak

III. Odesa

The Odesa Society of Independent Artists
Olha Barkovska

From Symbolism to Avant-Garde: The Emancipation of Ukrainian Cinema in the 1920s
Ivan Kozlenko

IV. Aftermath

In the Shadow of Russia: Ukrainian Art at the XVI Venice Biennale of 1928
Olena Kashuba-Volvach & Maryna Drobotiuk

The Émigrés from Ukraine: Archipenko, Delaunay and Baranoff-Rossiné
Katia Denysova

From Oblivion to Glory: Spetsfond or The Special Secret Holding
Yuliia Lytvynets

Plates
Authors’ Biographies
Picture Credits
Index

About the Author:

Konstantin Akinsha studied at the Shevchenko Art School in Kyiv, Ukraine, and in 1986 completed an MA in art history at the Moscow State University. He completed a PhD in art history at the University of Edinburgh. In the course of his career, Konstantin Akinsha has been curator at the Kyiv Museum of Western and Oriental Art, Moscow correspondent for ARTnews, contributing editor for ARTnews magazine, New York, as well as a Research Fellow at both the Germanisches Nationalmuseum, Nuremberg, and Bremen Kunstverein, East European Institute of Bremen University. From 1999 to 2000 he was also Deputy Research Director, Art and Cultural Property, Presidential Advisory Commission on Holocaust Assets in the United States, Washington, D.C. In 2006 he became the European Correspondent for ARTnews magazine in Budapest, and in 2007 he also became a Eugene and Davmel Shklar Fellow at the Ukrainian Research Institute of Harvard University. Akinsha has written a number of books, including Stolen Treasure (Weidenfeld & Nicolson, 1995), co-authored with Gregorii Kozlov, and The Holy Place, co-authored with Gregorii Kozlov and Sylvia Hochfield (Yale University Press, 2007).

Published to coincide with the 40th anniversary of its original publication, this special edition of the beloved, best-selling cult classic features a new design, new cover illustration, and 15 never-before-seen drawings.

Featuring a handsome new package redesigned by the author himself, this edition is a must-have for fans and collectors of Luigi Serafini’s art. First published in 1981 in Milan by F.M. Ricci, the book has been hailed as one of the most unusual yet beautiful art books ever made. A visual encyclopedia of an unknown world written in an unknown language, it has fueled much debate over its meaning. Written for the information age and addressing the import of coding and decoding in genetics, literary criticism, and computer science, it has now fascinated and enchanted two generations.

While its message may be unclear, its appeal is obvious: it is a most exquisite artifact, blurring the line between art book and art object. This edition presents it in a new, unparalleled light complete with 15 new illustrations by the author. With the advent of new forms of communication, continuous streams of information, and social media, the Codex is more relevant and timely than ever.

About the Author:

Luigi Serafini is an architect, ceramist, glazier, painter, sculptor, designer, opera director, set designer, and critic who works in Italy and abroad. In 2007, the Padiglione d'Arte Contemporanea in Milan dedicated a successful mostra ontological (ontological exhibition) to him. He has illustrated works by Franz Kafka and Michael Ende.

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A limited numbered Codex Seraphinianus Deluxe Edition, bound in real cloth and presented in a handsome slipcase, is also available. It includes a signed print of a new illustration made by the author to commemorate the 700th anniversary of the death in 1321 of Dante Alighieri, one of Italy’s greatest writers and creator of The Divine Comedy.

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Пролистать книгу Codex Seraphinianus на сайте издательства.

From leading expert, Élisabeth de Feydeau, comes a luxurious and lavishly illustrated volume on the history of perfume, from the scented oils of ancient times up to the present day.

Light, floral, exotic or heady, perfume can be both a precious ally for self-care or the ultimate weapon of seduction. From its origins in ancient times to today's colossal cosmetic industry, the story of perfume is rich and enticing.

What parts of the world do fragrances come from? Who invented them and what are their main ingredients? How did perfume cross from the sacred to the profane? Who were the first great perfumers? What role has the fashion industry played in the history of perfume? How do you become a successful 'nose'? What stories lie behind iconic perfumes such as Chanel's N°5, CK One, or Jean Paul Gaultier's Le Mâle?

Lavishly illustrated with archival documents from the most beautiful fragrance brands, The Story of Perfume transports its readers into a precious and mesmerizing world. It is the perfect gift for special occasions and a must-have for all perfume lovers.

About the Author:

Élisabeth de Feydeau has a PhD in the history of perfume from the University of Paris-Sorbonne, teaches at the Versailles School of Perfumers and is a cultural adviser to leading luxury brands, including Christian Dior, Thierry Mugler, Chanel, Guerlain and Lancaster. She is the author of several books, including The Herbarium of Marie Antoinette and the novel A Scented Palace, both of which have been translated into several languages.

With images of the four houses' most timeless and celebrated designs, plus captivating text on the personalities and lives of the creative geniuses behind the brands, The Little Guides to Style is the quintessential collection that will delight any fashion lover.

Containing the stories of four legendary fashion houses, this collectable box holds a beautiful set of covetable style guides.

Exploring four designers who exemplify elegance and high couture, these little books of fashion follow these brands from their creation, moving through their style evolutions, the key looks that define them and their impact on the fashion landscape today.

Discover the story behind the little black dress with the Little Book of Chanel, the tailoring behind Milan minimalism with Prada, the conception of the New Look with Dior and the genius behind androgynous maximalism with Gucci.

Featuring hundreds of exquisite images and text by best-selling authors, these definitive guides to luxury style are the perfect gift for any fashion lover.

About the Authors:

Emma Baxter-Wright has taught fashion journalism at the University of the Arts, London and UCA. She has contributed to many publications including the New York Observer, Cosmopolitan and Marie Claire, and is the bestselling author of Little Book of Chanel. Emma lives in Gloucestershire, England.
Karen Homer is an established fashion journalist who worked as a fashion columnist for The Times and has contributed to the Telegraph, Harpers & Queen, Elle, World of Interiors and Vogue. She is the author of Little Book of Dior and Things a Woman Should Know About Style. She lives in London.
A stylist and journalist specializing in fashion and beauty, Laia Farran Graves has also worked for such publications as Vogue, InStyle, Glamour, Marie Claire and the Sunday Times Style magazine. Laia lives in London, England.
 

Kelly Wearstler, one of the most irreverent and successful designers working today, continues to push boundaries with her inventive and opulent residential and commercial interiors.

Celebrated for pioneering and provocative interiors that guide global trends, Kelly Wearstler is known for her iconic designs of residences and boutique hotels. Pairing an exploration of materiality, color, and form with an intuitive juxtaposition of contemporary, vintage, architectural, and organic sensibilities, she has defined an aesthetic that is all her own. With a social media following that has grown to exceed two million and expansion into her own lines of furniture, lighting, and decor, hers is one of the most distinctive voices in the interiors world.

Here, in her first new book in four years, Wearstler takes a decidedly bold and minimalist approach to presenting her recent work, profiling seven of her latest and most striking residential and hospitality designs with immersive full-page photography and extraordinary detail. Wearstler’s unique eye and decisive touch are visible throughout, from a sleek and monochromatic home in Venice Beach to a richly textured beach house in Malibu and the dynamic new Proper hotels in Santa Monica and Austin, Texas. Insightful text from Dan Rubinstein guides readers through each space and the tactile furniture and materials that define the mood of each project.

Full of ideas, with beautiful images of many never-before-photographed interiors, this book is a must-have resource for other designers and homeowners looking for elegant design inspiration.

About the Authors:

Kelly Wearstler is an interior designer who has been honored as one of Time’s Style & Design 100 and has served as a judge on Bravo’s Top Design series. Her work has been profiled in magazines such as Elle Decor, Vogue, House & Garden, House Beautiful, and the New Yorker. Wearstler lives in Beverly Hills with her family. Dan Rubinstein is a design writer and editor, former Editor in Chief of Surface magazine, whose writing appears regularly in publications from Architectural Digest to Departures. He is also host of the Grand Tourist podcast.

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Пролистать книгу Kelly Wearstler: Synchronicity​ на сайте издательства.

In this new collection from Annie Leibovitz, one of the most influential photographers of our time, iconic portraits sit side by side never-before-published photographs. Afterword by Annie Leibovitz.

Annie Leibovitz: Portraits 2005-2016 is the photographer's follow-up to her two landmark books, Annie Leibovitz: Photographs, 1970-1990 and A Photographer's Life, 1990-2005. In this new collection, Leibovitz has captured the most influential and compelling figures of the last decade in the style that has made her one of the most beloved talents of our time. Each of the photographs documents contemporary culture with an artist's eye, wit, and an uncanny ability to personalize even the most recognizable and distinguished figures.

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Influential photographer Annie Leibovitz presents her remarkable portraits in this re-issue of her acclaimed and bestselling collection. With an essay by Alexandra Fuller and an afterword by Annie Leibovitz

Annie Leibovitz: Portraits 2005-2016 is the photographer's follow-up to her two landmark compilations, Annie Leibovitz: Photographs, 1970-1990 and A Photographer's Life, 1990-2005. For this collection, Leibovitz has selected the best and most representative portraits from her work between 2005 and 2016. The pictures document contemporary culture with an artist's eye, wit, and an uncanny ability to personalize even the most recognizable and distinguished figures.

There are over 150 subjects in Portraits 2005-2016, including Venus and Serena Williams, Chimamanda Ngozi Adichie, LeBron James, Sheryl Sandberg, Anna Wintour, Leonard Cohen, Jasper Johns, Caitlyn Jenner, Gloria Steinem, Joan Didion, Barack Obama, and Queen Elizabeth II.

About the authors:

Annie Leibovitz is one of the most influential photographers of our time. Her career spans nearly five decades, starting in the 1970s when she was a widely acclaimed photographer at Rolling Stone. At Vanity Fair and Vogue and in independent projects, Leibovitz expanded her repertoire as a portraitist with a distinctive style. Her many honors include being designated a Living Legend by the Library of Congress, and her work is exhibited at museums around the world.

Alexandra Fuller is a prize-winning writer, whose memoirs Don't Let's Go to the Dogs Tonight and Leaving Before the Rains Come have met with public and critical acclaim. Her articles and reviews have appeared in numerous publications, including The New Yorker, Granta, The New York Times, Guardian, and National Geographic.