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For his photographs and films, the Dutch photographer Erwin Olaf creates a world that has been staged down to its smallest detail. It seems very similar to ours, but its artificiality give it an enigmatic sense. Still, with their visuals borrowed from the film and advertising industries, the works are only flawlessly striking on the surface; in fact, they deal with questions of democracy, equality, or self-determination. Marking Olaf’s first comprehensive solo exhibition in Germany, the companion publication deals with essential aspects of Olaf’s art and offers an attractive survey of his multifaceted oeuvre from the past forty years. Olaf’s most recent works, some of which were created especially for the exhibition at the Kunsthalle Munich, will also be shown.

About the Author:

Erwin Olaf (*1959) studied journalism. He began his career as a photographer for magazines and journals, often with a socio-political background. In addition to commercial work, he produced a comprehensive body of artistic work from the 1980s onward. With his idiosyncratic style, Olaf quickly attracted international attention. His works are shown in exhibitions worldwide.

A new collection of Saul Leiter's work, much of it published here for the first time.

Saul Leiter remained relatively unsung until he was rediscovered by curators and critics in his early 80s, and his work has been drastically re-evaluated over the last two decades. Leiter’s painterly images evoked the flow and rhythm of life on the mid-century streets of New York in luminous colour, at a time when his contemporaries were shooting in black and white. His complex and impressionistic photographs are as much about evoking an atmosphere as nailing the decisive moment.

In recent years, Leiter has been in the spotlight more and more with a series of exhibitions and publications. His studio in New York's East Village, where he had lived since 1952 until his death in 2013, is now the home of the Saul Leiter Foundation. The foundation has begun a full-scale survey and organization of his more than 80,000 works, with the aim of compiling the ‘complete’ archive. This volume contains works discovered through this process, valuable documents that reveal the secrets of Saul Leiter's creation, unpublished works, popular colour works and black-and-white works that have not been published so far, as well as works that trace the memories of those closest to him taken in private.

As Saul Leiter said, ‘Photographs are often treated as capturing important moments, but they are really small fragments and memories of the world that never ends.’ This is Forever Saul Leiter.

About the Authors:

Saul Leiter was born in 1923 in Pittsburgh. He pioneered a painterly approach to colour photography in the 1940s and produced covers for fashion magazines such as Esquire and Harper’s Bazaar before largely withdrawing from public attention in the 1980s. The publication in 2006 of his first collection, Early Color, inspired an avid ‘rediscovery’ that has since led to worldwide exhibitions and the release of a documentary, In No Great Hurry: 13 Lessons in Life with Saul Leiter (2013). He died in New York in 2013.
Margit Erb is the founder and director of the Saul Leiter Foundation, which is dedicated to preserving Leiter’s art and legacy.
Michael Parillo is the Associate Director of the Saul Leiter Foundation.
Otake Akiko is the author of several books, including The History of Modern Photos.

Home Sweet Home. A remarkable photographic exploration of life on Earth

Frans Lanting’s photographs are a striking exploration of existence on Earth. The renowned wildlife photographer journeyed across the globe to capture these images of bountiful biodiversity. As wildly contrasting as the contours of the world may be, Lanting’s photos show us the symmetries and dependencies that bind the Earth’s ecosystems into one, creating a glorious homage to life in all its forms.

In the year 2000, world-renowned wildlife photographer Frans Lanting set out on a personal journey to photograph the evolution of life on Earth. He made pilgrimages to true time capsules, like a remote lagoon in Western Australia, spent time in research collections photographing forms of microscopic life, and even found ways to create visual parallels between the growth of organs in the human body and the patterns seen on the surface of the earth.

The resulting volume is a glorious picture book of Planet Earth, depicting the amazing biodiversity that surrounds us all. Lanting’s true gift lies beyond his technical mastery: it is his eye for geometry in the beautiful chaos of nature that allows him to show us the world as it has never been seen before. From crabs to jellyfish, diatoms to vast geological formations, jungles to flowers, monkeys to human embryos, LIFE is a testament to the magical beauty of life in all its forms and is one of Lanting’s most remarkable achievements.

The photographer:

Frans Lanting has been hailed as one of the great photographers of our time. His influential work appears in books, magazines, and exhibitions around the world, and has been commissioned frequently by National Geographic, where he has served as a Photographer in Residence. His books have received awards and acclaim: “No photographer turns animals into art more completely than Frans Lanting,” writes The New Yorker. His previous books include Okavango: Africa’s Last Eden, LIFE: A Journey Through Time, Jungles, Penguin, Eye to Eye, Bonobo: The Forgotten Ape, Living Planet, Forgotten Edens, and Madagascar: A World Out of Time. Lanting has received numerous awards for his work as a photographer and conservationist, including top honors from World Press Photo, the Sierra Club’s Ansel Adams Award, the title of BBC Wildlife Photographer of the Year, and Sweden’s Lennart Nilsson Award. Prince Bernhard of the Netherlands inducted him as a Knight in the Royal Order of the Golden Ark, that country’s highest conservation honor.

The editor:

Christine Eckstrom is a writer, editor, and videographer. She is the author of Forgotten Edens and a contributing author of more than 15 books published by the National Geographic Society. Her writing for National Geographic Traveler earned a Lowell Thomas Award for Best Magazine Article on Foreign Travel. The editor of Okavango: Africa’s Last Eden, LIFE: A Journey Through Time, Jungles, Penguin, and Eye to Eye, she has also filmed and produced stories for the National Geographic Channel. Her coverage of chimpanzees in West Africa was featured in the NOVA-National Geographic television special Ape Genius, which received a Peabody Award. Eckstrom and Lanting collaborate on fieldwork and publishing projects from their home base in Santa Cruz, California.

Pioneer of colour photography: a comprehensive overview with unreleased photo material

Fred Herzog is known for his unusual use of color in the 1950s and 1960s, a time when art photography was almost exclusively associated with black-and-white imagery. The Canadian photographer worked almost exclusively with Kodachrome slide film for over 50 years, and only in the past decade has technology allowed him to make archival pigment prints that match the exceptional colour and intensity of the Kodachrome slide. In this respect, his photographs can be seen as a prefiguration of the New Color photographers of the seventies.

This book will bring together over 230 images, many never before reproduced, and will feature essays by acclaimed authors David Campany and Hans-Michael Koetzle. Fred Herzog will be the most comprehensive publication on this important photographer to date.

About the Author:

David Campany is a curator, writer and educator, based in London. His previous books include On Photographs, Walker Evans: The Magazine Work, The Open Road: Photography and the American Road Trip and A Handful of Dust, each of which was accompanied by an exhibition. Awards received by Campany include the ICP Infinity Award and The Kraszna-Kraus Book Award.

A collection of Damien Dufresne’s work capturing the relationship between the art of makeup and the art of photography

When the art of photography and the art of makeup come together, the resulting work is deeply original. World-renowned photographer Damien Dufresne has been living in China for several years. There, he’s developed a passion for Chinese symbolism in colors and makeup. Fusing the thousand-year-old tradition with his own sensitivity and experience has led to photographs of painted faces, staged traditional objects, and silhouettes. In this stunning monograph, Dufresne collects works that range from surprising and moving to troubling and disturbing. This tour de force will leave any viewer with a desire to see more.

About the Author:

After working in the world of luxury, beauty, and haute couture for Dior, YSL, and Chanel, Damien Dufresne decided to become a photographer in 2010. Today, after five personal exhibitions and two books published by Éditions Assouline, his photographs are distributed worldwide. Dufresne has worked in Paris, Milan, Seoul, Tokyo, and New York. He now works and lives in Shanghai.

The most complete monograph realized about the noted Austrian painter, photographer, filmmaker, performer and set designer, born in Vienna in 1948.

The works of Helnwein show the bare truth where society instead hides and removes. What emerges by leafing through the pages of this monograph is the obsession that accompanies the artistic career of this notable Austrian artist, marked by the wish to breakdown the rhetoric of war, the constructions of self-absolution, the mystifications of religious institutions in whose pitfalls men periodically fall as if they had not committed the same mistake over and over again.

Edited by Demetrio Paparoni and divided into sections that make this volume a valid tool for exposing the different aspects of Helnwein’s work, the monograph includes, aside from the editor’s text, a preface by Sean Penn and essays by Klaus Schröder (director of the Albertina in Vienna) and Martin Muller (director of Modernism Gallery in San Francisco) and a conversation between the artist and Jonathon Keats (American conceptual artist and experimental philosopher).

___________

Art critic, curator and essayist, Demetrio Paparoni has written introductions for catalogues on artists including Li Songsong, David Salle, Vik Muniz, Peter Halley,

Sean Scully, Jim Dine, Zhang Huan, Wang Guangyi and Ding Yi. He has written and edited numerous books and monographs, including those on Timothy Greenfield-Sanders (2001), Brian Eno & Mimmo Paladino (2001), Chuck Close (2002), Jonathan Lasker (2002) and Wang Guangyi (2013), Morten Viskum (2016), Natee Utarit (2017), Vibeke Slyngstad (2017), Laurent Reypens (2017), Ronald Ventura (2018), Espen Dietrichson (2018).

A giant of modern fashion photography, Bourdin lent his surrealist eye to the shoes and fashions of Charles Jourdan. Creating compositions full of movement, color, and sensuality, this pioneering collaboration between designer and photographer still exerts a profound influence on modern fashion photography.

The late 1960s saw some of the most dynamic periods in French fashion. And the union between Bourdin and Jourdan captured the spirit of the moment unlike any other creative partnership of the era. Jourdan, a polymath who occupied the office of both couturier and shoe designer, tapped Bourdin, a true surrealist among the fashion photographers of the age, and engaged in a creative dialogue through to Jourdan’s passing in 1976.

Celebrated here are over 150 images, many never before published, full of the modernity and fetishism that made Jourdan’s designs so sought after, and Bourdin’s mise-en-scènes so provocative. To draw attention to the sweep of a woman’s feet and the gentle swell of her calves, the shod feet and lower leg of a mannequin are disembodied and transported to a variety of contexts, the central figures in compositions that are at once erotic, humorous, and often unsettling.

Provocative, fabulist, dramatic, and full of intense color and saturation theirs was as complete a collaboration as has ever been achieved in the history of postwar fashion. This book presents that work in its entirety for the very first time and provides insight into a true meeting of the minds between designer and photographer.

About the Author:

Patrick Remy is based in Paris and is the author and editor of numerous books on fashion and photography.

The definitive biography of the greatest photographer of modern times - a vital addition to the library of everyone with an interest in photography

Henri Cartier-Bresson was the eye of the 20th century. His lens chronicled the decisive moments of his time – from Chinese communist victories to the Spanish Civil War and the Liberation of Paris. A co-founder of Magnum Photos, Cartier-Bresson produced unparalleled portraits of his contemporaries, capturing the spirit of Albert Camus, Jean-Paul Sartre and William Faulkner.

Cartier-Bresson took Pierre Assouline into his confidence over a number of years, detailing his youthful devotion to surrealism, lifelong passion for drawing, and experiences of war and prison camps. This sensitive biography emerges from a meeting of two minds, revealed with the same truth as one of Cartier Bresson’s photographs.

Contents List:

Introduction • 1. Family Threads: 1908–27 • 2. The Decisive Moments 1927–31 • 3. The Artist in Search of His Medium 1932–35 • 4. The End of the Old World 1936–39 • 5. Nationality: Escapee 1939–46 • 6. From New York to New Delhi 1946–50 • 7. The World is His Studio 1950–70 • 8. Towards Another Life 1970–2004

About the Author:

Pierre Assouline has published several biographies of cultural figures, among them books on Georges Simenon and Hergé.

In this moving collection of images, exhibited to great acclaim at the Hayward Gallery in 1998, the celebrated photographer has recorded what it means to be European. Spanning the years from the late 1920s to the early 1990s, his photographs speak of the ongoing business of living for people across Europe, whether Polish priests or Abruzzi peasants.

With his remarkable ability to capture the fragile reality of European life, Henri Cartier-Bresson once again underscores his reputation as one of the 20th century’s most influential and original photographers.

Explores the key role Paris played in Cartier-Bresson's artistic career, and the way he looked at the city he lived in – and loved

An inveterate traveller, Henri Cartier-Bresson (1908–2004) captured the world with his camera, justly earning himself the title of ‘the eye of the century’. Between trips overseas, he regularly photographed Paris, although he rarely spoke about the city that he had made his home, where he had spent his formative years, made friends, and built a hard-won reputation.

Produced in collaboration with the Fondation Henri Cartier-Bresson and designed to accompany a major exhibition at the Musée Carnavalet, this book showcases more than sixty years of images of Paris. It invites you to follow in the footsteps of a master photographer as he wanders the banks of the Seine and explores the more rarely seen edges of a city in a state of perpetual change

Contents List:

1. 1929-1934: The Beginnings • 2. 1935-1939: The Time of Work Engagement • 1944: The Liberation of Paris • 1944-1994: 20th-Century People • 1951-1966: A Surveyor of life • May 1968 • 1968-1985: After Magnum • 1974-1994: A Return to Drawing

About the Authors:

Anne de Mondenard is a photography historian and curator at the Musée Carnavalet. Agnès Sire has been the director of the Fondation Henri Cartier-Bresson in Paris since its creation in 2003. Peter Galassi is a scholar and curator whose principal fields are photography and 19th-century French art. He was Chief Curator of Photography at The Museum of Modern Art from 1991 to 2011.

Magical images that defy time from the grand master of conceptual photography.

Through his expansive exploration of the possibilities of still images, the internationally renowned artist and photographer Hiroshi Sugimoto has created some of the most alluringly enigmatic photographs of our time; pictures that are meticulously crafted and deeply thought-provoking, familiar yet tantalisingly ambiguous.

Hiroshi Sugimoto: Time Machine is a comprehensive survey of work produced over the past five decades, featuring selections from all of Sugimoto's major photographic series, as well as lesser-known works that illuminate his innovative, conceptually-driven approach to making pictures. Texts by a collection of international writers, artists and scholars - including Geoffrey Batchen, Edmund de Waal, Mami Kataoka, Ralph Rugoff, Lara Strongman and Margaret Wertheim - will highlight his work's philosophical yet playful inquiry into the nature of representation and art, our understanding of time and memory, and the paradoxical character of photography as a medium suited to both documenting and invention.

About the Author:

The enigmatic works of Japanese photographer Hiroshi Sugimoto (*1948, Tokyo) fundamentally questioned the understanding of photography. He studied sociology and politics in Tokyo, before moving to Los Angeles to study photography in the early 1970s. In 1974 he settled in New York, where he created his first series Dioramas. His main artistic interests include architecture, abstract forms and intangible phenomena.

I Can Make You Feel Good is a 206-page celebration of photographer and filmmaker Tyler Mitchell's distinctive vision of a Black utopia

In his debut monograph Mitchell unifies his body of photography and film from his first US solo exhibition at the International Center of Photography (ICP) in New York. Each page of I Can Make You Feel Good is full bleed and bathed in Mitchell's signature candy-colored palette. With no white space visible, the book's design mirrors the photographer's all-encompassing vision, which is characterized by a use of glowing natural light and rich color to portray the young Black men and women he photographs with intimacy and optimism. The monograph features written contributions from Hans Ulrich Obrist (Artistic Director, Serpentine Galleries), Deborah Willis (Chair of the Department of Photography & Imaging at the Tisch School of the Arts at New York University), Mirjam Kooiman (Curator, Foam), and Isolde Brielmaier (Curator-at-Large, ICP), whose critical voices examine the cultural prevalence of Mitchell's reimagining of the Black experience.

About the Author:

Based in Brooklyn, Tyler Mitchell works across many genres to explore and document a new aesthetic of Blackness. Regularly published in avant-garde magazines, commissioned by prominent fashion houses, and exhibited in renowned art institutions, Mitchell has lectured at Harvard University, Paris Photo and The International Center of Photography New York, on the politics of image making. Deborah Willis is a contemporary African-American artist, photographer, curator of photography, photographic historian, and author. Among her awards and honors, she was a MacArthur Fellow in 2000. She is currently Professor and Chair of the Department of Photography and Imaging at Tisch School of the Arts of New York University.Hans Ulrich Obrist is Co-director of Exhibitions and Programmes and Director of International Projects at the Serpentine Gallery, London.

This ‘Masters of Photography’ series is a new approach to photography how-to. Each volume is dedicated to the work of one key photographer who, through a series of bite-sized lessons and ideas, tells you everything you always wanted to know about their approach to taking photographs. From their influences, ideas, and experiences, to tech tips, and best shots. Joel Meyerowitz: How I Make Photographs is the first in a landmark new series of photography books where key photographers lead you through all you need to know to understand how they take their amazing shots. 

The series begins with Joel Meyerowitz, who will teach you, among other essentials: how to use a camera to reclaim the streets as your own, why you need to watch the world always with a sense of possibility, how to set your subjects at ease, and the importance of being playful and of finding a lens that suits your personality. Illustrations of Meyerowitz’s seminal work are included throughout the book.

The next volume in the series will be written by Albert Watson (April 2021).

Follow Joel on Instagram @joel_meyerowitz

About the Author:

Joel Meyerowitz started making spontaneous colour photographs on the streets of New York in 1962 with friends such as Tony Ray-Jones and Garry Winogrand. He has since become known as one of the most important street photographers of his generation. Instrumental in changing attitudes towards colour photography in the 1970s, he is known as a pioneer, an important innovator and a highly influential teacher.

Where I Find Myself is the first major single book retrospective of one of America’s leading photographers. As the title indicates, it is organized in inverse chronological order and spans the photographer’s whole career to date.

It covers all of Meyerowitz’s great projects: his work inspired by the artist Morandi, his work on trees, his exclusive coverage of Ground Zero, his trips in the footsteps of Robert Frank across the US, his experiments comparing colour and black and white pictures, and of course his iconic street photography work.

The text is all by Joel Meyerovitz himself and the book coincides with a major retrospective show in Berlin.

About the Author:

Joel Meyerowitz started making spontaneous colour photographs on the streets of New York in 1962 with friends such as Tony Ray-Jones and Garry Winogrand. He has since become known as one of the most important street photographers of his generation. Instrumental in changing attitudes towards color photography in the 1970s, he is known as a pioneer, an important innovator, and a highly influential teacher.

The cosmos of John Heartfield – lavishly illustrated and highly explosive

The political collages of John Heartfield (1891–1968) have earned him a reputation as one of the most innovative graphic artists of the Weimar Republic. His photomontages and book covers based on collages which had their origins in Berlin’s Dada scene were directed against Fascism and made him internationally famous. Their explosive power has lost none of its impact.

Heartfield was a sharp and uncompromising observer who subverted the documentary character of the press photograph. He employed his art as political propaganda, and fought against war and Fascism with gripping pictures and trenchant humour. This catalogue will include not only the working materials which reveal Heartfield’s method but also his trick films, work for the theatre and book design. The original art-works and documents all derive from his personal estate in Berlin. Statements by contemporary artists formulate positions and pose questions, which Heartfield’s work raises in the age of fake news.