Сборники работ

Taboo meets aesthetics

Over the past two decades Frieke Janssens has built a solid reputation in staged photography. Her visual language is both surprising and playful and reveals a great sense of humor. It is often redolent with tension and her works exude an unspoken, tragic undercurrent. Janssens' images are sumptuously beautiful, but touch upon subjects that aren't: death, smoking, drinking, and the battle between the sexes. This combination of taboo and pure aestheticism marks her style, hence: The Sweetest Taboo.

About the Author:

When a Frieke Janssens photograph appears in a major Belgian magazine it does not go unnoticed, but it is her own publications that have garnered worldwide acclaim as meticulous series of photographs, impressively framed with a strong aesthetic attraction. Janssens has opened exhibitions everywhere, from Vladivostok to New York. In 2016, she held an overview exhibit called 20 Years of Photography in Antwerp.

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Пролистать книгу The Sweetest Taboo

An immersive, groundbreaking new monograph from Roger Ballen, one of the world’s most original and critically acclaimed art photographers

With a career spanning over four decades, Roger Ballen is best known for his psychologically powerful and masterfully composed images that exist in a space between painting, drawing, installation and photography. This book is both a departure from his existing oeuvre and the culmination of his unique aesthetic linking image-making and theatrical performance. Separated into seven chapters or 'acts', these Ballenesque images take readers on a journey deep into their subconscious.

Inspired by the sight of hand-drawn carvings on blacked-out windows in an abandoned women's prison, Ballen started to experiment using different spray paints on glass and then 'drawing on' or removing the paint with a sharp object to let natural light through. The results are like prehistoric cave-paintings: the black, dimensionless spaces on the glass are canvases onto which Ballen carves his thoughts and emotions. Fossil-like facial forms and dismembered body parts co-exist uncomfortably with vaporous, ghost-like shadows - these images have the capacity to shock, inspire, amuse and even elate viewers.

Timeless and innovative, earthly and otherwordly, physical and spiritual, his work transcends all traditional concepts of photography.

Contents List:

Introduction • Plates split into seven chapters or ‘Acts’ (each with an introduction by Roger Ballen) • Afterword by Roger Ballen (on how the photographs were created) • List of Works • Biography

About the Author:

Roger Ballen is the recipient of numerous awards, including ‘Photographer of the Year’ at Rencontres d’Arles in 2002 and ‘Photography Book of the Year’ for Outland at Photo España in 2001.

The first sightings of newly discovered work from Saul Leiter’s abundant archive of colour slides

Now widely acclaimed as one of the world’s greatest photographers, Saul Leiter (1923–2013) remained relatively unsung until he was rediscovered by curators and critics in his early 80s, and his work has been drastically re-evaluated over the last two decades. Leiter’s images evoked the flow and rhythm of life on the mid-century streets of New York in luminous colour at a time when his contemporaries were shooting in black and white. His complex and impressionistic photographs are as much about evoking an atmosphere as nailing the decisive moment.

On his death in 2013, he left behind a collection of more than 40,000 colour slides, only a fraction of which had seen the light of day. This book showcases seventy-six newly unearthed images from that extraordinary photographic treasure trove, published here for the first time. Meticulously curated by Margit Erb and Michael Parillo of the Saul Leiter Foundation and supported by texts that explain how Leiter built the slide archive and how it is now being explored, catalogued and restored, this monograph will be a must-have for photography fans worldwide.

About the Authors:

Margit Erb is the founder and director of the Saul Leiter Foundation, which is dedicated to preserving Leiter’s art and legacy.

Michael Parillo is the associate director of the Saul Leiter Foundation.

Delve into the mind of one of the most original contemporary fashion photographers and explore his fantastical and magical worlds. 

Tim Walker’s monograph Story Teller, published by Thames & Hudson, introduced audiences to this unique photographer’s fantastical, magical worlds, conjured anew with each shoot. But every point must have its counterpoint, day its night, light its dark; creativity is no different. Shoot for the Moon, Walker’s much-anticipated follow-up draws audiences close to reveal fantasy’s other, darker side.

Delving deep into the art and mind of one of the most exciting and original fashion photographers working today, Shoot for the Moon showcases the gamut of Walker’s weird, wild Wonderlands. In images that demand to be read as art as much as fashion, his signature opulence and decadent eccentricity encroach ever further beyond the ‘real’, exploring the mysteries of imagination and inspiration, and where it is they come from.

Dazzlingly designed to a lavish spec, with images featuring some of the biggest names in fashion and contemporary culture, and texts and commentary by a collection of noteworthy contributors as well as Walker himself, Shoot for the Moon is set to be an unmissable addition to the lexicon of fashion photography.

‘Shoot for the moon. Even if you miss, you will land among the stars’ Norman Vincent Peale

About the Author

Established photographer Tim Walker’s work appears regularly in the world’s best fashion magazines, including Vanity Fair, Love magazine, Harper’s Bazaar and British Vogue.

Tim Walker is one of fashion photography’s most original eyes

This exceptional and beautifully designed overview of a career caught in mid-flow reveals just how much one man’s singular vision has influenced contemporary tastes in fashion, beauty, glamour and portraiture.

When Walker turns fashion stories into fairy tales, the results are unmistakable and inimitable. Though they may soar in scale and ambition, they are painstakingly realized – and with no concession to artificial enhancement. In this new collection, everything you see was specially constructed; the make-believe really happened.

In Walker’s pursuit of the perfect picture no demand appears too unreasonable, no scenario too outlandish, no objective unattainable. So, if ever you have yearned to crashland a Spitfire in your drawing room, to paint a village yellow, to cut a car in two, to meet a real witch, to swing from several chandeliers, to ride with a pack of foxhounds led by a flying saucer, to pilot a biplane made of French loaves, Tim Walker shows you it is entirely possible. You just have to believe.

Some of the biggest names in fashion and contemporary culture are here: Alber Elbaz sporting a pair of rabbit ears; Agyness Deyn in the sand dunes of Namibia; Alexander McQueen and a memento mori of skull and cigarettes; Helena Bonham Carter poised with Ray-Bans and a Diet Coke; Stella Tennant in a pink cloud among the rhododendrons of an English country garden…

Singer and musician Kate Bush contributes a foreword and Walker himself an afterword, as well as illuminating his pictures throughout with personal observations.

About the Author:

Established photographer Tim Walker’s work appears regularly in the world’s best fashion magazines, including Vanity Fair, Love magazine, Harper’s Bazaar and British Vogue.

Новый альбом всемирно известного фешн-фотографа, Тима Уокера, представляет великолепную коллекцию фотографий, сделанных в присущем ему фантастическом стиле. Уокер – один из самых неординарных фотографов нашего времени, его яркий, завораживающий, зачастую иронический, но всегда безукоризненный стиль, ставит его в один ряд с блестящими эксцентриками, от Сесиля Битона до Дэвида Лашапель.

Когда Уокер превращает фешн-фотографию в настоящую сказку, результат всегда безошибочен и неподражаем. Хотя и предметы, и амбиции на этих снимках велики, все они тщательно выполнены, причем без каких-либо спецэффектов. Если фотографу нужна огромная голова Шалтая-Болтая, она будет специально изготовлена по его замыслу, а не воссоздана на компьютере. Какие невероятные конструкции Вы бы ни увидели на этих фотографиях, все они были сделаны специально, все эти волшебные вещи существуют на самом деле. В погоне фотографа за совершенной картинкой ни одно его требование не кажется слишком неразумным, ни один сценарий – слишком диковинным, ни одна цель – недосягаемой. Так что, если Вы когда-либо страстно желали разбить истребитель «Спитфайр» в своей гостиной, выкрасить целую деревню в желтый цвет, разрубить автомобиль напополам, встретить настоящую ведьму, прогуляться со сворой гончих по летающей тарелке, поуправлять бипланом, сделанном из французских батонов, Тим Уокер покажет Вам, что все это вполне возможно. Вам всего лишь нужно поверить в это.

Помимо оживших сказок Вы найдете здесь самых значимых представителей моды и современной культуры: Альбер Эльбаз, рискнувший надеть кроличьи уши, Агнесс Дейн в песчаных дюнах Намибии, Александр Маккуин и memento mori среди черепов и сигарет, Хелена Бонэм Картер, балансирующая с очками Ray-Ban и бутылочкой диетической колы, Стелла Теннант в розовом облаке среди рододендронов в загородном английском садике

Предисловие к книге написано певицей и музыкантом Кейт Буш, вступление – писателем Робином Мьюиром, а послесловие самим Тимом Уокером.

A behind-the-scenes look at the creative process of Tim Walker, one of the world’s most innovative and sought-after photographers

"Each shoot is a total love letter to an object from the V&A, sometimes several objects. My relationship to objects is like falling in love with someone. It relates to how we interact as people, how you become best friends with someone. It’s a search for a new friend." — Tim Walker

Published to accompany the V&A’s mesmerizing exhibition Tim Walker: Wonderful Things, this book is a journey through the creative mind of one of the world’s most inventive photographers. It presents more than 100 compelling photographs, from ten magical photoshoots inspired by objects from the V&A’s enormous and eclectic collection. Featuring conversations between the set designers, stylists, hair and make-up artists, models, and muses who bring Walker’s imagination to life, it includes contributions by Jack Appleyard, Zoe Bedeaux, Terry Bloxham, Edie Campbell, Gwendoline Christie, Josephine Cowell, James Crewe, Malcolm Edwards, Karen Elson, Katy England, Edward Enninful, Amanda Harlech, Shona Heath, Hungry/Johannes Jaruraak, Ibrahim Kamara, Kate Phelan, James Spencer, Jerry Stafford, Tilda Swinton and Gareth Wrighton. Previously unpublished behind-the-scenes imagery and preliminary sketches combine to reveal Walker’s extraordinary creative process, from his detailed research in the labyrinth of storerooms and galleries at the V&A to his spectacular final pictures.

About the Authors:

Tim Walker is one of the world’s leading photographers. He shot his first fashion story for Vogue in 1995 and he has photographed for British, Italian and American editions, as well as W Magazine and LOVE magazine, ever since.
 Susanna Brown is a photography curator and writer. Her recent V&A projects include Selling Dreams: One Hundred Years of Fashion Photography, Horst: Photographer of Style, and Queen Elizabeth II: Portraits by Cecil Beaton.

Liam Wong’s bestselling debut monograph, a cyberpunk-inspired exploration of nocturnal Tokyo

'I want to take real moments and transform them into something surreal, to make the viewer question the reality depicted in each photograph. This body of work encompasses my three years as a photographer and ultimately the completion of my debut photo series’ Liam Wong

A testament to the deep art of colour composition, this publication – art directed by Wong himself and produced to the highest printing standards – brings together a complete and refined body of images that are evocative, timeless and completely transporting. Rounding out the book’s special treatment is the first publication use of the 45/90 font, designed by Henrik Kubel, of London-based A2-TYPE. The book also features a section that reveals the creative and technical process of Wong’s method, from identifying the right scene to composition, from capturing the essence of a moment to enhancing colour values and deepening an image’s impact – insights are invaluable to admirers and photography enthusiasts alike.

About the Author:

Liam Wong is an award-winning art director, currently based in Japan. Graphic designer, game developer and photographer, he is best known for defining, designing and directing visual identities and was listed as one of Forbes magazine’s influential 30 under 30.

Twilight chronicles the art of photographer Gregory Crewdson’s gallery exhibitions of his fantastic, creative images.

“Crewdson is at the forefront of a movement in contemporary photography that has abandoned realism in pursuit of pure cinematic fantasy.”—New York Times Magazine

Twilight: in that zone between the certainty of day and fear of the dark, Gregory Crewdson sets his eerie, enigmatic photographs. A woman floats in her flooded living room; a cow appears to have fallen from the sky onto a front lawn; a gang of teenagers, seemingly hypnotized, pile up household objects for a bonfire. Created as elaborately staged tableaux, this series of images suggests the bizarre yet beautiful surrealities behind deceptively familiar suburban facades.

Including both production stills and the 40 finished images, all in full color, this volume features an essay by Pushcart Prize–winning author Rick Moody, a novelist equally renowned for exposing the underbelly of small-town, middle-class America.

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Crewdson's most recent series of photographs, Twilight, are created as elaborately constructed film stills, catching the mysterious moment of time between before and after, revealing unknowable or unimaginable aspects of domestic reality.

A cow lies on its back on the lawn between two houses while firemen secure the area and a man searches the sky. Could the cow have rained down from above? In another image stacks and stacks of inedible slices of bread - bearing an odd resemblance to the mysterious monoliths at Stonehenge - are watched over by a gathering of birds. Both entirely foreign and oddly familiar, these images are carefully orchestrated events that challenge our very notions of familiarity, undermining our sense of certainty. These eerie and evocative photographs pair beauty with horror, obsession with disgust, and the real with the surreal, suggesting narratives open to endless interpretations. The book includes an essay written by fiction writer Rick Moody.

The book and exhibitions are comprised of the forty images from his Twilight series which was begun in 1998 - these exhibitions and this book chronicle the completion of the series and mark the first time it will be seen in its entirety.

An ode to beauty — Vincent Peters’s best black-and-white photographs presented for the first time in a Collector’s Edition with an elegant linen finish.

Vincent Peters, born in Bremen, Germany, in 1969, is one of today’s most active fashion photographers. At age of 20, he moved to New York, where he worked as a photo assistant. Upon his return to Europe, he worked for a number of art galleries before launching his own fashion photography career at Giovanni Testino. Peters’s clients include Wolfgang Joop, Bottega Veneta, Louis Vuitton, Hugo Boss, Emporio Armani, and Lancôme.

Over the last quarter-century, Vincent Peters’s photographs have graced the pages of Vogue, Glamour, and GQ and defined fashion campaigns from Dior to Hugo Boss to Yves Saint Laurent. One of the most sought-after portrait and fashion photographers, Vincent Peters prints also have a significant following in the fine art market. 

Vincent Peters’s photographs are defined by their precision, love of detail, and an exquisite lighting that lifts his images beyond fast-moving trends into something timeless and iconic. With an aesthetic reminiscent of Jeanloup Sieff or Herb Ritts, Peters manages to capture even the most photographed of faces — whether Scarlett Johansson, Monica Bellucci, or Penélope Cruz — with previously unseen nuance, creating a new sense of intimacy with each subject. 

Featuring Charlize Theron, Laetitia Casta, John Malkovich, and Emma Watson

About the Author:

Vincent Peters’s work has already appeared in The Light Between Us and Personal. Now, in parallel with the major Vincent Peters solo show at Fotografiska in Stockholm, this compact and affordable Vincent Peters photo book presents a selection of his best black-and-white images, including portraits of Charlize Theron, John Malkovich, Laetitia Casta, and Emma Watson. It’s a vivid overview of a photographic artist who is always evolving while remaining true to his principles. 

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Посмотреть компактное издение Vincent Peters: Selected Works

A concise compendium of Vivian Maier's enduring images

With the discovery of her archive in a thrift auction house in 2007, Vivian Maier’s posthumous trajectory from relative obscurity to one of the great American photographers of the 20th century is a story of a singular consistent talent. From the mid 1950s throughout her adult life she worked as a nanny between New York and Chicago, and it was during this time that she created a huge body of photographs and films recording every day street life, often including her own self portrait and moments of fleeting reflection within the cityscape. With her work compared to Helen Levitt, Robert Frank and Diane Arbus, her photographs are a fascinating window into American life.

About the Author:

Anne Morin is the director of diChroma Photography in Madrid.

Compelling portraits of celebrities and politicians from four of history’s most eventful decades. An overdue and in-depth retrospective of one of the most important German photojournalists

For almost four decades Volker Hinzʼs photographs defined the look of Stern magazine. His subtle yet revealing portraits of German politicians from Willy Brandt onwards are a vivid historical and artistic record of the Federal Republic.

As masterful as any of the major figures he profiled, Hinz excelled at capturing exactly the right moment. His reportage from the U.S. and across the globe gave us memorable images of greats such as Muhammad Ali, Woody Allen, Pelé and Franz Beckenbauer. Hinz’s works are classics that linger indelibly in our collective consciousness. Unlike most celebrity photography, his images have both the crisp candor of a snapshot and the reflective depth of fine art.

The last book completed by William Klein within his lifetime: A landmark retrospective encompassing Klein's legacy of creativity across photography, filmmaking, painting, book design, graphic design and beyond.

Photographer. Filmmaker. Artist. Designer. To master one of those disciplines would be a lifetime achievement for any creative individual, yet William Klein's career was celebrated in each of them over the last eight decades. Klein was one of the great image makers of the 20th century and one whose work remains an enduring creative influence on the work of contemporary artists, photographers and filmmakers.

With over 250 images, this career retrospective explores the late William Klein's entire creative and artistic arc. Directed by Klein himself, from the selection of content to book design, this large-format publication looks back at his uncompromisingly creative lifetime, showcasing Klein's prolific and relentlessly innovative contribution to the world of photography, art, design and filmmaking.

Published in association with a major retrospective at the International Center of Photography, this book is a comprehensive take on his career. While best known as a photographer who broke all the rules and conventions, William Klein: Yes focuses on the full range of Klein’s work, from his abstract paintings through to his startling, authentic street photography and photobooks and his dynamic, satirical take on filmmaking. With a flowing, chronological text by David Campany, this book will be both an introduction to William Klein for a new generation and a source of fresh insights for those who already know who William Klein was: a true original.

About the Author:

William Klein (1926-2022) was an American photographer, painter, designer and filmmaker. New York-born, Klein settled in Paris in 1948, where he studied at the Sorbonne and pursued his artistic career working briefly under Fernand Léger. Best known as a photographer, achieving fame with a series of acclaimed photobooks, including Life is Good and Good for You In New York (1956) and through his fashion photography in Vogue magazine. Klein was also a filmmaker, directing both feature films and documentaries, a graphic designer and art director.

Rising star Charles Fréger brings his inimitable eye to unfamiliar Japanese folk rituals

In rural Japan the passage of the year is marked by festivals and rituals that have changed little for centuries. Elaborate outfits, crafted from textiles as well as branches, straw and elements sourced from the natural environment, are donned in agricultural and fishing communities throughout Japan to celebrate seasonal rites of fertility and abundance.

Yokainoshima (literally ‘island of monsters’) explores the extraordinary range of masks, costumes and characters that reappear with each returning season. Charles Fréger’s photographs combine acute documentary attentiveness with individual portraiture in an entirely fresh and distinctive style.

Toshiharu Ito and Akihiro Hatanaka, both specialists in Japanese folk culture and anthropology, analyse Fréger’s photographs, setting the huge variety of eclectic clothing in ethnographic context and describing the local festivals, dances and rituals. A final illustrated reference section describes individual costumes and masks.

About the Author:

Charles Fréger is a photographer based in Rouen, France. Internationally acclaimed for his subtle and poetic portraiture, he has devoted himself to the representation of social groups. Previous books include Wilder Mann and Portraits in Lace.

#shotbyadams is Bryan Adams’ new volume of portraiture of his work from the past ten years, following the release of Exposed in 2012. The book features nearly 200 photographs of leading figures from the worlds of film, theatre, music, fashion, politics and beyond. From Queen Elizabeth II and the Dalai Lama to Joni Mitchell and Rod Stewart, from Amy Winehouse and Cher to Saoirse Ronan and Tobey Maguire, from Naomi Campbell and Pamela Anderson to Christoph Waltz and Charlotte Rampling—Adams has captured a who’s who in their respective fields.

Whether his subjects play to the camera or reveal a sense of their selves beyond their personas, whether they form part of an elaborate photo-story or stand alone before a plain background, Adams’ portraits are decisive, direct and vital. Forewords by Giorgio Armani and Boy George offer us insight into Adams’ photographic approach and of the experience it is to be “shot by Adams.”

About the Author:

Bryan Adams, born in 1959 in Ontario, divides his time between music and photography. Adams has photographed for magazines including Interview, i-D, Harper’s Bazaar, and British and German Vogue. In 2003 he founded Zoo Magazine for which he has received a Goldene Feder Award. In 2006 Adams was honored with a German Lead Award for his series of photographs of Mickey Rourke. Adams’ exhibitions include those held at the Saatchi Gallery and National Portrait Gallery in London, and Haus der Kunst in Munich. Steidl has published Adams’ Exposed (2012), Wounded: The Legacy of War (2013), Untitled (2016) and Homeless (2019).

Experimenting with all forms of artistic creation, from painting to photography, from drawing to sound creation, David Lynch’s work appears to be the most protean of our time. In 2007, the Fondation Cartier pour l’art contemporain presented the exhibition-event The Air Is on Fire, which unveiled Lynch’s photographic and pictorial work. Nearly fifteen years later, the Fondation Cartier will publish Digital Nudes, an exceptional collection of the artist’s photographs dedicated to female nudes, as a follow-up to Nudes, published in 2017.

Second installment of the Lynchian saga devoted to the photographic exploration of the female body, Digital Nudes brings together a corpus of previously unpublished digital images in line with the aesthetics of Nudes’ analog photographs, while experimenting with the possibilities offered by digital technology.

Kaleidoscopic visions of legs, arms, or undefined curves, chiaroscuro portraits, photographs of varnished nails and lacquered mouths... So many examples of David Lynch’s treatment of one of the greatest artistic subjects, the female nude, which here becomes an ode to femininity, an invitation to contemplation and creative freedom.