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The perfect primer on Sarah Moon's bewitching photography

Since the beginning of her photography career, Sarah Moon has always sought to evoke the transience of beauty and the fragility of dreams. In her delicate, ethereal style, she has shot some of the most creative advertising campaigns of recent years and her work has been featured in many major magazines. Winner of an ICP Infinity Award among other honours, she continues to produce a diverse body of work that also includes film.

The Photofile series brings together the best work of the world’s greatest photographers, in an affordable pocket format. Handsome and collectable, the books are produced to the highest standards. Each volume contains some sixty full-page reproductions printed in superb duotone, together with a critical introduction and a full bibliography. The series has been awarded the first annual prize for distinguished photographic books by the International Center of Photography, New York.

Contents List:

Introduction by Robert Delpire • c.60 photographs • Concise biography

About the Author:

Robert Delpire was an art publisher, editor, curator, film producer and graphic designer who lived and worked in Paris. 

A revised edition of this collection of Saul Leiter’s distinctive work, featuring twelve new photographs.

A new edition of this collection of Saul Leiter's distinctive work, featuring twelve new photographs.

Saul Leiter was one of those photographers who sought neither fame nor commercial success, despite his talent for imagemaking.

Born in Pittsburgh, he spent his entire adult life in New York City's East Village, in an intensely creative environment where ideas from Europe and America came together and intermingled. There he encountered Rothko and the Abstract Expressionists, and discovered street photography and the work of Henri Cartier-Bresson. His mastery of colour is displayed in unconventional cityscapes in which reflections, transparency, complex framing and mirroring effects are married to a very personal printing style, creating a unique kind of urban view.

About the Author:

Max Kozloff is an American art historian, art critic of modern art and photographer. He has been art editor at The Nation and Executive Editor of Artforum.

An in-depth look at the entire body of work of one of the outstanding figures in postwar photography

Saul Leiter (1923–2013) pioneered a painterly approach to colour photography in the 1940s and produced covers for fashion magazines such as Esquire and Harper’s Bazaar before largely withdrawing from public attention in the 1980s. The publication in 2006 of his first collection, Early Color, inspired an avid ‘rediscovery’ that has since led to worldwide exhibitions and the release of a documentary, In No Great Hurry: 13 Lessons in Life with Saul Leiter (2013). This collection reveals the secrets of his appeal, from his masterful colours and compositions to his lyricism and life philosophy.

Over 200 works – including early street photographs, images for advertising, nudes and paintings – cover Leiter’s career from the 1940s onwards, accompanied by quotations from the artist that express his singular world view.

Contents List:

Gallery • The Painter in Saul Leiter, Margit Erb • The New York Nabi, Pauline Vermare Photographs that creep up behind you and tickle your left ear, Motoyuki Shibata • Sources of Saul Leiter quotations • Saul Leiter chronology

About the Authors:

Saul Leiter was born in 1923 in Pittsburgh. He pioneered a painterly approach to colour photography in the 1940s and produced covers for fashion magazines such as Esquire and Harper’s Bazaar before largely withdrawing from public attention in the 1980s. The publication in 2006 of his first collection, Early Color, inspired an avid ‘rediscovery’ that has since led to worldwide exhibitions and the release of a documentary, In No Great Hurry: 13 Lessons in Life with Saul Leiter (2013). He died in New York in 2013.
Margit Erb is the founder and director of the Saul Leiter Foundation, which is dedicated to preserving Leiter’s art and legacy.
Pauline Vermare is Cultural Director at Magnum Photos.
Motoyuki Shibata is a scholar and translator of American literature.

Celebrating the centennial of Saul Leiter’s birth, the official retrospective of a revolutionary figure in twentieth-century photography.

Saul Leiter photographed and painted nearly every day for over sixty years, amassing an enormous archive, most of which remained unseen during his lifetime. Finding inspiration within a few blocks of his apartment in lower Manhattan, he was a master at discovering beauty in the most ordinary places. Celebrated today for his evocative colour photographs of New York in the 1950s and 1960s, which were unknown in their day, Leiter also found success as a fashion photographer for Harper’s Bazaar. All the while he was shooting black-and-white street scenes on his daily walks, and nudes and intimate portraits back home, while continuing his painting explorations with abstract watercolours, whimsical sketchbooks and painted photographs.

Created in collaboration with the Saul Leiter Foundation, this definitive monograph brings together these diverse yet interconnected bodies of work – including much that was previously unpublished – to reveal the complete artist for the first time.

About the Authors:

Saul Leiter was born in 1923 in Pittsburgh. He pioneered a painterly approach to colour photography in the 1940s and produced covers for fashion magazines such as Esquire and Harper’s Bazaar before largely withdrawing from public attention in the 1980s. The publication in 2006 of his first collection, Early Color, inspired an avid ‘rediscovery’ that has since led to worldwide exhibitions and the release of a documentary, In No Great Hurry: 13 Lessons in Life with Saul Leiter (2013). He died in New York in 2013.
Margit Erb is the founder and director of the Saul Leiter Foundation, which is dedicated to preserving Leiter’s art and legacy.
Michael Parillo is the Associate Director of the Saul Leiter Foundation.

Looking Africa in the face. An homage to the continent of contrasts

"In the footsteps of courage and catastrophe [...] – a 30-year journey across the dark continent by the world's greatest photojournalist." - The Sunday Times Magazines, London

Sebastião Salgado is one the most respected photojournalists working today, his reputation forged by decades of dedication and powerful black-and-white images of distressed people taken in places where most wouldn’t dare to go. Although he has photographed around the globe, his work most heavily concentrates on Africa, where he has shot more than 40 reportage works over a period of 30 years. From the Dinka tribes in Sudan and the Himba in Namibia to gorillas and volcanoes in the lakes region to displaced peoples throughout the continent, Salgado shows us all facets of African life today. He knows exactly how to grab the essence of a moment and his images artfully teach us the disastrous effects of war, poverty, disease, and hostile climatic conditions. This stunning book brings together Salgado's photos in three parts: the first concentrates on the southern part of the continent (Mozambique, Malawi, Angola, Zimbabwe, South Africa, Namibia), the second on the Great Lakes region (Congo, Rwanda, Burundi, Uganda, Tanzania, Kenya), and the third on the Sub-Saharan region (Burkina Faso, Mali, Sudan, Somalia, Chad, Mauritania, Senegal, Ethiopia). Texts are provided by renowned Mozambique novelist Mia Couto, who describes how today's Africa reflects the effects of colonization as well as the consequences of economic, social, and environmental crises.

The photographer:

Sebastião Salgado began his career as a professional photographer in Paris in 1973 and subsequently worked with the photo agencies Sygma, Gamma, and Magnum Photos. In 1994 he and his wife Lélia created Amazonas Images, an agency that handles exclusively his work. Salgado's photographic projects have been featured in many exhibitions as well as books, including Other Americas (1986), Sahel: l’homme en détresse (1986), Workers (1993), Terra (1997), Migrations (2000), and The Children (2000).

The editor:

Lélia Salgado studied Architecture and Urban Planning in Paris. Her interest in photography started in the early 1970s and she moved on to conceiving and designing photography books and organizing exhibitions, numerous of them on Sebastião Salgado. Since 1994 Lélia is director of the press agency Amazonas Images.

The contributing author:

Translated in more than 20 languages, Mia Couto is Mozambique’s most celebrated author. His first novel, Sleepwalking Land, was chosen by an international jury as one of twelve best African books published in the 20th century. He lives in Maputo, Mozambique and works as an ecologist. 

In Serra Pelada with Sebastião Salgado. Haunting black-and-white images of the Brazilian gold rush

For a decade, Serra Pelada evoked the long-promised El Dorado as the world’s largest open-air gold mine, employing some 50,000 diggers in appalling conditions. Today, Brazil’s gold rush is merely the stuff of legend, kept alive by a few happy memories, many pained regrets — and Sebastião Salgado’s photographs. This collection is a major document of modern history and an extraordinary photographic portfolio.

"What is it about a dull yellow metal that drives men to abandon their homes, sell their belongings and cross a continent in order to risk life, limbs and sanity for a dream?" - Sebastiao Salgado When Sebastiao Salgado was finally authorized to visit Serra Pelada in September 1986, having been blocked for six years by Brazil's military authorities, he was ill-prepared to take in the extraordinary spectacle that awaited him on this remote hilltop on the edge of the Amazon rainforest. 

Before him opened a vast hole, some 200 meters wide and deep, teeming with tens of thousands of barely-clothed men. Half of them carried sacks weighing up to 40 kilograms up wooden ladders, the others leaping down muddy slopes back into the cavernous maw. Their bodies and faces were the colour of ochre, stained by the iron ore in the earth they had excavated. After gold was discovered in one of its streams in 1979, Serra Pelada evoked the long-promised El Dorado as the world's largest open-air gold mine, employing some 50,000 diggers in appalling conditions. 

Today, Brazil's wildest gold rush is merely the stuff of legend, kept alive by a few happy memories, many pained regrets-and Sebastiao Salgado's photographs. Colour dominated the glossy pages of magazines when Salgado shot these images. Black and white was a risky path, but the Serra Pelada portfolio would mark a return to the grace of monochrome photography, following a tradition whose masters, from Edward Weston and Brassai to Robert Capa and Henri Cartier-Bresson, had defined the early and mid-20th century. 

When Salgado's images reached The New York Times Magazine, something extraordinary happened: there was complete silence. "In my entire career at The New York Times," recalled photo editor Peter Howe, "I never saw editors react to any set of pictures as they did to Serra Pelada." 

Today, with photography absorbed by the art world and digital manipulation, Salgado's portfolio holds a biblical quality and projects an immediacy that makes them vividly contemporary. 

The mine at Serra Pelada has been long closed, yet the intense drama of the gold rush leaps out of these images. 

This book gathers Salgado's complete Serra Pelada portfolio in museum-quality reproductions, accompanied by a foreword by the photographer and an essay by Alan Riding
About the Author:

MEGAMUNDEN is a UK-based illustrator who has created illustrations for advertising, fashion, product design and publishing. He is a Senior Designer at design agency ILoveDust.

Diana McMahon-Collis is a tarot consultant and co-founder of the Tarot Association of the British Isles. She has written for numerous magazines and websites.

The photographer:

Sebastião Salgado began his career as a professional photographer in Paris in 1973 and subsequently worked with the photo agencies Sygma, Gamma and Magnum Photos. In 1994 he and his wife Lélia created Amazonas images, which exclusively handles his work. Salgado’s photographic projects have been featured in many exhibitions as well as books, including Other Americas (1986), Sahel, L'Homme en détresse (1986), Workers (1993), Terra (1997), Migrations (2000), The Children (2000) and Africa (2007).

The editor and author:

Lélia Wanick Salgado studied architecture and urban planning in Paris. Her interest in photography started in 1970. In the 1980s she moved on to conceiving and designing photography books and organizing exhibitions, numerous of them on Sebastião Salgado. Since 1994 Lélia Wanick Salgado has been the director of Amazonas images.

After the globally sold-out success of their first book Weird and Wonderful Post-Mortem Fairy Tales and the even more successful follow-up Dark and Dystopian Post-Mortem Fairy Tales, the artistic and eccentric duo Mothmeister once again ignites the imagination with their third book: Sinister and Spiritual Post-Mortem Fairy Tales. This grim and spiritual dream world is inspired by bog bodies, druids, voodoo cults, the mummified Sokushinbutsu monks, the cannibalistic Asmat tribe, Victorian freak shows, and much more.

As always, Mothmeister pays homage to the animal kingdom, which, through their passion for taxidermy, comes to life in an enchanting biotope where everything coexists intuitively and effortlessly. Partly familiar, but mostly surreal. And because of that, extraordinarily intriguing.

- Third volume of the Post-Mortem Fairy Tales trilogy by the mysterious duo Mothmeister
- An intriguing mix of taxidermy, mask art, and photography
- ‘Taxidermy terrors: furry tales of the undead – in pictures.’ — The Guardian

About the Author

The dystopian dream world of the Belgian duo Mothmeister intrigues a large and loyal fan base worldwide. Their dark, constantly mutating fairy tale figures pay homage to taxidermy. Mothmeister's muses? Their impressive private collection of stuffed animals, masks, costumes, numerous international artists they collaborate with, and their unbridled wanderlust.

The perfect primer on acclaimed French artist Sophie Calle.

Sophie Calle is a French writer, photographer, installation artist and conceptual artist. Her work is distinguished by its use of arbitrary sets of constraints, and frequently depicts human vulnerability, and examines identity and intimacy. She is renowned for her detective-like ability to follow strangers and investigate their private lives, which she has deployed in her acclaimed works Suite Venitienne, The Hotel and Address Book. She has had major exhibitions all over the world, including at the 2007 Venice Biennale, the Whitechapel Gallery in London, and the Louisiana Museum of Modern Art in Denmark, and has worked closely with the writer Paul Auster. The Guardian called her ‘the Marcel Duchamp of dirty laundry’, and she was among the names in Blake Gopnik's list 'The 10 Most Important Artists of Today', with Gopnik arguing, 'It is the unartiness of Calle's work ― its refusal to fit any of the standard pigeonholes, or over anyone's sofa ― that makes it deserve space in museums.'

Clément Chéroux introduces this collection of over twenty of Calle’s most renowned projects, which are all accompanied by the artist’s own words.

About the Author:

Clément Chéroux is a French photography historian and curator. He is Chief Curator of Photography at the Museum of Modern Art in New York City.

The Ballad of Sexual Dependency is a visual diary chronicling the struggle for intimacy and understanding between friends, family, and lovers ― collectively described by Goldin as her “tribe.”

Her work describes a world that is visceral, charged, and seething with life. First published in 1986, this reissue recognizes the persistent relevance and freshness of Nan Goldin’s cutting-edge photography. Her lush colour photography and candid style demand that the viewer go beyond the surface to encounter a profound intensity. As Goldin writes: “Real memory, which these pictures trigger, is an invocation of the colour, smell, sound, and physical presence, the density and flavour of life.”

Through an accurate and detailed record of her life, Ballad reveals Goldin’s personal odyssey as well as a more universal understanding of the different languages men and women speak, and the struggle between autonomy and dependency. Over the past twenty-five years, the influence of Ballad on photography and other aesthetic realms has continually grown, making the work a contemporary classic. Nan Goldin’s story of urban life on the fringe was the swan song of an era that reached its peak in the early eighties. Yet it has captured an important element of humanity that is transcendent: a need to connect.

This new edition of Ballad has been printed using new scans and separations created by master-separator Robert Hennessey from Goldin’s original transparencies, rendering them with unparalleled sumptuousness and impact.

The Earth has changed… A new edition of this classic book, with nearly 100 new photographs by Yann Arthus-Bertrand

The result of a five-year airborne odyssey across five continents and sixty countries, The Earth from the Air is the bestselling and most popular book of aerial photography ever published. This updated edition of the internationally acclaimed original features an updated text and over 100 breathtaking new photographs. New editorials by such renowned authors as Jane Goodall, Matthieu Ricard and Olivier Blond consider such perpetual issues as agriculture, climate and biodiversity, as well as the latest concerns – refugees, new technologies and environmental movements. A classic of its kind, this book will heighten everyone’s awareness of today’s urgent ecological issues. Now more than ever, The Earth from the Air stands as a call to action.

About the Author:

Yann Arthus-Bertrand is a world-renowned aerial photographer, journalist, reporter and environmentalist. He is especially well known for his book Earth from Above and his film 'Home'. He has published over 30 books.

A vibrant photo book celebrating eight years of Fotografiska by interpreting the evolution of the field during the years that Fotografiska has been around to influence it

Including works of photographic masters such as Bryan Adams, Roger Ballen, Guy Bourdin, Nick Brandt, Edward Burtynsky, Anton Corbijn, Elliott Erwitt, Esther Haase, Pieter Hugo, David LaChapelle, Robert Mapplethorpe, Sarah Moon, Jimmy Nelson, Helmut Newton, Martin Parr, Andres Petersen, Bettina Rheims, Herb Ritts, Paolo Roversi, Sebastião Salgado, Martin Schoeller, Vee Speers, Christian Tagliavini, and Albert Watson.

At the waterfront of Stockholm, in an old industrial building once used by the harbor, lies Fotografiska, one of the world’s leading meeting places dedicated to photography. Ever since its opening in 2010, the best photographers in the world — including David LaChapelle, Sarah Moon, and Martin Schoeller — have all exhibited their work at the venue. Consciously creating a refined mix of emerging talents and icons in approximately 20 exhibitions a year, Fotografiska has also introduced exciting newcomers like Cooper & Gorfer, Ren Hang, and Christian Tagliavini. Grounded in world-class photographic exhibitions, Fotografiska also provides a dynamic mix of an award-winning restaurant, shop, activities including lectures, workshops, events, and artist talks — which all in all attracts over half a million guests a year.

Through carefully selected photographs from its exhibitions, The Eye not only celebrates Fotografiska’s own journey, it also interprets the evolution of the field during the years that Fotografiska has been around to influence it. Using the sensitive eye that has made Fotografiska such an outstanding success, this volume is a must-have for all photography fans, as well as collectors. Presenting masters next to emerging, yet equally remarkable talents, the book spans from the documentary and abstract to landscape, portraiture, fashion, and wildlife, providing a vivid testimony of Fotografiska’s exhibition history while showcasing the great variations within photographic practice.

“The secret of photography is hidden in its communicative power. It can show every aspect of the human condition. It can show a mountain, it can show a bird. It can show the face of a laughing baby. It freezes time.”
                                                      Albert Watson, Photographer

The images are mixed with thought-provoking and inspiring quotes and anecdotes from the photographers as well as behind-the-scenes stories from the Fotografiska founders Jan and Per Broman, who share their fascinating insights and experiences gained by working with their world-renowned program.

"The Eye is a ground-breaking book celebrating the spirit of photography. During the eight years since we opened, we have hosted amazing photographers and exhibitions. In this book, we want to show the best of the best in a way that challenge the perception of the viewer. Just as we aim to do at Fotografiska.”
                                                       Jan and Per Broman, Founders of Fotografiska

A battle of images, visual statements, and twisted viewpoints. This is The Eye. 256 images from 84 of the best photographers in the world collide in one volume. Eyes of war meet the fashion phantoms. Artsy glances confront giants of nature. A provocative, absurd, beautiful, and revolutionary book celebrating the first eight years of Fotografiska.

About Fotografiska:

Fotografiska is one of the world’s largest venues for photography in a 6,500-square meter century-old building in Stockholm next to the Baltic Sea. Originally designed as a customs house, it also houses an internationally awarded restaurant, inspiring event spaces, an acclaimed academy, and a shop featuring an extensive selection of photographic books.

With a great network of world-class photographers at the core, Fotografiska Stockholm has hosted more than 170 exhibitions since the opening in 2010, including the work of iconic masters such as David LaChapelle, Helmut Newton, Sarah Moon, Nick Brandt, and Andres Serrano, as well as up-and-coming young photographers. By taking a stand in controversial issues and stretching their responsibility far beyond the realm of traditional art institutions, Fotografiska has a history of acting as an influencer, playing an active role in Swedish society. The purpose is simple: to use the power of photography to unite, spread awareness, and create positive impact in society. To inspiring a more conscious world. Fotografiska’s restaurant won the Leading Culture Destinations prize as "Museum Restaurant of The Year 2017" with their focus on sustainable pleasure."Now we are proud to announce that Fotografiska will be opening internationally initially in London/ Whitechapel and New York/Park Avenue."

 - Features a unique selection of exhibited photography, ranging from icons to bold and exciting new talents
 - Fotografiska is a world-renowned brand and an inclusive and innovative platform for photography

Taboo meets aesthetics

Over the past two decades Frieke Janssens has built a solid reputation in staged photography. Her visual language is both surprising and playful and reveals a great sense of humor. It is often redolent with tension and her works exude an unspoken, tragic undercurrent. Janssens' images are sumptuously beautiful, but touch upon subjects that aren't: death, smoking, drinking, and the battle between the sexes. This combination of taboo and pure aestheticism marks her style, hence: The Sweetest Taboo.

About the Author:

When a Frieke Janssens photograph appears in a major Belgian magazine it does not go unnoticed, but it is her own publications that have garnered worldwide acclaim as meticulous series of photographs, impressively framed with a strong aesthetic attraction. Janssens has opened exhibitions everywhere, from Vladivostok to New York. In 2016, she held an overview exhibit called 20 Years of Photography in Antwerp.

________

Пролистать книгу The Sweetest Taboo

An immersive, groundbreaking new monograph from Roger Ballen, one of the world’s most original and critically acclaimed art photographers

With a career spanning over four decades, Roger Ballen is best known for his psychologically powerful and masterfully composed images that exist in a space between painting, drawing, installation and photography. This book is both a departure from his existing oeuvre and the culmination of his unique aesthetic linking image-making and theatrical performance. Separated into seven chapters or 'acts', these Ballenesque images take readers on a journey deep into their subconscious.

Inspired by the sight of hand-drawn carvings on blacked-out windows in an abandoned women's prison, Ballen started to experiment using different spray paints on glass and then 'drawing on' or removing the paint with a sharp object to let natural light through. The results are like prehistoric cave-paintings: the black, dimensionless spaces on the glass are canvases onto which Ballen carves his thoughts and emotions. Fossil-like facial forms and dismembered body parts co-exist uncomfortably with vaporous, ghost-like shadows - these images have the capacity to shock, inspire, amuse and even elate viewers.

Timeless and innovative, earthly and otherwordly, physical and spiritual, his work transcends all traditional concepts of photography.

Contents List:

Introduction • Plates split into seven chapters or ‘Acts’ (each with an introduction by Roger Ballen) • Afterword by Roger Ballen (on how the photographs were created) • List of Works • Biography

About the Author:

Roger Ballen is the recipient of numerous awards, including ‘Photographer of the Year’ at Rencontres d’Arles in 2002 and ‘Photography Book of the Year’ for Outland at Photo España in 2001.

The first sightings of newly discovered work from Saul Leiter’s abundant archive of colour slides

Now widely acclaimed as one of the world’s greatest photographers, Saul Leiter (1923–2013) remained relatively unsung until he was rediscovered by curators and critics in his early 80s, and his work has been drastically re-evaluated over the last two decades. Leiter’s images evoked the flow and rhythm of life on the mid-century streets of New York in luminous colour at a time when his contemporaries were shooting in black and white. His complex and impressionistic photographs are as much about evoking an atmosphere as nailing the decisive moment.

On his death in 2013, he left behind a collection of more than 40,000 colour slides, only a fraction of which had seen the light of day. This book showcases seventy-six newly unearthed images from that extraordinary photographic treasure trove, published here for the first time. Meticulously curated by Margit Erb and Michael Parillo of the Saul Leiter Foundation and supported by texts that explain how Leiter built the slide archive and how it is now being explored, catalogued and restored, this monograph will be a must-have for photography fans worldwide.

About the Authors:

Margit Erb is the founder and director of the Saul Leiter Foundation, which is dedicated to preserving Leiter’s art and legacy.

Michael Parillo is the associate director of the Saul Leiter Foundation.

Delve into the mind of one of the most original contemporary fashion photographers and explore his fantastical and magical worlds. 

Tim Walker’s monograph Story Teller, published by Thames & Hudson, introduced audiences to this unique photographer’s fantastical, magical worlds, conjured anew with each shoot. But every point must have its counterpoint, day its night, light its dark; creativity is no different. Shoot for the Moon, Walker’s much-anticipated follow-up draws audiences close to reveal fantasy’s other, darker side.

Delving deep into the art and mind of one of the most exciting and original fashion photographers working today, Shoot for the Moon showcases the gamut of Walker’s weird, wild Wonderlands. In images that demand to be read as art as much as fashion, his signature opulence and decadent eccentricity encroach ever further beyond the ‘real’, exploring the mysteries of imagination and inspiration, and where it is they come from.

Dazzlingly designed to a lavish spec, with images featuring some of the biggest names in fashion and contemporary culture, and texts and commentary by a collection of noteworthy contributors as well as Walker himself, Shoot for the Moon is set to be an unmissable addition to the lexicon of fashion photography.

‘Shoot for the moon. Even if you miss, you will land among the stars’ Norman Vincent Peale

About the Author

Established photographer Tim Walker’s work appears regularly in the world’s best fashion magazines, including Vanity Fair, Love magazine, Harper’s Bazaar and British Vogue.