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While the main focus for this intriguing book is centred on graphic art and illustration, numerous examples of other forms of Art Deco are also featured. Nestled amongst the posters and paintings, sculpture, objects d'art and jewellery assert their similarity, whether through line, form or theme. These echoes serve to show the creativity fertility of the period as styles and ideas traversed artistic media.
An up-to-date guide to the most significant art styles and movements from the present to antiquity
Beginning with the most recent artistic developments of the twenty-first century and tracing the thread of art history back in time, Art in Time offers a new perspective on the styles and movements of art. Tracked on a timeline of historical and art historical events that provides social and political context, each style or movement is defined by representative artworks, and its place in the history of art illuminated by concise and engaging texts written by specialists in each period.
This unique presentation of the 150 most important artistic styles and movements allows you to explore the family tree of art history and to come away with an understanding of how art is informed by its time and its predecessors, adapting and changing the way we see, think and interpret the world around us. Spanning not just the Western tradition but also styles and movements from India, China, Japan, Latin America and Africa, Art in Time shows the way styles and movements intersect and influence each other throughout time.
Historical photographs and documentary ephemera bring each period to life. A preface, comprehensive glossary and index make this a complete resource for anyone curious about how art became what it today.
- An up-to-date guide to the most significant art styles and movements from the present to antiquity
- Unique present-to-past arrangement illustrates how the present continually informs the past: how artists look back and re-interpret the past anew
- Pages of fascinating historical documents, photographs, newspaper headlines and other ephemera evoke the times in which styles and movements arose
- Integrated timeline places each artistic development within its cultural context, reconnecting art to the real world
- Global perspective reveals fascinating connections between art styles and movements across time and cultural traditions
- Illustrated with some 450 paintings, sculptures, photographs, installation art, video and new media, and historical ephemera
- Succinct, authoritative texts by a panel of specialist academics, curators and critics
This book has chapters on the Origins of Art Nouveau, Art Nouveau at the 1900 Universal Exposition in Paris, Major Artists and a Bibliography
Art Nouveau, whose emergence at the same time as cinema was no mere coincidence, represents the most remarkable attempt to reconcile the demands of the technical age with the undying wish for beauty and glorification—or to pit them against the other.
Here the reform movement of the turn of the century is not only dealt with as an artistic event, but those economic and political interests which inspired, supported, and handicapped it are also taken into account. In the chapters "Movement," "Unrest", and "Equilibrium," the historical phenomenon as a whole is characterised and is also presented with its own distinct local features. The centres of Brussels, Nancy, Barcelona, Glasgow, Helsinki and Chicago are dealt with in subchapters as are Munich, Darmstadt and Weimar. Finally, Vienna, that city in which the synthesis achieved its culmination, is described separately. The outstanding artists are examined in detail in connection with the respective cities of their greatest activity. The result is a complex picture of the symbiosis of architecture, furniture design, and craftsmanship with their corresponding approaches to artistic revitalization.
About the author:
Klaus-Jürgen Sembach organised the exhibitions "Die Nützlichen Künste" (Useful Arts), 1981 in Berlin, "Zug der Zeit – Zeit der Züge" (The Railway Era), 1985 in Nuremberg, "So viel Anfang war nie – Deutsche Städte 1945–1949" (Never have there been so many beginnings – German cities 1945–1949), in Nuremberg and Berlin 1989, and has numerous publications on architecture, design, photography and film to his name.
The unity of art and life was the expressed goal of the Art Nouveau movement, the prelude to modernity. On the basis of shared ideas its adherents strove for a homogenous style, which nonetheless took on manifold variations in its expression. Dr. Gabriele Fahr-Becker pursues this will to style in architecture, interior decor, furniture design, silver and gold-smithery, ceramics and glasswork, graphic arts and painting. The author leads her readers through the diverse national variations of Art Nouveau in Europe and the United States. The significance of the literary and philosophical as well as cultural and political background is explained by means of many theories and writings by artists and their contemporaries. The countless permutations of Art Nouveau are woven into a complex and yet distinctive picture of this artistic movement at the turn of the twentieth century.
This sumptuous volume explores key aspects of Art Nouveau - decorative arts, architecture, fashion, dance, advertising, and more - with an in-depth approach and stunning illustrations.
The Art Nouveau movement became an international phenomenon at the beginning of the twentieth century that ushered in the era of modernity in almost every aspect of cultural life. For decades critics have argued that Art Nouveau was not an artistic period in its own right, but an amalgam of artists and styles that served as a bridge between neoclassicism and modernism. In this comprehensive, authoritative, and copiously illustrated book, art historian Norbert Wolf explores Art Nouveau as a logical outgrowth of the historic forces in which it arose.
This book focuses on the movement’s wide variety of applications and reclaims its prominence in the pantheon of modern art history. Chapters on aesthetics, spirituality, and the cult of beauty offer luminous examples of works by Mucha, Gaudi, Hoffman, Klimt, Horta, Munch, and Tiffany, among many others.
Wolf’s text is both informed and accessible, providing an exciting narrative that brings the Art Nouveau movement into clear focus. Beautifully produced to appeal to a wide range of readers, this new volume gives one of the world’s most popular styles the serious consideration it deserves.
For a fruitful period between the 1880s and the First World War, European and North American culture deferred to nature. With a symphony of flowing lines and organic shapes, Art Nouveau ( New Art ) inflected architecture, design, painting, graphic work, applied arts, and illustration.
Art Nouveau was deliberately nouveau. With a spirit of willful reform, its practitioners sought to distance themselves from the imitative historicism that characterized much 19th-century art and replace it with undulating, decorative qualities. Turning to vine tendrils, flowering buds, and bird feathers as ornamental reference, they pursued not only a linear freedom but also liberation from the weight of artistic tradition and expectation.
At the same time, Art Nouveau followed the example of the earlier English Aesthetic and Arts and Crafts movements to reject established hierarchies of artistic practice, to emphasize a return to handcraftsmanship, and to synthesize artistic media and practices into a Gesamtkunstwerk, or total work of art. In this, as in its turn to nature, Art Nouveau is often seen as an aesthetic response to the Industrial Revolution, a recoil from the mass-produced and mechanic, and an elevation of the human hand and wonders of the great outdoors.
This fresh TASCHEN edition considers Art Nouveau as a broad historical phenomenon with distinct local features. We consider the style s wider artistic, economic, and political circumstances, as well as its particular flavor in such hubs as Vienna, Glasgow, Munich, Weimar, and Chicago. Outstanding proponents such as Victor Horta, Antoni Gaudi, and Charles Rennie Mackintosh are featured in connection with the cities of their greatest activity. The result is a vivid portrait of the age and a movement that is as much entrenched in our imagination of the fin de siecle as it is in the trajectory of modernism.
Klaus-Jürgen Sembach is a writer, curator, and former director of the Museum for Industrial Culture in Nuremberg. He has produced numerous publications on architecture, design, photography, and film.
Illustrations: 500 color and 275 b/w graphics
This book has over 300 stunning photographs covering the late 1880's to the early 1900's. It features buildings, furniture, metalwork, jewellery, glass etc
Part of a new series of beautiful gift art books, Art Nouveau Posters is as vivacious and optimistic as the period from which it derives its power to appeal, the Fin de Siècle.
Combining advertising and art, by artists such as Henri de Toulouse-Lautrec, Alphonse Mucha and Jules Chéret, these beautiful posters offer an intriguing view of a society reveling in its new-found sophistication.
With a fresh and thoughtful introduction to the movement and its posters, the book goes on to showcase the key works in all their glory.
About the Author
Victor Arwas is an acknowledged authority on the fine and decorative arts of the late nineteenth and twentieth centuries. In over twenty published books he has explored aspects of various movements, and written exhibition catalogues and monographs on individual artists and groups. Several of his books are the standard works on their subject. He is a lifelong collector of paintings, graphics, books, sculpture and objets d'art, and has exhibited and promoted exhibitions at his Editions Graphiques gallery in London as well as in Japan and the United States. He lectures and broadcasts widely.
В конце XIX – начале XX века движение Арт Нуво привнесло в Европу и США жизненную энергию возрождения искусства и культуры. Этот стиль объединил самые разные имена и направления по всей Европе: в Австрии (стиль «сецессион»), Германии («югендстиль»), Нидерландах («Nieuwe Kunst»), Испании («модернизмо»), Англии и Шотландии («модерн стайл»), Франции и Бельгии (Арт Нуво), Италии (стиль «либерти» или «флореале»). Это повсеместно распространившаяся международная тенденция проникла во все аспекты искусства, от живописи и графики до рекламных плакатов, получив наиболее впечатляющее выражение в архитектуре, дизайне интерьеров и декоративном искусстве. Арт Нуво зародилось в качестве ответа академическому искусству, эклектизму и развитию промышленного производства. Многие приверженцы стиля Арт Нуво, включая Ван де Вельде, Тиффани, Климта, Орта, Бердсли, Гимара и Макинтоша, черпали вдохновение в плавных, элегантных и динамичных линиях и очертаниях цветов, растений и женских тел, включая эти природные формы в свои произведения. В то же самое время они исследовали возможности промышленного дизайна. С помощью таких материалов, как железо, стекло и цемент они пытались добиться естественной гармонии зданий, украшений и предметов мебели. Новаторский подход Арт Нуво пропагандировался посредством журналов, выставок и конференций.
Другие книги серии Visual Encyclopedia of Art:
Founded in the 1880s as a response to the art world’s elitist obsession with painted and sculptural arts, ‘New Art’ quickly found enthusiastic support.
Art Nouveau combined a desire for the complete reflection of art through craft and design, with the flowing lines of nature and Japonisme.
It remains hugely popular, with the ever-present work of Mucha, Klimt, Toulouse-Lautrec and Mackintosh.
