Mats Gustafson's newest works are dedicated to the grace and beauty of Maria Grazia Chiuri's creations for Dior.

Seven years after the publication of the first Dior by Mats Gustafson, the Swedish illustrator returns to capturing the sophistication and glamour of the House of Dior. In this sublime volume, Gustafson’s ethereal watercolors and vibrant collages focus on the designs of Maria Grazia Chiuri since her appointment as creative director of Dior in 2016. The book encompasses Chiuri’s tenure through haute couture and ready-to-wear creations from her beginnings to the latest collections. Portraits of models and details of patterns complete the iconography. Celebrating the breadth of style and flair demonstrated by the illustrious fashion brand in recent years, Gustafson’s sophisticated illustrations capture Chiuri’s innovations and are an ode to the enduring allure of Dior. Renewing the refined tradition of fashion illustration this finest piece of bookmaking will be a coveted, indispensable must-have for all lovers of fashion and art, like his first book.

About the Authors:

Mats Gustafson’s fashion and portrait illustrations have been included in numerous publications, such as Vogue and Vogue Italia, the New Yorker, and Harper’s Bazaar. His work has been exhibited internationally in solo and group shows. Holly Brubach is an American journalist and author. She has written for Vogue, the Atlantic, the New Yorker, W magazine, and Vanity Fair and has served as Style Editor for T: The New York Times Magazine. She is the author of several books.

A sumptuous treasury of Dior scarves.

Plain and elaborate, commonplace and precious, fashionable and timeless, masculine and feminine: Dior’s silk scarves form a unique visual repertoire and cover a gamut of palettes, themes and styles. The epitome of Parisian chic, they express the poetic imagination of the creative directors who have shaped the destiny of the house, from Christian Dior to Maria Grazia Chiuri.

Unveiling the history and artistry of Dior’s scarves from the first designs to today, this sumptuous book celebrates their incredible variety and beauty as never before. At its heart is an atlas of over 400 scarves, organized by theme and printed on a delicate paper that replicates the texture of the scarves themselves. Dior’s creative director Maria Grazia Chiuri, who has overseen the creation of this volume, contributes a foreword. The atlas is supplemented by exclusive visual essays from renowned photographers Brigitte Niedermair and Pol Baril, as well as texts by distinguished fashion historians Maria Luisa Frisa, Claire Allen-Johnstone, Elda Danese and Emilie Hammen.

From vibrant opulence to graphic harmony, every scarf conveys a mood and every one tells a story. Those stories are now brought together in a book that will delight all aficionados of this symbol of timeless elegance.

About the Author:

Maria Grazia Chiuri has been Dior’s Creative Director since 2016. Brigitte Niedermair is a renowned Italian photographer. Maria Luisa Frisa is a Full Professor at IUAV University of Venice, where she founded the BA Program in Fashion Design and Multimedia Arts. Claire Allen-Johnstone is Assistant Curator of Textiles, Fashion and Furniture at the Victoria and Albert Museum, London. Elda Danese teaches in the course of Fashion Design at the IUAV University in Venice. Emilie Hammen is a Professor of Fashion History & Theory at Institut Français de la Mode.

With specially commissioned photography, this unprecedented volume celebrates a legacy of accessories design by the legendary couture house of Valentino.

This lavish tribute to the couture house of Valentino’s accessories line is exceptionally timely: since the long-time accessories team, Maria Grazia Chiuri and Pierpaolo Piccioli, took over as the creative directors for Valentino in 2008, the house has experienced record-breaking success and received international acclaim. Known for their daring approach redefining femininity, Chiuri and Piccioli’s continuance of accessories design has only magnified the line’s popularity.

Equally important is Chiuri and Piccioli’s transformation of traditional Italian handcraftsmanship into a new international barometer of glamorous design. By infusing the highest quality materials and crafts with streetwise attitude, their accessories have become some of the most coveted items in the fashion world.

Valentino: Objects of Couture showcases commissioned images and artworks by various well-known artists — David Bailey, Luisa Lambri,  Nobuyoshi Araki, Duane Michals, Scheltens & Abbenes, Philip Lorca di Corcia and Douglas Gordon—of over 300 of the house of Valentino’s most well-known accessory designs. Art directed by REM-Ruini e Mariotti and along with an insightful essay by the art curator Francesco Bonami, this work presents a rich volume in celebration of Valentino’s exquisitely designed collections.

This book is perfect for devotees of fashion, style, photography, and glamour, and also anyone who understands that a Valentino handbag or heels, even when paired with jeans, is statement-worthy.

About the Authors:

Maria Grazia Chiuri and Pierpaolo Piccioli have been the acclaimed creative directors of Valentino since 2008. Francesco Bonami is a renowned art critic, curator, and editor.

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Пролистать книгу Valentino: Objects of Couture

A unique collection of photographs by Brigitte Niedermair, celebrating her original, creative collaboration with the House of Dior.

Informed by her parallel paths as an artist and a photographer, Brigitte Niedermair expands the conventions and biases of the fashion image system. Her work focuses on representations of women’s bodies in art and culture, with deeply constructed images and striking compositions that make for a distinctive style.

This volume explores the remarkable relationship between Dior and Niedermair’s aesthetic, resulting in photographs radiating a strong sense of unconventional femininity. The first section is devoted to the collaboration throughout the recent years, followed by a portfolio of exclusive images of historical and iconic Christian Dior creations. Captured with an analogic, classical technique in a five-by-four-inch format — which was used during photography’s early beginnings — 42 pieces from Dior archives are photographed twice, with each version of the image offering a unique perspective and revealing hidden details, such as the construction of the designs. With the principal essay by Olivier Gabet and contributions by Dior’s creative director, Maria Grazia Chiuri, and artists and friends of Niedermair, this beautifully crafted book offers an extraordinary look into one of today’s most fascinating creatives.

About the Authors:

Brigitte Niedermair is an Italian photographer alternating artistic research with fashion photography. Her works are included in private collections, museums, and public institutions. Olivier Gabet is the director of the Musée des Arts Décoratifs (MAD) in Paris. Maria Grazia Chiuri is the creative director of Dior. Brigitte Lacombe is a French photographer. Martino Gamperis an Italian designer. Marcello Jori is an Italian visual artist and designer.