An elevated view of the landscape and cultural setting that make Aspen, Colorado, a legendary destination 

Tucked into a remote valley along the Roaring Fork River and surrounded by a majestic Rocky Mountain landscape, Aspen is a unique destination. Its magnificent, rugged landscape is home to luxe ski resorts, world-class museums, and stunning private retreats.

Private Aspen is an exclusive invitation to explore eighteen elegant modernist houses. Built from materials such as reclaimed wood and local stone, with expansive views out through glazed walls, these stunning private residences reflect the grandeur of their setting.

Richly illustrated with more than 150 photographs, the book showcases houses by nationally acclaimed architects including Peter Bohlin, Takashi Yanai, Chad Oppenheim, and Charles Gwathmey, as well as Aspen-based firms CCY and Rowland & Broughton. Interviews with the house owners and designers offer an insider’s perspective on this special place.

With a striking design evoking Aspen’s modernist heritage and authoritative text, Private Aspen captures the connection between these remarkable houses and the environment that surrounds them.

About the Authors:

Helen Thompson is a nationally known writer on interior design and architecture. She is the author of highly successful trio Marfa Modern (2016), Texas Made/Texas Modern (2018), and Santa Fe Modern (2021) and a contributor to Hocker 2005-2020 Landscapes (2020), all published by Monacelli. She lives in Santa Fe, NM.

David Marlow is an acclaimed architecture and interiors photographer and a contributing photographer to Architectural Digest.

A compelling survey of Texas houses that draw both on the heritage of pioneer ranches and on the twentieth-century design principles of modernism.

Helen Thompson and Casey Dunn, the writer/photographer team that produced the exceptionally successful Marfa Modern, join forces again to investigate Texas modernism. The juxtaposition of the sleek European forms with a gritty Texas spirit generated a unique brand of modernism that is very basic to the culture of the state today. Its roots are in the early Texas pioneer houses, whose long, low profiles express an efficiency that is basic to the modern idiom. This Texas-centric style is focused on the relationship of the house to the site, the materials it is made of–most often local stone and wood–and the way the building functions in the harsh Texas climate.

Dallas architect David R. Williams was the first to combine modernism with Texas regionalism in the 1930s, and his legacy was sustained by his protégé O’Neil Ford, who practiced in San Antonio from the late 1930s until his death in the mid 1970s. Their approach is seen today in the work of Lake/Flato Architects and a new generation of designers who have emerged from that distinguished firm and continue to elegantly merge modernism with the vocabulary of the Texas ranching heritage.

Twenty houses are included from across the state, with examples in major urban centers like Dallas and Austin and in suburban and rural areas, including a number in the evocative Hill Country.

About the Authors:

Helen Thompson is a nationally known writer on interior design and architecture. Formerly a food writer and editor for Texas Monthly, she was the Texas city editor for Metropolitan Home and has written and produced articles for Elle Decor, Architectural Digest, House Beautiful, Martha Stewart Living, Western Interiors, Traditional Home, and Veranda. She is also the author of Marfa Modern and Texas Made, Texas Modern and a contributor to Hocker 2005-2020 Landscapes, all Monacelli titles, as well as The Big Texas Steakhouse Cookbook, and The Mansion on Turtle Creek Cookbook. She lives in Santa Fe.

Casey Dunn is an Austin-based architectural and landscape photographer whose work has appeared in Dwell, the New York Times Magazine, Interior Design, Architectural Digest, Architectural Record, and Paper City Magazine. He is the photographer for Marfa Modern, Texas Made, Texas Modern, and Oasis (Potter, 2020).

First survey of modernist and contemporary architecture and interiors in the richly layered architectural history of Santa Fe

Santa Fe Modern reveals the high desert landscape as an ideal setting for bold, abstracted forms of modernist houses. Wide swaths of glass, deep-set portals, long porches, and courtyards allow vistas, color, and light to become integral parts of the very being of a house, emboldening a way to experience a personal connection to the desert landscape. The architects featured draw from the New Mexican architectural heritage–they use ancient materials such as adobe in combination with steel and glass, and they apply this language to the proportions and demands exacted by today’s world. The houses they have designed are confident examples of architecture that is particular to the New Mexico landscape and climate, and yet simultaneously evoke the rigorous expressions of modernism. The vigor and the allure of modern art and architecture hearten each other in a way that is visible and exciting, and this book demonstrates the synergistic relationship between art, architecture, and the land.

About the Authors:

Helen Thompson is a nationally known writer on interior design and architecture. Formerly a food writer and editor for Texas Monthly, she was the Texas city editor for Metropolitan Home and has written and produced articles for Elle Decor, Architectural Digest, House Beautiful, Martha Stewart Living, Western Interiors, Traditional Home, and Veranda. She is also the author of Marfa Modern and Texas Made/Texas Modern and a contributor to Hocker 2005-2020 Landscapes, all Monacelli titles, as well as The Big Texas Steakhouse Cookbook, and The Mansion on Turtle Creek Cookbook. She lives in Santa Fe.

Casey Dunn is an Austin-based architectural and landscape photographer whose work has appeared in Dwell, the New York Times Magazine, Interior Design, Architectural Digest, Architectural Record, and Paper City Magazine. He is the photographer for Marfa Modern, Texas Made, Texas Modern, and Oasis (Potter, 2020).

Twenty-one houses in and around Marfa, Texas, provide a glimpse at creative life and design in one of the art world’s most intriguing destinations.

When Donald Judd began his Marfa project in the early 1970s, it was regarded as an idiosyncratic quest. Today, Judd is revered for his minimalist art and the stringent standards he applied to everything around him, including interiors, architecture, and furniture. The former water stop has become a mecca for artists, art pilgrims, and design aficionados drawn to the creative enclave, the permanent installations called “among the largest and most beautiful in the world,” and the austerely beautiful high-desert landscape.

In keeping with Judd’s site-specific intentions, those who call Marfa home have made a choice to live in concert with their untamed, open surroundings. Marfa Modern features houses that represent unique responses to this setting — the sky, its light and sense of isolation — some that even predate Judd’s arrival.

Here, conceptual artist Michael Phelan lives in a former Texaco service station with battery acid stains on the concrete floor and a twenty-foot dining table lining one wall. A chef’s modest house comes with the satisfaction of being handmade down to its side tables and bath, which expands into a private courtyard with an outdoor tub. Another artist uses the many rooms of her house, a former jail, to shift between different mediums — with Judd’s Fort D. A. Russell works always visible from her second-story sun porch.

Extraordinary building costs mean that Marfa dwellers embrace a culture of frontier ingenuity and freedom from excess — salvaged metal signs become sliding doors and lengths of pipe become lighting fixtures, industrial warehouses are redesigned after the area’s white-cube galleries to create space for private or personally created art collections, and other materials are suggested by the land itself: walls are made of adobe bricks or rammed earth to form sculptural courtyards, or, in one remarkable instance, a mix of mud and brick plastered with local soils, cactus mucilage, horse manure, and straw.

About the Authors:

Helen Thompson is a nationally known writer whose areas of specialty include interior design, architecture, and food. She was formerly a food writer and editor for Texas Monthly magazine and the Texas city editor for Metropolitan Home magazine. She has also written and produced articles for Architectural Digest, Dwell, Elle Decor, House Beautiful, Martha Stewart Living, Traditional Home, Veranda, and many other magazines. She is the author of The Big Texas Steakhouse Cookbook and The Mansion on Turtle Creek Cookbook.

Casey Dunn is an Austin-based architectural and landscape photographer whose work has appeared in Architectural Digest, Architectural Record, Dwell, Interior Design magazine, the New York Times Magazine, and Paper City.

Presenting their new and recent projects, Lake|Flato Architects demonstrate the inexhaustible potential of the modern house to enter into a dialogue with nature.

Lake|Flato Architects, based in San Antonio and Austin, believe first and foremost that architecture should be rooted in its particular place, responding in a meaningful way to the natural or built environment. Using local materials and partnering with the best local craftsmen, Lake|Flato seek to create buildings that are tactile and modern, environmentally responsible and authentic, artful and crafted.

Now more than thirty years since its founding, the firm has grown along with the range and complexity of its projects, yet it still considers the desire to build in partnership with the land to be an approach that remains valid and increasingly resonant. Lake|Flato’s first projects were houses, and these projects excite the firm still. By exploring the intimate relationship between family, place, and building, Lake|Flato create unique living environments that possess a compelling authenticity and beauty.

About the Authors:

Oscar Riera Ojeda is an editor and designer based in the United States, Hong Kong, and Argentina. He has designed, edited, and published more than 200 architecture, design, and photography books. He is the director of the eponymous boutique architecture publishing house Oscar Riera Ojeda Publishers. 

Helen Thompson is a nationally known writer whose areas of specialty are interior design, architecture, kitchen design, and food. Thompson was formerly a food writer and editor for Texas Monthly magazine, where she worked for 17 years. She was also the Texas city editor for Metropolitan Home magazine and has written and produced articles for Elle Decor, Architectural Digest, House Beautiful, Martha Stewart Living, Western Interiors, Traditional Home, Veranda, Country Home, and many other magazines.

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