Архитектура

This essential reference for pros and passionate amateurs is back with a fresh design and updated content. Written by respected builders from all over America, this extensive revision collects all the latest roof framing articles from the pages of Fine Homebuilding magazine, from cutting rafters and framing roof valleys to building dormers and working with roof trusses. The contributors offer hard-earned, job-tested advice on an impressive variety of tools, techniques and trade secrets.

Framing Roofs shows how to work with speed and precision and, since working on a roof is often a complicated and dangerous task, safety is always at the forefront.

Francesco Coppola has always been an architect with wide-ranging interests: from architecture to communication, graphic arts and design. His interdisciplinary approach has resulted in a diverse body of work that ranges from urban and private architecture to global communication projects for companies. His most recent projects include the M1 Headquarters Tower in Imola, Italy and two urban upgrade projects: La Citta di Toscanella, a residential complex and urban park, and a master plan for the Town of Castel Guelfo in Bologna.

Francesco Coppola: Eclecticism also explores Coppola's work as a design and brand consultant with some of the worlds leading ceramic companies and his wide portfolio of industrial and product design such as furniture, lamps, tiles, mosaics and patented new systems of prefabrication for homes and displays

The complete spectrum of the work of celebrated Architectural Digest 100 interior decorator and furniture designer Francis Sultana.

This book, investigating Francis Sultana’s work as an interior designer, celebrates the 10th anniversary of his eponymous London studio and highlights an important professional achievement. Since 2015, Francis Sultana has ranked consecutively on the ‘AD100’. This exclusive annual list, published by the U.S. edition of Architectural Digest (US), features 100 of the world’s best architects and designers. The complete spectrum of Sultana’s work – from his professional beginnings, to his signature furniture collections plus the array of sumptuous domestic spaces he has masterminded for tastemakers and business titans in landmark buildings around the world – is chronicled herein by journalists who are recognized as design authorities.

About the Author: 

Bronwyn Cosgrave’s journalism about design, fashion and film has appeared in  Architectural Digest, Harper’s Bazaar, The Hollywood Reporter, the New York Times, the international editions of Vanity Fair and Vogue as well as every important British newspaper. Cosgrave is the author of best-selling fashion books including Vogue On: Coco Chanel and Made for Each Other: Fashion and the Academy Awards, the first comprehensive fashion history of the Oscars. The New York Post named Costume And Fashion, A Complete History, which Cosgrave authored in 2000, as one of the most popular books at the New York Public Library. Cosgrave is the curator of the Barbican exhibition Designing 007: Fifty Years of Bond Style and she is the co-host of the fashion podcast A Different Tweed. She also produces fashion documentaries, including Manolo: The Boy Who Made Shoes for Lizards and Larger Than Life: The Kevyn Aucoin Story.
 

This extravagant volume is the magnum opus of today’s most celebrated interiors photographer. One of François Halard’s first assignments, to photograph Yves Saint Laurent’s legendary Paris apartment when he was in his early twenties, cemented his reputation as one of the most original eyes of our era. His unique photographic sensibility — old-world elegant and bohemian, accessible and personal — is instantly recognizable. Thirty years later, Halard still captures our imagination with his breathtaking photographs. 

Included in this highly anticipated volume are Halard’s images of the glorious homes of the most important tastemakers, artists, and designers of the twentieth century: Axel Vervoordt, Roger Vivier, Richard Avedon, the Duchess of Devonshire, Julian Schnabel, Schiaparelli, Carlo Mollino, Balthus, Coco Chanel, Yves Saint Laurent and Pierre Bergé, and many more, including Halard’s own homes in New York, Paris, and Arles. Photographed in his inimitable "grand manner," often for Vogue, this book also shows for the first time the more intimate "house portraits" that Halard would photograph for himself, where his personal vision shines through. François Halard will be a coveted, indispensable resource for all lovers of interior style and a master class in visual education.

About the Author:

François Halard has been a regular contributor to Vogue, Vanity Fair, GQ, and House & Garden for over thirty years. His work for these publications established him as the most prolific and well-known interior and architectural photographer of our time.

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Пролистать книгу Francois Halard: A Visual Education на сайте издательства.

The Lalannes' charming, dreamy, and surrealistic body of functional sculptures, once a guarded secret for exclusive collectors such as Yves Saint Laurent and the Agnellis, is celebrated in full in this stunning new book.

The legendary husband-and-wife artist team has been the inspiration for high-society collectors and decorators, such as Pierre Bergé, Serge Gainsbourg, Peter Marino, Jane Holzer, and Reed Krakoff for over five decades. Crossing over many audiences - from interior design to fine art to high society, the works of the Lalannes have aspirational yet broad appeal. Their surreal flock of sheep sculpture is now de rigeur for any important collection, while their functional hippopotamus wet bar sells for millions of dollars at auction. Highly collected and promoted by an important group of art insiders, Lalanne works are often the focus of the well-curated room, as seen in many magazine covers. This book on their work will appeal to decorators, designers, artists, and all those who love beautiful art objects.

About the Authors:

Adrian Dannatt is a writer, editor, and curator. He is the author of catalogues on the work of Robert Indiana and Mattia Bonetti, and writes regularly for international art journals.
Francois-Xavier Lalanne (1927-2008) was born in Agen, France. He studied sculpture at the Academie Julian in Paris. Claude Lalanne (b. 1924) was born in Paris and studied architecture at the Ecole des Beaux-Arts. They participated in the postwar Surrealist art scene in postwar Paris, which had a major effect on their work over the past five decades.

Featuring fifty of Frank Gehry’s most important projects, this lavish monograph presents the full range of the architect’s work from the past six decades.

Arranged chronologically, this book follows the arc of Gehry’s career, from his early residential projects through the public and cultural facilities his studio is currently focused on. The book explores the evolution of Gehry’s work, and how he has ceaselessly embraced formal, technological and constructional innovations, while his practice has never wavered from his vision. It examines his work in the context of the urban environment, showing how Gehry continually strives to challenge the idea of the city, creating urban buildings that respond to their surroundings without trivializing them.

The buildings profiled here — including the Vitra International Furniture Manufacturing Facility and Design Museum in Switzerland, Walt Disney Concert Hall in Los Angeles, the 8 Spruce Street Skyscraper (Beekman Tower) in New York, and the Fondation Louis Vuitton — are represented in dazzling color photographs as well as preparatory drawings, plans, and models. From his early years working within the L.A. Art Scene, to his Pritzker-winning recognition, to his pioneering research into the application of computer-aided-design in all aspects of the building design process from the first sketches to the final elements of construction, Frank Gehry, now in his eighth decade, continues to surprise and inspire the public.

This informative, fascinating volume is a must-have for his ardent fans and anyone interested in architecture.

One of the great architects of our time, Frank Gehry has revolutionized the use of materials in design and redefined how architects use computers as a design tool to advance form-making as we know it. He has achieved worldwide fame for such large-scale public projects as the Guggenheim Museum in Bilbao, Spain, and the Walt Disney Concert Hall in Los Angeles, California, but it was in private houses that Gehry first explored and interrogated the principles of modern architecture.

In these houses - most notably his own, in Santa Monica, California - Gehry distorted, expanded, and collapsed the modernist box, exploring everyday materials (corrugated metal, unfinished plywood, and chain-link), experimenting with colour, and challenging accepted notions about geometry and structure. In houses such as the Schnabel House in Brentwood, California, and the Winton Guest House in Wayzata, Minnesota, he experimented with collage and assemblage. More recently, Gehry’s work has taken on sculptural forms, aided by new structural and geometric potentials of digital design, as in the near-legendary Lewis House in Lyndhurst, Ohio.

Colour photographs, sketches, and plans create an illuminating visual record of some of the most groundbreaking, seminal projects of Gehry’s oeuvre.

Frank Lloyd Wright is one of the great masters in the history of modern architecture. His career spanned over sixty years, and his unique stylistic invention kept ahead of any passing fashion.

This definitive monograph provides an unparalleled account of Wright’s career. It explores the key themes in Wright’s work, and presents the consistent qualities that underlie all of his designs. The themes of space and the spatial experience of the user are thus examined, together with a discussion of construction and Wright’s search for what he termed the ‘nature of materials'. The relationship between Wright’s architecture and landscape is also investigated.

The book includes an extensive selection of archival drawings and photographs; clear, redrawn plans and detail drawings; beautiful colour photographs; and a complete list of Wright’s buildings and projects compiled by Bruce Brooks Pfeiffer of the Frank Lloyd Wright Archives.

The American Architect Frank Lloyd Wright (1867-1959) exerted unique influence on architecture during the first half of this century. This book contains more than 100 full-color and black-and white photographs of exteriors and interiors of Wright's most admired buildings as well as many of his drawings.

Wright on. The star pieces of Americas greatest architect

Frank Lloyd Wright’s paradigm-shifting projects. This authoritative overview, based on TASCHEN’s previous three-volume monograph and unlimited access to the Frank Lloyd Wright archives, scours the length and breadth of Wright's career to bring you all the gems of his genius at a new, bargain price.

A building by Frank Lloyd Wright (1867-1959) is at once unmistakably individual and evocative of an entire era. Notable for their exceptional understanding of an organic environment, as well as for their use of steel and glass to revolutionize the interface of indoor and outdoor, Wright’s designs helped announce the age of modernity, as much as they secured his own name in the annals of architectural genius.

This meticulous compilation from TASCHEN’s previous three-volume monograph assembles the most important works from Wright’s extensive, paradigm-shifting oeuvre into one authoritative and accessibly priced overview of America's most famous architect. Based on unlimited access to the Frank Lloyd Wright Archives in Taliesin, Arizona, the collection spans the length and breadth of Wright’s projects, both realized and unrealized, from his early Prairie Houses, through the Usonian concept home, epitomized by Fallingwater, the Tokyo years, his progressive “living architecture” buildings, right through to later schemes like the Guggenheim Museum, New York, and fantastic visions for a better tomorrow in the “living city.”

Author Bruce Brooks Pfeiffer, who served as Wright’s apprentice during the 1950s, discusses recent research on Wright and gives his own insights on these game-changing buildings.

About the Author:

Bruce Brooks Pfeiffer became Frank Lloyd Wright’s apprentice at the Taliesin Fellowship in 1949. In 1957, he attended the Ecole Nationale des Beaux-Arts in Paris, returning in 1958 to continue his apprenticeship with Wright until his death in 1959. He remains at Taliesin to this day, as director of the Frank Lloyd Wright Archives, a vice-president of the Frank Lloyd Wright Foundation, and author of numerous publications on Wright's life and work.

The editor:

Peter Gössel runs an agency for museum and exhibition design. He has published TASCHEN monographs on Julius Shulman, R. M. Schindler, John Lautner, and Richard Neutra, as well as several titles in the Basic Architecture series.

That’s Wright! One of the greatest pioneers in the history of architecture

From prairie houses to skyscrapers and the Guggenheim Museum, explore the life and work of one of the greatest pioneers in the history of architecture, Frank Lloyd Wright. Sketches, plans, and photographs chronicle all of Wright’s major works, celebrating his organic architecture philosophy, innovative use of industrial materials, and vision for a new way of American living.

Acclaimed as the “father of skyscrapers,” the quintessentially American icon Frank Lloyd Wright (1867–1959) was an architect of aspiration. He believed in giving cultivated American life its fitting architectural equivalent and applied his idealism to structures across the continent, from suburban homes to churches, offices, skyscrapers, and the celebrated Guggenheim Museum.

Wright’s work is distinguished by its harmony with humanity and its environment, a philosophy he called organic architecture, and which found its paradigm at Fallingwater, a house in rural Pennsylvania, cited by the American Institute of Architects as “the best all-time work of American architecture.” Wright also made a particular mark with his use of industrial materials, and by the simple L or T plan of his Prairie House which became a model for rural architecture across America. Wright was also often involved in many of the interior elements of his buildings, such as the furniture and stained glass, paying particular attention to the balance between individual needs and community activity.

Exploring Wright’s aspirations to augment American society through architecture, this book offers a concise introduction to his at once technological and Romantic response to the practical challenges of middle-class Americans.

The author

Bruce Brooks Pfeiffer became Frank Lloyd Wright’s apprentice at the Taliesin Fellowship in 1949. In 1957, he attended the Ecole Nationale des Beaux-Arts in Paris, returning in 1958 to continue his apprenticeship with Wright until his death in 1959. He remains at Taliesin to this day, as director of the Frank Lloyd Wright Archives, a vice-president of the Frank Lloyd Wright Foundation, and author of numerous publications on Wright's life and work.

The editor

Peter Gössel runs an agency for museum and exhibition design. He has published TASCHEN monographs on Julius Shulman, R. M. Schindler, John Lautner, and Richard Neutra, as well as several titles in the Basic Architecture series.

About the series: 

Each book in TASCHEN’s Basic Architecture series features:
- an introduction to the life and work of the architect
- the major works in chronological order
- information about the clients, architectural preconditions as well as construction problems and resolutions
- a list of all the selected works and a map indicating the locations of the best and most famous buildings
- approximately 120 illustrations (photographs, sketches, drafts, and plans)

With the advent of Prairie style architecture, Frank Lloyd Wright embarked on a journey that would forever change the course of architecture.

During this extraordinarily prolific period, roughly the first quarter of the twentieth century, Wright built the first great modern American houses. He cast aside many of the conventions of the past, opening up interior spaces so that there might be a more subtle flow of rooms. The plans for Prairie style architecture were based on a tartan plaid of main spaces and secondary spaces, of public rooms and circulation spaces. Their decentralized asymmetry did not follow the Beaux-Arts insistence on a primary, often dominating, focal point — a vestige of its roots as a symbolic architecture for divine-right royalty. Following Wright's philosophy, Prairie design was emphatically democratic and non-hierarchical.

Frank Lloyd Wright Prairie Houses comprehensively demonstrates this philosophy. Focusing on interiors and details, the book features more than 70 Prairie style houses and other buildings, still extant, in lavish, full-color photography.

The Wright stuff. The definitive publication on America’s greatest architect

Frank Lloyd Wright (1867-1959) is widely considered to be the greatest American architect of all time; indeed, his work virtually ushered in the modern era and remains highly influential today. His wide-ranging and paradigm-shifting oeuvre is the subject of TASCHEN's three-volume monograph that covers all of his designs (numbering approximately 1100), both realized and unrealized.

Made in cooperation with the Frank Lloyd Wright Archives in Taliesin, Arizona, this collection leaves no stone unturned in examining and paying tribute to Wright's life and work. From his early Prairie Houses (typified by the Robie House) to the Usonian concept home and progressive "living architecture" buildings to late projects like the spiral Guggenheim Museum in New York and the development of his fantastic vision of a better tomorrow via his concept of the "living city," all of the phases of Wright's career are painstakingly described and illustrated herein.

Volume 1 covers the early Chicago years and the Prairie Houses, the period which provoked a profound influence on European architects. Wright's architectural work during these early years was mostly residential, as it would be throughout his career, and from his earliest work, Frank Lloyd Wright demonstrated a knowledge of and respect for natural materials.
In the ten years betweeen 1896 and 1906 he developed and perfected the so-called "prairie house." Wright believed the architect should have complete charge of architectural design, and for him this meant interior furnishings as well as exterior landscape. The 1908 Avery Coonley residence, the administration building for the Larkin Soap Company (1903–1905), and the Unity Temple (1905) are examples of major works from the period.

The author:
Bruce Brooks Pfeiffer became Frank Lloyd Wright’s apprentice at the Taliesin Fellowship in 1949. In 1957, he attended the Ecole Nationale des Beaux-Arts in Paris, returning in 1958 to continue his apprenticeship with Wright until his death in 1959. He remains at Taliesin to this day, as director of the Frank Lloyd Wright Archives, a vice-president of the Frank Lloyd Wright Foundation, and author of numerous publications on Wright's life and work.

The editor:
Peter Gössel runs a practice for the design of museums and exhibitions. He has been the editor of TASCHEN's monographs on Julius Shulman, R. M. Schindler, John Lautner and Richard Neutra, as well as the editor of the Basic Architecture Series, and continues to work for TASCHEN as a freelance-editor.

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Посмотреть книгу Frank Lloyd Wright, Complete Works, Vol.2, 1917-1942

Посмотреть книгу Frank Lloyd Wright, Complete Works, Vol.3, 1943-1959

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