Архитектура

Jean-Michel Frank was perhaps the most influential Parisian designer and decorator of the 1930s and 1940s, inspiring such varied talents as Andree Putman and Bonetti and Garouse. Frank established his reputation and signature look with the design of the Paris apartment of the Vicomte Charles de Noailles. The Noailles were leading progressives of their day and patrons of the major painters of Paris.

Frank’s style of understated luxury — vellum-sheathed walls, bleached leather, lacquer and shagreen — perfectly complemented the Picassos and Braques on the walls. Frank’s blocky, rectangular club chairs and sofas have been endlessly copied and produced by many admirers. He is credited for the design of the modern Parsons table, a stark form that Frank embellished with the most luxurious finish.

Admiringly described by the French "le style Frank," his look continues to exert its influence through the powerful combination of the simplest forms and the most exquisite materials to produce objects that are truly noble and utterly modern.

An interior designer shares the principles and techniques of great design in a volume that demystifies the decorating process, covering such topics as space, scale, color, materials and details, fabrics and finishes, and furniture and accessories.

Jeffrey Bilhuber returns with a second book after Design Basics, his successful debut volume. In a lavish new format, the media-savvy designer for tastemakers and celebrities presents his most recent projects from coast to coast. Bilhuber views luxury as essential to every life well-lived, a way of appreciating and sharing our joy in existence, not the exclusive purview of the few. The designer encourages the reader to seek, aspire, and revel in luxury at home, however simple or adorned: from the embrace of the perfectly tufted reading chair to an heirloom vase cradling freshly cut garden roses to a dazzling chandelier that makes light dance. In seven chapters filled with charming anecdotes and lovely observations, the designer - whom Hamish Bowles has likened to a twenty-first century Billy Baldwin - explores the idea of luxury as life’s abundance reflected in a home’s varied elements: Discovery, Passion, History, Ornament, Grace, Comfort, and Delight. Each project discussed evokes the many qualities of a distinctively American luxury practically expressed and fully enjoyed at home: beauty, family, refinement, and hospitality. Within these, the reader gleans insight from Bilhuber’s inimitable style and learns that luxury is about cultivating a state of mind as much as it is about the objects with which we surround ourselves.

A book showcasing the projects of Japanese architect and designer Jo Nagasaka, with insight into his idea and design processes

The evolution of Jo Nagasaka’s design process is unveiled in a unique publication about his practice. This book tells the story of Schemata Architects, encapsulating the essence of the studio’s work. Highlighting methods and processes through a series of essays, the designer offers insight into how concepts were developed in order to realise the wide-ranging portfolio of Schemata Architects that are showcased in the book.

Nagasaka’s focus is often drawn to tired, found objects or unused spaces. Through investigations to seek modern solutions and pioneering re-purposing techniques, he manages to transform interiors and breathe life back into objects. His projects range from large-scale installations and interactive interior environments to smaller-scale products. Revealing insights into his way of working, the book highlights new findings about how the designer is able to capture the essence of his thoughts and relate the key aspects of a project in creative and innovative ways. The articles emphasise the designer's concepts, giving unique insight into the firm's process from the designer’s perspective.

About the Author:

Jo Nagasaka was born in Osaka and brought up in the Chiba prefecture of Japan. He studied architecture at Tokyo University of the Arts and, after graduating, he established the office Schemata Architects in Tokyo. The studio’s ever-expanding portfolio covers projects such as residential and retail interiors, exhibition stands and art installations, bespoke furniture, hotels and public institutions.

Features:
 - Readers gain complete insight in the working methods of Jo Nagasaka, the founder of Schemata Architects based in Tokyo, Japan.
 - In-depth features of the different projects ranging from exhibitions and furniture to retail and residential.
 - In the essays, there is a focus on Jo Nagasaka's personal journey to realise his studio's projects, which are listed in the second part of the book in chronological order.
 - The articles emphasise the designer's concepts, giving unique insight into the firm's process from the designer’s perspective.
 - Large selection of beautiful project photography, visually illustrating the transformation of spaces or furniture.

John Fowler was an interior decorator who set fashions and changed tastes. The English country house style, which he developed with Sibyl Colefax and Nancy Lancaster, his partners in the firm of Colefax & Fowler, has proved a source of continuing inspiration to decorators and home-owners on both sides of the Atlantic and indeed across the world. Today, a hundred years after his birth, his influence is almost as powerful as it was in the mid 20th century, when he was working on many of Britain's finest and most famous houses, including Uppark, Chequers and Buckingham Palace, as well as dozens of more modest projects.

Fowler's style has been so widely imitated that it is easy to forget what an innovator he was. In the 1930s and 1940s his style was a breath of fresh country air, sweeping away heavy velvets and damasks in favour of crisp cotton chintzes, replacing glossy mahogany with painted Regency furnishings, elaborate porcelain and glitzy ormolu with modest pottery and painted tin. Even after the war, when he came to specialize in the decoration of architecturally important interiors, he continued to prefer 'humble elegance' and 'romantic disrepair' to pomposity.

John Portman and Associates is most famous for introducing the modern atrium to corporate design. But there is much more in this magnificent portfolio of outstanding architecture than atriums. From its inception in 1953, the firm has established a global reputation for combining vision with practical development in three key areas: urban architecture, community revitalisation and suburban mixed-use projects. In fact, John Portman and Associates is largely responsible for establishing the benchmark for urban revitalisation. Major areas of practice featured in this book include mixed-use architecture, hospitality, education and corporate - not just in the USA but around the world. The buildings designed by John Portman and Associates have received numerous accolades, and many of those designs feature in this attractive casebound volume.

Catalan architect and colleague of Gaudi.

Josep Maria Jujol (1879-1949) developed his unusual architectural style through many years of close, creative collaboration with Antoni Gaudi. Jujol’s work is characterized by a high degree of sensibility to the forms of nature, an emphatically anti-geometric aesthetic, attention to workmanship and detail, as well as the imaginative use of old and previously utilized material. It is an eloquent expression of his affection for the Catalonian landscape, his modesty, and deep religious faith.

Project Introduction:

008 Port Of Portland Headquarters And Parking Garage
016 Twelve West
026 Office of Bank of Moscow
034 NNF Group Office
040 Bestunion Holdings Building
046 Attraction Media
054 PB
060 Adidas Workout
068 Sinclair Knight Merz
074 Paga Todo
080 Yandex Kiev Office
088 Knock, Inc.
094 1-10design Kyoto Office
100 Yandex Moscow Office
106 Mccann Erickson Riga and Inspired Office
112 Mccann Erickson Riga RP-Agency
118 Fraunhofer Portugal
126 VIP Wing in Munich Airport
132 Signa Holding Headquarters
136 Kustermann Park
142 LHI Headquarters in Pullach
150 Ernst & Young Headquarters
...
400 Ogilvy
406 Shilin Office
412 Goldberger Loff Office
418 Canail Milano Showroom
424 Tongyen head office design

The buildings burned in our memories, which to us represent the spirit of fifties and sixties architectural design, were those whose pictures were widely published in magazines and books; but what about those that got lost in the process, hardly or never appearing in publication?

The exchange of visual information is crucial to the development, evolution, and promotion of architectural movements. If a building is not widely seen, its photograph rarely or never published, it simply does not enter into architectural discourse. Many buildings photographed by Julius Shulman suffered this fate, their images falling into oblivion. With this book, TASCHEN brings them to light, paying homage to California Modernism in all its forms.

The abandoned files of Julius Shulman show us another side of Modernism that has stayed quiet for so many years. Bringing together nearly 250 forgotten masterpieces, Modernism Rediscovered pays tribute to these lesser known yet outstanding contributions to the modern architectural movement. It's like sneaking into a private history, into homes that have rarely been seen and hardly appreciated as of yet.

About the photographer:
A resident of Los Angeles since 1920, Julius Shulman has been documenting modernist architecture in Southern California and across the globe for nearly eight decades. His images of Pierre Koenig's Case Study House No. 22 (1960) in Los Angeles and Richard J. Neutra's Kaufmann House (1947) in Palm Springs are among the most recognizable and iconic architectural photographs of the 20th century. Shulman's interest in photography developed into a career when he photographed Neutra's Kun Residence in Los Angeles with his Kodak Vestpocket camera in 1936. Neutra admired young Shulman's images and continued to commission his work. Other leading architects of the time followed suit, as did hundreds of magazines, newspapers, and book publishers. Shulman's numerous awards include the Architectural Photography Medal from the American Institute of Architects (1969), a lifetime achievement award from the International Center of Photography in New York (1998), and honorary doctorates from various academic institutions.

The Master of Modern. Discoveries from the Julius Shulman vaults

The photographs of Julius Shulman offer one of the most compelling visual chronologies of architectural modernism. This book offers privileged access to Shulman’s extraordinary archives with some 200 images paying homage to the multifarious forms of modernism across California and the rest of the United States.

The buildings burned in our memories, which to us represent the spirit of ’50s and ’60s architectural design, were those whose pictures were widely published in magazines and books; but what about those that got lost in the process, hardly or never appearing in publication?

The exchange of visual information is crucial to the development, evolution, and promotion of architectural movements. If a building is not widely seen, its photograph rarely or never published, it simply does not enter into architectural discourse. Many buildings photographed by Julius Shulman suffered this fate, their images falling into oblivion. With this book, TASCHEN brings them to light, paying homage to California Modernism in all its forms.

The abandoned files of Julius Shulman show us another side of Modernism that has stayed quiet for so many years. Bringing together nearly 200 forgotten masterpieces, Modernism Rediscovered pays tribute to these lesser known yet outstanding contributions to the modern architectural movement. It’s like sneaking into a private history, into homes that have rarely been seen and hardly appreciated as of yet.

About the photographer:

American photographer Julius Shulman’s images of Californian architecture have burned themselves into the retina of the 20th century. A book on modern architecture without Shulman is inconceivable. Some of his architectural photographs, like the iconic shots of Frank Lloyd Wright’s or Pierre Koenig’s remarkable structures, have been published countless times. The brilliance of buildings like those by Charles Eames, as well as those of his close friend, Richard Neutra, was first brought to light by Shulman’s photography. The clarity of his work demanded that architectural photography had to be considered as an independent art form. Each Shulman image unites perception and understanding for the buildings and their place in the landscape. The precise compositions reveal not just the architectural ideas behind a building’s surface, but also the visions and hopes of an entire age. A sense of humanity is always present in his work, even when the human figure is absent from the actual photographs. Today, a great many of the buildings documented by Shulman have disappeared or been crudely converted, but the thirst for his pioneering images is stronger than ever before.

About the author:

Pierluigi Serraino is a practicing architect resident in the San Francisco Bay Area. The author of many books on architecture, including TASCHEN's Modernism Rediscovered, his articles and projects have appeared in Architectural Design, ArCA, Global Architecture, Hunch, Construire, Architettura, ACADIA, and Journal of Architectural Education.

About the series:

Bibliotheca Universalis — Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!

Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together more than 100 of our all-time favourite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.

Bookworm’s delight — never bore, always excite!

In Junk Genius, you’ll find highly rewarding and money-saving repurposing projects, and discover why making your own is a trend well worth exploring.

Juliette Goggin and Stacy Sirk have created over 80 projects and ideas using items you can easily find or might already have. Discover creative ways to use glass with the compact kilner jar sewing kit and the pretty message-in-a-bottle pendant. Myriad uses for old crates include planting them with herbs and vegetables and transforming one into a bedside table. Add something different to your household with a range of light fittings made from colanders, a birdcage and even jelly moulds!

Discover no end of uses for paper, including making bunting, labels, tags and table settings, and inventive ideas for crafting with wallpaper, stamps and old photos. Clear out those old keys and transform them into a range of items, from jewellery to door handles and coat hooks. Finally, try making unwanted jumpers into cosy pillow covers.

Whether you’re a beginner or an experienced crafter, you'll learn to hunt out and see the potential in a whole range of items and be inspired to transform your treasure trove of useable raw materials into stunning new accessories for a beautiful home.