Архитектура

Holding to the highest standards of technical craft to create problem-solving landscapes that attain artful expression, Peter Walker and Partners (PWP) is responsible for some of most beautiful and iconic works of landscape architecture in the world.

This book features work since 1997 that brilliantly showcases the firm’s range, including sixteen built projects in Europe, Asia and the United States – parks, corporate headquarters, foundations, museums and urban plazas; seven works in progress, including the American Embassy in Beijing and the World Trade Center Memorial in New York City; and ten site planning and urban-design projects, among them millennium parklands in Sydney, Australia and Novartis Headquarters in Basel, Switzerland.

The book opens with a short essay about the organization and philosophy of the office, the partners and associates, and the particular way that PWP practises the craft of landscape architecture. It concludes with four competitions, including one for 1600 Pennsylvania Avenue.

About the Author

Peter Walker is a landscape architect with forty years of experience in practice and teaching. A Fellow of the American Society of Landscape Architects and of the Institute for Urban Design, and recipient of the American Institute of Architects’ Honour Award, he writes and lectures widely on landscape design. Jane Brown Gillette has served as associate editor of Historic Preservation magazine, features editor of Landscape Architecture magazine, and executive editor of Land Forum magazine and Spacemaker Press. She has also published book reviews, critical essays and short stories in a variety of journals.

Illustrations:  168 color

Philippe Starck is one of the world's most prolific and famous designers. Well known for his luxurious hotels and restaurants, he is equally celebrated for his inspirational reworkings of everyday household items.

Whether it be his iconic lemon squeezer, dubbed the 'Juicy Salif', or his colourful stylized toothbrushes, Starck's works are some of the earliest examples of 'democratic design'. This idea, that exceptional products should not be exclusive and elite, but be accessible and affordable, would eventually revolutionise modern design.

Starck has worked privately for French president Francois Mitterand, decorating a suite in the Palais d'Élysée in Paris in 1982. He has designed products for a number of internationally renowned organisations including Microsoft, Lacie, Eurostar, Alessi and Fossil.

These volumes will introduce in a practical manner the personalities and the works of the world's major designers by way of an historical-critical introduction to the work and life of each individual designer. An accurate selection of the designer's most famous objects arranged in chronological order and a critique of his or her work summarising the most significant reviews published in magazines and newspapers will complete the subject.

Christina Morozzi is the editor of Design magazine and works as a curator of exhibitions in Italy and abroad. She is also a visiting professor at Domus Academy of Milan and University of Art and Design, Lausanne, Switzerland.

The mechanics of lightness

The wide-ranging career of the Italian virtuoso

"The array of buildings by Renzo Piano is staggering in scope and comprehensive in the diversity of scale, material, and form. He is truly an architect whose sensibilities represent the widest range of this and earlier centuries." Such was the description of Renzo Piano given by the Pritzker Prize jury citation as they bestowed the prestigious award on him in 1998. Whereas some architects have a signature style, what sets Piano apart is that he seeks simply to apply a coherent set of ideas to new projects in extraordinarily different ways. "One of the great beauties of architecture is that each time, it is like life starting all over again," Piano says. "Like a movie director doing a love story, a Western, or a murder mystery, a new world confronts an architect with each project." This explains why it takes more than a superficial glance to recognize Piano’s fingerprints on such varied projects as the Pompidou Center in Paris, the Kansai Airport in Osaka, Japan, the Tjibaou Cultural Center in Nouméa, New Caledonia, the Zentrum Paul Klee in Bern, Switzerland, The New York Times Building in New York, and his most recent structure, the London Bridge Tower, which will be upon completion the tallest building in Western Europe.

About the Series:
Every book in TASCHEN's Basic Architecture Series features:

• approximately 120 images, including photographs, sketches, drawings, and floor plans
• introductory essays exploring the architect's life and work, touching on family and background as well as collaborations with other architects
• the most important works presented in chronological order, with descriptions of client and/or architect wishes as well as construction problems and resolutions
• an appendix including a list of complete or selected works, biography, bibliography, and a map indicating the locations of the architect's most famous buildings

While some architects have a signature style, Renzo Piano seeks to apply coherent ideas to extraordinarily different projects. His buildings impress as much for their individual impact as for their diversity of scale, material, and form. Piano rose to international prominence with his codesign of the Pompidou Center in Paris, described by The New York Times as a building that "turned the architecture world upside down." Since then, he has continued to craft many high-profile cultural spaces, including the Modern Wing of the Art Institute of Chicago; the Morgan Library Renovation and Expansion in New York; and, most recently, the Whitney Museum of American Art, an asymmetric nine-story structure in Manhattan's Meatpacking District with both indoor and outdoor galleries. 

In New York and London, the Renzo touch has also transformed the skyline with the towers of the New York Times Building and the Shard, the tallest building in the European Union. This essential introduction travels from Osaka, Japan, to Bern, Switzerland, and through many cities, structures, and islands in between, to explore the staggering scope of the Renzo Piano repertoire. 

From the "inside-out" Pompidou to the airy shells of the Tjibaou Cultural Center in Noumea, New Caledonia, this is a thrilling journey through the beauty of architecture, where, in Piano's own words, "each time, it is like life starting all over again."

About the series:

Each book in TASCHEN’s Basic Architecture series features:

- an introduction to the life and work of the architect 
- the major works in chronological order
- information about the clients, architectural preconditions as well as construction problems and resolutions
- a list of all the selected works and a map indicating the locations of the best and most famous buildings
- approximately 120 illustrations (photographs, sketches, drafts, and plans)

Piano, Virtuoso. The Italian master’s complete oeuvre

Renzo Piano rose to international prominence with his co-design of the Pompidou Center in Paris, described by The New York Times as a building that “turned the architecture world upside down.” Since then, he has continued to craft such iconic cultural spaces as the Modern Wing of the Art Institute of Chicago and, most recently, the Whitney Museum of American Art, an asymmetric nine-story structure in Manhattan’s Meatpacking District with both indoor and outdoor galleries. In London, the Piano touch has also transformed the skyline with the Shard, the tallest building in the European Union.

At the age of 81, the Italian maestro retains all of his enthusiasm and kindness — and his recent roster is more impressive than ever. As he confided to the author, “I think at a certain age, one can discover that there is what the French call the ‘fil rouge,’ a kind of red thread that relates one building to another over time. In my case, I believe it is about lightness and the art of building.” From freshly built museums in Athens and Santander; ongoing works in Los Angeles, Moscow, Beirut, and Istanbul; to such humanitarian projects as the Emergency Children’s Surgery Center in Entebbe, Uganda, and the Children’s Hospice in Bologna, Italy, Piano’s career is a thrilling journey through the beauty and very essence of architecture.

This XXL-sized monograph, jam-packed with more than 200 new pages illustrated by photographs, sketches, and plans, spans Piano’s entire career to date and the many existences of his singular aesthetic.

Also available as an Art Edition accompanied by a print of a sketch by Renzo Piano, signed by the artist and limited to 200 copies.

The artist:

Renzo Piano (born in 1937) studied at the University of Florence and at Milan’s Polytechnic Institute. A recipient of the RIBA Gold Medal in 1989 and the 1998 Pritzker Prize, Piano’s most iconic projects include the Centre Georges Pompidou in Paris, the Shard in London, and the Whitney Museum of American Art in New York City. He has his main offices in his native Genoa and in Paris.

The author:

Philip Jodidio studied art history and economics at Harvard, and edited Connaissance des Arts for over 20 years. His TASCHEN books include the Architecture Now! series and monographs on Tadao Ando, Santiago Calatrava, Renzo Piano, Jean Nouvel, Shigeru Ban, Richard Meier, Zaha Hadid, and soon Norman Foster.

Over 450 black-and-white photographs, royalty-free, show ironwork masterpieces from all over Europe — doors, gates, railings, grilles, door knockers, locks, lanterns, candelabra, firedogs, chandeliers, much more. Beautiful examples from Notre Dame; Chichester Cathedral; Barcelona Cathedral; Fredericksborg Castle, Denmark; Versailles; scores of other sites.

Sourcebook of inspiration for architects, designers, others. 1880 line drawings on 70 plates. Bibliography. Captions.

Picture Perfect', written by Stephanie Hoppen, covers how to make decisions about what type of art to collect, what looks good on what type of walls and in what room, how to restore and preserve your art, as well as practical hints on light and humidity.

The aim of the collection is to offer a series of short monographs which, though brief, nevertheless deal with all aspects of the master's personality: works, constructed or otherwise, primary written sources, critiques and photographic interpretations. The underlying aim is to offer an in-depth, comprehensive overview targeted at anyone interested in learning about architecture including students, professionals or simply those who are interested in the subject, by providing not only basic information but also guidance in terms of gaining more insight into the subject.

The volumes are dedicated to some of the best known modern and contemporary architects.

Contents:
A portfolio, a description of the role of the architect, the works, the projects, the underlying philosophy, essays by the architect, photographs as interpretation of architecture, selected critiques about the architect and a bibliography.

This series presents international architects and designer in monographies. Pierro Lissoni is one of Italy's most successful Designers, leading a company in Milan with over 50 Architects and Designers.  So far he is known more for his furniture design rather than his architecture. He is often thought of as a minimalist, but in reality, Piero Lissoni's aim is to create a complementary cohabitation of different styles. His highest goal is simplicity: as way of thinking, as an attitude, simplicity holds a great inner complexity. For Piero Lissoni it is always imperative to scale down and get to the bottom of things. Among his customers are renown companies such as Boffi and Matteograssi. The book introduces to a selection of his outstanding projects all around the world.

With offices in Milan and New York, Lissoni & Partners has a 30-year history in developing international projects in the fields of architecture, landscape, interior, product, and graphic design, as well as acting as art director for a range of prestigious companies.

Led by Piero Lissoni, the practice combines a range of expertise with a tailored approach that sets it apart, establishing a stylistic code and a visual identity that are clearly recognizable. The works are inspired by a sense of rigor and simplicity and are characterized by a regard to detail, coherence, and elegance with particular attention to proportion and harmony.

Piero Lissoni is creative director for Alpi, B&B Italia, Boffi, Living Divani, Lema, Lualdi, Porro, and Sanlorenzo, for whom he also designs an extensive range of products. Recognized as one of the masters of contemporary design, he has worked with many international brands including Alessi, Antrax, Atlas Concorde, Bonacina 1889, Cappellini, Cassina, Cotto, De Padova, Fantini, Fendi Casa, Flos, illycaffè, Janus et Cie, Kartell, Kerakoll, Knoll, Olivari, Salvatori, and Tecno.

Organized around different fields of intervention, the practice comprises Lissoni Casal Ribeiro for masterplans, landscape design, and architecture; Lissoni Associati for interior design, product design, art direction, and fit-outs; and Lissoni Graphx for graphic design, visual communication, and brand identity, while Lissoni New York develops architecture and interior design projects for the American continent.

The book, edited by Stefano Casciani, is the first far-reaching monographic study on Lissoni, richly illustrated with photographs, floor plans, and sketches. It is structured by theme and includes Lissoni’s most important projects for industrial and residential architecture, as well as commercial and public spaces, museums displays, boats, graphic design, and product design.

About the Author:

Stefano Casciani is a designer, artist, and writer, with many publications, exhibits, and books to his credit for which he has received prestigious awards. He was vice-director of Domus from 2000 to 2010 and co-director with A. Mendini for the series “La Nuova Utopia” (2010–2011). In 2012 he founded the magazine Disegno, la nuova cultura industriale, and in 2016 he established the SOS School of Sustainability together with Mario Cucinella. His designs and objects can be found in private and public collections, including Musée des Arts Décoratifs in Gand, the Wolfsonian–FIU in Miami, and the ADI Design Museum di Milan, to name but a few.

An exhaustive monograph on the eminent architect, emblematic of Milanese, and also Italian, 20th-century architectural and figurative culture.

Celebrated in the 1930s, controversial and forgotten during the postwar period, and finally rediscovered today, Piero Portaluppi was an undisputed protagonist of 20th-century Italian architecture. An eclectic protagonist who steered clear of specific styles and schools, a master of hydroelectric architecture, and a great town planner whose projects changed the face of Milan. Produced in collaboration with the Fondazione Piero Portaluppi, this new exhaustive monograph comprises a large photo album with new colour images of Portaluppi’s architectural projects and interiors, taken by the well-known photographer Ciro Frank Schiappa; three previously unpublished essays, illustrated with vintage photos by Antonio Paoletti; views and models of Portaluppi’s projects; items documenting his personal interests (cartoons, diagrams, sundials, postcards, newspaper cuttings). The volume also features an interview with Portaluppi’s nephew, architect Piero Castellini, by the famous film director Luca Guadagnino; an unpublished essay by architect Paolo Portoghesi; a biography of Piero Portaluppi by Jacopo Ghilardotti; a list of works and a bibliography compiled by Ferruccio Lupi, conservator at Fondazione Piero Portaluppi.

About the Authors:

Piero Maranghi, great-grandson of Piero Portaluppi, is director of the Fondazione Portaluppi.
Ciro Frank Schiappa (Dublin, 1971) studied photography at Fondazione Studio Marangoni in Florence, Italy. His photographs have been featured in numerous solo and group exhibitions worldwide

His first book was an international bestseller, and in this publication, Boon shows us his new projects, including an astonishing apartment in the heart of New York. Boon's modern classic and austere style retains a classical touch as a consequence of its obvious affinity with pure, traditional building materials and architectural styles. His books show, through wonderful colour photographs, that his creations have an enduring appeal. Piet Boon started his career as a carpenter. Now he is gaining fame and recognition in the U.S. where his projects regularly catch the attention of style magazines. His is known as the no-nonsense Dutch style. He also has a line of furniture called 'Piet Boon Zone'.