Архитектура

Award-winning architects Paul Lewis, Marc Tsurumaki, and David J. Lewis's essential guide to section. Section, along with plan and elevation, is one of the most important representational techniques of architectural design. Manual of Section is the first book to provide a framework to describe and evaluate this fundamental design process in architecture.

Divided into seven categories of section based on extensive archival research:

• Range is from simple one-story buildings to complex structures
• Features stacked forms, fantastical shapes, internal holes, inclines, sheared planes, nested forms, or combinations of each
• Includes sixty-three intricately detailed cross-section perspective drawings of many of the most significant structures in international architecture from the last one hundred years

"A must-read for all designers associated with the built environment and should surely be on the library shelves of every architecture, urban design and interior design school...the intricate drawings provided by LTL are sure to inspire all those who have the privilege of cracking the spine of this amazing reference." —Spacing

In addition to the incredible cross-section drawings, the book includes smart and accessible essays on the history and uses of section.

Manual of Section has become a top architecture book for architecture students and professional architects.

About the Author:

Lewis.Tsurumaki.Lewis (LTL Architects) is a design intensive architecture firm founded in 1997 by Paul Lewis, Marc Tsurumaki and David J. Lewis, located in New York City. LTL Architects engages a diverse range of work, from large scale academic and cultural buildings to interiors and speculative research projects.

The exclusive world of one of the twentieth century’s most glamorous and alluring women, as seen through her private homes and gardens. Nicknamed "The Swan" by Richard Avedon when he photographed her iconic portrait in 1953, Marella Agnelli is not only one of the great beauties of the last century, but also the most elegant and cultured of that exclusive club.

Born the Neapolitan princess Marella Caracciolo di Castagneto, she became Marella Agnelli with her marriage to Gianni Agnelli, the Fiat industrialist. However, her innate style dates back to her New York internship with photographer Erwin Blumenfeld, and she was a Vogue contributor in the 1950s and ’60s as well as appearing in its pages. One of the most photographed women of the jet-set society, she was captured by Avedon as well as Irving Penn, Henry Clarke, Horst, and Robert Doisneau, among others. Agnelli collaborated with the best artists and designers of her day, with her many residences as their palette. From Italian interior design legend Renzo Mongiardino — who worked on her New York apartment alongside a young Peter Marino — to Gae Aulenti, the important Italian architect, who built her homes in Turin and Marrakech, Agnelli created a series of extraordinary houses and gardens, full of timeless elegance, invaluable art, and groundbreaking decorating ideas. With ten residences spread throughout Turin, Rome, Milan, New York, St. Moritz, and Marrakech, ranging from regally classic villas to ultramodern apartments, her impeccable taste shines through in these gorgeous interiors and gardens.

One of the famous modern fairy tales of love, glamour, and heartbreak, Marella Agnelli has become an icon of our times.

About the Author:

Marella Caracciolo Chia is a respected design journalist for Architectural Digest, the New York Times T Magazine, among other prestigious publications.

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Пролистать книгу Marella Agnelli: The Last Swan

Twenty-one houses in and around Marfa, Texas, provide a glimpse at creative life and design in one of the art world’s most intriguing destinations.

When Donald Judd began his Marfa project in the early 1970s, it was regarded as an idiosyncratic quest. Today, Judd is revered for his minimalist art and the stringent standards he applied to everything around him, including interiors, architecture, and furniture. The former water stop has become a mecca for artists, art pilgrims, and design aficionados drawn to the creative enclave, the permanent installations called “among the largest and most beautiful in the world,” and the austerely beautiful high-desert landscape.

In keeping with Judd’s site-specific intentions, those who call Marfa home have made a choice to live in concert with their untamed, open surroundings. Marfa Modern features houses that represent unique responses to this setting — the sky, its light and sense of isolation — some that even predate Judd’s arrival.

Here, conceptual artist Michael Phelan lives in a former Texaco service station with battery acid stains on the concrete floor and a twenty-foot dining table lining one wall. A chef’s modest house comes with the satisfaction of being handmade down to its side tables and bath, which expands into a private courtyard with an outdoor tub. Another artist uses the many rooms of her house, a former jail, to shift between different mediums — with Judd’s Fort D. A. Russell works always visible from her second-story sun porch.

Extraordinary building costs mean that Marfa dwellers embrace a culture of frontier ingenuity and freedom from excess — salvaged metal signs become sliding doors and lengths of pipe become lighting fixtures, industrial warehouses are redesigned after the area’s white-cube galleries to create space for private or personally created art collections, and other materials are suggested by the land itself: walls are made of adobe bricks or rammed earth to form sculptural courtyards, or, in one remarkable instance, a mix of mud and brick plastered with local soils, cactus mucilage, horse manure, and straw.

About the Authors:

Helen Thompson is a nationally known writer whose areas of specialty include interior design, architecture, and food. She was formerly a food writer and editor for Texas Monthly magazine and the Texas city editor for Metropolitan Home magazine. She has also written and produced articles for Architectural Digest, Dwell, Elle Decor, House Beautiful, Martha Stewart Living, Traditional Home, Veranda, and many other magazines. She is the author of The Big Texas Steakhouse Cookbook and The Mansion on Turtle Creek Cookbook.

Casey Dunn is an Austin-based architectural and landscape photographer whose work has appeared in Architectural Digest, Architectural Record, Dwell, Interior Design magazine, the New York Times Magazine, and Paper City.

The first authoritative assessment of Mario Buatta by a protégée of the decorator. Never-before-seen archival material is culled to present the design master as someone who remains impactful in today’s world of maximalist interiors.

This book presents the design tricks and decorative life of Mario Buatta (1935–2018), one of America’s most famous interior decorators. Drawing upon Buatta’s vast archives and revealing the foundations of his work, which include hundreds of presentation boards, more than eighty scrapbooks chronicling his career, and correspondence with clients and such design notables as John Fowler and Sister Parish, Anatomy of a Decorator illuminates the designer’s work with a focus on influences, process, and evolution. His very last projects, not included in Rizzoli’s comprehensive book on the decorator in 2013, are evaluated and provide readers a masterclass in decorating à la Buatta. Ribbons, needlepoint, fine English and American antiques, floral chintzes, blue-and-white porcelains, lacquerware, botanicals, vibrant color combinations, and whimsy abound.

Chapters include a close look at the important figures who guided his trajectory, including Nancy Lancaster, Rose Cumming, Keith Irvine, and Albert Hadley; an assessment of how the designer catapulted from Staten Island without a college degree to become a household name; and a breakdown of Buatta’s design vocabulary and how-tos. This book is an essential addition to the libraries of design aficionados.

About the Authors:

Emily Evans Eerdmans is a design historian and founder of Eerdmans New York, a fine and decorative arts gallery and consultancy. She is the author of Mario Buatta: Fifty Years of American Interior Decoration (2013), among others. Patricia Altschul is an American socialite and art collector. Altschul has had several residences designed by Buatta.

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Пролистать книгу Mario Buatta: Anatomy of a Decorator на сайте издательства.

The eagerly anticipated first monograph to celebrate the fifty-years-and-counting career of decorating legend Mario Buatta. Influenced by the understated elegance of Colefax and Fowler and the doyenne of exuberant American decor, Sister Parish, Buatta reinvented the English Country House style stateside for clients such as Henry Ford II, Barbara Walters, Malcolm Forbes, and Mariah Carey, and for Blair House, the President’s guest quarters. The designer is acclaimed for his sumptuous rooms that layer fine antiques, confectionary curtains, and sublime colorations, creating an atmosphere of lived-in opulence. This lavishly illustrated survey — filled with images taken for the foremost shelter magazines as well as many unpublished photographs from the designer’s own archive — closely follows Buatta’s highly documented career from his professional start in the 1950s working for department store B. Altman & Co. and Elisabeth Draper, Inc. to his most recent projects, which include some of the country’s finest residences. Buatta shares exclusive insights into his process, his own rules for decorating, and personal stories of his adventures along the way.

About the Author:

Mario Buatta is an internationally acclaimed interior designer known for his English Country House style. He has brought the refinement, comfort, and beauty of his designs to a long list of clients from the worlds of entertainment, business, fashion, and high society. Emily Evans Eerdmans received her master’s degree in fine and decorative arts from Sotheby’s Institute of Art in London and is a leading authority on antique furniture and interior design. She has authored The World of Madeleine Castaing and Regency Redux. Paige Rense is the editor emeritus of Architectural Digest, where she served as editor-in-chief from 1975 to 2010.

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Пролистать книгу Mario Buatta: Fifty Years of American Interior Decoration на сайте издательства.

Gage, Yale theorist, architect, and pioneer of the digital avant-garde in architecture and design, presents here a phantasmagoria of ideas and built work in his first monograph.

Architect to Lady Gaga and Nicola Formichetti, Mark Foster Gage has spent 20 years leading the digital architectural avant-garde, pushing the boundaries of what is possible in architecture and design and exploding expectations. This volume features built and unbuilt work from around the globe, from a penthouse in downtown Manhattan to retail stores in Hong Kong. The work shown goes beyond traditional architecture to the realm of fashion and fine art, and includes Gage’s celebrated Valentine’s Sculpture for Times Square, a 3-D-printed outfit for Lady Gaga, as well as designs for Google Glass, Solar Flowers, and robotic tulips.

Mark Foster Gage, whose work Harper’s Bazaar has called “effortlessly chic” and who has been labeled a “boundary breaker,” is a visionary for today. Filled with surprises and creations of wonder, such as a tower for New York’s 57th Street with mouthlike balconies on giant wings or a retail space bedecked with a hundred-faceted mirror, Gage’s work at once challenges expectations of what architecture might be and, as well, frequently fills one with a sense of excitement. Gage’s work is further elucidated in the book by the critical musings of eminent architects and cultural touchstones Peter Eisenman and Robert A.M. Stern.

About the Authors:

Mark Foster Gage is the principal of Mark Foster Gage Architects and the assistant dean of the Yale School of Architecture. Peter Eisenman is principal of Eisenman Architects. Robert A.M. Stern is founder and senior partner in the firm of Robert A.M. Stern Architects.

More thoughts on decorating from one of today’s most versatile and accomplished interior designers, illustrated with his latest projects

Markham Roberts is renowned for his boundless creativity and ability to work in a wide range of styles. In this, his second book, he examines his working method, identifying the key elements of a project and explaining how he addresses them. He begins with his top priority: taking into account his clients’ point of view by interpreting their needs and reflecting their style. Other elements include establishing a sense of place, layering and embellishing to make spaces more personal and interesting, acknowledging the need for practicality in materials, and doing the unexpected, from upholstering walls to mixing disparate materials and styles of furniture. Throughout, specially commissioned photographs illustrate his solutions to the challenges each of these elements poses. He concludes the book with a chapter on a single project that encompasses all of the elements.

About the Author:

Markham Roberts trained with the renowned decorator Mark Hampton before opening his own firm in 1997. Since then, he has earned the reputation as one of the top decorators of his generation. Alison Levasseur is the Interiors and Garden editor at Architectural Digest. Nelson Hancock works as a photographer, curator, and professor of photography and cultural anthropology.
 
 

Each year the pristine beaches, lush pine forests, and picturesque New England towns of Martha’s Vineyard draw tens of thousands of admirers to this beautiful island. Some of these visitors have become part-time residents, building contemporary homes alongside the traditional Victorian cottages, sea captains’ mansions, and colonial farmhouses that comprise the island’s cultural and architectural heritage. Rarely does one find such a concentration of outstanding contemporary design.

Authors Keith Moskow and Robert Linn expand their 2005 survey of Vineyard residential design to present twenty-five new houses that extend the traditional Vineyard vernacular of shingled houses and cottages. Each of the architects has described the goals for the project and the source of the design. Some reference nautical themes, others environmental concerns, and still others appropriateness of materials and scale. A significant number rely on a plan strategy based on a series of pavilions to minimize intrusion in the landscape while still taking advantage of views and prevailing breezes. What links the houses is that they are all built to stand the test of time in the sometimes extreme marine environment and they respectfully break with tradition.

About the Authors:

Keith Moskow and Robert Linn are principals of Moskow Linn Architects in Boston, a firm committed to sustainable, environmentally sensitive architecture. Moskow studied architecture at Dartmouth College and the University of Pennsylvania, and has been a lifelong summer resident of Martha’s Vineyard, where he and Linn have completed multiple architectural commissions. He is the author of The Houses of Martha’s Vineyard, Sustainable Facilities, and Small Scale.

In his second book, Martyn Lawrence Bullard demonstrates how to bring a sense of luxury and glamour into spaces designed for comfort and modern living. As evidenced by the success of Live, Love, & Decorate, Martyn Lawrence Bullard is beloved for his ability to mix a broad range of styles in eclectic, sophisticated, yet always comfortable interiors. His trademark attention to detail, adventurous use of color and texture, and references to history are hallmarks of his style. Known for his commitment to quality, he travels the globe to source the world’s most beautiful objects. For this all-new selection of design projects, Bullard continues to draw upon these inspiration-filled experiences as well as his penchant for studying and collecting both vintage decorative arts and pedigreed antiques. This peek into Bullard’s newest cache of homes is inspiring in its mix of styles — from exotic chic to luxuriant modern — and will appeal to designers and homeowners with an eye for bold interiors. Included are a Connecticut country estate, a Balinese-inspired house in Malibu, Tommy Hilfiger’s pop art–filled beach house in Miami, and the Château Gütsch in Switzerland, once home to Queen Victoria and now a chic boutique hotel.

About the Author:

A star of the hit series Million Dollar Decorators, Martyn Lawrence Bullard is a regular on the AD100 and Elle Décor’s A-List. He designs eleven product lines for such renowned brands as Christofle, Haviland Limoges, Daum crystal, and Schumacher, along with his own eponymous fabric, furniture, and fragrance lines. Tommy Hilfiger is an American fashion designer.

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Пролистать книгу Martyn Lawrence Bullard: Design and Decoration

Housing is the most omnipresent urban typology. Housing is also the essential architecture of the human condition. Perhaps more than any other architectural species, housing determines the ways urbanites construct their lives and build their shared futures.

The all-out war in Ukraine, started by the Russian Federation in 2022 has disproportionally affected housing and residential infrastructure. The destruction is so targeted, and the damage so significant that it has disfigured entire neighborhoods and erased entire cities. With the scale of damage and loss in mind, and the future wide-ranging reconstruction that will inevitably take place after the war, this study examines the history and typologies of mass housing in Ukraine. It does so in order to evaluate what is lost, explain the diversity of modes of urban living that exist in Ukrainian cities, and finally, reconsider the narrative of how Ukrainian housing came about.

The study covers the period of the last 100 years: the time of the most dramatic expansion and change in character of Ukrainian cities. It begins with the experimental buildings constructed in the Soviet Central and Eastern Ukraine and Polish Western Ukraine in the 1920s and 1930s, continues by looking at type projects from the Stalin era, as well as the serial apartment blocks built during the reigns of Khrushchev and Brezhnev and in the late USSR. Finally, it showcases individually designed, yet also typical residential buildings from the turbo-capitalist period of the 1990s and 2000s.

With the help of archival materials -- texts, blueprints, and photographs -- as well as contemporary documentation, the authors analyze 30 examples of Ukrainian-designed or modified housing types. Through uncovering the Ukrainian context, as well as the work of Ukrainian architects, design institutions, contractors, and developers, the history of Ukrainian housing is emancipated from the Russian narrative of the Soviet past. By doing so, we aim to write the history of a specifically Ukrainian building tradition and contribute to embedding it in the context of all-European architectural history.

Chapters:

1922–1938
Ukrainian residential architecture under the early USSR and the Republic of Poland     

Residential courtyard on vul. Stryiska, Lviv 
Tarnavskoho ensemble, Lviv 
Slovo House, Kharkiv
Settlement No. 6, Zaporizhzhia
Kharkiv Tractor Factory, Kharkiv
Zhovtnivka Cooperative, Kyiv
First prefabricated building, Kharkiv

1938–1958
Stalin and the end of Modernism      

Five Modernist apartment buildings, Lviv
Series I-302   
Khreshchatyk, Kyiv
Series 7
Series 11
Sobornyi prospekt, Zaporizhzhia
House with a Spire, Kharkiv
Series I-403
Series I-406

1958–1984
First- and second-generation series under and after Khrushchev

Series I-438
Series I-464A
Series 1-480
Series BK
Series II-57
Series 67
Series 84
Series 87
Series 94
Series 96
Series 121
Series T
Series KT

1984–2008
Late Soviet and early post-Soviet construction

Series APPS 
Series APPS Lux
Postmodernist Podil, Kyiv
Slavutych new town, Slavutych
Cast-in-place towers, Kyiv
Amphiteatr/Amsterdam, Dnipro
Vozdvyzhenka: pseudo-historicism, Kyiv

2008–2022
Turbo-capitalism and urban renaissance 

Residential complexes by Kadorr, Odesa
Karat, residential building, Kharkiv
Residential complexes by Budova, Odesa
Comfort Town, Kyiv
Fayna Town, Kyiv
Municipal housing, Vinnytsia

Country houses have always been the preferred locations for withdrawing, deceleration, and contemplation. This trend continues unbroken today, especially as the metropolitan areas expand and more and more city dwellers are escaping to the countryside. In addition to the conversion of existing buildings numerous new residences are being built. New building materials, groundbreaking techniques or a simple return to traditional forms of construction are defining country houses of today.

Masterpieces: Country House Architecture + Design presents projects from across the world which answers today’s aesthetic, functional and ecological demands, while at the same time underscoring the uniqueness of the location and the surrounding landscape. The selected works show different ways to re-evaluate the definition of the country with a contemporary design.

_Casa no Geres in Peneda-Geras National Park, Portugal (Correia/Ragazzi Aquitectos)
_Villa Vals, Switzerland (SeARCH & CMA)
_Aptos Retreat, California, USA (CCS Architecture)
_Kent House, Connecticut, USA (Gray Organschi)
_Element House in Seoul, Korea (Sami Rintala)

Theaters, concert halls and opera houses are among the most fascinating architectural tasks of today. Large metropolises as well as medium-sized and smaller communities are enhancing their cultural infrastructure with spectacular new buildings and renovated historical structures for the performing arts. As prestige projects, buildings are emerging that first of all offer compelling designs and functions, but also shape and enrich their settings as outstanding individual structures.

Masterpieces: Performance Architecture + Design presents 69 contemporary international projects by famous architects and up-and-coming young designers. The diversity and creativity of the projects are presented in-depth through high-quality images and plans coupled with informative texts.

From the contents:

* Opera House in Valencia, Spain (Santiago Calatrava)
* Guthrie Theater in Minneapolis, USA (Ateliers Jean Nouvel)
* Hessisches Landestheater in Darmstadt, Germany (Lederer+Ragnarsdóttir+Oei)
* Royal Shakespeare Theatre in Stratford-upon-Avon, Great Britain (Bennetts Associates Architects)
* Guangzhou Opera House, China (Zaha Hadid Architects)

In the large cities and metropolitan areas, very few building plots remain in central locations. This is precisely why the development, expansion and new construction of roof levels and attics are an expedient and popular form of redensification. Existing buildings are expanded vertically and designed and adjusted to meet contemporary desires and requirements based on their specific uses.

Masterpieces: Roof Architecture + Design presents contemporary projects from around the world, successful symbioses of existing structure and new attic design, that enliven the city and creatively enhance the urban cityscapes. All projects have one thing in common – they respond to a longing of the residents and users to experience unlimited freedom above the rooftops.

From the contents:

_Nomiya in Paris, France (Pascal Grasso with Laurent Grasso)
_Tehama Grasshopper in San Francisco, USA (Fougeron Architecture)
_Moritzburg Museum, Germany (Nieto Sobejano)
_Argo Egota in Tokyo, Japan (Suppose Design Office)
_Ozulama Residence in Mexico-City, Mexiko (Architects Collective)

Sacral buildings are the most distinguished architectural accomplishments throughout the history of humanity. The search for worthy shapes and structures to serve religious beliefs and rites led to many architectural milestones as well as pioneering technical and design developments. To this day, sacral buildings constitute the most prestigious, and at the same time most expressive, tasks for architects and designers.

Masterpieces: Sacred Architecture + Design places churches, synagogues and mosques in a common context. The concept of presenting buildings of the three large monotheistic religions together identifies striking parallels and noticeable differences in contemporary sacral building architecture. Whether a tradition-based approach or an experimental play with shapes, whether the display of the greatest splendor or extreme minimalism - each presented project represents a very individual way of experiencing religion and spirituality.

- Martin Luther Kirche in Hainburg, Österreich (Coop Himmelb(l)au)
- Jüdisches Gemeindezentrum in München, Deutschland (Wandel Höfer Lorch)
- New Cathedral of the Northern Lights in Alta, Norwegen (Schmidt Hammer Lassen)
- Temple Sinai in Oakland, USA (MH2)
- Islamischer Begräbnispavillon in Amsterdam, Niederlande (Atelier PUUR)

A decadent and extravagant celebration of interior style, featuring more than 220 maximalist residential interiors, from the 1600s to the present day

This unique visual collection celebrates the very best contemporary Maximalist interior design as well as making the connection to a much longer historical tradition of excess. Maximalism is a style that has been with us, in one guise or another – for example in the castles, palazzi, chateaux, and historic homes of bygone ages – for more than 400 years. This richly illustrated volume, with metallic gold ink used throughout, features the most extraordinary Maximalist interiors from all over the globe, from centuries past and present, transcending both time and geography. An intense and thrilling journey through the magic and mayhem that is Maximalism – a book that is as much an experience as it is a book – its luxurious pages are layered, loud, and louche, chaotic, colorful, and controversial, but also romantic, joyous, and imbued with personality, history, and storytelling

Featured designers include: Jonathan Adler, Alidad, Sig Bergamin, Thomas Britt, Denning and Fourcade, Dorothy Draper, Tony Duquette, Ann Getty, Jacques Grange, India Mahdavi, Peter Marino, Juan Pablo Molyneux, Renzo Mongiardino, Alberto Pinto, Redd Kaihoi, and Elsie de Wolfe

Historic interiors featured include: castles, country estates, and palaces in Austria, France, Germany, India, Italy, Mexico, Portugal, Russia, Spain, Sweden, the UK, and the USA

About the Authors:

Writer, media personality, and iconic window dresser Simon Doonan worked for Diana Vreeland at the Costume Institute before joining Barneys, New York in 1986, where for nearly three decades he was the creative director behind the store’s legendary displays. He is a judge for the NBC show Making It, and has been published in the New York Observer, the Daily Beast, Harper’s Bazaar, Glamour, and Slate, among others.