Архитектура

A seductive vision of the future from the most promising firm in China led by Ma Yansong, an important voice in the new generation of architects.

Conceived and designed by Ma Yansong, founder of MAD Architects, MAD Rhapsody documents the buildings of this avant-garde architecture firm and traces the development of their ideas through associated practice including art, research, and exhibition projects. With photographs, drawings, and models, the book highlights 23 projects from the past six years, both built and in process. Known for their “organic and dreamlike architecture” that creates a dialogue with nature, earth, and sky, MAD projects reach all over the globe.

At age 46, Ma Yansong is one of China’s best-known architects. His curvilinear, free-form, and futuristic designs are often compared to those of his mentor, Zaha Hadid. Ma’s greatest inspiration is nature; his opera house in the northern Chinese city of Harbin resembles a snow-capped mountain, while his master plan for the city of Nanjing calls for sloping buildings covered with vertical louvers that resemble waterfalls. Other projects include the Ordos Museum in the wilderness of Inner Mongolia, the Absolute Towers in Canada, and the Lucas Museum of Narrative Art in Los Angeles.

About the Authors:

Ma Yansong is founder and principal partner of MAD Architects. Paul Goldberger is a contributing editor at Vanity Fair. Philip Jodidio has written more than 100 books about contemporary architecture.

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Пролистать книгу MAD Rhapsody: Past, Present, and Future

A duo of high-profile tastemakers invite readers inside fifteen homes that are infused with the blend of vintage and contemporary style that is the essence of Parisian chic.

Style icon Ines de la Fressange and globe-trotting artist Marin Montagut share a uniquely Parisian sensibility for interiors that combine a variety of design traditions into a harmonious living space.

With extensive photographs, watercolor illustrations, mood boards, color palettes, and practical advice on the indispensable objects that personalize each maison, this exquisite volume is rich in inspiration for creating Parisian chic at home.

Natural materials — wood, wicker, bamboo, cotton, and linen — create warmth and personality. Vintage suitcases, vegetable crates, and jewel-toned pharmaceutical jars transform into charming storage containers. Embroidered cushions, terrariums, and fresh flowers enliven a room with pops of color. Collages, original art, or humble objects displayed in a series add a signature style to each residence.

The authors take readers inside fifteen Parisian apartments — including their own — that demonstrate how to imbue a home with a sense of well-being through a mix of vintage and contemporary styles. Each owner is passionate about home decor—whether in a studio, loft, or duplex — and they continually evolve their interior with new treasures uncovered in flea markets, on their travels, at design fairs, or in artisanal workshops.

About the Author:

Ines de la Fressange is the best-selling author of Parisian Chic, art director of fashion and home accessories at Ines de la Fressange Paris, creative consultant for Roger Vivier, designer for her line at Uniqlo, and a model. Marin Montagut, author and illustrator of the Bonjour City Map-Guides, has collaborated with many French brands, including Diptyque, Pierre Frey, L’Occitane, and Sézane. Award-winning photographer Claire Cocano is a regular contributor to Milk Decoration.

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Susanna Salk’s latest book is a passionate primer on how to transform an empty space, whether it’s an apartment or a house, into a home. Full of beautiful interiors and pro tips from star designers, Making a House a Home is an inspiring and practical guide to designing your space from the floor up.

In her newest book, beloved Rizzoli author Susanna Salk gives you all the tools you need to design every aspect of your home. Whether you’ve recently moved into a new place or want to revamp and refresh your current home, Salk outlines how to conceive and create a cohesive design for your space.

Beginning with the basic elemental aspects of any interior — such as floors, doors, walls, and windows—and proceeding to fundamental decor decisions, like setting the design tone and making sure your rooms are livable and functional, this book walks you through the process, sharing approaches and techniques for designing every interior element.

With beautiful photographs from top designers — such as Miles Redd, Bunny Williams, and Madeline Stuart, to name a few — showing a variety of stylish treatments and solutions, Making a House a Home is inspiring and educational, demonstrating how to implement both big and small design ideas into your space on your budget. Informative texts and practical instructions and tips from the designers create a how-to guide for bringing your rooms to life.

About the Author:

Lifestyle and design author Susanna Salk has written many books, including the successful At Home with Designers and Tastemakers, Be Your Own Decorator, and Dogs and Their Designers. She also hosts (and coproduces) the Quintessence At Home With video series on YouTube, which features visits with leading tastemakers.

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Пролистать книгу Making a House a Home: Designing Your Interiors from the Floor Up

This book celebrates inventive and inspired homes that are at once original and the product of visionary designers at the height of their powers.

Making House features the houses and apartments of leading interior, furniture, and product designers—homes by designers, as designed for themselves — including the abodes of well-known figures such as Jonathan Adler, Marc Newson, Britt Moran and Emiliano Salci of Dimore Studio, and Stephen Sills.

A great degree of inspiration is to be found among the personal homes and interiors of the masters. Designers, architects, and artists are free to experiment in a way that is unique, without any of the traditional limitations of a client-commissioned project. These are laboratories of invention. They are also private retreats, which offer a range of design solutions for common challenges from which the reader may glean new ideas and the motivation to make such ideas real.

Beautifully illustrated, this volume is at once a document and a celebration of some of the most inspiring homes from around the world and the creative minds and personalities behind them, photographed specifically for this book.

About the Author:

Writer and journalist Dominic Bradbury and photographer Richard Powers have produced more than twenty books on design, architecture, and interiors between them. Among their most successful books are The Iconic House and its successor, The Iconic Interior.

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This is the definitive volume on Craig Ellwood, a visionary architect, designer, and tastemaker often called the “California Mies van der Rohe.”

Craig Ellwood, “the Cary Grant of architecture,” was one of the most visible faces of California mid-century modernism. He was known as much for his exquisitely designed, minimalist structures as he was for his exuberant lifestyle.

This book celebrates and explores the glamour of Ellwood’s work, life, myth, and career. Through photographs, primarily of the iconic houses he designed in Southern California during the 1950s and ’60s, we see a life of refined decadence, expressed through gorgeous architecture, fast cars, beautiful women, Hollywood style, palm trees, swimming pools, and minimalist design — all in the context of the Southern California postwar building boom.

This volume will appeal to design junkies, architecture buffs, students of modernism, and anyone interested in problem-solving and elegant solutions.

About the Author:

Michael Boyd, a designer based in Los Angeles and San Francisco, is a renowned and published expert on twentieth-century design and postwar modernism. Richard Powers is a widely published photographer whose books include Rizzoli’s Making House. Ray Kappe is an internationally recognized architect, urban planner, and educator and is a cofounder of SCI-Arc in Los Angeles.

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Пролистать книгу Making L.A. Modern: Craig Ellwood - Myth, Man, Designer

Embrace female empowerment with J. J. Martin, founder of world–renowned Milanese lifestyle brand LaDoubleJ, in the ultimate insider’s guide to Italy and her magic.

After moving from Manhattan to Milan 20 years ago, with no job, no friends, and no patience for the Italian way of life, J. J. Martin realized she had no option but to surrender to the vibrant but slow-paced lifestyle. In so doing, she discovered more joy (and success) than she could ever have imagined. In this uplifting volume, Martin invites us to jump on board and join her on her journey – an outsider’s evolution through life, love, loss, creativity, and magic – to today’s beloved ‘Milano’. Dive into the delights of Italian fashion, food, and good living; meet some of Italy’s leading female tastemakers (the ‘LaDoubleJ Babes’); tap into Martin’s spiritual secrets for unleashing inner creativity and wisdom; and more – all with a dash of LaDoubleJ vintage chic and oodles of Italian style. This feel-good book is a celebration and a creation story – both of a brand and of becoming your own woman, the Italian way.

Each copy is bound in one of three LaDoubleJ fabrics. Orders will be fulfilled with one of the fabrics available, selected at random.

About the Author:

J.J. Martin is a Los Angeles–born editor turned entrepreneur and founder of the hugely successful Milanese lifestyle brand La DoubleJ — now a global phenomenon. Having spent years scoping out the very best of Italian fashion and design as a contributing editor for publications including Harper’s Bazaar and Wallpaper*, Martin launched La DoubleJ in 2015 as a shoppable magazine selling vintage clothing and jewelry. The brand soon expanded into a full lifestyle label offering new fashion made with archival prints, cool home design, and rare vintage — all distilled through a lens of pure joy and eye-popping print — and championing Italian talent. With collections sold in more than 200 stores worldwide, La DoubleJ’s first flagship store opened in Milan’s high-end fashion district in 2021, complete with a dedicated floor offering a spiritual haven for shoppers and venue for female empowerment workshops. Martin lives in Milan.
 

What do you picture when you think of New York City? For most, it is the city's distinctive skyline, made famous by countless movies and photographs.

Everyone in Manhattan, whether first-time visitor or longtime resident, experiences the awe of gazing up at the soaring stone, steel, and glass towers of Wall Street or Midtown, and wonders how those structures came to be built.

First published in 1999, Manhattan Skyscrapers was the first book to document the most important peaks in the city's concrete canyons. From the earliest skyscrapers built in the city - such as the 1896 American Tract Society Building - to the most well known, including the Woolworth, Empire State, and Chrysler buildings, the book has become the definitive reference work on the Big Apple's skyline.

Now available in a revised third edition, Manhattan Skyscrapers presents more than a century's worth of New York's most fascinating and important buildings. Each skyscraper is presented with informative and entertaining texts by New York Times contributor Eric Nash, a striking full-page photograph by architectural photographer Norman McGrath, archival images, interior views, and architectural drawings.

In addition to the eighty-five buildings documented in previous versions of the book, Manhattan Skyscrapers showcases eight of the most exciting new skyscrapers built in the past few years.

These wonderfully diverse additions to the city - the New York Times Building by Renzo Piano, the Standard Hotel by Polshek Partnership Architects, 7 World Trade Center by SOM, the Blue Tower by Bernard Tschumi, Bank of America Tower by Cook + Fox, 11 Times Square by FXFOWLE, 200 West Street by Pei Cobb Freed & Partners, and 425 Fifth Avenue by Michael Graves - give an indication of how the city continues to evolve in the twenty-first century.

Manhattan Skyscrapers is an indispensable book for both the serious student of architecture and the casual collector of all things New York.

The exclusive world of one of the twentieth century’s most glamorous and alluring women, as seen through her private homes and gardens. Nicknamed "The Swan" by Richard Avedon when he photographed her iconic portrait in 1953, Marella Agnelli is not only one of the great beauties of the last century, but also the most elegant and cultured of that exclusive club.

Born the Neapolitan princess Marella Caracciolo di Castagneto, she became Marella Agnelli with her marriage to Gianni Agnelli, the Fiat industrialist. However, her innate style dates back to her New York internship with photographer Erwin Blumenfeld, and she was a Vogue contributor in the 1950s and ’60s as well as appearing in its pages. One of the most photographed women of the jet-set society, she was captured by Avedon as well as Irving Penn, Henry Clarke, Horst, and Robert Doisneau, among others. Agnelli collaborated with the best artists and designers of her day, with her many residences as their palette. From Italian interior design legend Renzo Mongiardino — who worked on her New York apartment alongside a young Peter Marino — to Gae Aulenti, the important Italian architect, who built her homes in Turin and Marrakech, Agnelli created a series of extraordinary houses and gardens, full of timeless elegance, invaluable art, and groundbreaking decorating ideas. With ten residences spread throughout Turin, Rome, Milan, New York, St. Moritz, and Marrakech, ranging from regally classic villas to ultramodern apartments, her impeccable taste shines through in these gorgeous interiors and gardens.

One of the famous modern fairy tales of love, glamour, and heartbreak, Marella Agnelli has become an icon of our times.

About the Author:

Marella Caracciolo Chia is a respected design journalist for Architectural Digest, the New York Times T Magazine, among other prestigious publications.

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Пролистать книгу Marella Agnelli: The Last Swan

Twenty-one houses in and around Marfa, Texas, provide a glimpse at creative life and design in one of the art world’s most intriguing destinations.

When Donald Judd began his Marfa project in the early 1970s, it was regarded as an idiosyncratic quest. Today, Judd is revered for his minimalist art and the stringent standards he applied to everything around him, including interiors, architecture, and furniture. The former water stop has become a mecca for artists, art pilgrims, and design aficionados drawn to the creative enclave, the permanent installations called “among the largest and most beautiful in the world,” and the austerely beautiful high-desert landscape.

In keeping with Judd’s site-specific intentions, those who call Marfa home have made a choice to live in concert with their untamed, open surroundings. Marfa Modern features houses that represent unique responses to this setting — the sky, its light and sense of isolation — some that even predate Judd’s arrival.

Here, conceptual artist Michael Phelan lives in a former Texaco service station with battery acid stains on the concrete floor and a twenty-foot dining table lining one wall. A chef’s modest house comes with the satisfaction of being handmade down to its side tables and bath, which expands into a private courtyard with an outdoor tub. Another artist uses the many rooms of her house, a former jail, to shift between different mediums — with Judd’s Fort D. A. Russell works always visible from her second-story sun porch.

Extraordinary building costs mean that Marfa dwellers embrace a culture of frontier ingenuity and freedom from excess — salvaged metal signs become sliding doors and lengths of pipe become lighting fixtures, industrial warehouses are redesigned after the area’s white-cube galleries to create space for private or personally created art collections, and other materials are suggested by the land itself: walls are made of adobe bricks or rammed earth to form sculptural courtyards, or, in one remarkable instance, a mix of mud and brick plastered with local soils, cactus mucilage, horse manure, and straw.

About the Authors:

Helen Thompson is a nationally known writer whose areas of specialty include interior design, architecture, and food. She was formerly a food writer and editor for Texas Monthly magazine and the Texas city editor for Metropolitan Home magazine. She has also written and produced articles for Architectural Digest, Dwell, Elle Decor, House Beautiful, Martha Stewart Living, Traditional Home, Veranda, and many other magazines. She is the author of The Big Texas Steakhouse Cookbook and The Mansion on Turtle Creek Cookbook.

Casey Dunn is an Austin-based architectural and landscape photographer whose work has appeared in Architectural Digest, Architectural Record, Dwell, Interior Design magazine, the New York Times Magazine, and Paper City.

The first authoritative assessment of Mario Buatta by a protégée of the decorator. Never-before-seen archival material is culled to present the design master as someone who remains impactful in today’s world of maximalist interiors.

This book presents the design tricks and decorative life of Mario Buatta (1935–2018), one of America’s most famous interior decorators. Drawing upon Buatta’s vast archives and revealing the foundations of his work, which include hundreds of presentation boards, more than eighty scrapbooks chronicling his career, and correspondence with clients and such design notables as John Fowler and Sister Parish, Anatomy of a Decorator illuminates the designer’s work with a focus on influences, process, and evolution. His very last projects, not included in Rizzoli’s comprehensive book on the decorator in 2013, are evaluated and provide readers a masterclass in decorating à la Buatta. Ribbons, needlepoint, fine English and American antiques, floral chintzes, blue-and-white porcelains, lacquerware, botanicals, vibrant color combinations, and whimsy abound.

Chapters include a close look at the important figures who guided his trajectory, including Nancy Lancaster, Rose Cumming, Keith Irvine, and Albert Hadley; an assessment of how the designer catapulted from Staten Island without a college degree to become a household name; and a breakdown of Buatta’s design vocabulary and how-tos. This book is an essential addition to the libraries of design aficionados.

About the Authors:

Emily Evans Eerdmans is a design historian and founder of Eerdmans New York, a fine and decorative arts gallery and consultancy. She is the author of Mario Buatta: Fifty Years of American Interior Decoration (2013), among others. Patricia Altschul is an American socialite and art collector. Altschul has had several residences designed by Buatta.

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Gage, Yale theorist, architect, and pioneer of the digital avant-garde in architecture and design, presents here a phantasmagoria of ideas and built work in his first monograph.

Architect to Lady Gaga and Nicola Formichetti, Mark Foster Gage has spent 20 years leading the digital architectural avant-garde, pushing the boundaries of what is possible in architecture and design and exploding expectations. This volume features built and unbuilt work from around the globe, from a penthouse in downtown Manhattan to retail stores in Hong Kong. The work shown goes beyond traditional architecture to the realm of fashion and fine art, and includes Gage’s celebrated Valentine’s Sculpture for Times Square, a 3-D-printed outfit for Lady Gaga, as well as designs for Google Glass, Solar Flowers, and robotic tulips.

Mark Foster Gage, whose work Harper’s Bazaar has called “effortlessly chic” and who has been labeled a “boundary breaker,” is a visionary for today. Filled with surprises and creations of wonder, such as a tower for New York’s 57th Street with mouthlike balconies on giant wings or a retail space bedecked with a hundred-faceted mirror, Gage’s work at once challenges expectations of what architecture might be and, as well, frequently fills one with a sense of excitement. Gage’s work is further elucidated in the book by the critical musings of eminent architects and cultural touchstones Peter Eisenman and Robert A.M. Stern.

About the Authors:

Mark Foster Gage is the principal of Mark Foster Gage Architects and the assistant dean of the Yale School of Architecture. Peter Eisenman is principal of Eisenman Architects. Robert A.M. Stern is founder and senior partner in the firm of Robert A.M. Stern Architects.

More thoughts on decorating from one of today’s most versatile and accomplished interior designers, illustrated with his latest projects

Markham Roberts is renowned for his boundless creativity and ability to work in a wide range of styles. In this, his second book, he examines his working method, identifying the key elements of a project and explaining how he addresses them. He begins with his top priority: taking into account his clients’ point of view by interpreting their needs and reflecting their style. Other elements include establishing a sense of place, layering and embellishing to make spaces more personal and interesting, acknowledging the need for practicality in materials, and doing the unexpected, from upholstering walls to mixing disparate materials and styles of furniture. Throughout, specially commissioned photographs illustrate his solutions to the challenges each of these elements poses. He concludes the book with a chapter on a single project that encompasses all of the elements.

About the Author:

Markham Roberts trained with the renowned decorator Mark Hampton before opening his own firm in 1997. Since then, he has earned the reputation as one of the top decorators of his generation. Alison Levasseur is the Interiors and Garden editor at Architectural Digest. Nelson Hancock works as a photographer, curator, and professor of photography and cultural anthropology.
 
 

Each year the pristine beaches, lush pine forests, and picturesque New England towns of Martha’s Vineyard draw tens of thousands of admirers to this beautiful island. Some of these visitors have become part-time residents, building contemporary homes alongside the traditional Victorian cottages, sea captains’ mansions, and colonial farmhouses that comprise the island’s cultural and architectural heritage. Rarely does one find such a concentration of outstanding contemporary design.

Authors Keith Moskow and Robert Linn expand their 2005 survey of Vineyard residential design to present twenty-five new houses that extend the traditional Vineyard vernacular of shingled houses and cottages. Each of the architects has described the goals for the project and the source of the design. Some reference nautical themes, others environmental concerns, and still others appropriateness of materials and scale. A significant number rely on a plan strategy based on a series of pavilions to minimize intrusion in the landscape while still taking advantage of views and prevailing breezes. What links the houses is that they are all built to stand the test of time in the sometimes extreme marine environment and they respectfully break with tradition.

About the Authors:

Keith Moskow and Robert Linn are principals of Moskow Linn Architects in Boston, a firm committed to sustainable, environmentally sensitive architecture. Moskow studied architecture at Dartmouth College and the University of Pennsylvania, and has been a lifelong summer resident of Martha’s Vineyard, where he and Linn have completed multiple architectural commissions. He is the author of The Houses of Martha’s Vineyard, Sustainable Facilities, and Small Scale.

In his second book, Martyn Lawrence Bullard demonstrates how to bring a sense of luxury and glamour into spaces designed for comfort and modern living. As evidenced by the success of Live, Love, & Decorate, Martyn Lawrence Bullard is beloved for his ability to mix a broad range of styles in eclectic, sophisticated, yet always comfortable interiors. His trademark attention to detail, adventurous use of color and texture, and references to history are hallmarks of his style. Known for his commitment to quality, he travels the globe to source the world’s most beautiful objects. For this all-new selection of design projects, Bullard continues to draw upon these inspiration-filled experiences as well as his penchant for studying and collecting both vintage decorative arts and pedigreed antiques. This peek into Bullard’s newest cache of homes is inspiring in its mix of styles — from exotic chic to luxuriant modern — and will appeal to designers and homeowners with an eye for bold interiors. Included are a Connecticut country estate, a Balinese-inspired house in Malibu, Tommy Hilfiger’s pop art–filled beach house in Miami, and the Château Gütsch in Switzerland, once home to Queen Victoria and now a chic boutique hotel.

About the Author:

A star of the hit series Million Dollar Decorators, Martyn Lawrence Bullard is a regular on the AD100 and Elle Décor’s A-List. He designs eleven product lines for such renowned brands as Christofle, Haviland Limoges, Daum crystal, and Schumacher, along with his own eponymous fabric, furniture, and fragrance lines. Tommy Hilfiger is an American fashion designer.

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Пролистать книгу Martyn Lawrence Bullard: Design and Decoration

Housing is the most omnipresent urban typology. Housing is also the essential architecture of the human condition. Perhaps more than any other architectural species, housing determines the ways urbanites construct their lives and build their shared futures.

The all-out war in Ukraine, started by the Russian Federation in 2022 has disproportionally affected housing and residential infrastructure. The destruction is so targeted, and the damage so significant that it has disfigured entire neighborhoods and erased entire cities. With the scale of damage and loss in mind, and the future wide-ranging reconstruction that will inevitably take place after the war, this study examines the history and typologies of mass housing in Ukraine. It does so in order to evaluate what is lost, explain the diversity of modes of urban living that exist in Ukrainian cities, and finally, reconsider the narrative of how Ukrainian housing came about.

The study covers the period of the last 100 years: the time of the most dramatic expansion and change in character of Ukrainian cities. It begins with the experimental buildings constructed in the Soviet Central and Eastern Ukraine and Polish Western Ukraine in the 1920s and 1930s, continues by looking at type projects from the Stalin era, as well as the serial apartment blocks built during the reigns of Khrushchev and Brezhnev and in the late USSR. Finally, it showcases individually designed, yet also typical residential buildings from the turbo-capitalist period of the 1990s and 2000s.

With the help of archival materials -- texts, blueprints, and photographs -- as well as contemporary documentation, the authors analyze 30 examples of Ukrainian-designed or modified housing types. Through uncovering the Ukrainian context, as well as the work of Ukrainian architects, design institutions, contractors, and developers, the history of Ukrainian housing is emancipated from the Russian narrative of the Soviet past. By doing so, we aim to write the history of a specifically Ukrainian building tradition and contribute to embedding it in the context of all-European architectural history.

Chapters:

1922–1938
Ukrainian residential architecture under the early USSR and the Republic of Poland     

Residential courtyard on vul. Stryiska, Lviv 
Tarnavskoho ensemble, Lviv 
Slovo House, Kharkiv
Settlement No. 6, Zaporizhzhia
Kharkiv Tractor Factory, Kharkiv
Zhovtnivka Cooperative, Kyiv
First prefabricated building, Kharkiv

1938–1958
Stalin and the end of Modernism      

Five Modernist apartment buildings, Lviv
Series I-302   
Khreshchatyk, Kyiv
Series 7
Series 11
Sobornyi prospekt, Zaporizhzhia
House with a Spire, Kharkiv
Series I-403
Series I-406

1958–1984
First- and second-generation series under and after Khrushchev

Series I-438
Series I-464A
Series 1-480
Series BK
Series II-57
Series 67
Series 84
Series 87
Series 94
Series 96
Series 121
Series T
Series KT

1984–2008
Late Soviet and early post-Soviet construction

Series APPS 
Series APPS Lux
Postmodernist Podil, Kyiv
Slavutych new town, Slavutych
Cast-in-place towers, Kyiv
Amphiteatr/Amsterdam, Dnipro
Vozdvyzhenka: pseudo-historicism, Kyiv

2008–2022
Turbo-capitalism and urban renaissance 

Residential complexes by Kadorr, Odesa
Karat, residential building, Kharkiv
Residential complexes by Budova, Odesa
Comfort Town, Kyiv
Fayna Town, Kyiv
Municipal housing, Vinnytsia