Книги о стилях архитектуры

An extensively revised and updated edition of a bestselling classic on modern architecture and its origins

This highly acclaimed survey of modern architecture and its origins has become a classic since it first appeared in 1980, and has helped to shape architectural practice and discourse worldwide. For this extensively revised and updated fifth edition, Kenneth Frampton has added a new section that explores in detail the modernist tradition in architecture across the globe in the late twentieth and early twenty-first centuries. He examines the varied ways in which architects are not only responding to the geographical, climatic, material and cultural contexts of their buildings but also pursuing distinct lines of approach that emphasize topography, morphology, sustainability, materiality habitat and civic form. It remains an essential book for all students of architecture and architectural history.

Contents List:

Introduction • Part I: Cultural developments and predisposing techniques 1750–1939 • Part II: A critical history 1836–1967 • Part III: Critical transformations 1925–90 • Part IV: World Architecture and the Modern Movement • Afterword: Architecture in the Age of Globalization

About the Author:

Kenneth Frampton was born in 1930 and trained as an architect at the Architectural Association School of Architecture, London. He has taught at a number of leading institutions in the field, including the Royal College of Art in London, the ETH in Zürich, the Berlage Institute in Amsterdam, EPFL in Lausanne and the Accademia di Architettura in Mendrisio. From 1972 to 2019 he served as Ware Professor of Architecture at the Graduate School of Architecture, Planning and Preservation, Columbia University, New York. He is the author of numerous essays on modern and contemporary architecture, has served on many international juries for architectural awards and building commissions, and is a member of the American Academy of Arts and Letters. In 2018 he was awarded the Golden Lion of the Venice Biennale. His publications include Studies in Tectonic Culturei (1992), Labour, Work and Architecture (2005), American Masterworks (2008), Kengo Kuma: Complete Works (2012) and A Genealogy of Modern Architecture (2013).

The work of Polhemus Savery DaSilva Architects Builders reflects the special qualities of Cape Cod, Martha's Vineyard and Nantucket. This is a region of stunning landscapes and water views, crisp ocean-reflected light, classic villages, and abundant opportunities for playful living. Architecture of the Cape Cod Summer presents more than ten years of evocative design and well-crafted construction that is rooted in this fabled place. In an architectural world increasingly polarized between strict revivalist classicism and "avant-garde" abstraction, the work of Polhemus Savery DaSilva displays a compelling third way. The book features twenty-five projects that range from modest to elaborate. Each is an individual creation tailored to its specific location and client. Several additional projects are depicted in a chronology of the firm's major work. The volume contains an eloquent introduction and text by Michael J. Crosbie, as well as forewords by renowned architects Cesar Pelli and Robert Venturi. An essay by John R. DaSilva, Design Partner, describes the firm's approach and revisits the genesis of the Shingle Style that is so influential in residential architecture today. Drawings by the firm and more than four hundred color photographs by leading architectural photographers illustrate this sixth volume of the New Classicists series.

From the Publisher, The work of Polhemus Savery DaSilva depicted in this book has been praised by some of the most well-respected architects in the world. The following are some of their comments:

"Here is architecture sublimely contextual within the natural/rural, cultural-historical place that is Cape Cod....teeming with exquisite details - rich and varied in their extreme beauty.... One is constantly fascinated and, at the same time, always at ease when outside and inside these intriguing buildings. Viva the joy and wit, the elegance and charm, of this architecture which is ultimately mannerist in its complex and contradictory quality!" Robert Venturi

"... they have reached deep into the architectural traditions of Cape Cod to produce charming and intelligent designs. The buildings... feel like up-to-date evolutions of Cape Cod architecture, deeply influenced by shingle-style architecture. This connection with the tradition of buildings of Cape Cod makes the designs... natural to the place and at the same time feel fresh and of our time." Cesar Pelli

"The world of Polhemus Savery DaSilva is so enormously refreshing, as this work takes the best of the Cape's context together with the architect's own personal approach and melds them into a body of uncompromising domestic architecture." Michael Graves

"The work of Polhemus Savery Dasilva beautifully melds the traditions of New England with the way we live today, affirming that an architecture of place trumps an architecture preoccupied with passing trends." Robert A.M. Stern

_____________

Пролистать книгу New Classicists - Architecture of the Cape Cod Summer: The Work of Polhemus Savery DaSilva на Google books.

_____________

Другие книги серии New Classicists:

New Classicists - Richard Manion Architecture

New Classicists - Appleton & Associates Inc.

New Classicists - Ken Tate: Selected Houses Volume 1

New Classicists - Ken Tate: Selected Houses Volume 2

New Classicists - Wadia Associates - Residential Architecture of Distinction

New Classicists - Robert Adam and the Search for a Modern Classicism

New Classicists - A Lyric Architecture: Selected Works of John Malick & Associates

New Classicists - William T. Baker & Associates

William T Baker - Great American Homes: Volume 1

Great American Homes: Volume 2

This broad survey of modernism — the most scintillating creative era in Paris — spans all domains: architecture, art, design, entertainment, fashion, film, literature, and photography.

The lives and works of artists in every creative discipline transformed Paris into a crucible of modernity in the first half of the twentieth century. Profiles of eighty-eight influential artists, designers, photographers, architects, writers, and personalities — including Gabrielle Chanel, Eileen Gray, Jean Prouvé, Pablo Picasso, Tamara de Lempicka, Sonia and Robert Delaunay, Brassai, Man Ray, Robert Mallet-Stevens, Charlotte Perriand, Le Corbusier, Adolf Loos, Walter Benjamin, Josephine Baker, Jean Renoir, Gertrude Stein, and more — highlight the boundless creative energy and optimism that permeated the City of Light at this key historical juncture.

Richly illustrated alphabetical entries with cross-references to related topics are complemented by six thematic essays on cinema, fashion, graphic design, habitation, painting, and urban planning. A portfolio of original contemporary photographs — from the historic center to the suburbs of Paris — reveals traces of modernism in dozens of buildings and their interiors that are rarely open to the public.

This catalogue — published to accompany an exhibition at the Power Station of Art in Shanghai in the summer of 2023 — sketches a panorama of human invention across the vast creative landscape of Paris from 1914 to 1945.

About the Authors:

Jean-Louis Cohen is France’s most authoritative historian of twentieth-century architecture. He has published more than forty books, including Frank Gehry: The Masterpieces (Flammarion, 2021), and curated numerous architectural expositions. He is the Sheldon H. Solow Professor in the History of Architecture department at NYU’s Institute of Fine Arts and holds a chair at the Collège de France.

Guillemette Morel Journel is an architect and urbanist; she has published several books on Le Corbusier including Villa Savoye.

_____________

Пролистать книгу Paris Moderne: 1914-1945 на сайте издательства.

Photobox presents a definitive collection of must-see photographs by some of the world’s greatest photographers.

An irresistible anthology of photography’s greatest and most famous images.

PhotoBox presents a collection of 250 photographs by 200 of the world’s most prominent photographers, ranging from legendary masters to contemporary stars, in a compact paperback format. Photographers include Ansel Adams, Richard Avedon, Yann Arthus-Bertrand, Henri Cartier-Bresson, Elliot Erwitt, Robert Frank, Nan Goldin, David LaChapelle, Annie Leibovitz, Helmut Newton, and many more. Each image is accompanied by an engaging commentary and a brief biography of the photographer. This revised edition features fifty new photographs by an international array of practitioners, including Dayanita Singh, Cristina de Middel, Gregory Halpern, Lua Ribeira and more.

About the Author:

Roberto Koch is the co-founder and publisher at Contrasto, one of the world’s leading photography publishers.

This innovative and unique book is a visual guide to the buildings that surround us, naming all the visible architectural features so that, unlike other architectural dictionaries, the reader doesn't have to know the name before looking it up.

Clear line drawings and extensive colour photographs illustrate each of the main building types, from forts to churches, stately homes to skyscrapers. The individual structural elements and materials common to all buildings are then explained, whether in Classical, Gothic or Modernist style, before delving into the inner architectural details such as doors and windows, roofs and staircases. A comprehensive glossary completes the book.

An original and accessible take on the architectural dictionary, this book takes you on a visual tour of the buildings around us and will be useful not only to students but to anyone with a general interest in architecture.

About the Author:

Owen Hopkins works for the Architecture Programme at the Royal Academy of Arts in London.

This innovative and unique book is a visual guide to the buildings that surround us. Architectural features are pinpointed and labelled on images of buildings so that, unlike with other architectural dictionaries, you don't have to know the name before looking it up. Clear line drawings and extensive colour photographs illustrate each of the main building types, from forts to churches, stately homes to skyscrapers. The individual structural elements and materials common to all buildings are then explained, whether in Classical, Gothic or Modernist style. A comprehensive glossary completes the book. 

This revised edition includes an expanded section on modern structures and materials, as well as the latest styles and concepts from the last ten years.

_A must for all lovers of architecture and those who would like to learn more
_Over 11,000 copies sold in English worldwide
_Covers all key building types and styles, from cathedrals to skyscrapers, Classical to contemporary.
_Each building type is illustrated with extensive photographs and annotated drawings
_Contains a comprehensive glossary of architectural terms

About the Author:

Owen Hopkins is Director of the Farrell Centre at Newcastle University. Previously he was Senior Curator at Sir John Soane's Museum and before that he was Architecture Programme Curator at the Royal Academy of Arts, London. He is the author of several books including Reading Architecture: A Visual Lexicon (2012), Architectural Styles: A Visual Guide (2014; both Laurence King), Postmodern Architecture: Less is a Bore (2020) and The Museum (2021).

_________

Пролистать книгу Reading Architecture: A Visual Lexicon. Second Edition на Google Books.

Home Inspiration by teNeues goes into the next round – and has never been more relevant. After all, when the world around us is in shambles, a home with a feel-good vibe is essential. For some, a pared-down aesthetic that exudes a pleasant homeliness may be the right path to well-deserved ease; for others, a cheerful riot of colour is a fitting counterpart to the monochromatic daily grind. Two very different approaches that nevertheless pursue the same goal: to conjure up a real retreat from a simple living space.

Whether Hygge or Lagom, the Scandinavians manage the balancing act between inviting cosiness and inspiring modernity without precedent. Almost puristic in appearance, a combination of natural materials such as wood, pampas grass or ceramics and clean lines create an unobtrusive understatement. This turns a world of furnishings into an attitude to life that promises more balance in all situations – and this is what people outside Scandinavia are striving for.

In the usual teNeues quality with a high-quality layout, large-format images and exciting content, the new illustrated books in the freshly launched series now skilfully set the scene for two further interior trends, elegantly acting as decorative eye-catching pieces themselves. A practical index, which offers support in the search for brands and manufacturers, as well as fascinating rooms for re-styling make the books true inspirational treasures for every interior enthusiast.

- The latest interior design trends in the accustomed teNeues quality
- With a foreword by renowned expert Claire Bingham and furnishing recommendations from well-known interior designers
- Beautifully designed book spine, with a continuous pattern across the whole series, to bring added style to your bookshelf
- The third publication in the new Home Inspiration series by teNeues

About the Author:

Claire Bingham is an interior design journalist and author who has been discovering, writing about and photographing fantastic homes for almost 20 years. Previously, she was home decor editor at Elle Decoration. She writes about interiors, travel, perfume and food for publications around the world, including The Observer and Telegraph magazines, Architectural Digest and House & Garden. She is also the author of numerous books. More is More was her 11 book, with teNeues Publishing. It followed A Scented World, which was published in 2019. The inspirational books Patterns and Modern Glam for which she wrote the forewords will be published in autumn 2022.

____________

Пролистать книгу Scandi Style: Scandinavian Home Inspiration

The definitive story of the most ambitious and glamorous midcentury modern house in the United States — Sunnylands, the estate of Walter and Lenore Annenberg, in Rancho Mirage, California — now revised and expanded

In Palm Springs, the mecca of midcentury modern architecture, Sunnylands is the undisputed masterpiece. With its celadon green and yellow interior and giddy pink roof, it was a Downton Abbey for the Space Age.

There is no other house like it anywhere. Designed by one of California’s most important architects, A. Quincy Jones, it possesses the only completely preserved interior by Hollywood’s decorator-to-the-stars, William Haines. Completed in 1966, Sunnylands was built by ambassadors Walter and Leonore Annenberg, and became a seat of power where presidents, movie stars, and corporate leaders met, relaxed, and ran the world — with nobody watching.

To mark the 10th anniversary of the opening of Sunnylands to the public, this revised edition adds 32 pages of brand new photography, including: the contemporary visitor center designed by Frederick Fisher & Partners; the mature 15 acres of contemplative gardens by James Burnett; a new LEED Platinum building by o2 Architecture with 17 acres of breathtaking net-zero plantings by CMG Landscape, not open to the public and only accessible within the pages of this book; and public programs and art installations including two for the world-renowned Desert X festival. Lavishly illustrated, this book is a must-have for fans of midcentury design.

About the Authors:

Janice Lyle was the director of the Sunnylands Center & Gardens from 2008 to 2022. Her knowledge of the history of the house and access to the Sunnylands archives is unparalleled. Former executive director of the Palm Springs Art Museum, Lyle has lectured extensively on modern architecture and lived in one of the most famous Palm Springs midcentury houses, Frey II.

Interior designer Michael S. Smith, who was responsible for the 2010 makeover of the Oval Office, designed the interiors of the Sunnylands Center, referencing the aesthetic of the historic house. He lives in Santa Monica and Rancho Mirage.

Interiors photographer Mark Davidson has shot assignments for the Smithsonian, Getty Museum, and Hammer Museum. He lives in Seattle.

This grand opus assembles the people and the pieces at the heart of the Art Deco movement at each stage of its enduring appeal. The Art Deco Style is richly illustrated with the work of legendary designers and decorators Eileen Gray, Paul Iribe, Antoine Bourdelle, Armand-Albert Rateau and Jean Dunand, among others.   

Ever since its early 20th-century origins, Art Deco has fascinated and amused socialites, collectors and designers. Referred to at the time as moderne, the style largely took shape around a clientele of French fashion industry luminaries and wealthy international collectors. Art historians christened it during a second wave in the ’60s, while a third generation of afficionados entered the auction houses of the ’80s and ’90s, ready to invest in the most exquisite examples. Curated by art consultant and author Alastair Duncan, this detailed historical account is the gold-standard visual guide to the decorative arts.   

• Richly illustrated history of Art Deco
• Written by art consultant Alastair Duncan
• Designs by Eileen Gray, Jean Dunand and Antoine Bourdelle, among many others
• Featuring legendary Art Deco collectors such as Jacques Doucet, Yves Saint Laurent and Karl Lagerfeld
• Perfect for antiques collectors, as well as fans of art, art history and design

About the Author:

Alastair Duncan is an international consultant on 19th and 20th century decorative arts and was, for ten years, a specialist and consultant on the subject for Christie's New York. He is the author of Louis C. Tiffany - The Garden Museum Collection and the Paris Salons series, also published by ACC. He has written 36 other books on the decorative arts, as well as articles for magazines including Vogue, Connoisseur, The Magazine Antiques and House & Garden.

As seen in The New York Times, Architectural Digest, Forbes, ELLE Decoration, and Design Milk. An unprecedented survey of more than 250 architects who continue to define one of the most polarizing yet celebrated of styles

Brutalist architecture inspires a passionate response, be it adulation or contempt. There is no disputing, however, that the style produces some of the world’s most breathtaking buildings. This landmark volume documents the movement as never before, by profiling the architects behind the style.

Featuring more than 250 historic and contemporary architects (organised alphabetically) along with specially selected examples of their work, this book includes international icons alongside those who are less well known or who have for too long been neglected, providing a unique record of this influential global architecture movement. The book includes 350 stunning images of more than 200 iconic Brutalist buildings, alongside fresh and surprising masterworks from 1936 to the present day, creating the ultimate companion to the Brutalist masters.

Featured architects include: John Andrews; João Batista Vilanova Artigas; Lina Bo Bardi; Bogdan Bogdanović; Marcel Breuer; Douglas Cardinal; André-Jacques Dunoyer de Segonzac; Bertrand Goldberg; Ernő Goldfinger; Jadwiga Grabowska-Hawrylak; Agustín Hernández Navarro; John M. Johansen; Louis I. Kahn; Denys Lasdun; Le Corbusier; João da Gama Filgueiras Lima; Alberto Linner Díaz; Owen Luder; Paulo Mendes da Rocha; Oscar Niemeyer; William L. Pereira; Affonso Eduardo Reidy; Paul Rudolph; Moshe Safdie; Alison Smithson; Clorindo Testa; Decio Tozzi; and John Carl Warnecke.

About the Author:

Owen Hopkins is an architectural writer and curator. He is Director of the Farrell Centre at Newcastle University. He is the author and editor of numerous books about architecture, including Postmodern Architecture: Less is a Bore, also published by Phaidon. Hopkins has written widely on architecture for publications including the Independent, Dezeen, Icon, Architectural Review, and Domus.

A revised and updated edition of Sir John Summerson's classic book.

Derived from the principles of Greek and Roman architecture in antiquity, the classical style has long dominated the history of western architecture from the Renaissance to the present. Sir John Summerson’s timeless text, as relevant today as it was when first published, distils the visual language of architecture into its core classical elements, and illustrates that building throughout the ages express an awareness of the ‘grammar’ of style and its rules even if they vary, break or poetically contradict them. From the original edifices of Greece and Rome to the recapitulations and innovations of the Renaissance; the explosive rhetoric of the Baroque to the grave statements of Neo-classicism; and finally, the exuberant eclecticism of the Victorians and Edwardians to the 'stripped Neo-classicism' of some of the moderns; Summerson explains how every period has employed classical language to make their statement.

With a new introduction by academic and architectural historian Alan Powers, this introduction continues to be one of the defining texts on the subject and is essential reading for all students of architecture.

About the Author:

Sir John Newenham Summerson, CBE was one of the leading British architectural historians of the 20th century. He wrote mainly about British architecture, especially that of the Georgian Era. He was a Commissioner of the Royal Commission on the Historical Monuments of England, curator of Sir John Soane's Museum, London, and Slade Professor of Fine Art at the University of Oxford.

Contents List:

Preface
1. The Essentials of Classicism
2. The Grammar of Antiquity
3. Sixteenth-Century Linguistics
4. The Rhetoric of the Baroque
5. The Light of Reason – and of Archaeology
6. Classical into Modern
Glossary
Notes on the Literature of Classical Architecture
Sources of Illustrations

The world’s best buildings created from 1950 to the present, dissected and analysed through specially commissioned freehand drawings

This ambitious publication, now revised and expanded, dissects fifty-five modern masterpieces through specially commissioned freehand drawings that reveal the principles and details of what makes a building meaningful and enduring. Covering six continents, and ranging from a 1955 residence in India to a 2015 opera house in China, influential buildings of the past seven decades are analysed through detailed consideration of their key characteristics – site and surroundings, space and massing, programme and circulation, fenestration and use of natural light – to give an insight into how each design works as a cohesive whole. Appealing to architects, students and everyone who appreciates great buildings, The Elements of Modern Architecture is an essential reference and inspiration for generations to come.

Contents List:

Introduction: Architectural Analysis
01 Sarabhai House | 1951–55 Ahmedabad, India Le Corbusier
02 Canova Museum | 1955–57 Possagno, Treviso, Italy Carlo Scarpa
03 Sydney Opera House | 1957–73 Sydney, Australia Jørn Utzon
04 Solomon R. Guggenheim Museum | 1943–59 New York, USA Frank Lloyd Wright
05 Leicester Engineering Building | 1959–63 Leicester, England Stirling & Gowan
06 Salk Institute for Biological Studies | 1959–66 La Jolla, California, USA Louis Kahn
07 Louisiana Museum of Modern Art | 1956–58 Humlebaek, Denmark Jørgen Bo and Vilhelm Wohlert
08 Yoyogi National Gymnasium | 1961–64 Tokyo, Japan Kenzo Tange
09 Seinäjoki Town Hall | 1958–65 Seinäjoki, Ostrobothnia, Finland Alvar Aalto
10 St Mary’s Cathedral | 1961–64 Tokyo, Japan Kenzo Tange
11 Hedmark Museum | 1967–79 Hamar, Norway Sverre Fehn
12 Indian Institute of Management | 1963–74 Ahmedabad, India Louis Kahn
13 Bagsvaerd Church | 1974–76 Bagsvaerd, Copenhagen, Denmark Jørn Utzon
14 Milan House | 1972–75 Cidade Jardim, São Paulo, Brazil Marcos Acayaba Arquitetos
15 HSBC Office Building | 1979–86 Hong Kong, China Foster Associates
16 Neue Staatsgalerie | 1977–84 Stuttgart, Germany James Stirling, Michael Wilford & Associates
17 House at Martha’s Vineyard | 1984–88 Martha’s Vineyard, Massachusetts, USA Steven Holl Architects
18 Church on the Water | 1985–88 Tomamu, Hokkaido, Japan Tadao Ando Architect & Associates
19 Lloyd’s of London Office Building | 1978–86 London, England Richard Rogers
20 Arab World Institute | 1981–87 Paris, France Jean Nouvel
21 Barcelona Museum of Contemporary Art | 1987–95 Barcelona, Spain Richard Meier
22 Vitra Fire Station | 1990–93 Weil am Rhein, Germany Zaha Hadid Architects
23 Lord’s Media Centre | 1994–99 London, England Future Systems
24 Menara UMNO | 1995–98 Penang, Malaysia Kenneth Yeang, T. R. Hamzah & Yeang
25 Dancing Building | 1992–96 Prague, Czech Republic Frank O. Gehry & Associates / Vlado Milunic
26 Eastgate | 1991–96 Harare, Zimbabwe Pearce Partnership
27 Thermal Baths in Vals | 1986–96 Vals, Switzerland Peter Zumthor
28 Guggenheim Museum Bilbao | 1991–97 Bilbao, Spain Frank O. Gehry & Associates
29 ESO Hotel | 1998–2002 Cerro Paranal, Chile Auer+Weber
30 Arthur and Yvonne Boyd Education Centre | 1996–99 Riversdale, NSW, Australia Murcutt Lewin Lark
31 Jewish Museum Berlin | 1988–99 Berlin, Germany Daniel Libeskind
32 Quadracci Pavilion | 1994–2001 Milwaukee, Wisconsin, USA Santiago Calatrava
33 B2 House | 1999–2001 Büyükhusun, Ayvac?k, Turkey Han Tümertekin
34 CaixaForum | 2001–3 Madrid, Spain Herzog & de Meuron
35 New Museum | 2001–7 New York, USA SANAA (Kazuyo Sejima and Ryue Nishizawa)
36 Scottish Parliament Building | 1998–2002 Edinburgh, Scotland EMBT / RMJM
37 Yokohama Port Terminal | 1995–2002 Yokohama, Japan FOA (Farshid Moussavi and Alejandro Zaera-Polo)
38 Modern Art Museum of Fort Worth | 1996–2002 Fort Worth, Texas, USA Tadao Ando Architect & Associates
39 Kunsthaus Graz | 2000–3 Graz, Austria Spacelab Cook-Fournier / ARGE Kunsthaus
40 Linked Hybrid | 2003–9 Beijing, China Steven Holl Architects
41 Santa Caterina Market | 1997–2005 Barcelona, Spain EMBT
42 Virgilio Barco Library | 1999–2001 Bogotá, Colombia Rogelio Salmona
43 Southern Cross Station | 2001–7 Melbourne, Australia Grimshaw Architects / Jackson Architecture
44 Meiso no Mori Crematorium | 2004–6 Kakamigahara, Gifu, Japan Toyo Ito & Associates
45 Civil Justice Centre | 2001–7 Manchester, England Denton Corker Marshall
46 Green School | 2005–7 Badung, Bali, Indonesia PT Bambu
47 Mimesis Museum | 2007–9 Paju Book City, Republic of Korea Álvaro Siza / Castanheira & Bastai / Jun Sung Kim
48 Juilliard School & Alice Tully Hall | 2003–9 New York, USA Diller Scofidio + Renfro / FXFOWLE
49 uMkhumbane Museum | 2003–17 Durban, South Africa Choromanski Architects
50 41 Cooper Square | 2004–9 New York, USA Morphosis Architects
51 Oslo Opera House | 2002–8 Oslo, Norway Snøhetta
52 MAXXI | 1998–2009 Rome, Italy Zaha Hadid Architects
53 Sancaklar Mosque | 2011–13 Istanbul, Turkey Emre Arolat Architecture
54 Micro Yuan’er / Micro Hutong | 2013–16 Beijing, China Zhang Ke (ZAO/standardarchitecture)
55 Harbin Opera House | 2010–15 Harbin, China Ma Yansong (MAD Architects)

About the Authors:

Dr Antony Radford is an urban designer and Emeritus Professor of Architecture at The University of Adelaide, Australia. His recent books include Understanding Sustainable Architecture and Digital Design: A Critical Introduction. Dr Amit Srivastava is an architectural historian at The University of Adelaide who has lived and worked in India and Australia. Dr Selen Morkoç is a writer and critic who has practised and taught architecture and theory in Turkey and at The University of Adelaide, Australia.

A definitive survey of the finest examples of residential architecture in Britain from 1900 to the present, featuring the major architects of the 20th century and leading emerging talents.

In recent years there has been a resurgence of interest in the architectural history and heritage of Britain. This has been driven by many important political, cultural and social factors, as well as a powerful and renewed interest in the design of house and home.

The Iconic British House explores and celebrates fifty of the most architecturally significant houses from 1900 to the present. Encompassing major artistic movements, such as Arts and Crafts, Art Deco, Modernism and Postmodernism, the houses include examples designed by architects Charles Rennie Mackintosh, Edwin Lutyens, Berthold Lubetkin, Richard Rogers and many others. 21st-century innovation and imagination are evidenced in houses by established and emerging talents, such as Seth Stein, Nick Eldridge, Robin Partington and Ken Shuttleworth.

Much more than a celebration of influential homes, this richly illustrated overview is also a comprehensive guide to shifting architectural movements and ideas, a survey of great architects with international relevance and a journey through changing tastes, styles, aesthetics and patterns of living.

About the Authors:

Dominic Bradbury is a journalist and writer specializing in architecture and design. He is the author of many books on these subjects, including Off the Grid, The Iconic House, The Iconic American House and The Iconic Interior. Richard Powers is a photographer who deals in interiors, architecture and built environments. His books include The Iconic House, The Iconic American House and The Iconic Interior.

Mid-century modern continues its resurgence. Discover Australia's best examples of modernist residential architecture thoughtfully adapted for the present day.

The intuitive design, sunlit spaces and tranquil vibe of Modernist houses still have an enduring appeal today. But can these homes be updated for contemporary living while maintaining the integrity of the original architecture?

The New Modernist House presents twenty-one mid-century homes respectfully restored and renewed for future generations to enjoy. Designs by some of the period’s heavyweights – including Anatol Kagan, Alistair Knox and Ernest Fooks – have been sensitively updated by today’s creative innovators.

Alongside stories of the passionate homeowners, architects and collaborators who have given these homes new life, a historical overview and section on practical considerations inform those drawn to a Modernist dream house. This colourful volume is both a useful resource for those embarking on their own renovation journey, and a sourcebook of inspiration for delighting in moments of nostalgia.

About the Author:

Patricia Callan is the founder of Modernist Australia, an online archive of local Mid-Century architecture. She has appeared on ABC radio, The Design Files and Fairfax publications to champion Modernist architecture from a layperson's perspective.

An updated edition of this classic title on the origins of 20th-century ideas in architecture and the applied arts.

The turn of the nineteenth century saw an extraordinary flowering of invention in architecture and design, leading to the emergence of two contrasting styles: Art Nouveau and the International Style. Professor Nikolaus Pevsner brings clarity to this period of dynamic change by tracing the origins of twentieth-century ideas in architecture and the applied arts.

Featuring a new foreword by the distinguished architectural historian Kenneth Frampton, this classic title has now been updated with colour illustrations throughout.

About the Author:

Sir Nikolaus Pevsner (1902-1983) was Slade Professor of Fine Art, University of Cambridge, 1949-55, and Fellow of St John's College, 1950-55. He was the first Professor of the History of Art Department at Birkbeck College, University of London, retiring in 1969. He is probably best known for The Buildings of England, completed in more than fifty volumes shortly before his death, and for his Outline of European Architecture, which has remained a standard work for over forty years. Kenneth Frampton CBE served as Ware Professor of Architecture at the Graduate School of Architecture, Planning and Preservation, Columbia University, New York, from 1972 to 2019. In 2018 he was awarded the Golden Lion of the Venice Biennale. His publications include Studies in Tectonic Culture, Labour, Work and Architecture, American Masterworks, Kengo Kuma: Complete Works and A Genealogy of Modern Architecture.