Книги о стилях архитектуры

The definitive book on New York Deco, from the smallest of details to the grandest of buildings.

New York City, arguably the world’s Art Deco capital, is well known for its striking and still iconic towers that were early expressions of the style writ large—most famously the Empire State and Chrysler buildings, both of which still speak so eloquently of the future and the machine age that continues to move us all forward. Art Deco is drawn in steel, in tile, in brass, in bronze, and in stone upon great buildings and small—and in the details, as so engagingly shown here. The reader is brought, for example, into the extraordinary Fred F. French Building at 551 Fifth Avenue in Manhattan, a treasure house of the form whose ornate lobby is a wonder of sparkling seduction in all directions: racing above is a fan palm and fleur de lis–decorated architrave, and golden Assyrian equestrian archers on a field of onyx take aim while stunning chandeliers set with crystal feathers and bronze shoot out their own thin arrows of illumination. Beyond the famous, we are invited to consider little-seen stunners beside the Grand Concourse in the Bronx or upon the face of an apartment house in Brooklyn Heights. Featuring both the legendary and the little known, on display here, through all-new photography, is Art Deco New York as never seen before.

About the Author:

Andrew Garn is a Fulbright-winning photographer and author of New York by Neighborhood. Eric P. Nash is the author of SoHo New York and was a researcher for the New York Times for twenty-five years, where he wrote more than 100 articles.

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Пролистать книгу New York Art Deco: Birds, Beasts & Blooms

Paying homage to the seminal mid-century modern architecture of Palm Springs, this luxurious book showcases historic jet-set homes designed by legendary talents such as Richard Neutra, Albert Frey, and Paul Williams, as well as private residences by today’s leading tastemakers.

Since Gary Cooper built one of the first modernist houses in Palm Springs in the 1930s, this desert oasis has entranced Hollywood. A mecca for the international jet set that lured Frank Sinatra, Walter Annenberg, and others, Palm Springs came into its own architecturally as a haven for visionary modernists such as Richard Neutra, who were practicing the International Style in Los Angeles. The architectural legacy remains unsurpassed for its originality and influence, and recently many of the city’s modernist residential treasures have been restored.

In original new photography, Palm Springs captures the allure of this famed modernist destination. The book profiles outstanding examples such as the Annenberg Estate, the Ford House, and the Kaufmann House, shown in their splendor, as well as today’s restorations by top interior designers such as Martyn Lawrence Bullard and fashion designer Trina Turk. A resource section provides modernist furnishing stores and other points of interest.

About the Authors:

Architecture and design photographer Tim Street-Porter has authored and photographed many books, including L.A. Modern. He is a contributor to lifestyle and design magazines. Fashion and housewares designer Trina Turk has a modernist getaway, “Ship of the Desert,” in Palm Springs.

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Пролистать книгу Palm Springs: A Modernist Paradise

A celebration of new traditional buildings by a renowned classicist. In this monograph, the firm’s recent work is showcased, highlighting new residential, cultural, academic, and religious projects. Throughout the work, what stands out is the architectural virtuosity that marries the very best of classical architecture and modern design.

About the Author:

Demetri Porphyrios has taught at the Royal College of Art and the Architectural Association in London, and has been a visiting professor at Yale University. He is the recipient of the prestigious Ross Award and the Driehaus Prize.

This inspiring volume takes readers on a tour of luxurious interiors that showcase the best of Italian design and architecture.

As part of the series dedicated to “Made in Italy” architecture and design (Carlo Scarpa, Piero Portaluppi), this latest book features a stunning collection of interiors by acclaimed Italian designers and architects from the second half of the twentieth century. Each of these exquisite spaces perfectly embodies the designer’s unique creative spirit, encapsulating both the essence of the designer’s personal style and taste with the trends of the era.

The ten projects, all specially photographed for the book, include such names in Italian architecture and design as: Carlo Mollino, Carlo Scarpa, Ettore Sottsass, Gae Aulenti, Osvaldo Borsani, Piero and Barnaba Fornasetti, among others. Ranging from residential to office spaces, each of these unique spaces has remained largely unchanged, and decades later they still speak for those who conceived of and inhabited them: Casa Fornasetti provides a unique testimony to the world of Piero Fornasetti, and now that of his son, Barnaba, who carries on his work and brand with strength and innovation; Casa Mollino represents the peak of architect Carlo Mollino’s ideas, beautifully serving as his aesthetic and conceptual legacy; and the vibrant, ironic, colorful Casa Quarestani perfectly sums up the poetic vision of Ettore Sottsass.

This book will be a must have for lovers of bold design and stylish Italian interiors.

About the Author:

Chiara Dal Canto was born in Turin and studied philosophy. She writes on architecture and design for numerous Italian and international periodicals. Lorenzo Pennati is an interiors and advertising photographer. He works with many specialty publications in Italy and internationally, including Elle Decoration China and UK, Wohnrevue, Architectural Digest, and Marie Claire Maison.

A fantastic collection of Soviet Asian architecture, many photographed here for the first time

Soviet Asia explores the Soviet modernist architecture of Central Asia. Italian photographers Roberto Conte and Stefano Perego crossed the former Soviet republics of Kazakhstan, Kyrgyzstan, Uzbekistan and Tajikistan, documenting buildings constructed from the 1950s until the fall of the USSR.

The resulting images showcase the majestic, largely unknown, modernist buildings of the region. Museums, housing complexes, universities, circuses, ritual palaces – all were constructed using a composite aesthetic. Influenced by Persian and Islamic architecture, pattern and mosaic motifs articulated a connection with Central Asia. Grey concrete slabs were juxtaposed with colourful tiling and rectilinear shapes broken by ornate curved forms: the brutal designs normally associated with Soviet-era architecture were reconstructed with Eastern characteristics.

An ode to the classic Spanish-style houses of Santa Barbara. Spanish Colonial Style celebrates an extraordinary tradition in architecture whose hallmarks include whitewashed stucco and plaster walls, wood-beamed ceilings, dramatic fireplaces, and, above all, mystery and romance. Homes in this much-loved style of architecture welcome the visitor and embrace the resident, and architects James Osborne Craig and Mary McLaughlin Craig, early proponents of the style and influential disseminators of it, were masters of the form. Their work, until now, has been largely underappreciated and little seen. 

The Craigs played pivotal roles in the development of the Spanish Colonial Revival and of other styles of architecture in Santa Barbara, and the influence of their work spread much beyond that. In addition to shining a long overdue spotlight on the rich career of these tremendously influential architects, Spanish Colonial Style also heralds Santa Barbara as the small city of international importance that it became in the first half of the twentieth century.

About the Author:

Pamela Skewes-Cox is an artist and writer based in Massachusetts. Robert Sweeney is the author of Casa del Herrero: The Romance of Spanish Colonial. C. Ford Peatross is founding director of the Center for Architecture, Design, and Engineering at the Library of Congress. Matt Walla is the photographer of Casa del Herrero.

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Пролистать книгу Spanish Colonial Style: Santa Barbara and the Architecture of James Osborne Craig and Mary McLaughlin Craig

Charming old houses in a uniquely American form are lovingly showcased in this engaging book. 

Romantic, imaginative, and eminently photogenic, Carpenter Gothic homes feature fairy-tale–like exterior details — steep gables; pointed arches, windows, and doors; elaborate gingerbread trim; and porches — in addition to one-of-a-kind, highly desired interior features that imbue the homes with a wealth of character — arched entryways, bay windows, stained glass, fireplaces, and wooden ceiling beams. 

The first of the Victorian romantic architectural revivals to sweep America during the nineteenth century, the Carpenter Gothic style was inspired by the pattern books of Andrew Jackson Downing and made possible by the invention of the steam-powered scroll saw. Homebuilders created these delightfully fanciful houses in most states across the country. 
Storybook Cottages highlights both the picturesque exteriors of these homes as well as the incomparable interiors that give them such warmth. Presented are stunning photographs by Paul Rocheleau, Tim Street-Porter, Steve Gross, and Sue Daley, among others, along with illustrative examples from Downing’s pattern books, and black-and-white images from the Historic American Buildings Survey. 

The text examines the roots of the style, from Medieval Europe and Gothic cathedrals through Inigo Jones, Augustus Pugin, and the Gothic Revival; the role of the American Gothic, from the pattern books of Andrew Jackson Downing and Alexander Jackson Davis (Rural Residences, Victorian Cottage Residences, The Architecture of Country Houses) that inspired the style to the impact of the scroll saw, which allowed local builders to interpret Gothic Revival architectural details in wood, thus creating the Carpenter Gothic style; and the hallmarks of Carpenter Gothic, from sharply peaked gables to board-and-batten siding, peaked windows and doors, gingerbread trim on porches, stained glass windows, and decorated bargeboards, among other features. 

The primary focus will be on exterior architectural details in homes and carriage houses, but will also include decorative elements of the Carpenter Gothic style, from wallpapers to carpets and furnishings. The text will also discuss historic interiors, adapting the style for modern living, and floor plans, wallpapers, carpets, and furnishings inspired by the Carpenter Gothic style.

About the Author

Gladys Montgomery has written features for publications such as Antiques and Fine Art, Old House Interiors, Country Living, Yankee, Country Decorating Ideas, and Country Victorian. She edits the award-winning magazine Berkshire Living Home + Garden.

The residential and institutional architecture and interior design by an eminent London-based classical architect. John Simpson is one of the world’s leading practitioners of new classicism, a contemporary architecture movement that continues the practice of classical and traditional architecture and embraces the virtues of durability, functionality, and beauty. Simpson’s design ethos revolves around the notion that architecture is a public art where each facade forms the character and shape of the public realm — the streets, the squares, and the major civic spaces that we use — and as such must use a language of building that is recognizable and draws on our collective cultural experience. His architecture is thus understandable in a moment and is functional; it is built to last, to be beautiful, and to ensure the comfort and ease of those who experience it, be it the Queen’s Gallery at Buckingham Palace in London or an apartment in a historic building in New York. The work shown covers a wide range, from small-scale residential and apartment design to the country house and the town house to large-scale institutional designs. Featured projects include a new academic quadrangle at Eton College; the new school of architecture at the University of Notre Dame; rooms at Kensington Palace; the Stanhope Hotel renovation in New York; town houses in Belgravia and Chelsea, London; and much more.

About the Author:

David Watkin is professor of the history of architecture at the University of Cambridge.

The aura and romance of Old California lives on in this treasury of inviting homes. The California House presents the magic of the "golden state," that land of infinite promise and dreams, the most tangible expression of which can be found in the homes built by early California dreamers. Here domestic visions of tranquility and repose were inventively realized—in stucco or stone, wood and wrought iron, plaster, and glass and tile. Spanish Colonial Revival–style homes with elaborate wrought-iron window grilles, romantic, shadowy interiors, and lush courtyard gardens stand beside other particularly Californian architectural wonders such as the San Francisco Victorian Painted Lady, the Monterey Colonial, Eurekan Queen Anne, and the homey California Arts & Crafts. Including houses designed by luminaries George Washington Smith, Stanford White, Greene & Greene, and Reginald Johnson, this book will fascinate both the architecture aficionado and interior design enthusiasts, as well as the everyday lover of homes. Including, but going beyond, the much-adored Spanish style (in its many manifestations) and Mission Revival, the book features as well the Victorian of San Francisco's Painted Lady and Eureka's Queen Anne, Monterey Colonial, California Arts & Crafts, French Chateau, classic Colonial farm house, and more. All new color photography of 25 houses in California ranging in style from Spanish Colonial Revival, Mission, Victorian, Queen Anne, California Arts & Crafts, Monterey, French Chateau, Colonial Farm House. The book includes little known California work by well known architect Stanford White, known primarily for his East Coast work (designer of the original Penn Station with McKim, Mead & White, and original Madison Square Garden, and many others); as well as the Magdelena Zanone House (Queen Anne late Victorian style home in Eureka, CA); the Murphy House, San Francisco (Classic French Chateau); a Gothic Victorian 1860s home in Sonoma; Casa Amesti (Monterey style home); "El Cerrito" designed by Russel Ray and Winsor Soule and built in 1913 in Santa Barbara (an amalgam of Mission and Spanish Colonial Revival); the Frothingham House designed by George Washington Smith in 1922 (Spanish Colonial Rev.); Cuartro Ventos House by Reginald Johnson, 1929 in Santa Barbara; William Edwards House by Roland E. Coate, Sr. in San Marino, 1926; Robinson House by Greene and Greene in Pasadena, 1905; Sack House in Berkeley (California Arts & Crafts) Brune-Reutlinger House in San Francisco (classic Painted Lady Victorian); a colonial mid-19th cent farm house in Sonoma; "Mariposa," classic Spanish style in Montecito; The Marston House in San Diego (Arts & Crafts/Tudoresque); Rancho Los Alamos De Santa Elena in Los Alamos (Span. Col. Rev.); Pepper Hill Farm in Balard.

About the Authors:

Kathryn Masson is the author of several books, including Santa Barbara Style and Stables. Paul Rocheleau is the photographer of numerous books, including Stables and American Masterworks. Robert Winter is a leading California architectural historian and professor emeritus at Occidental College, Los Angeles.

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Пролистать книгу The California House: Adobe. Craftsman. Victorian. Spanish Colonial Revival

A revised and updated edition of Sir John Summerson's classic book.

Derived from the principles of Greek and Roman architecture in antiquity, the classical style has long dominated the history of western architecture from the Renaissance to the present. Sir John Summerson’s timeless text, as relevant today as it was when first published, distils the visual language of architecture into its core classical elements, and illustrates that building throughout the ages express an awareness of the ‘grammar’ of style and its rules even if they vary, break or poetically contradict them. From the original edifices of Greece and Rome to the recapitulations and innovations of the Renaissance; the explosive rhetoric of the Baroque to the grave statements of Neo-classicism; and finally, the exuberant eclecticism of the Victorians and Edwardians to the 'stripped Neo-classicism' of some of the moderns; Summerson explains how every period has employed classical language to make their statement.

With a new introduction by academic and architectural historian Alan Powers, this introduction continues to be one of the defining texts on the subject and is essential reading for all students of architecture.

About the Author:

Sir John Newenham Summerson, CBE was one of the leading British architectural historians of the 20th century. He wrote mainly about British architecture, especially that of the Georgian Era. He was a Commissioner of the Royal Commission on the Historical Monuments of England, curator of Sir John Soane's Museum, London, and Slade Professor of Fine Art at the University of Oxford.

Contents List:

Preface
1. The Essentials of Classicism
2. The Grammar of Antiquity
3. Sixteenth-Century Linguistics
4. The Rhetoric of the Baroque
5. The Light of Reason – and of Archaeology
6. Classical into Modern
Glossary
Notes on the Literature of Classical Architecture
Sources of Illustrations

Adventure through the princely Thurn und Taxis estate, an enchanted palace where 1,000 years of history meets a thoroughly modern family. For 200 years the Thurn und Taxis family have called the palace of St. Emmeram home. Regarded as one of Germany’s finest examples of historicist architecture, the Regensburg residence’s myriad rooms trace centuries of distinctive styles: a Romanesque-Gothic cloister built between the twelfth and fourteenth centuries, a neo-Renaissance marble staircase, a number of Rococo and neo-Rococo staterooms, and a Baroque library frescoed in 1737. Celebrated photographer Todd Eberle captures the confluence of high art and grand architecture within the 500-room palace to reveal the curious tale of the Thurn und Taxis family. Complete with stately portraits and scenes of life at St. Emmeram, this monograph offers a glimpse into the world and glamour of one of the most important dynasties of the European aristocracy.

About the Authors:

Sir John Richardson is a British art historian and Picasso biographer. Princess Gloria von Thurn und Taxis is the matriarch of the princely house of the Thurn and Taxis. André Leon Talley is an author and contributing editor of Vogue. Alexander Count von Schoenburg is a journalist and author. Elisabeth von Thurn und Taxis is an author and writer for Vogue.

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Пролистать книгу The House of Thurn und Taxis

The brilliantly restored St. Giles House, in the idyllic Dorset countryside, offers high-point Georgian architecture and interiors that bridge many historical styles.

The 12th Earl of Shaftesbury, 39-year-old Nicholas Ashley-Cooper, invites the reader into the house that his family has called home since the fifteenth century. In recent years, his award-winning restoration has brought the house back to life, transforming exquisite spaces that honor the past while being suited to twenty-first-century living. English country-house splendor, through the hands of some of the world’s top artisans and craftspeople, returns to the house in the form of re-created wallpapers, customized paints, revived furniture from the Georgian and Victorian periods, reworked antique Brussels tapestries, restored plasterwork and textiles, and a complete overhaul of the landscape, with its sunken garden, woodlands, avenue of beeches, lake, and shell-encrusted grotto.

With stories of noteworthy architecture, beautiful interiors, and centuriesof a single family’s involvement in British and world history, this book will appeal to devotees of country living, the aristocratic life, historic houses, and English interior design.

About the Author:

The 12th Earl of Shaftesbury, Nicholas Ashley-Cooper, is an English peer and philanthropist. Tim Knox is a British art historian and director of the Royal Collection Trust. Justin Barton is a London-based photographer.

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Пролистать книгу The Rebirth of an English Country House: St Giles House

Celebrate the stunning interiors and glorious gardens of the Seguine House, New York’s undiscovered architectural gem and only once-working plantation. This gorgeous full-color photographic volume introduces the historic 1838 Greek Revival Joseph H. Seguine House and stables in Prince’s Bay, Staten Island, New York. Seguine made a fortune in oystering, candles, and produce, and as a founder of the Staten Island Railroad he also worked with Cornelius Vanderbilt. In creating this 100-acre working farm, stables, and estate grounds, Seguine was advised on the landscape design by Frederick Law Olmsted, famed for his design work on New York’s Central Park. This estate, an embodiment of the nineteenth century, is on the National Register of Historic Places and is a member of the Historic House Trust.

About the Author:

Christina Mantz is an interior designer, events planner, and entrepreneur with a strong interest in history who has worked on various projects, including the first Chinese Scholar’s Garden in the United States. Robert Mantz is a photographer and senior digital studio artist at McCann Worldgroup. Mario Buatta is an internationally acclaimed interior designer known for his English Country House style.

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Пролистать книгу The Seguine House: A Nineteenth-Century Working Estate in Twenty-First-Century New York City на сайте издательства.

The retro-futuristic epoch is one of the most visually spectacular in architecture’s history. The utopian buildings of the 1960s and 1970s never go out of style. This book compiles radical ideas, rediscovered photos, and visionary structures.

Driven by idealistic visions, utopian architecture aimed to overcome social divisions and political strife, to put us in touch with nature, and to enable us to live humane, healthy lives. For half a century, it was both hope and inspiration.

The Tale of Tomorrow surveys this diverse twentieth-century phenomenon, featuring renowned works like The House of the Century or the TWA terminal, as well as lesser-known masterpieces, and profiling major thinkers such as Oscar Niemeyer, Le Corbusier, and Eero Saarinen. By digging through archives, corresponding with descendants of departed architects, and restoring photographs, the collection of utopian approaches herein maintains a visual power and infectious optimism.

Looking at past dreams, The Tale of Tomorrow is a call to reclaim our future.

A comprehensive overview of current trends in classicist and vernacular architecture. This book presents 130 projects that reconsider what it means to practice as a traditional architect in the twenty-first century, including a substantial body of work from non-Western countries as well as work by contemporary masters of classical design such as Robert A. M. Stern, Allan Greenberg, Andrés Duany and Elizabeth Plater-Zyberk, and Quinlan and Francis Terry. The projects assembled here highlight the awareness of a sustainable localism and the continuity of traditional building crafts on a global scale and reveal the resilience and originality of traditional building cultures despite the enormous economic and cultural pressures of contemporary development. This is an optimistic vision of a new breed of traditional architects who endeavor to enrich the future while honoring the past.

About the Authors:

Alireza Sagharchi, R.I.B.A., is the principal of Stanhope Gate Architecture+Urban Design. Lucien Steil is an architect and academic who has worked with Léon Krier and Maurice Culot in Brussels at the Archive d’Architecture Moderne and has been a visiting critic at universities in Europe and North America. HRH The Prince of Wales established The Prince’s Foundation for the Built Environment to improve the quality of people’s lives by teaching and practicing timeless and ecological ways of planning, designing, and building. Léon Krier has taught architecture and urbanism at the Royal College of Arts, in London, and at Princeton University, Yale University, the University of Notre Dame, and the University of Virginia. He received the inaugural Richard Driehaus Prize for Classical Architecture.

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Пролистать книгу Traditional Architecture: Timeless Building for the Twenty-First Century